Gorgeous performance. I fall in love with my Super 6 every time I play it (which is every day). It is constantly surprising me. And in every session, there is a point at which I realize I am no longer holding the reigns, and that's when the real magic really starts to happen.
Great performance Hazel, love the way it flows from one sound and feeling to another. I like the live sequence editing and how it builds to a big atmospheric swirl at the end. Really nice!
Oh, that plucky timbre sounds very digital. Not sure I’m convinced of fpga voices. Even something like the hydra can do convincing sharp plucks without that body-less lifeless flimsy tone. I wonder what that transient looks like
Wouldn't the transient and the "punch" of the sound rather depend on the speed and curve of the envelope generator than the tone of the oscillators? Why would the transient of an FPGA-generated waveform sound different from the same waveform by a VCO?
@@XanderEwald thats true, you'd need a good exponential/fast envelope but i definitely think that the core tonal character that you're shaping with the envelope matters, as it does with a kick. a kick isnt just the initial transient. the punch is in the body too i didnt say the transient itself would sound different
Gorgeous performance. I fall in love with my Super 6 every time I play it (which is every day). It is constantly surprising me. And in every session, there is a point at which I realize I am no longer holding the reigns, and that's when the real magic really starts to happen.
Refreshing and inspiring to see a professional using these machines.
Very entertaining performance. Felt like listening to a soundtrack from the 80s.
Great performance Hazel, love the way it flows from one sound and feeling to another. I like the live sequence editing and how it builds to a big atmospheric swirl at the end. Really nice!
Lovely performance
Wow Hazel….that was excellent. Your are a fantastic and inspiring synthesist.
Thank you 🙏🏻
This is just superb, on my third watch :)
Absolutely killer!
Brilliant on so many levels !
wow. so amazing. I must get one of these!
Amazinng music
She is absolutely amazing!!!!
Klasse gemacht,
erinnert mich ein bisschen an tangerine dream 😊
Grüße Michael
Wonderful. So relaxing
I came here looking at the super six but got lost in your track , beautiful track
That was amazing!!
Bravo ! 👏👏🎶
Just wow!!! But one question, where does the kick come from? I am a simpleton, I know...
I wondered exactly the same thing. I'm thinking maybe she's triggering it from her foot or something? Could it be a looper off camera?
Magic
3:03 class!
Any chance of releasing a white key version?
Wowwww she is some player
Are you just jamming or is this a actual instrumental of your played live? Sounds great.
Sounds great!.... but I'm pretty sure the BLUE one sounds better. :)
I’m pretty sure it doesn’t.
@@X22GJP its closer to black so...
🖤
P R O M O S M
来自中国的惊叹号
meh
Oh, that plucky timbre sounds very digital. Not sure I’m convinced of fpga voices. Even something like the hydra can do convincing sharp plucks without that body-less lifeless flimsy tone. I wonder what that transient looks like
Wouldn't the transient and the "punch" of the sound rather depend on the speed and curve of the envelope generator than the tone of the oscillators? Why would the transient of an FPGA-generated waveform sound different from the same waveform by a VCO?
@@XanderEwald thats true, you'd need a good exponential/fast envelope but i definitely think that the core tonal character that you're shaping with the envelope matters, as it does with a kick. a kick isnt just the initial transient. the punch is in the body too
i didnt say the transient itself would sound different
actully its the first demo i heard that sounds more analog from this synth, maybe diffrent speakers