smb12321 There’s no easy answer to this... What’s the difference between what was in the USSR and today’s world? How many genius composers making genius music are known of today? Do we have lots and lots of beautiful music being churned out today in the so-called ‘academic’ area, vs lots of composers striving for so-called ‘originality’ in detriment to musicality? At least in the USSR such ‘originality’ was called for what it was - giftlessness and absence of taste in search of fame, consequentially not allowed to go anywhere. While nowadays if you take a sick cat and beat it repeatedly on the stomach forcing it to meow in pain accompanied by rabid piano chords in front of an audience, this will be called ‘a new great alternative musical breakthrough’.
The first fugue may perfectly be used as background music in the escalating drama of Potëmkin in Eisenstein movie. Starts quietly Bachian to get Shostakovich acme. In general he's typically mainstreaming the Russian neoclassical movement of Soviet time. Still a lot of musicians should be extracted from obscurity: we just know the iceberg top. I shared enthusiasm of many about second prelude clearly inspired by one among Chopin set obviously modernised in language and texture, yet similar in rhythm and simple harmony.
Wow, mightily impressive music from a name I'd never heard of. Clearly inspired by Shostakovich' Op.87 set but my no means a poor imitation. The drive and power of some of these pieces is just awesome. The formidable all-Russian no-prisoners-taken playing certainly helps helps - it is none too subtle but very effective in this music. I wish I knew who it was - the immense sonority makes me think of Emil Gilels or Igor Zhukov. Richter is a possibility though I don't think so. Maybe Grinberg, though the playing seems too masculine to be by a woman. I'll have to be racking my brains about this for a long time now....
Who is the pianist? The name of the interpret must be always written! Without a fantastic musician that believes in the worth of art, notes would just remain silent graphic signs!
Fredrick Zinos Alexander Georgevich Fliarkovsky (1931-2014) was Russian composer of classical and film music. Unfortunately, the only article about him is on the Russian Wikipedia :/ru.m.wikipedia.org/wiki/%D0%A4%D0%BB%D1%8F%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80_%D0%93%D0%B5%D0%BE%D1%80%D0%B3%D0%B8%D0%B5%D0%B2%D0%B8%D1%87
These are simply fascinating. How they could have remained so obscure beats me.
Gem - the answer is easy - it was the USSR. No telling how many great pieces were lost.
smb12321 There’s no easy answer to this... What’s the difference between what was in the USSR and today’s world? How many genius composers making genius music are known of today? Do we have lots and lots of beautiful music being churned out today in the so-called ‘academic’ area, vs lots of composers striving for so-called ‘originality’ in detriment to musicality? At least in the USSR such ‘originality’ was called for what it was - giftlessness and absence of taste in search of fame, consequentially not allowed to go anywhere. While nowadays if you take a sick cat and beat it repeatedly on the stomach forcing it to meow in pain accompanied by rabid piano chords in front of an audience, this will be called ‘a new great alternative musical breakthrough’.
The second prelude is genial... 5:40
0:01 Прелюдия и фуга B-dur
5:40 Прелюдия и фуга es-moll
12:38 Прелюдия и фуга F-dur
That 2nd Prelude is awesome. Sounds like something you'd hear in a Final Fantasy game.
This is a very late reply indeed but I agree!
Absolutely Outstanding! What a find!
Who is playing?? Play like this for a unknown work is just incredible! Bravo, and thanks for thiese wonderfoul musik.
The first fugue may perfectly be used as background music in the escalating drama of Potëmkin in Eisenstein movie. Starts quietly Bachian to get Shostakovich acme. In general he's typically mainstreaming the Russian neoclassical movement of Soviet time. Still a lot of musicians should be extracted from obscurity: we just know the iceberg top. I shared enthusiasm of many about second prelude clearly inspired by one among Chopin set obviously modernised in language and texture, yet similar in rhythm and simple harmony.
Magnifiques œuvres !
Superb
formidable!
An undiscovered gem, FANTASTIC.
Wow, mightily impressive music from a name I'd never heard of. Clearly inspired by Shostakovich' Op.87 set but my no means a poor imitation. The drive and power of some of these pieces is just awesome. The formidable all-Russian no-prisoners-taken playing certainly helps helps - it is none too subtle but very effective in this music. I wish I knew who it was - the immense sonority makes me think of Emil Gilels or Igor Zhukov. Richter is a possibility though I don't think so. Maybe Grinberg, though the playing seems too masculine to be by a woman. I'll have to be racking my brains about this for a long time now....
A ironia bem sucedida da primeira peça, faz pensar em Arenski ou eventualmente Cui. Muito bom.
Amazed at how exactly the compositional style of this piece mirrors my own. I'm weeping.
Absolutely excellent. Is it possible to share the sheet music?
fyrexianoff, where can I buy the sheet music online? Thanks
Which opus-number does this work have? I want to know more about Fliarkovsky and this particular work so that I can order the sheet music for/of this.
So cute ! I love it ! Can you share me sheet music ? I want to have it !
Who is the pianist? The name of the interpret must be always written! Without a fantastic musician that believes in the worth of art, notes would just remain silent graphic signs!
This is really beautiful, could you share with me the scores, please?
drive.google.com/file/d/1Y6vCFfqzIq94Z9ZN3X9txBHfWoETWBKt/view?usp=sharing
ah, thank you so so much!
Thank you!!
This looks to me like the recording by Boris Petrov (Melodiya С10 27039 006, 1988).
www.flickr.com/photos/hansthijs/11871318835/in/photostream/
Do you mean Nikolai Petrov? en.wikipedia.org/wiki/Nikolai_Arnoldovich_Petrov
Who is this guy and why has no one heard of him?
Fredrick Zinos
Alexander Georgevich Fliarkovsky (1931-2014) was Russian composer of classical and film music. Unfortunately, the only article about him is on the Russian Wikipedia :/ru.m.wikipedia.org/wiki/%D0%A4%D0%BB%D1%8F%D1%80%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9,_%D0%90%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80_%D0%93%D0%B5%D0%BE%D1%80%D0%B3%D0%B8%D0%B5%D0%B2%D0%B8%D1%87
뒤로가니..너무 챔발로소리같아..피아노소리가 저급하게 시끄러운소리로 느껴지네요~!