EL JUVENL GIUSEPPE DI STEFANO:Es la voz de tenor lirico mas bella,clara,nitida,hermosa, emotiva,conmovedora(me faltan adjetivos calificativos)que ser humano ha poseio en epoca alguna conocida. Hay quienes le critican porque en la tesitura aguda abria las vocales o no disponia de perfecta escuela canora,etc,pero a pesar de ello(o quiza POR ELLO),nunca un ser humavobya poseido esa bellisima voz,es como manantial de cristalina agua que brota en el monte y y atravesando impolutos campos no necesita de filtros para purificarla.Esta JUVENIL ETAPA le duro aproximadamente hasta sus 35 de vida,su voz fue luego deteriorandose por cantar repertorio dramatico inadecudo para el y creo yo que por fumar largos habanos,a partir de la susodicha edad,fue decayendo paulatinmente y no era lo que habia sido pa
Totalmente de acuerdo cuando dice que la imprudencia de abordar un repertorio inadecuado, eso lo llevó a abrir sonidos en el centro agudo y en el agudo propiamente dicho. En cuanto a los cigarros ,ese fue un mal menor, su decadencia prematura ,se debió a una vida un tanto desordenada para un cantante lirico que es un atleta de la voz. No nos olvidemos que las mujeres estaban fascinadas con el , llegaron a regalarle automobiles de alta gama , el mismo en su apogeo invitaba a cenar luego de una función a casi un centenar de amigos. Pero resumiendo y opinar tan solo del artista, que afortunados fuimos los que amamos el canto y la voz humana , haber disfrutado un canto como el de Pippo, un tenor lirico -ligero con un temperamento dramático.. Si le hubieran hecho una autopsia , diré lo mismo que se dijo de Caruso: Hubieran encontrado las cuerdas vocales insertas en el corazón y no en la laringe.
When he was great he was really GREAT A voice straight from GOD Simply Sublime some of the most beautiful singing I’ve ever heard. Some of this is definitely not Di Stefano two selections before the aria from the Pearl Fishers 28.43 not him
0:00 - Chiudo gli occhi (from the opera Manon, by Massenet) 3:57 - Ideale (song by Tosti) 6:48 - Pourquoi me reveiller (from the opera Werther, by Massenet) 9:35 - L' ultima canzone (song by Tosti) 13:48 - Elegie (by Massenet) 16:41 - Serenata (by Pietro Mascagni) 19:53 - E lucevan le stelle (from the opera Tosca, by Puccini) 22:45 - Mamma (by Bixio-Cherubini) 25:45 - Se vuoi goder la vita (Bixio-Cherubini) 28:43 - In deinen Augen lese ich (Paganini) 33:09 - Mi par d'udire ancora (from the opera I Pescatori di Perle, by Bizet) 37:17 - Si vous l'aviez compris (by Denza) 40:55 - Au fond du temple saint, also known as Pearl Fishers duet, in Italian (from opera I pescatori di perle, by Bizet) 45:58 - Torna a Surriento 49:10 - Musica proibita 52:44 - Santa Lucia luntana 56:06 - Ninna nanna della vita 59:10 - Santa Lucia 1:02:27 - Fenesta ca lucive (by Bellini)
Unico, irripetibile e insuperabile .La sua voce da giovane era la perfezione fatta canto. Sentimento, sfumature di colori, padronanza tecnica sublime. Un balsamo per l' anima.
Wannabebarone. But Pippo was a tenor with a short career. I was together with my teacher Francesco Carrino in his studio in Düsseldorf, when Carrino sent him a high C through the telephone. In Pippo`s concert in the Rheinhalle a few days later he sung everything deeper than original. This concert was over 50 years ago. Carrino was the tenor who made Carlo Bergonzi from a baritone to a tenor in Trieste.
Pippo Di Stefano con l'impeccabile colore che diventa canto solare, il fraseggio unico, la passione di un cuore audace e di un diaframma controllatissimo. Il suo canto parte dall'anima e arriva alle nostre anime !!!!!
There is no artifice separating singer from audience here. This is the first singer to accomplish this feat. It's too hard to listen to this distilled beauty. The closest is Placido in his prime. I could die happy now.
I can feel the heavy dark red velvet cloak of opera, with its fine gold embroidery, wrap its luxuriousess around my freezing form, protecting me from the plebian cacophony of what passes for public life these days.
Although at 23 in 1944 Di Stefano was still a relatively inexperienced singer there can be no question regarding the natural beauty & amazing potential of his instrument. Especially the Italian songs heard here are, IMO, the most beautifully sung I have yet to hear from a pure Italian LYRIC tenor. He soon developed a bit more technical assurance in his opera roles (although even in the late 1940s he could be inconsistent in his musicianship & even some singing of the wide open vowels in his upper range was sometimes apparent but not of any great concern until the mid to late 1950s. Perhaps this tendency increased as he took on repertoire not (then anyway) appropriate for his basically lyric voice. It is hard to say whether, if he had waited longer in taking on spinto roles, his voice would have darkened & grown suitable for more dramatic repertoire. Some felt that his basic vocal technique was also at fault & that any change to more heavier roles in the future would still have not been successful. We will never know. What is clear is that in the beginning of his career Di Stefano‘s natural vocal endowment showed him to be unique among tenor voices of his type. Apparently Bjorling on hearing Di Stefano‘s voice stated that this tenor could be ˋgreater than any of us if he got his act together.‘ Quite an endorsement as unrealized as it proved to be.
