"We hunt ourselves because the conflict between our primal inner being with it's forbidden strength and the servile creature we have been trained to become is irreconcilable, and one force must inevitably triumph over the other." This is profound. Thank you for sharing your insight.
@@HeadsMan98 Haven't seen it or read it but here's what he definitely said: "Immigration is good. Diversity is good. We have a duty to take in migrants and if you oppose it you are racist!"
I wasn't far off: "A 1920’s law called The National Origins Formula was created to “retain the current ethnic proportions” of the population. Restricting immigrants of Africa and Asia. Unequivocally a racist law. That quota system stopped in 1965 when LBJ signed a new law. Let’s not go backward now."
@@Lenn869 What difference does it make whether he’s shilling for the establishment or genuinely agrees with what he’s pushing. Cranston is still doing their bidding either way.
"Breaking Bad is the product of fear: The fear that European man dispossessed of his birth right and robbed of his future has nothing left to lose. The fear that he will cast off the false moral code that is slowly killing him. The fear that the primal force within him that once conquered the world might still, somewhere, be stirring." Well at least they're afraid.
@@seanisnotjohn Clearly you’re lacking the intellect to understand Breaking Bad’s allegory. Obviously Walter White isn’t meant to be a medieval knight or frontiersman. In society today, there is zero opportunity for the White man to be a hero, other than sacrificing his self-respect via being a gelded, self-hating, male feminist liberal. Walter rejects the idea of dying in a whimper. Instead, opting for one last shot at success. He is a product of modernity who finally takes agency. The success that he achieves ultimately leads to his (inevitable) destruction. This is the case for the modern White man. Our only chance at survival and success is through brute force.
American Krogan used to be quite similar, though he elected to delete his channel. :/ I archived some videos that I thought were real good but not all (I never thought there would be so few people archiving his stuff, it was gold)
30 seconds in: "Oh no, please don't go down that road, that's schizoid territory" 2 minutes later: "Nevermind, you were right." Every time i watch your videos.
@@folksurvivalit's usually way more obvious because the writers obsessed with this stuff aren't that smart. I'm still not sure I buy it as plans for BB changed a lot due to actors' schedules and stuff like Jesse originally not being meant to make it past s1
@@folksurvivalit's usually way more obvious because the writers obsessed with this stuff aren't that smart. I'm still not sure I buy it as plans for BB changed a lot due to actors' schedules and stuff like Jesse originally not being meant to make it past s1
You have a more than superb talent at picking up on these metaphors. I always felt there was more to the names, especially with how often racial themes were played into the story, seemingly incidental.
The Gretchen character, as her name suggests, is supposed to be a White Germanic woman. The point of that subplot is to have the White woman get taken by the male Jew, further emasculating Walter. It doesn't matter if the actress is a Jew, her character is esoterically White.
@@JustinQuinn623 I see it completely different as it's pushing Talmudic narrative (masonry) and all the babylonian magick .. to destroy / subvert Christian culture that formed Americas. It's more of a brag in the form of a series than anything , propping up Alphabet agencies to solve issues ect.
@@JustinQuinn623 I would disagree 100% that it's not racialized - it has Jewish supremecy all over it - but it's not obvious to many but once you see it , it's clear. It's not so cliche as in 'white vs black' character nor how they are doing it in 2025 ... . The whole of the CIA and it's function (secret fraternal governance) is part of the expose in the show - plus just look at all the actors and who they are and of what culture..most aren't Caucasian. Cheers.
Excellent analysis as always. This makes me think of Nietzsche's bad conscience, where our natural energies aren't allowed to express themselves, they turn inward against our own self.
All the various tech platforms clamped down on this type of content HARD around 2016. The algorithm will recognise and prevent information of this sort from spreading organically, preferring intellectual gatekeepers like Jordan Peterson.
don't get bogged down striving for perfection. I bet Rembrandt would like to have a few strokes back....but standing here in a Dutch museum 400 years later, I'd never know it.
Though I'm asian, I can clearly see how ((they)), those of Schwartz's tribe have hijacked control over all the major civilizations of the world through their media and banking empires. White European people as a whole have historically had a strong fierce sense of independence which combined with their powerful innovative spirit for martial conquest, industry and exploration makes them the greatest threat to this subversive world order. ((They)) want to completely eradicate the white spirit before it can ever rebel and dismantle the evil exploitive system that is currently enslaving all of humanity.
@@rogerc6533I don’t think it’s just white men. Look at middle easterners, they’re also a threat to Jewish hegemony and are more j-pilled than us. Asians have the same potential to resist Jews.
Great analysis. It is interesting and also frustrating to see how the show is just one big web of subversive metaphors, but of course that's nothing new in mainstream media. Luckily, more and more people are becoming aware of these things and the whole story behind them. And this is not the first time in history.
Excellent video. I allowed myself to enjoy this show on the surface level so I never realised what a monumental anti-White piece of crap Gilligan (and his writers) is. The nasty/lazy J propaganda tropes make me think Gilligan must be a crypto himself.
WOW. Excellent analysis. You should tackle the Ludovico Technique in A Clockwork Orange. I know there is something in there that film guys like Collative Learning wont touch.
The CRM 114 code runs thru many Kubrick films (Strangelove, 2001, ACO, EWS) as well as Videodrome by Cronenberg. In ACO the "Serum 114" is the drug used to condition Alex when viddying the horrorshows
I can't deny that I have both watched and somewhat enjoyed Breaking Bad, however I fully agree with your points. What are your thoughts about Better Call Saul, the spinoff show?
This show, + narcos, Wolf of wall street etc encourage anti social behavior particularly in men. Most modern scammers are inspired by Belfort and the like.
Pinkman, Walter, and Skler. Red, White, and Blue. This is a story about America. I would be curious if this trope exists anywhere outside of the US. Removing James Bond and other big tents, which are basically a US/hollywood properties, from the equation. Does the BBC generate this material for UK audiences? This is about managing expectations for a population that's going to get screwed over.
@@AlabasterTheGreat Define "subversive." Are we expanding to gender flip too? White male father figure as sacrificial offering is what I'm referring to. Would be curious to have examples outside the USA.
@@DoctorMindbender Ah, got it. Well I don’t really know much about movies/TV shows from the UK. However, I do remember watching a reaction to a show that was obviously portraying White British working class people in a negative light. The usual “racist”, being “Anti-Vax” tropes, etc., while the nonWhites were the “reasonable” and “smart” counterparts who had to “educate” the Whites. It was pretty subtle but it’s obvious nonetheless. I don’t remember the show though. I know that’s not exactly what you were talking about, but that’s what I remember. I’m also curious to know if the trope you mentioned is present in other Western Nation’s media.
You mean blue? As in the red white and blue from the flags of France, USA, UK, Russia and many others?. A long time ago a read somewhere that the colours in those flags represented red = Rothschilds, Blue = freemasons and white = the gentiles. Idk if that's what you are referring to 😂.
