Raag Yaman | Aalaap Jod Jhaala | Razakhani Gat | Sitar

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  • Опубліковано 12 вер 2024
  • Yaman or Kalyan in An Ancient Indian Raag
    Yaman raag finds its roots in the Kalyaan Thaat, categorizing it as an aasreya/dependent raag within the Kalyaan Thaat. This renaming endeavor aimed to connect the Bhartiya musical heritage with Persia, exemplifying how Bhartiya numerals are recognized as Arabic numerals.
    Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave). All the scale notes (called swaras) in the raga are Shuddha, the exception being Teevra Madhyam or prati madhyamam (sharp fourth). The notes of the raga are considered analogous to the western Lydian mode.
    None of the three great treatises of music, accept the existence of tivra MA
    Not to be mistaken, Raag Yaman is slightly different from Raag Yaman Kalyan. Both have almost the same base, but they are sung differently. The Aroha and Avaroha of Yaman Kalyan goes like this: SRGmPDNS' S'NDPm GMGRN, RS
    Vadi is ga, Samvadi is ni.
    Kalyan is mixed with several ragas that has either of Kalyan ang or Yaman ang:
    What are the notes in Raag Yaman
    Which Swar is used in raga Yaman
    What does Raag Yaman signify
    राग यमन में कौन से नोट हैं
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    राग यमन नोट्स
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    राग यमन का वादी स्वर क्या है
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    राग आशुरचना क्या है
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