One of my favorite songs ... Pat Metheny, is a top-flight guitarist! I have been listening to him for several dozen years and I think I will never get tired of his playing.
Hey you are so right I was introduced to Pat metheny by my sister when I was 15 years old and I have never been more in love with A guitarist then with him and It was accidentally this song I played for my entry exam for the conservatory I didn’t make it in but I never stopped playing that song I was playing the wes Montgomery edition
Probably longer than 20 years actually. That’s his thing and he knows how to use beautiful chords coming in and out of dissonance to beauty. It’s something else. I’m glad you mentioned it. It sounds so nice and heavy to realize that he was good friends with Antonio, Carlos Jobim, the writer of how insensitive. So it had to have a special meaning to him playing this song. Of course we all owe homage to Wes Montgomery‘s classic version of this song as a guitarist. As we see Pat doing here. .
One of my three favourite renditions of this song, the other two are Vinicius and Toquinho's version and the version Pat did with Tom Jobim at Carnegie Hall
@@YoshiTRoN1 Not sure if it was an interview about improvisation with Pat, or someone else entirely, but after so many performances sometimes they pick a new key just to keep it fresh, or perhaps to accommodate another instrumentalist, horns, or maybe even singer. When the rest of the band joins in at around the 1:19 mark you can hear adjustments being made. Might be entirely wrong, but it was still reassuring see it being done by a master and not so different than anyone else might.
I believe he is playing a prototype Ibanez developed for him in the late 70s/early 80s when people from Ibanez were trying to convince him - as they did with George Benson, Lee Ritenour, and Joe Pass at that time - to become a musician endorsed by them. Pat accepted the prototype - which, by the way, is quite similar to the Ibanez JP20, a model Ibanez ended up making for Joe Pass -, but not the deal and kept playing his old (and beaten) Gibson ES175. I think one of the first albums Pat recorded playing this prototype was his trio album entitled 'Question & Answer' in 1989, one of my favorite jazz albums ever! In the mid-90s, Pat finally set up a deal with Ibanez, and they developed the signature models PM100 and PM120 together. Pat played those models until 2000 or 2001, I guess... 'Cause I remember seeing him playing a concert in Lisbon, Portugal, back in 2002, already using the old signature guitar prototype that can be seen here in this video. Later on, Ibanez used this prototype to build the PM200. A Pat Metheny signature model that can still be found for sale today. Now Pat seems to be using another guitar that Ibanez has made for him, with gold hardware and a Charlie Christian pickup. The guitar seems to be a 'blend' between his old Ibanez prototype guitar and an archtop guitar custom-built for Pat by a Dutch luthier called Daniel Slaman. But it's unclear to me if that new guitar will get into the Ibanez catalogue as a new Pat Metheny signature model. Let's see what happens.
One of my favorite songs ...
Pat Metheny, is a top-flight guitarist! I have been listening to him for several dozen years and I think I will never get tired of his playing.
Hey you are so right I was introduced to Pat metheny by my sister when I was 15 years old and I have never been more in love with A guitarist then with him and It was accidentally this song I played for my entry exam for the conservatory I didn’t make it in but I never stopped playing that song I was playing the wes Montgomery edition
uff what a great bass solo
Wonderfull double bass solo!
Super sound I remember the first time I listen when the DVD came out over 15 years ago and WOW ! 😎
Particularmente me parece el mejor solo de guitarra de Pat Metheny.
Pat’s intro drones over D string - this is how he played intro to this tune for 20+ yrs
Probably longer than 20 years actually. That’s his thing and he knows how to use beautiful chords coming in and out of dissonance to beauty. It’s something else. I’m glad you mentioned it. It sounds so nice and heavy to realize that he was good friends with Antonio, Carlos Jobim, the writer of how insensitive. So it had to have a special meaning to him playing this song.
Of course we all owe homage to Wes Montgomery‘s classic version of this song as a guitarist. As we see Pat doing here. .
Está interpretación es lo mejor de Patt Metheny.
IMO the version he played during the Secret Story tour is unbeatable, mostly because the 2nd solo.
Pat.... genio e arte!!
One of my three favourite renditions of this song, the other two are Vinicius and Toquinho's version and the version Pat did with Tom Jobim at Carnegie Hall
Encore et toujours excellent, tu me fais voyager à chaque note, Pat, et depuis tant d'années ! ❤
Pat w/o Lyle and without.Pedro aznar? Thanks for posting. I remember when he work for Joni and had dreams of building such a guitar.
Capolavoro 😊
2022 meu Deus , que lindo
Is that Antonio Sanchez on drums?
Yes
Yessss
Disfruto las dos versiones. Está y con Carlos Jobim
Grande Maestro
I guess this might be his "go to" bossa standard. I enjoy his various versions.
Seeing a "Guitar God" step up and fumble around to find the key that the rhythm section chose that night is the message I needed to be reminded of.
im not sure i understand?
@@YoshiTRoN1 Not sure if it was an interview about improvisation with Pat, or someone else entirely, but after so many performances sometimes they pick a new key just to keep it fresh, or perhaps to accommodate another instrumentalist, horns, or maybe even singer.
When the rest of the band joins in at around the 1:19 mark you can hear adjustments being made. Might be entirely wrong, but it was still reassuring see it being done by a master and not so different than anyone else might.
@@wc10k I think I notice something similar with the Pat Metheny trio live album when he plays giant steps
It's D minor, like the real book.
He was playing d minor from the very start. As far as I hear and see there was no adjusting being done
Lo más 🥇
el mejor solo de tap
Enorme!!! Thanks a lot...
best*
What's the guitar model he's using? Ibanez pm35?
I believe he is playing a prototype Ibanez developed for him in the late 70s/early 80s when people from Ibanez were trying to convince him - as they did with George Benson, Lee Ritenour, and Joe Pass at that time - to become a musician endorsed by them. Pat accepted the prototype - which, by the way, is quite similar to the Ibanez JP20, a model Ibanez ended up making for Joe Pass -, but not the deal and kept playing his old (and beaten) Gibson ES175. I think one of the first albums Pat recorded playing this prototype was his trio album entitled 'Question & Answer' in 1989, one of my favorite jazz albums ever! In the mid-90s, Pat finally set up a deal with Ibanez, and they developed the signature models PM100 and PM120 together. Pat played those models until 2000 or 2001, I guess... 'Cause I remember seeing him playing a concert in Lisbon, Portugal, back in 2002, already using the old signature guitar prototype that can be seen here in this video. Later on, Ibanez used this prototype to build the PM200. A Pat Metheny signature model that can still be found for sale today. Now Pat seems to be using another guitar that Ibanez has made for him, with gold hardware and a Charlie Christian pickup. The guitar seems to be a 'blend' between his old Ibanez prototype guitar and an archtop guitar custom-built for Pat by a Dutch luthier called Daniel Slaman. But it's unclear to me if that new guitar will get into the Ibanez catalogue as a new Pat Metheny signature model. Let's see what happens.
Please, can someone transcribe the intro
4:31
Besser gehts nicht….
Wish he used a little bit of distortion
On the rare occasions he uses distortion I always wish he hadn't. This is Jobim not Metallica
One of the great smooth jazz players
I think "smooth jazz" is not the correct name for what Metheny plays...
The only correct label for this music is “Pat Metheny”
PMG smooth jazz???? Go listen or read his thoughts on Kenny g
this has nothing to do with smooth jazz. this is top of the line jazz
Particularmente me parece el mejor solo de guitarra de Pat Metheny.
2:36
3:26
3:25
3:30
@@arthurfranca5516 4:50