Good video. You're no doubt right about many of the themes, but Breaking Bad is more messy/confused than other anti-white media you've covered. For one, I never got the impression that Walter regretted his empire and him creating it in the first place. He regrets getting caught, he regrets Hank dying, he regrets his family hating him, and perhaps he's iffy about some other things he did (like killing Gale), but he doesn't seem to regret his empire and power it afforded him. He affirms this to Skyler in their last conversation, telling her that he liked doing what he did and that he was good at it. In his last moments he wanders the lab seeming genuinely proud of his life's work. When he comes back home from his exile, he first intimidates the tribe into making sure his progeny receives their inheritance. His coming back to square off the with the Neo-Nazis is not the usual redemptive white man self-sacrifice because it's colored by the fact that he wants vengeance against them for killing a member of his family against his will (Hank), and also by the fact that he's dying anyway (and also on the run). He also ends up being able to free his surrogate white son from them. I personally thought that the last half of the last season was the weakest part of the show, but I was genuinely surprised when they didn't make Walter some sniveling loser begging for forgiveness. Ultimately, he affirms his own existence with pride, which is very rare and deserves some praise. Of course, this doesn't justify the other anti-white stuff in the show, like making the "White's" empire an exploitative and criminal one that causes suffering to everyone around him and alienates him from his family, that's really on the NOSE. Still, for whatever reason Breaking Bad doesn't seem as hopelessly cucked as some of the other examples you covered.
I largely agree. Two commentators have pointed out through that Breaking Bad encourages drug use, drug dealing and general scamming slash sociopathy. It's not a morally uplifting show, Walter White is a parasitical anti-hero.
@@bass9351 no, I clearly do see it as a valuable, critical exegesis of the series. When you say "more like isogesus" the thing you are talking about, eisegesis, means an idiosyncratic reading into something that may or may not be there. I think the subversive message IS there which is why I think WS has a good exegesis and is not engaging in eisegesis.
You argue that the purpose of BB is to induce us to give up the fight against decline and death, though Walt does ultimately blackmail the Schwartz's into being part of his plan and get $10 million to his children. One could also argue that Scarface is a critique of unchecked ambition, though this is apparently one of the most well-liked films among Africans and Hispanics in America, who seem to take from it that it's better to live a day as a criminal lion than a hundred years as a law-abiding sheep. "The world is yours" becomes a rallying cry rather than a warning. But Breaking Bad is without a doubt highly individualistic and morally corrosive. Aside from its glamorisation of drug dealing and using, even if Walt's rebellion is ultimately justified in his own terms by self-interest (and thus attractive to many), it's not justified according to the collective good.
Extremely thoughtful discussion. The evidence overwhelmingly supports this interpretation. I think we can benefit from understanding how the broader culture perceives and wishes us to act.
Your point about The Shining applies equally to Breaking Bad: “The purpose was to make every white child see Jack Torrance in his father, every white woman see JT in her husband, every white man see JT in himself.” My father is a classic example of this. From my first time viewing the show I recognised that after a few episodes, Walt was the villain. I enjoyed the performance and his enemies were as bad or worse but he was clearly a bad guy. But my father has always defended Walter White, never admitting even once as far as I recall that he was extremely selfish and ego-driven to the point of being willing to risk destroying his family. The effect of this is to make the implicit connection between my father’s bad behaviour and Walt’s explicit: not only does the show indirectly demonise my father, he demonises himself by identifying with the toxic villain protagonist and passionately defending his actions. I imagine that many women saw Walt in their husbands, especially when their husbands defended him and repeated his self-serving lies about “doing it for the family”. This dynamic is a major part of the subversion of the show.
I feel this analysis is incomplete. What about the other white men? What about Michael Ermahntraut? What about Hank Schrader? Marie was absolutely devoted to Hank. What does their inability to procreate signify?
Marie is very materialistic, vain and self-centered so her not having children is partly a commentary on that. It also suggests that Hank doesn't wear the trousers in the relationship (assuming he wants children himself: he may be like Marie in that respect) and perhaps that he is not really potent or internally virile (unlike Walt, who starts the show lacking external virility but more quickly adapts to a world of violence than Hank can). Even the macho cop is emasculated.
I don't agree that Jessie giving his money to a homeless African and throwing it away is perceived as a moral act by the audience, rather I think Jessie is meant to be seen as deranged and semi-suicidal. Throwing his money away while grunting and crying and allowing the police to catch him is clearly insane behaviour.
You were right by the way: "I also disagreed with Stagg about his interpretation of Jesse giving money to a homeless black man and throwing more away, I said it was not framed as moral in the show but as an act of insanity. But another way to see it is that Jesse has been turned mad by Walt’s evil but his heart is still in the right place regardless, hence he gives his money to aliens."
Walter White. Londo Mallari. For me they are my favorite of this type of feeling from characters. There are some others. Is it simply a archetypical male character type? Weak. Quest for power or return to power.
They're still up, just set to private for now. The only videos prior to this one that I'm happy with are the Carlin and Jackson ones as they were written later than the film reviews.
@@wyattstagg1783 All of them were great man. If anything, this was the weakest one thus far. The narration on this one felt rushed and and the analysis was pretty trite. I'm telling you, the grand tarino, truman show, shining, matrix, etc. were all 10/10.
@@wyattstagg1783 100% breaking bad rises up the mainstream as a kindof mandatory viewing for the new generations of the white man as it is hailed as the Greatest TV show of all time . Having a DR perspective on it out there in the ether of internet is important . Thanks for the great work
Vince Gilligan has a background that reads fairly WASPish. Some alleged intelligence ties and his father working insurance could be a flag. Was he a "regular guy" that was initiated into something invisible to regular people? Was his background obscured? Front man for a culture factory? What is the mechanism producing this stuff?
I get semitic vibes seeing his smile and the nose on his wife. There are also a ton of shabbos that work tirelessly for them thinking they will be spared
@@Axel-gn2ii nah, that's too easy and very shallow. I'm wondering if Gilligan's viewpoint isn't from an ethnic lense but from an intelligence agency's.
@@DoctorMindbender obviously there's a lot more people involved but he looks like he's part of the tribe. He would have to be an extremely masochistic self hating white man otherwise, to be complicit in something like this. If you look at his face, he really looks more like a sociopathic tribesman
@@bigboss-qv7pe biblical prophecy concerning Jacob & Esau... to keep this comment relatively short let's assume Jacob is white Europeans, Esau is J's. Europeans took the birthright from J's, thus having dominion over the J's and are responsible for building the greatest civilizations the world has known. Esau (J's) would eventually "break his yoke from his neck" and take back what he sold to Jacob, a time which is known as Jacob's trouble. This is where we are right now. The dominion of the J's doesn't last long.
