Mr. Dan , my deepest respect for your knowledge !!! I am to far away from you ... my home is in Croatia (Zagreb) , sad thing for me !! Why ? Because of your way of combat , which is so rear to see ... and even more rare to mastered such art !!! Blesing is every of your students ... they have dream shifu !! Wish i was one of them !!! But this wish will stay in my heart !!! But one wish can be realised ... I wish you all best , many blessings and love from yours distance friend , Nenad !!! 🙏
Your "one, two" is actually "two, three". "One" is performed with the opposite hand as a passing deflective move that is intercepted by "two" followed by "three". It's the same as the Silat answer to a straight punch. It is used just as it is shown in the kata. It's a two handed thing. This is a huge lesson from Seisan kata. O'Sensei would say while performing this series of moves, "This means many things" (traditional oral instruction). It's a very easy and effective way of intercepting a punch and using it to control your opponent. From here you can go in many directions as you control your opponent. This is part of the Malay, Indonesian influence on Karate. This is all about the Malay version of sticky hands called Hubad Lubad. Karate was influenced by many martial arts, not just White Crane Kung Fu.
it seems that using the thumb for eyepoking and gouging is more the intended technique in seisan rather than a throat attack , am i missing something or its a viable alternative ?
Sorry Mr. Djurdjevic .. Wath is This Style in ( vdc ) Performance ..?!. For Me is Very Important. .. Compliments for Your Work's on Martial Arts Concept. .. So' Nice ... ☺😊😀/👍👌👏👋
Hiki/kake uke is something we use every time in hard sparring. Knife hand - not so much. There’s room for both but the advantage of hiki/kake uke is in the immediate outward (no windup) movement and the use of the circle both to deflect attacks as well as track movement and establish proprioception. It’s a specific technique that requires specific, subtle execution.
Mr. Dan , my deepest respect for your knowledge !!!
I am to far away from you ... my home is in Croatia (Zagreb) , sad thing for me !!
Why ? Because of your way of combat , which is so rear to see ... and even more rare to mastered such art !!! Blesing is every of your students ... they have dream shifu !! Wish i was one of them !!! But this wish will stay in my heart !!!
But one wish can be realised ...
I wish you all best , many blessings and love from
yours distance friend , Nenad !!! 🙏
Hvala Nenad - pozdrav iz Australije!
@@DanDjurdjevicplus Hvala vama divan ste čovjek , a meni je ovo najljepši poklon od vas ☺
Od srca vam želim svako dobro i puno zdravlja ,
Nenad ❤
Your "one, two" is actually "two, three". "One" is performed with the opposite hand as a passing deflective move that is intercepted by "two" followed by "three". It's the same as the Silat answer to a straight punch. It is used just as it is shown in the kata. It's a two handed thing. This is a huge lesson from Seisan kata. O'Sensei would say while performing this series of moves, "This means many things" (traditional oral instruction). It's a very easy and effective way of intercepting a punch and using it to control your opponent. From here you can go in many directions as you control your opponent. This is part of the Malay, Indonesian influence on Karate. This is all about the Malay version of sticky hands called Hubad Lubad. Karate was influenced by many martial arts, not just White Crane Kung Fu.
Thanks for your input.
it seems that using the thumb for eyepoking and gouging is more the intended technique in seisan rather than a throat attack , am i missing something or its a viable alternative ?
It’s an alternative. But attacking the eyes is surprisingly difficult.
@@DanDjurdjevicplus is a very small target indeed
Sorry Mr. Djurdjevic .. Wath is This Style in ( vdc ) Performance ..?!. For Me is Very Important. .. Compliments for Your Work's on Martial Arts Concept. .. So' Nice ... ☺😊😀/👍👌👏👋
Thank you Luigi. It is Okinawan goju ryu of IOGKF and Jundokan lineage, although I have also been studying related Chinese arts since 1990.
Thank so Much Mr. Djurdjevic For Your Responce .. So' Nice ... ☺😊😁/👍👌👏👋
Interesting but the outside block grab seems clumsy. I would think an ouside knive hand block would make hooking the arm faster.
Hiki/kake uke is something we use every time in hard sparring. Knife hand - not so much. There’s room for both but the advantage of hiki/kake uke is in the immediate outward (no windup) movement and the use of the circle both to deflect attacks as well as track movement and establish proprioception. It’s a specific technique that requires specific, subtle execution.
@@DanDjurdjevicplus thank you for your answer