A mi me daria vergüenza, si fuera joven y pretendiera ser tenor, seguir estudiando. En los comienzos de su carrera, el Di Stefano de 23 años no era una voz, era un milagro de timbre , de color y de asombrosa belleza que solo Dios, si acaso, podía competir con ella. Si,ya sé que el deterioro de su voz llegó pronto al abordar roles inadecuados, hecho que motivo la gran estafa de una critica musical perversa y poco sensible a las emociones. En esa época increíble del Di Stefano jovencísimo , creo que solamente le haría justicia la voz del mayor poeta de la historia. Que no se quien es.
My favorite singer for all time
EL JUVENL GIUSEPPE DI STEFANO:Es la voz de tenor lirico mas bella,clara,nitida,hermosa,
emotiva,conmovedora(me faltan adjetivos calificativos)que ser humano ha poseio en epoca alguna conocida. Hay quienes le critican porque en la tesitura aguda abria las vocales o no disponia de perfecta escuela canora,etc,pero a pesar de ello(o quiza POR ELLO),nunca un ser humavobya poseido esa bellisima voz,es como manantial de cristalina agua que brota en el monte y y atravesando impolutos campos no necesita de filtros
para purificarla.Esta JUVENIL ETAPA le duro aproximadamente hasta sus
35 de vida,su voz fue luego deteriorandose por cantar repertorio dramatico inadecudo para el y creo yo que por fumar largos habanos,a partir de la susodicha edad,fue decayendo paulatinmente y no era lo que habia sido
pa
Totalmente de acuerdo cuando dice que la imprudencia de abordar un repertorio inadecuado, eso lo llevó a abrir sonidos en el centro agudo y en el agudo propiamente dicho. En cuanto a los cigarros ,ese fue un mal menor, su decadencia prematura ,se debió a una vida un tanto desordenada para un cantante lirico que es un atleta de la voz. No nos olvidemos que las mujeres estaban fascinadas con el , llegaron a regalarle automobiles de alta gama , el mismo en su apogeo invitaba a cenar luego de una función a casi un centenar de amigos.
Pero resumiendo y opinar tan solo del artista, que afortunados fuimos los que amamos el canto y la voz humana , haber disfrutado un canto como el de Pippo, un tenor lirico -ligero con un temperamento dramático..
Si le hubieran hecho una autopsia , diré lo mismo que se dijo de Caruso: Hubieran encontrado las cuerdas vocales insertas en el corazón y no en la laringe.
I sadly agree but in his prime I say the most beautiful voice of any tenor simply gorgeous.
When he was great he was really GREAT
A voice straight from GOD
Simply Sublime some of the most beautiful singing I’ve ever heard.
Some of this is definitely not Di Stefano two selections before the aria from the Pearl Fishers 28.43 not him
0:00 - Chiudo gli occhi (from the opera Manon, by Massenet)
3:57 - Ideale (song by Tosti)
6:48 - Pourquoi me reveiller (from the opera Werther, by Massenet)
9:35 - L' ultima canzone (song by Tosti)
13:48 - Elegie (by Massenet)
16:41 - Serenata (by Pietro Mascagni)
19:53 - E lucevan le stelle (from the opera Tosca, by Puccini)
22:45 - Mamma (by Bixio-Cherubini)
25:45 - Se vuoi goder la vita (Bixio-Cherubini)
28:43 - In deinen Augen lese ich (Paganini)
33:09 - Mi par d'udire ancora (from the opera I Pescatori di Perle, by Bizet)
37:17 - Si vous l'aviez compris (by Denza)
40:55 - Au fond du temple saint, also known as Pearl Fishers duet, in Italian (from opera I pescatori di perle, by Bizet)
45:58 - Torna a Surriento
49:10 - Musica proibita
52:44 - Santa Lucia luntana
56:06 - Ninna nanna della vita
59:10 - Santa Lucia
1:02:27 - Fenesta ca lucive (by Bellini)
37:17 - Si vous l'aviez compris (by Denza)
Thank you @@Minnie_1910
28.43 not Distefano
Unico, irripetibile e insuperabile .La sua voce da giovane era la perfezione fatta canto. Sentimento, sfumature di colori, padronanza tecnica sublime. Un balsamo per l' anima.
The greatest lyric tenor ever.
I agree.♫♪ ॐ¸¸.•*¨*•♫
Wannabebarone.
But Pippo was a tenor with a short career.
I was together with my teacher Francesco Carrino in his studio in Düsseldorf, when Carrino sent him a high C through the telephone.
In Pippo`s concert in the Rheinhalle a few days later he sung everything deeper than original.
This concert was over 50 years ago.
Carrino was the tenor who made Carlo Bergonzi from a baritone to a tenor in Trieste.
Uno spettacolo per le orecchie.