@@sebastienengelhardt Jacob robbed Esau of his birthright, just like the Jews have robbed white Europeans. In Genesis, Esau sells his birth rite to Jacob in exchange for survival. This is what Goethe coined, the faustian bargain The White Man, through a Miltonian perspective, is a Promethean-Luciferian figure. He is a fallen angel, an utterly unredeemable figure and ultimately destined for failure by his superior. He is the servant, and desperate to restore his status of greatness, he conspires against the world and its gods (Jews).
Why do you think white people are evil, cowardly thieves that stole the rightful birthright of the Jews? He had it the right way around, and so so Jews, they call Western civilization "Edom" for a reason. Actually read the story, don't just listen to Christian sermons about it. Jacob is a backstabbing little bitch that steals from his elder brother Esau and runs and has his mommy hide him from the big mean gentile who wants to talk to him man to man, Jacob is literally the prototypical Jew, he was renamed Israel and that's why the modern nation of Israel is called that, the land was named after Jacob. Christian Identity is a bizarre, nonsensical ideology. Just let go of Abrahamism, you'll be a lot better off for it. All of the ethics you think of as Christian were basically already practiced by European pagans and Neo-Platonists. We don't need a Jew to give us a sense of morality or a connection to the divine. Europe is our holy land, not the accursed desert of the Levant.
Another interesting thing I learned recently is that a man by the name Walter White conducted an interview with Harold Wallace Rosenthal in which Rosenthal spoke in depth about the jewish role in American Society and the Western World more broadly. Maybe the name is mere coincidence, but it’s interesting nonetheless, and the interview is well-worth a read, even if it’s detractors adamantly declare its inauthenticity.
Funny, never knew there were so many references to race in Breaking Bad. And if they are there as pointed out, then someone had to out some thought into it and write it. Not unintentional.
I’m still unsure about this particular show. While it is overrated on a quality basis, respectfully, some of the arguments in this video are a stretch (“Negra Arroyo Lane” being a symbol for demographic change, that’s a reach imo.) but the fact that the show is very possibly inspired by Falling Down (very explicit anti-white demoralization prop) cannot be unnoticed. Even if Gilligan was not conscious about what he was doing when taking inspiration from Falling Down, being inspired by that film atleast indicates very strongly that this movie was subliminally inspired by anti-white propaganda. However, Falling Down is very, very explicit about Michael Douglas being alienated by an anti-white society and racial conflict, whereas Walter White is less alienated by that explicitly. The Grey Matter storyline is the closest it gets to Falling Down levels of explicit racial/ethnic allegories from my memory. Perhaps this just means the writers of BB were better and more subtle than "Batman & Robin" director Joel Schumacher or maybe they don't have the same leftist/antiwhite agenda that the director of "A Time to Kill" had, which isn't saying much as JS is obviously one of the most antiwhite directors of the pre-2010s era and he wasn't a good one either. I believe that there's a distinction between subliminal and explicitly intended propaganda in any medium by filmmakers. Given how Breaking Bad's plot was scripted almost in an improv fashion as the show went on; many characters, themes, and tropes were added on throughout the years rather than being planned from the beginning (For example Gus Fring, Mike Ehrmantrout, and Saul Goodman were all originally just meant to be cameos and Jesse was originally mean to die in the first season), I would say that this show falls into the subliminal category, and perhaps it was subverted as time went on. But I don't know, I could be badly mistaken. I also haven't seen this show in nearly a decade and so perhaps I'd notice some things you pointed out in the video now that I didn't back then upon a rewatch, amongst other things..... PS: What is your impression of the Sopranos; the show that inspired BB, with some similar tropes & themes, and Better Call Saul (which I never got to finish, was too busy by the time it came out)?
I would counter that colours are clearly being used archetypally as racial references from the outset - Walter White, Jesse Pinkman. I believe it to be unlikely that the writers arbitrarily placed the "White" residence on "black" stream lane, all the while specifically emphasizing themes of White disempowerment and death. The subversive messaging in an extended series will never be as distilled as in a two hour movie for the reasons you outlined, but all of the same tropes are there. If you doubt Gilligan's intentions, watch the X-Files episode "Drive". It was written by Gilligan and featured Bryan Cranston as a dying neo-Nazi named Crump (meaning: cripple) who believes in "antisemitic conspiracy theories". Same metaphor, much more explicit. It was on the basis of that role specifically that Cranston was cast as Walter White. I rushed this video out and worked almost entirely from memory when I made it, so I missed alot. There's way more in there to support my basic thesis which I hope to cover in a second video at some point. It's been a long time since I watched The Sopranos, but if memory serves, it's the same thing. Decline/death of the White man. I haven't seen Better Call Saul yet.
@@wyattstagg1783 I have not seen Breaking Bad in a long time either and well before I could notice subversive themes in media, just to note something, I'm operating off memory as well. 1) As for the names... I would note that a popular theory is that White and Pink(man) are very possibly Tarantino references. Reservoir Dogs: Characters named "White" and "Pink", Mr. White dies and Mr. Pink gets away. Breaking Bad: Characters named "White" and "Pinkman", Mr. White dies and Mr. Pinkman gets away. I can believe this theory, though it's worth noting that Jesse was meant to die in Season 1. Of course, Tarantino is insanely anti white as I'm sure you know, so this does not absolve Gilligan fully. 2) I also had no idea that the character of Walter White was seemingly based off a typecast dying anti-semitic neo-Nazi that Cranston played on a show Gilligan directed. If that is correct and the character and not just the performance is based off that X Files role, then the conflict with the (implicitly?) Jewish partners and "Heisenberg" persona starts to make a lot more sense. That's something I never had any knowledge of, I just thought Walter White was meant to be a standard nerdy middle American with MAYBE a few possible superficial influences from much more explicit media like Falling Down. I'll certainly look that up. There's a lot more to this show, but as you noted, there's a lot more to cover for a long TV show than a 2 hour long distilled movie. If you ever redo this or something like it, I look forward to it. 3) Unrelated but I'm also interested in your opinions of Jeremy Clarkson/Top Gear/Clarkson's Farm, was that show trash TV or is Clarkson really our guy? Asking because I saw a lot of comments about him on your Springer video calling him "trash TV" and the English version of Springer, but unlike Jerry, he's always been a sort of avatar for right wingers in Britain (especially of late with his comments on Starmer and immigration) despite being a mainstream media figure for 30 years. He's someone I find to be a more positive influence overall compared to most celebrities in the UK (saying nothing) but I'm still on the fence with him. I wonder if he's just another Alan Partridge esque figure though.
