This is like a Math Rock Rhythmic lesson, It's really really cool 😃🐳. the rhythmic aspect of music is not valorated as much as the harmony or pitch, thank you for making this short!!
hard agree. I watch a lot of drumming content, which is where i (obv) see a lot of rhythmic discussions and experimentation. super refreshing to see musicians that usually deal with harmony focus on rhythm!
Hahaha, the notes she played sounds like the theme that plays when you beat a temple! I was thinking the same thing, that’s why I’m here in the comments!
I don't know music theory, so I never realised until now that the Rhythm also depends on the Melody. Like, she took six notes with the same duration, but made them into groups of 2 or groups of 3 based on pitch and patterns 🤯
@@blubbyblub88 i agree with you for the accent on the 4th note as that is exactly where it should go, but we are here talking only on the right hand. What about if she keeps groups of 3 on the left and 2 on the right...that will still be 6/8, which can easily be reverted to 3/4 if you make the groups of 3 on the left like triplets
That's not a fucking polyrhythm. You're talking about grouping a phrase. A polythythm would be triplets on one hand and 8th notes on the other for each beat. In 6/8 that would be straight 8th notes on one hand, and dotted 8ths on the other @@blubbyblub88
I love uneven measures. They’re also the key to understanding odd time signatures. One time I wrote a beat in 15/8 by combining a measure of 13 with a measure of 2. It’s most unusual and very rewarding as a composer. Plus it’s fun to listen to!
The use of arpeggios and rhythm, along with the addition of the left hand, creates a very mysterious sound and beat. It's so wonderful♬👍 There was a new discovery. I am very grateful.
woah, that third example you gave sounds exactly like an excerpt out of "Resting Grounds" from Hollow Knight! Guess I know what time signature it is now ^^
There's two pieces I'd recommend for analysis. The String Quartets of Debussy and Ravel, especially the 2nd movement of Ravel's. They both have plenty of examples of what can be done with hemiola.
The issue with writing groups of 2's in 6/8 bars is that its easier for the musician to see that in bars of 3/4. I actually wrote something once and changed the time signatures from 3/4 to 6/8 because I wanted 2 groups of three and it does help to see it like that.
I think you’re becoming more of a human unifier and healer than you might know. Driven by your desire to improve and expand you carry everyone along with you which in turn helps them / us expand grow and enjoy ourselves more!!! Thank you Nahre ❤❤❤
My interpretation of “Building the lines” is just how you accent the beginning of each “group”, and the space you leave at the end of each group (optional, but also a good indicator not mentioned here).
I'm not a big fan of piano myself, but this specific... ""section"" of keys is easily my favorite. Maybe because it's used all the time in Breath of the Wild and Hollow Knight but still!
Barrington Pheloung did some interesting things in 6/8. The theme for Inspector Morse was voted UK's number one theme of all time. A Morse Code intro, and nice hesitations in the melody.
Tigran Hamasyan does this very often and i find it super satisfying. New Maps** has groups of 20 beats with an 11 section and a 9 section. (edit: i previously had The Grid which is broken down by @tsufmosplaysm336 below)
@@tsufmosplaysm336 yes I got mixed up with new maps which has a couple breakdowns of a 20/16. I edited the original one thanks! The grid/ out of the grid are insane.. all of his stuff is just genius
I'm hearing variations on "Resting Grounds", from Hollow Knight. 😁🍻♥️ Although, I think Christopher Larkin's piece, is composed in 3/4. But, that's also why it's a variation. 🌚
I absolutely love 6/8 time! Most of my friends hate it, because they feel like it results in difficult lines. They're still difficult for me, but I love how much more interesting it is than 3/4.
Thank you Nahre Sol, this is such an interesting lesson! And indeed the accents give these new groups even more color! Just the thing I was looking for.
Most of the music I love is in that rhythm, it works really well. The 1st cadenza in rach 3 (original recipe) builds using it, the bridge to walking across jupiter's "I feel your breath" is also a good example.
Something I tell my students when trying to help them understand the difference between 6/8 and 3/4 is to think about where the emphasis is. 3/4 is naturally going to incline towards groups of two eighth notes, while 6/8 is characterized by a feeling of duple meter through groups of 3 eighths. This is an awesome way of spinning those tendencies!
This whole video was giving breath of the wild memory energy
those first three notes right?
bro same
Yesss!! The begging is similar to Hyrule Castle Theme (BoTW)
I thought i was alone
Came here looking for this comment
This is like a Math Rock Rhythmic lesson, It's really really cool 😃🐳. the rhythmic aspect of music is not valorated as much as the harmony or pitch, thank you for making this short!!
Exactly what I was thinking
Sounds like a beautiful Steven universe soundtrack
Thanks
hard agree. I watch a lot of drumming content, which is where i (obv) see a lot of rhythmic discussions and experimentation. super refreshing to see musicians that usually deal with harmony focus on rhythm!