Дякую за неймовірну насолоду
Proteggi a tutti i costi questo documento dal valore inestimabile.
Che VOCE!!! Paradisiaca... SEMPRE Pippo di Stefano.
Maravillosa su voz joven.
Young Di Stefano was amazing
アップしていただきましてありがとうございます。きれいな歌声を聞くことができてうれしいです。
Pippo Di Stefano con l'impeccabile colore che diventa canto solare, il fraseggio unico, la passione di un cuore audace e di un diaframma controllatissimo. Il suo canto parte dall'anima e arriva alle nostre anime !!!!!
There is no artifice separating singer from audience here. This is the first singer to accomplish this feat. It's too hard to listen to this distilled beauty. The closest is Placido in his prime. I could die happy now.
I can feel the heavy dark red velvet cloak of opera, with its fine gold embroidery, wrap its luxuriousess around my freezing form, protecting me from the plebian cacophony of what passes for public life these days.
I adore him.Thank you for posting.🤎
何十年前、何かの日本のコンサートでステファノが舞台に上がって一曲歌ってくれました。ご高齢でした。記憶がさだかではありませんが、本番前礼服を忘れ、車ごと突っ込んでなんとか洋服やからゲットした？そんなような話をしていた記憶がありますが、さだかではありません。やはり青年の声は違うのですね。イメージではヘビースモーカーと思っていましたが、いろいろあったのでしょう。でもこの後音源聞けてラッキーです。ありがとうございます😊
this is 'Bel canto'
What a sweet voice!!
ecco un grande in tutti i tempi. Voce solare una gioia ascoltarlo. Grazie Pippo
This is a miracle
Absolutely wonderful as always!
Although at 23 in 1944 Di Stefano was still a relatively inexperienced singer there can be no question regarding the natural beauty & amazing potential of his instrument. Especially the Italian songs heard here are, IMO, the most beautifully sung I have yet to hear from a pure Italian LYRIC tenor. He soon developed a bit more technical assurance in his opera roles (although even in the late 1940s he could be inconsistent in his musicianship & even some singing of the wide open vowels in his upper range was sometimes apparent but not of any great concern until the mid to late 1950s. Perhaps this tendency increased as he took on repertoire not (then anyway) appropriate for his basically lyric voice. It is hard to say whether, if he had waited longer in taking on spinto roles, his voice would have darkened & grown suitable for more dramatic repertoire. Some felt that his basic vocal technique was also at fault & that any change to more heavier roles in the future would still have not been successful. We will never know. What is clear is that in the beginning of his career Di Stefano‘s natural vocal endowment showed him to be unique among tenor voices of his type. Apparently Bjorling on hearing Di Stefano‘s voice stated that this tenor could be ˋgreater than any of us if he got his act together.‘ Quite an endorsement as unrealized as it proved to be.
Спасибо, это прекрасно!
45:58 - Torna a Surriento
49:15 - Musica proibita
52:40 - Santa Lucia luntana
59:10 - Santa Lucia
A mi me daria vergüenza, si fuera joven y pretendiera ser tenor, seguir estudiando. En los comienzos de su carrera, el Di Stefano de 23 años no era una voz, era un milagro de timbre , de color y de asombrosa belleza que solo Dios, si acaso, podía competir con ella. Si,ya sé que el deterioro de su voz llegó pronto al abordar roles inadecuados, hecho que motivo la gran estafa de una critica musical perversa y poco sensible a las emociones. En esa época increíble del Di Stefano jovencísimo , creo que solamente le haría justicia la voz del mayor poeta de la historia. Que no se quien es.
Just pure heaven🚩🚩🚩👍
Il più grande ❤️
아!.....쥬세페 디 스테파노.....
완벽한.......
좋은 자료를 올려 주셔서 감사합니다...*^^*
Love this man
Very rare ! Very valuable ! (Taiwan R.O.C)
お見事！！
パヴァロッティは一日にして成らず…
イタリアンテノールには系譜がありますね…
なんと輝かしい！！
それをあたかも軽く自然に歌う妙技！！
Bravissimo！！
イタリアの中でも、シチリア島の血が入ったテノールの声は格別ですね。
マルチェッロ・ジョルダーニ、ロベルト・アラーニャが最近では有名で、今全盛期の歌手としてはエネア・スカラ（Enea Scala）という人もステファノを思わせる素晴らしい声をしています。
しかし若い頃のステファノは高音のピアノの表現を多用するなどとても理知的で、彼を美声の垂れ流しにしたのは、そのような表現に喝采を送ったスカラ座の天井桟敷の聴衆である。と喝破した著書もある程でした。
ステファノの歌唱の遍歴を見ると、優れた歌手を育てるのも、潰すのも最後は聴衆なんじゃないかと考えさせられます。
@@narisusama Спасибо за весьма квалифицированное суждение.
I can’t read the Japanese in the description - - what is this wonderful recording? From where?
Guys,Can you write down all the names of these pieces?Thank you guys so much!
貴重な音源をありがとうございます。
56分からの曲名を教えていただけますでしょうか。
ninna nanna della vita
16:40???
Serenata by mascagni