@@salmonpassionSchrader, Walt’s brother in law, is a reference to two Germans from the war, one of whom tried to kill the Austrian painter. This is meant to show the duality of Hank: the racist cop and the man hunting the evil protagonist. I also read that either during or before season 3, Dean Norris read Moby Dick. He is ASAC Ahab, down to the pegleg; in a fanatic quest to slay the white beast at all costs, even to his own “heroic” death. Walter White was a central figure in the NAACP, Heisenberg the German physicist, mirroring Walt’s transformation from liberal to… The gang in the final series mirror Walt: enslave Jesse and off his gf. By destroying them, Walt symbolically destroys his legacy as Heisenberg, as well as 90% of his wealth. At the end, it would have been better for him to never fight against his inevitable decline. That is the message of BB according to Stagg. “Go gently into that good night”. The battle between Walt and Obama (Fring) is also central. Pollos Hermanos is a metaphor for American capitalism, the public face of it, whereas the drug industry is its real seedy underbelly. America circa 2008-2012 is run by a mixed race, LGBT psychopath. Walt’s name is a reference to American literary giant Walt Whitman, who is himself referenced at a couple of points in BB. One should bear in mind the very similar narrative structure of Gran Torino (Walt has terminal cancer, sacrifices himself for the Other).
Stagg references Hugo, the Native American janitor. In one scene he is erecting the American flag, just before being arrested by Hank, the racist cop who said he “fit the profile”. The kind, patriotic red taking the fall for the totally corrupt white man, smoking weed vs manufacturing the most powerful meth ever. Gus has connections to Pinochet but the ultimate villains are Jack and Walt, a gradual progression to the purest form of “evil”.
@@smoothcritical1 All very interesting. 1) How is Hank a reference to Operation Valkyrie, though? That's not the names of the two Germans who tried to kill H-tler. As was your analysis of the janitor. 2) Gus's character has to have been Obama inspired to some degree, yes. I used to call his character "Obama" when the show was still coming out. I don't know if Obama's exploits with homosexuality was common knowledge when the show came out but it was probably subtly known among right-wing circles. 3) The Pinochet thing was also very interesting, because by depicting Fring as a ruthless character being the creation of the Pinochet regime, they are not so subtly demonizing one of the most successful right wing and anti-communist (and in my opinion, one of the best) leaders of the 20th century. As if Latin American communists weren't 1000x more brutal and violent. This is a bit akin to the trend where there are 1000 different movies on Nazis and the Holocaust (mind you, I'm not some pro-NS type, far from it) but far fewer on Stalin and the USSR or Pol Pot. 4) Of course, the "ultimate villains" in the show are a bunch of Neo-Nazis with no character development if I recall correctly. They were not interesting at all.
I remember this trash being raved about as the latest tv box set for the masses to binge on a few years ago. I made it a few episodes in and smelt a rat straight away. Didn’t bother with any more and watching this I’m glad I didn’t.
Occams Razor would suggest that the symbolism is not that deep and many of the elements assigned with meaning and depth are just coincidences. However, if we go to the other route, meaning, if the series really is that deep and layered with meta-commentary, then, isn't it what you are suggesting is that the writers are brilliant, doing brilliant propaganda? and if they are doing brilliant propaganda,... isn't their destructive impact somewhat meritorious due to their level of skill?
@@caiobruno8006 Being skilled is neutral. Skilliful robberies in banks had occur, same for drug traficking. Same for merit, merit is neutral, some have merit in destroying entire countries, and their lot is the negative effects caused by them. So in this case they had a brilliant piece of propaganda that merits the negative effects it brings. Personally, I don't think it is that deep, and it was not as well made as some say. The spanish accent was atrocious and some plots were gimmicky. It's a glorified telenovela, way over hyped.
@@jorgepenaloza6834 If you can't or refuse to understand the profound influence art has on life, how entertainment has been systematically used to subvert and control Western civilization in the advent of the biggest propaganda machine in the world, you have no business commenting on any of this. Breaking Bad is but one of the many stories poisoning the well and the mythos of American, nay, Western civilization as a whole. As their deceitful nature bore the fruits of it's labor, they've became more brazen, more obvious; but the messaging was there ever since Radio, even before Hollywood. They're just winning now, is all.
Brilliant! Its christian slave morality, jesse is desperate to expiate his guilt and that's why he's portrayed as the virtuous protagonist who is allowed to live after much suffering (the movie). This also really becomes evident in better call saul where jimmy is adam and the white woman is eve
@@Axel-gn2ii how did you stumble upon the adam and eve connection in saul series? I tried to read a bit about it but there's only one reddit post that's dead. Best wishes.
@@bigboss-qv7pe I haven't done a deep analysis but I've watched all the episodes. It's pretty obvious that both jimmy and kim are constantly tempted just like in the garden of eden and toward the end jimmy decides to fall on his sword like a good little cuck and pay for his "sins". The ending of that show is designed to instill guilt into the viewer, I'm sure there's a whole bunch of antiwhite subnarratives with further biblical analogies to be discovered and maybe wyatt can dig them up
It's impossible that he was not aware given the symbolism involved. Especially looking at the storyline written around Grey Matter Technologies. It's a pretty obvious metaphor for the power a certain group now possesses over our civilization, and our own dispossession from it.
@@wyattstagg1783 I definitely wouldn't say impossible. Its not that unlikely that you write something that has overlap with larger issues in the world without of you being specifically aware of that. Though the "Schwartz" thing is pretty good evidence regarding to him being conscious of these things.
@@vaarkobke3102 If you've seen the X-Files episode "Drive", which was written by Vince Gilligan, it featured Bryan Cranston in the role of an "antisemitic" conspiracy theorist dying from a mysterious neurological condition. It was on the basis of that role that Cranston was cast as Walter White. So, in my opinion, Vince is very much aware of what he is doing.
@@wyattstagg1783 I always thought the Grey came from the mix of White and Schwarz, which in itself could be said to be a metaphor for the desirability of mixing white out of existence.
I think this is an interesting analysis but I totally disagree this was the message. Imo the message of the show is to take charge of one's life and live it on YOUR terms. WW starts out as an effete pushover at a deadend job. He applies his talents to make his mark on the world.
Actually in the show he ends up becoming evil so the lesson is that him taking charge of his own life is what ruined it so badly. According to the writers, he shouldn't have bothered because his resistance caused him more trouble.
@@68planehits I guess you just don't get it then. You probably think the main White male characters in Cargo, Gran Turino, and 28 Days Later "won" in the end too...
The messaging is clear. The Jacob vs Esau “reference” is the biggest red flag to me. Once I heard that it convinced me. This symbolism is intentional. You can call it “schizo” all you want, but it doesn’t really matter what you think.
@@terrencechess1695 this video is just a very pathetic attempt at intelectualism by a man who thinks he is very special and is the only one who can see the "signs" and decode a code that is not there. And of course, it catters to the very same kind of people. A niche of pathetic people who have done nothing remarkable, so they have to assign value to the pigmentation of their skin (so they have something that makes them "better), and who also think they are very smart boys who can see things that no one else can. And no, this kind of pathetic groups is not exclusive to white people, other races have them as well and to be honest, you're all as pathetic.
Kalergi Plan in full swing.
"We hunt ourselves because the conflict between our primal inner being with it's forbidden strength and the servile creature we have been trained to become is irreconcilable, and one force must inevitably triumph over the other."
