Das ist so geil. Mozart übertrifft sogar Bach in der harmonischen und melodischen Dramatik. Dann dieser ruhige Teil in der Parallelen Dur, da schmilzt einem das Herz davon, so derart schön ist dieser Teil. Verzweiflung und Rage im ersten Teil, dann die Fuge, und dann diese tröstliche Invention. Das hat nur Mozart, der große Meister!
Fantastische Darbietung! Super Tempo und rhythmisch akzentuiert. Dieses Werk sprengt jedes Mal meinen Verstand! Wie kann jemand solch derart schöne Musik schreiben…Mozarts Geist ist unfassbar
Geil! Super gespielt, rhythmisch stark und drängend, das ist Mozart, nichts für Schläfer! Der Dur-Teil klingt einfach genial. Wie die Stücke Mozarts für eine Orgelwalze. Eine der besten Versionen!!
I've got an interesting suggestion. Is it possible to show the name of the stops as they are being played? I'm wondering what is the name of the metallic sounding stop being played around 4:20.
Horrible! Did the player had a train to catch or was he on some drugs.... much much too fast! How can one distort a score that way? It is Mozart not Liszt!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
So, Mozart left metronome marks, did he? No. So it is left to the taste and fancy of the musician to decide the tempo according to their interpretation of the Italian phrases, allegro, lento, largo etc. How stultifying the music world would become if every piece was always played at the same speed -- without imagination.
I disagree. The piece was originally conceived by Mozart for a very much smaller instrument. Master van der Kooy's tempo is very much in line with that of Noel Rawsthorne at Liverpool Anglican cathedral, recorded a good two generations ago, and for a long time considered definitive.
You must realize it's Mozart style..I think it is well balanced...it depends totally on the listener..and of course if you are in the church you will have a different experience!!
Das ist so geil.
Mozart übertrifft sogar Bach in der harmonischen und melodischen Dramatik.
Dann dieser ruhige Teil in der Parallelen Dur, da schmilzt einem das Herz davon, so derart schön ist dieser Teil. Verzweiflung und Rage im ersten Teil, dann die Fuge, und dann diese tröstliche Invention. Das hat nur Mozart, der große Meister!
Fantastische Darbietung! Super Tempo und rhythmisch akzentuiert. Dieses Werk sprengt jedes Mal meinen Verstand! Wie kann jemand solch derart schöne Musik schreiben…Mozarts Geist ist unfassbar
Geil! Super gespielt, rhythmisch stark und drängend, das ist Mozart, nichts für Schläfer! Der Dur-Teil klingt einfach genial. Wie die Stücke Mozarts für eine Orgelwalze. Eine der besten Versionen!!
Oh my God!! Mozart is the one.
like a lot of Mozart music, wish he was able to make more of it. certainly holds true for organ music.
Absolutely wonderful ! The best historical organ in the world... Thank so much.
Which organ is this?
And Mozart himself played this very organ when both he and the organ were youngsters!
Fantástico!
Virtuoos zoals het moet, maar ook zoals alleen een meester dit kan!
Mooi gespeeld, prachtig tempo
WOW!
I've got an interesting suggestion. Is it possible to show the name of the stops as they are being played? I'm wondering what is the name of the metallic sounding stop being played around 4:20.
For the very best display of your very suggestion, look at the organ demonstrations from Balint Karosi, also on UA-cam.
@kansasthunderman1
Right hand: Roerfluyt 8’ / Left hand: Holpyp 8’ + Fluytdouce 4’
Ah--Mozart!
パイプがピカピカです！
ストップ操作する2人が必要。さらに、譜面を捲るんだ。ペダルまで脚を伸ばしていた！古く偉くて権威ある大きな機械には、手間がかかる。
Horrible! Did the player had a train to catch or was he on some drugs.... much much too fast! How can one distort a score that way? It is Mozart not Liszt!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
So, Mozart left metronome marks, did he? No. So it is left to the taste and fancy of the musician to decide the tempo according to their interpretation of the Italian phrases, allegro, lento, largo etc. How stultifying the music world would become if every piece was always played at the same speed -- without imagination.
MUCH MUCH too fast!!!! Not enjoyable
I disagree. The piece was originally conceived by Mozart for a very much smaller instrument. Master van der Kooy's tempo is very much in line with that of Noel Rawsthorne at Liverpool Anglican cathedral, recorded a good two generations ago, and for a long time considered definitive.
You must realize it's Mozart style..I think it is well balanced...it depends totally on the listener..and of course if you are in the church you will have a different experience!!
I agree!