I love the beautiful surreal fantasy world art with the whales 🐋 ✨️ in your profile pic! Can you tell me what artist it is from? Thank you! 😊 ❤️ 💙 💜 💖
That demostration was really cool! Thanks Nahre for your dedication, love your channel
Trust in Jesus man and that he died for your sins on the cross, he’s the only way!!
@@BrodyStagcmon dog. we're finished with this
Went from Halloween to Hollow Knight to breath of the Wild then Hollow knight again
EXACTL😮
Literally exactly what I came to comment. What's up fellow good taste haver?
i'm glad i wasn't the only one
Dude i left a comment here, found this video months later wanted to leave a comment then realised i had commented before.
I've been playing zelda tears of the kingdom, and literally every progression you just played gave me deja-vu, sounds awesome!
Hahaha, the notes she played sounds like the theme that plays when you beat a temple! I was thinking the same thing, that’s why I’m here in the comments!
lol, same
Glad others heard it too!
@@DeloofTegOrblike the 13 people who liked your comment hahaha
I don't know music theory, so I never realised until now that the Rhythm also depends on the Melody.
Like, she took six notes with the same duration, but made them into groups of 2 or groups of 3 based on pitch and patterns 🤯
Good takeaway.
@@blubbyblub88Actually you can still have groups of 2 in a 6/8 meter as well as groups of 3 in a 3/4 meter. It’s called hemiola.
@@blubbyblub88 i agree with you for the accent on the 4th note as that is exactly where it should go, but we are here talking only on the right hand. What about if she keeps groups of 3 on the left and 2 on the right...that will still be 6/8, which can easily be reverted to 3/4 if you make the groups of 3 on the left like triplets
What a bunch of nerds
That's not a fucking polyrhythm. You're talking about grouping a phrase. A polythythm would be triplets on one hand and 8th notes on the other for each beat. In 6/8 that would be straight 8th notes on one hand, and dotted 8ths on the other
@@blubbyblub88
I love uneven measures. They’re also the key to understanding odd time signatures. One time I wrote a beat in 15/8 by combining a measure of 13 with a measure of 2. It’s most unusual and very rewarding as a composer. Plus it’s fun to listen to!
i’m gonna act like i fully understood that until my piano comes in💀
The use of arpeggios and rhythm, along with the addition of the left hand, creates a very mysterious sound and beat. It's so wonderful♬👍 There was a new discovery. I am very grateful.
Probably the most valuable short piano lesson of the year nahre
This was something I loved about ghost quartet, where the 68 riff switches between straightforward groups of 3 and also more of a 34 feel
woah, that third example you gave sounds exactly like an excerpt out of "Resting Grounds" from Hollow Knight! Guess I know what time signature it is now ^^
Hollow knight has so much 6/8 and 3/4
I heard this too let’s go
ikr!!!
Nahre teaches so much about music.....thank you
Third example has the exact same notes in the exact same order as the resting grounds music from hollow knight!
Exactly what I wanted to say! Such an amazing piece and game!
I THOUGHT THE SAME!
I KNEW IT
Y E S
That’s what I was thinking too!!
Excellent!!!! Thanks for the video!!!
Muchas gracias por compartirlo!!!!
Beautiful how you complimented with the left hand, you made something percussive sound so melodic. Very inspiring. ❤
I love how everyone collectively thought Hollow Knight, and more specifically Resting Grounds
Great tips! Sounds amazing.
She accidentally played resting grounds from Hollow Knight for a second
Thanks for sharing your wisdom 🎉
Lol you make it look easy
Thanks again for another inspiring lesson. Your one of the best teachers. Your love for your music is wonderful
6/8 is one of the most versatile time signatures imo. It’s really great for mixing groups of 2 and 3 notes
There's two pieces I'd recommend for analysis. The String Quartets of Debussy and Ravel, especially the 2nd movement of Ravel's. They both have plenty of examples of what can be done with hemiola.
c’est merveilleux !!👍👏❤️❤️👏👏👏👏👏
Ur the definition of knowing the rules to break them. I just break them without knowing the rules😭 ur awesome
Final product was very jazzy. I dig it.
Woow excellent explanation.
This is the type of rithm used in Progressive Metal.
Very interesting
Nice rytm and nice Color 🌺
Beautiful touch at the end 🥰🎵
Ginastera's Danza del Gaucho Matrero makes use of his concept masterfuly
That’s pretty. There’s a piano piece Prokofiev wrote called Paysage that does something similar and sounds awesome.
So beautiful. I could listen to this for hours. 🌷
The issue with writing groups of 2's in 6/8 bars is that its easier for the musician to see that in bars of 3/4. I actually wrote something once and changed the time signatures from 3/4 to 6/8 because I wanted 2 groups of three and it does help to see it like that.
Great ideas, but the lady is more interesting, very sweet. 🙂
Thanks for the composing tips. I loved this!!