This is profound. Thank you for sharing your insight.
Just coming off watching Cranston's recent comments about migration makes this hit a little different.
What did he say? I can’t find it
@@HeadsMan98 Haven't seen it or read it but here's what he definitely said: "Immigration is good. Diversity is good. We have a duty to take in migrants and if you oppose it you are racist!"
I wasn't far off: "A 1920’s law called The National Origins Formula was created to “retain the current ethnic proportions” of the population. Restricting immigrants of Africa and Asia. Unequivocally a racist law. That quota system stopped in 1965 when LBJ signed a new law. Let’s not go backward now."
@@Lenn869 this isn’t always the case. Cranston is a pretty outspoken leftist at times.
@@Lenn869
What difference does it make whether he’s shilling for the establishment or genuinely agrees with what he’s pushing. Cranston is still doing their bidding either way.
"Breaking Bad is the product of fear: The fear that European man dispossessed of his birth right and robbed of his future has nothing left to lose. The fear that he will cast off the false moral code that is slowly killing him. The fear that the primal force within him that once conquered the world might still, somewhere, be stirring."
Well at least they're afraid.
@@blue18404so who does Phillipinos ? Arabs? Eskimos? If anyone is going self examine its us .
Cold hearted murdrous drug lords aren't medievel knights and they aren't frontiersmen 😂
@@seanisnotjohn When it's metaphorical you can do what you like :P
@@seanisnotjohn Clearly you’re lacking the intellect to understand Breaking Bad’s allegory. Obviously Walter White isn’t meant to be a medieval knight or frontiersman. In society today, there is zero opportunity for the White man to be a hero, other than sacrificing his self-respect via being a gelded, self-hating, male feminist liberal. Walter rejects the idea of dying in a whimper. Instead, opting for one last shot at success. He is a product of modernity who finally takes agency. The success that he achieves ultimately leads to his (inevitable) destruction. This is the case for the modern White man. Our only chance at survival and success is through brute force.
If they were winning, they wouldn't need to censor our opinions or demoralize us.
Shared to THOUSANDS on multiple platforms.
Great video. There’s really no other content like yours keep it up.
Best channel!
There used to be a lot, but it was all banned.
theres still "Blackpilled" you should look it up
American Krogan used to be quite similar, though he elected to delete his channel. :/
I archived some videos that I thought were real good but not all (I never thought there would be so few people archiving his stuff, it was gold)
@@TheNSJawsKrogan was amazing, luckily Devon Stack is still around doing Blackpilled.
30 seconds in: "Oh no, please don't go down that road, that's schizoid territory"
2 minutes later: "Nevermind, you were right."
Every time i watch your videos.
Real lol
“Schizoid” is the accusation of the unlearned. Ignore the fear of being labeled. We’ve been getting subverted into extinction for centuries.
Have a family and continue your legacy.
Never looked at it like that 👏 mad once u see u can’t unsee.
Most TV shows and movies are like this. If you pay attention you'll notice it often.
@@folksurvival true the penny has dropped for me.
I suppose when I watched this I wasn’t as wide as I am now.
@@folksurvivalit's usually way more obvious because the writers obsessed with this stuff aren't that smart. I'm still not sure I buy it as plans for BB changed a lot due to actors' schedules and stuff like Jesse originally not being meant to make it past s1
@@folksurvivalit's usually way more obvious because the writers obsessed with this stuff aren't that smart. I'm still not sure I buy it as plans for BB changed a lot due to actors' schedules and stuff like Jesse originally not being meant to make it past s1
You have a more than superb talent at picking up on these metaphors. I always felt there was more to the names, especially with how often racial themes were played into the story, seemingly incidental.
The Gretchen character, as her name suggests, is supposed to be a White Germanic woman. The point of that subplot is to have the White woman get taken by the male Jew, further emasculating Walter. It doesn't matter if the actress is a Jew, her character is esoterically White.
Been waiting for the great Stagg to post again!
We are not merely being entertained.
We are being trained.
Kino of the highest order
it's an excellent dissemination of this dialectic - your analysis of Twin Peaks would be nice.
Twin Peaks isn't largely racialized. It has moments of anti-White nonsense in Seasons 2 and 3, though.
@@JustinQuinn623 I see it completely different as it's pushing Talmudic narrative (masonry) and all the babylonian magick .. to destroy / subvert Christian culture that formed Americas. It's more of a brag in the form of a series than anything , propping up Alphabet agencies to solve issues ect.
Twin Peaks is deconstructionist and has a Jewish spirit
@Iliek 100% - deconstruct to invoke the 'new order' of course.
@@JustinQuinn623 I would disagree 100% that it's not racialized - it has Jewish supremecy all over it - but it's not obvious to many but once you see it , it's clear. It's not so cliche as in 'white vs black' character nor how they are doing it in 2025 ... . The whole of the CIA and it's function (secret fraternal governance) is part of the expose in the show - plus just look at all the actors and who they are and of what culture..most aren't Caucasian. Cheers.
Excellent analysis as always. This makes me think of Nietzsche's bad conscience, where our natural energies aren't allowed to express themselves, they turn inward against our own self.
Blackpilled has them on this platform too. He does it on other platforms, "odyssey" being after he left this place.
All your videos are so detailed and thought provoking. How has this not reached a wider audience yet?
Read Gustave Le Bon. His book "The Crowd" explains pretty succinctly why this hasn't, nor will it reach the wider audiences.
Because he's right. All this media has killed the fight in us.
All the various tech platforms clamped down on this type of content HARD around 2016. The algorithm will recognise and prevent information of this sort from spreading organically, preferring intellectual gatekeepers like Jordan Peterson.
Fantastic video, man. It'd be a different world if more people could see these videos.
Genius. I pimp this channel more than any other. Looking forward to supporting you now.
don't get bogged down striving for perfection. I bet Rembrandt would like to have a few strokes back....but standing here in a Dutch museum 400 years later, I'd never know it.
No one's going to be watching these videos in 4 years, much less 400.
@@newsbender ok jewsbender
Everything said checks out in hindsight. Great analysis
Keep up the good work.
Happy to see you upload again Wyatt.
Why do they hate us? Mere jealousy? Pitiful
Though I'm asian, I can clearly see how ((they)), those of Schwartz's tribe have hijacked control over all the major civilizations of the world through their media and banking empires. White European people as a whole have historically had a strong fierce sense of independence which combined with their powerful innovative spirit for martial conquest, industry and exploration makes them the greatest threat to this subversive world order. ((They)) want to completely eradicate the white spirit before it can ever rebel and dismantle the evil exploitive system that is currently enslaving all of humanity.
@@rogerc6533I don’t think it’s just white men. Look at middle easterners, they’re also a threat to Jewish hegemony and are more j-pilled than us. Asians have the same potential to resist Jews.
What have you accomplished in your life that’s so enviable?
@@fletchergillespie3242 he asks about "us" referring to the culture at large and not the individuals within. why are you incapable of reading?
@@user-nm9qd6bo6h triggered most likely
Brilliant analysis!
Keep up the great work brother.
I have this saved for later so i have no idea what to expect, but you sir, are a fucking king.
Helped normalize drugs. Made meth seem cute with Jesse.
Good stuff. Have been passing your carlin video around and saw they were all taken down the other day. Was hoping you werent silenced.
Were you the one posting it on the 'sharty?
Babe new Wyatt Stagg video just released
"Babe wake up Wyatt Stagg just uploaded a new video"
Wyatt Stagg is a continuation of Western exceptionalism. Way God continue to bless him.
U spread the gospel in hope of blessings.
Not this dumb comment
Bryan Cranston is of jewish descent from his fathers side.
He's father was only quarter Jewish, so Brian is only about 12.5% Jewish
@@ganargxkraken Enough to be recruited if he is a careerist sell-out like many partials at the lower level of their power structure.
No surprise!
@@ganargxkraken”only”. One drop rule
Mischling
Great analysis. It is interesting and also frustrating to see how the show is just one big web of subversive metaphors, but of course that's nothing new in mainstream media. Luckily, more and more people are becoming aware of these things and the whole story behind them. And this is not the first time in history.
Midwit comment. Are you Christian?
Excellent video. I allowed myself to enjoy this show on the surface level so I never realised what a monumental anti-White piece of crap Gilligan (and his writers) is. The nasty/lazy J propaganda tropes make me think Gilligan must be a crypto himself.
Damn this was a really good analysis, at first I thought the premise was a stretch but you convinced me.
WOW. Excellent analysis.
You should tackle the Ludovico Technique in A Clockwork Orange. I know there is something in there that film guys like Collative Learning wont touch.
The CRM 114 code runs thru many Kubrick films (Strangelove, 2001, ACO, EWS) as well as Videodrome by Cronenberg. In ACO the "Serum 114" is the drug used to condition Alex when viddying the horrorshows
I can't deny that I have both watched and somewhat enjoyed Breaking Bad, however I fully agree with your points. What are your thoughts about Better Call Saul, the spinoff show?
What depths of self hatred were you experiencing at the time to be able to enjoy Breaking Bad?
Mr. Stagg. Please consider re-uploading the Truman Show video. I was going to show it to someone but it's gone now. Your videos are incredible.
Seinfeld would be another prime topic
Friends too
@@EM-tx3ly Probably. To this day I've never seen an episode.
This show, + narcos, Wolf of wall street etc encourage anti social behavior particularly in men. Most modern scammers are inspired by Belfort and the like.
Your analysis is absolutely fantastic brother ⚡️
Amazing insights. I'm enjoying your vids.
Pinkman, Walter, and Skler. Red, White, and Blue. This is a story about America. I would be curious if this trope exists anywhere outside of the US. Removing James Bond and other big tents, which are basically a US/hollywood properties, from the equation. Does the BBC generate this material for UK audiences? This is about managing expectations for a population that's going to get screwed over.
There are definitely UK based shows and movies that are subversive, is that your question?
@@AlabasterTheGreat Define "subversive." Are we expanding to gender flip too? White male father figure as sacrificial offering is what I'm referring to. Would be curious to have examples outside the USA.
@@DoctorMindbender Ah, got it. Well I don’t really know much about movies/TV shows from the UK. However, I do remember watching a reaction to a show that was obviously portraying White British working class people in a negative light. The usual “racist”, being “Anti-Vax” tropes, etc., while the nonWhites were the “reasonable” and “smart” counterparts who had to “educate” the Whites. It was pretty subtle but it’s obvious nonetheless.
I don’t remember the show though. I know that’s not exactly what you were talking about, but that’s what I remember. I’m also curious to know if the trope you mentioned is present in other Western Nation’s media.
@@AlabasterTheGreat Must be an older show, there's nothing remotely subtle about the messaging on British television nowadays, least of all the BBC.
It's a mirror image of the same evil
These essays are hitting me hard.
I think some symbolism could be found in the choice of color for the methamphetamine as well. It's a special color for a certain group of people.
Sometimes a cigar is just a cigar. Meds now.
@@seronymus NEVER
@@seronymus ur low iq
You mean blue? As in the red white and blue from the flags of France, USA, UK, Russia and many others?. A long time ago a read somewhere that the colours in those flags represented red = Rothschilds, Blue = freemasons and white = the gentiles. Idk if that's what you are referring to 😂.
You're brilliant. Thank you for breaking it down.
Crazy how not that long ago (2008) they still had white people with white families on tv.
They still do schizo
@@user-wb8iu1hl6i your lame.
@@user-wb8iu1hl6i You need glasses.
There literally are. You're suffering from insane brainrot.@@deagor4578
@@user-wb8iu1hl6i The projection is too hard in your comment.
The quality of both your analysis and video editing is incredible. You have truly inspired me.
Good video. You're no doubt right about many of the themes, but Breaking Bad is more messy/confused than other anti-white media you've covered. For one, I never got the impression that Walter regretted his empire and him creating it in the first place. He regrets getting caught, he regrets Hank dying, he regrets his family hating him, and perhaps he's iffy about some other things he did (like killing Gale), but he doesn't seem to regret his empire and power it afforded him. He affirms this to Skyler in their last conversation, telling her that he liked doing what he did and that he was good at it. In his last moments he wanders the lab seeming genuinely proud of his life's work.
When he comes back home from his exile, he first intimidates the tribe into making sure his progeny receives their inheritance. His coming back to square off the with the Neo-Nazis is not the usual redemptive white man self-sacrifice because it's colored by the fact that he wants vengeance against them for killing a member of his family against his will (Hank), and also by the fact that he's dying anyway (and also on the run). He also ends up being able to free his surrogate white son from them. I personally thought that the last half of the last season was the weakest part of the show, but I was genuinely surprised when they didn't make Walter some sniveling loser begging for forgiveness. Ultimately, he affirms his own existence with pride, which is very rare and deserves some praise.
Of course, this doesn't justify the other anti-white stuff in the show, like making the "White's" empire an exploitative and criminal one that causes suffering to everyone around him and alienates him from his family, that's really on the NOSE. Still, for whatever reason Breaking Bad doesn't seem as hopelessly cucked as some of the other examples you covered.
I largely agree. Two commentators have pointed out through that Breaking Bad encourages drug use, drug dealing and general scamming slash sociopathy. It's not a morally uplifting show, Walter White is a parasitical anti-hero.
Amazing video, keep up the good work!
I didn't get notified. I hate youtube, but I love your videos.
This video needs a follow-up expanding on the Mike Ehrmantraut character in the Better Call Saul prequel
Well done.
Where can I view the video you made about the Matrix?
I wasn't entirely satisfied with it. I will reupload an improved version soon.
Great video.