I think you’re becoming more of a human unifier and healer than you might know. Driven by your desire to improve and expand you carry everyone along with you which in turn helps them / us expand grow and enjoy ourselves more!!! Thank you Nahre ❤❤❤
Beautiful! Nothing like making something sound complex while still falling into familiar meter
So creative and so simple. 😮
Super Chopin style I love
As a non-trained amateur guitarist I really appreciate this food for thought. Thanx
Superb!
Please be so kind to show us more tricks like this. 🙏
I‘m actually impressed she is able to explain it so well while playing the piano.
My interpretation of “Building the lines” is just how you accent the beginning of each “group”, and the space you leave at the end of each group (optional, but also a good indicator not mentioned here).
Wow! Thanks for sharing. 👍🏽
I'm not a big fan of piano myself, but this specific... ""section"" of keys is easily my favorite. Maybe because it's used all the time in Breath of the Wild and Hollow Knight but still!
Which also translates to making a lot of Irish music much cooler than one might think at first!
This is so interesting! The last example sounds so pretty, I'd love to hear someone expand on it and make it into something!
Very descriptive… thank you millions!
Wow! Fantastic tip. Thanks so much.
This is why I love scriabin piano concerto! It uses this idea in its melody and it’s so beautiful!
When a 30 sec short teched you an amazing resort!
Love this! Such a delightful way to mix up 6/8
Barrington Pheloung did some interesting things in 6/8. The theme for Inspector Morse was voted UK's number one theme of all time. A Morse Code intro, and nice hesitations in the melody.
I immediately went: "how to make 68 more enjoyable... you add one"
thank you, I'll be here all night
Tigran Hamasyan does this very often and i find it super satisfying. New Maps** has groups of 20 beats with an 11 section and a 9 section. (edit: i previously had The Grid which is broken down by @tsufmosplaysm336 below)
The grid has groups of 32, it's actually 4/4 which is mind-blowing, and It's like this:
5-5-7 5-5-5
Literally brilliant
@@tsufmosplaysm336 yes I got mixed up with new maps which has a couple breakdowns of a 20/16. I edited the original one thanks! The grid/ out of the grid are insane.. all of his stuff is just genius
Just found him, thanks for the reference
Love how you jump all the way down the rabbit hole. And come out the other side clean and still beautiful. 🤣🤣🤣🤣
The end unlocked a core memory
Awesome. simple but wise 👌
You are amazing, Nahre. Thank you so much.
Beautiful playing!!
Just make a 16 hour video of you playing all you want! You just amazing
Mind-blowing ❤
I'm hearing variations on "Resting Grounds", from Hollow Knight. 😁🍻♥️
Although, I think Christopher Larkin's piece, is composed in 3/4. But, that's also why it's a variation. 🌚
She earned herself a sub. Very interesting technique and i love.
Excellent tips! Wow
I absolutely love 6/8 time! Most of my friends hate it, because they feel like it results in difficult lines. They're still difficult for me, but I love how much more interesting it is than 3/4.
Sound very mystical but also nostalgic
Lovely! Thank you for the lesson
I've truly learned a lot from you that I never thought about! Thank you for sharing!
Thank you Nahre Sol, this is such an interesting lesson! And indeed the accents give these new groups even more color! Just the thing I was looking for.
Most of the music I love is in that rhythm, it works really well. The 1st cadenza in rach 3 (original recipe) builds using it, the bridge to walking across jupiter's "I feel your breath" is also a good example.
You have the best 6 8 I've ever seen and heard. Awesome!
Wow. Never seen you before but this video is all I need to see to subscribe. So simple, but such useful information!
Great explanation
Heart container melody from Zelda games
That’s amazing! Thank you. Structured beautifully, learning so much in such a short amount of time
I love your presentations - you are amazing!❤
rhythmic harmony ❤
Wonderful. I liked the two notes but also the uneven one. Thank you for the reminder. 😊
I like that its the start to a zelda botw theme
The melody you played in the beginning reminds me of stranded lullaby
Thank you! Great tip.
😍 gorgeous!!!!!
Your original music always reminds me of the rain
Love your videos! I watch all of them but I don’t often comment. Thank you ❤.
Thank you! You're the best!
Wow, that bit at the end is really beautiful!
Something I tell my students when trying to help them understand the difference between 6/8 and 3/4 is to think about where the emphasis is. 3/4 is naturally going to incline towards groups of two eighth notes, while 6/8 is characterized by a feeling of duple meter through groups of 3 eighths. This is an awesome way of spinning those tendencies!
she is beginning her periphery arc
Congrats, your discovering Progrock. Keep going.
This is the key of argentinian folklore, I really recommend to listen some "zamba" or "chacarera" like "zamba del carnaval" or "El olvidao"
This mentally unlocked something for me. Thank you
Fun fact is that even after so short video i more understand how meshuggah make their music
Great lesson🎉
Excellent recommendation. Thank you.
A nice example of groups of 4 in compound form is the final run of ballade no 4
very interesting and useful