Superior exegesis, very astute highlighting good sir, notes taken.
More like isogesus
@@bass9351 that would be spelled eisegesis, you think WS is just reading into the storyline something that isn't really there?
@@z.d.davidson i guess u just cant see it
@@bass9351 no, I clearly do see it as a valuable, critical exegesis of the series. When you say "more like isogesus" the thing you are talking about, eisegesis, means an idiosyncratic reading into something that may or may not be there. I think the subversive message IS there which is why I think WS has a good exegesis and is not engaging in eisegesis.
@@z.d.davidson but u cant attach colour to exegesis
Will it ever matter what the players say?… The writing speaks for itself.
You argue that the purpose of BB is to induce us to give up the fight against decline and death, though Walt does ultimately blackmail the Schwartz's into being part of his plan and get $10 million to his children. One could also argue that Scarface is a critique of unchecked ambition, though this is apparently one of the most well-liked films among Africans and Hispanics in America, who seem to take from it that it's better to live a day as a criminal lion than a hundred years as a law-abiding sheep. "The world is yours" becomes a rallying cry rather than a warning.
But Breaking Bad is without a doubt highly individualistic and morally corrosive. Aside from its glamorisation of drug dealing and using, even if Walt's rebellion is ultimately justified in his own terms by self-interest (and thus attractive to many), it's not justified according to the collective good.
Imagine managing to become a drug kingpin without becoming a people trafficker and or pimping children and still have the people condemn him
And to think that higher education is sunsetting English degrees and Humanities Departments not knowing what is being produced here. Sad.
Extremely thoughtful discussion. The evidence overwhelmingly supports this interpretation. I think we can benefit from understanding how the broader culture perceives and wishes us to act.
Your point about The Shining applies equally to Breaking Bad: “The purpose was to make every white child see Jack Torrance in his father, every white woman see JT in her husband, every white man see JT in himself.”
My father is a classic example of this. From my first time viewing the show I recognised that after a few episodes, Walt was the villain. I enjoyed the performance and his enemies were as bad or worse but he was clearly a bad guy. But my father has always defended Walter White, never admitting even once as far as I recall that he was extremely selfish and ego-driven to the point of being willing to risk destroying his family.
The effect of this is to make the implicit connection between my father’s bad behaviour and Walt’s explicit: not only does the show indirectly demonise my father, he demonises himself by identifying with the toxic villain protagonist and passionately defending his actions.
I imagine that many women saw Walt in their husbands, especially when their husbands defended him and repeated his self-serving lies about “doing it for the family”. This dynamic is a major part of the subversion of the show.
Yeah, I mentioned on Twitter a few weeks ago that Ozymandias contains some direct visual references to The Shining.
Brutally good
Brilliant!
I feel this analysis is incomplete. What about the other white men? What about Michael Ermahntraut? What about Hank Schrader? Marie was absolutely devoted to Hank. What does their inability to procreate signify?
Marie is very materialistic, vain and self-centered so her not having children is partly a commentary on that. It also suggests that Hank doesn't wear the trousers in the relationship (assuming he wants children himself: he may be like Marie in that respect) and perhaps that he is not really potent or internally virile (unlike Walt, who starts the show lacking external virility but more quickly adapts to a world of violence than Hank can). Even the macho cop is emasculated.
Hanging on every word
Many of my comments aren't posted unfortunately. UA-cam is not a good medium for honest communication.
Excellent!
Just occurred to me. White flag means to give up. Surrender.
And?
I don't agree that Jessie giving his money to a homeless African and throwing it away is perceived as a moral act by the audience, rather I think Jessie is meant to be seen as deranged and semi-suicidal. Throwing his money away while grunting and crying and allowing the police to catch him is clearly insane behaviour.
You were right by the way:
"I also disagreed with Stagg about his interpretation of Jesse giving money to a homeless black man and throwing more away, I said it was not framed as moral in the show but as an act of insanity. But another way to see it is that Jesse has been turned mad by Walt’s evil but his heart is still in the right place regardless, hence he gives his money to aliens."
Actor Aaron paul supports BLM. And "takes responisibilty".
Take note of the references to ''schizo' in the comments. It's just a coincidence all of these unique users use the identical insult
And the philosophical meaning of Hanks character? The self and over policing, easily distracted and amused white man
Nope
The average dutiful law abiding concerning working class White Man
A knight betrayed by his kin
excellent
reminds me of vertigo politix
The only good Breaking Bad video on this stupid site.
Walter White. Londo Mallari. For me they are my favorite of this type of feeling from characters. There are some others. Is it simply a archetypical male character type? Weak. Quest for power or return to power.
Why'd you remove all the videos? The shining one was a banger, didn't need any improvements.
They're still up, just set to private for now.
The only videos prior to this one that I'm happy with are the Carlin and Jackson ones as they were written later than the film reviews.
@@wyattstagg1783 All of them were great man. If anything, this was the weakest one thus far. The narration on this one felt rushed and and the analysis was pretty trite. I'm telling you, the grand tarino, truman show, shining, matrix, etc. were all 10/10.
@@rottgunn Thanks. It's a matter of opinion I suppose. I consider this to be easily my best and most important video.
@@wyattstagg1783 100% breaking bad rises up the mainstream as a kindof mandatory viewing for the new generations of the white man as it is hailed as the Greatest TV show of all time . Having a DR perspective on it out there in the ether of internet is important . Thanks for the great work
@@wyattstagg1783 it's your best video yet for sure but upload the others to odysee
Awesome
Vince Gilligan has a background that reads fairly WASPish. Some alleged intelligence ties and his father working insurance could be a flag. Was he a "regular guy" that was initiated into something invisible to regular people? Was his background obscured? Front man for a culture factory? What is the mechanism producing this stuff?
I get semitic vibes seeing his smile and the nose on his wife. There are also a ton of shabbos that work tirelessly for them thinking they will be spared
@@Axel-gn2ii nah, that's too easy and very shallow. I'm wondering if Gilligan's viewpoint isn't from an ethnic lense but from an intelligence agency's.
@@DoctorMindbender obviously there's a lot more people involved but he looks like he's part of the tribe. He would have to be an extremely masochistic self hating white man otherwise, to be complicit in something like this. If you look at his face, he really looks more like a sociopathic tribesman
@@Axel-gn2ii he's Catholic.
@@DoctorMindbender there have even been popes that were crypto jewish
sensational stuff yet again
you've got Jacob / Esau the wrong way around brother
we currently live in Jacob's trouble & Esau's dominion
Why do you think so?
Go beg your rabbi for forgiveness you worthless we wuzzing cuck
@@bigboss-qv7pe biblical prophecy concerning Jacob & Esau... to keep this comment relatively short let's assume Jacob is white Europeans, Esau is J's. Europeans took the birthright from J's, thus having dominion over the J's and are responsible for building the greatest civilizations the world has known. Esau (J's) would eventually "break his yoke from his neck" and take back what he sold to Jacob, a time which is known as Jacob's trouble. This is where we are right now. The dominion of the J's doesn't last long.
@@sebastienengelhardt Jacob robbed Esau of his birthright, just like the Jews have robbed white Europeans. In Genesis, Esau sells his birth rite to Jacob in exchange for survival. This is what Goethe coined, the faustian bargain The White Man, through a Miltonian perspective, is a Promethean-Luciferian figure. He is a fallen angel, an utterly unredeemable figure and ultimately destined for failure by his superior. He is the servant, and desperate to restore his status of greatness, he conspires against the world and its gods (Jews).
Why do you think white people are evil, cowardly thieves that stole the rightful birthright of the Jews? He had it the right way around, and so so Jews, they call Western civilization "Edom" for a reason. Actually read the story, don't just listen to Christian sermons about it. Jacob is a backstabbing little bitch that steals from his elder brother Esau and runs and has his mommy hide him from the big mean gentile who wants to talk to him man to man, Jacob is literally the prototypical Jew, he was renamed Israel and that's why the modern nation of Israel is called that, the land was named after Jacob. Christian Identity is a bizarre, nonsensical ideology. Just let go of Abrahamism, you'll be a lot better off for it. All of the ethics you think of as Christian were basically already practiced by European pagans and Neo-Platonists. We don't need a Jew to give us a sense of morality or a connection to the divine. Europe is our holy land, not the accursed desert of the Levant.
profound
Another interesting thing I learned recently is that a man by the name Walter White conducted an interview with Harold Wallace Rosenthal in which Rosenthal spoke in depth about the jewish role in American Society and the Western World more broadly.
Maybe the name is mere coincidence, but it’s interesting nonetheless, and the interview is well-worth a read, even if it’s detractors adamantly declare its inauthenticity.
Funny, never knew there were so many references to race in Breaking Bad. And if they are there as pointed out, then someone had to out some thought into it and write it. Not unintentional.
Apart from the superficial entertainment I always had a dislike for this show. Never felt like rewatching it. Great analysis.
I’m still unsure about this particular show. While it is overrated on a quality basis, respectfully, some of the arguments in this video are a stretch (“Negra Arroyo Lane” being a symbol for demographic change, that’s a reach imo.) but the fact that the show is very possibly inspired by Falling Down (very explicit anti-white demoralization prop) cannot be unnoticed. Even if Gilligan was not conscious about what he was doing when taking inspiration from Falling Down, being inspired by that film atleast indicates very strongly that this movie was subliminally inspired by anti-white propaganda.
However, Falling Down is very, very explicit about Michael Douglas being alienated by an anti-white society and racial conflict, whereas Walter White is less alienated by that explicitly. The Grey Matter storyline is the closest it gets to Falling Down levels of explicit racial/ethnic allegories from my memory. Perhaps this just means the writers of BB were better and more subtle than "Batman & Robin" director Joel Schumacher or maybe they don't have the same leftist/antiwhite agenda that the director of "A Time to Kill" had, which isn't saying much as JS is obviously one of the most antiwhite directors of the pre-2010s era and he wasn't a good one either.
I believe that there's a distinction between subliminal and explicitly intended propaganda in any medium by filmmakers. Given how Breaking Bad's plot was scripted almost in an improv fashion as the show went on; many characters, themes, and tropes were added on throughout the years rather than being planned from the beginning (For example Gus Fring, Mike Ehrmantrout, and Saul Goodman were all originally just meant to be cameos and Jesse was originally mean to die in the first season), I would say that this show falls into the subliminal category, and perhaps it was subverted as time went on. But I don't know, I could be badly mistaken. I also haven't seen this show in nearly a decade and so perhaps I'd notice some things you pointed out in the video now that I didn't back then upon a rewatch, amongst other things.....
PS: What is your impression of the Sopranos; the show that inspired BB, with some similar tropes & themes, and Better Call Saul (which I never got to finish, was too busy by the time it came out)?
I would counter that colours are clearly being used archetypally as racial references from the outset - Walter White, Jesse Pinkman. I believe it to be unlikely that the writers arbitrarily placed the "White" residence on "black" stream lane, all the while specifically emphasizing themes of White disempowerment and death.
The subversive messaging in an extended series will never be as distilled as in a two hour movie for the reasons you outlined, but all of the same tropes are there. If you doubt Gilligan's intentions, watch the X-Files episode "Drive". It was written by Gilligan and featured Bryan Cranston as a dying neo-Nazi named Crump (meaning: cripple) who believes in "antisemitic conspiracy theories". Same metaphor, much more explicit. It was on the basis of that role specifically that Cranston was cast as Walter White.
I rushed this video out and worked almost entirely from memory when I made it, so I missed alot. There's way more in there to support my basic thesis which I hope to cover in a second video at some point.
It's been a long time since I watched The Sopranos, but if memory serves, it's the same thing. Decline/death of the White man. I haven't seen Better Call Saul yet.
@@wyattstagg1783 I have not seen Breaking Bad in a long time either and well before I could notice subversive themes in media, just to note something, I'm operating off memory as well.
1) As for the names... I would note that a popular theory is that White and Pink(man) are very possibly Tarantino references.
Reservoir Dogs: Characters named "White" and "Pink", Mr. White dies and Mr. Pink gets away.
Breaking Bad: Characters named "White" and "Pinkman", Mr. White dies and Mr. Pinkman gets away.
I can believe this theory, though it's worth noting that Jesse was meant to die in Season 1.
Of course, Tarantino is insanely anti white as I'm sure you know, so this does not absolve Gilligan fully.
2) I also had no idea that the character of Walter White was seemingly based off a typecast dying anti-semitic neo-Nazi that Cranston played on a show Gilligan directed. If that is correct and the character and not just the performance is based off that X Files role, then the conflict with the (implicitly?) Jewish partners and "Heisenberg" persona starts to make a lot more sense. That's something I never had any knowledge of, I just thought Walter White was meant to be a standard nerdy middle American with MAYBE a few possible superficial influences from much more explicit media like Falling Down. I'll certainly look that up.
There's a lot more to this show, but as you noted, there's a lot more to cover for a long TV show than a 2 hour long distilled movie. If you ever redo this or something like it, I look forward to it.
3) Unrelated but I'm also interested in your opinions of Jeremy Clarkson/Top Gear/Clarkson's Farm, was that show trash TV or is Clarkson really our guy? Asking because I saw a lot of comments about him on your Springer video calling him "trash TV" and the English version of Springer, but unlike Jerry, he's always been a sort of avatar for right wingers in Britain (especially of late with his comments on Starmer and immigration) despite being a mainstream media figure for 30 years. He's someone I find to be a more positive influence overall compared to most celebrities in the UK (saying nothing) but I'm still on the fence with him. I wonder if he's just another Alan Partridge esque figure though.
@@salmonpassionSchrader, Walt’s brother in law, is a reference to two Germans from the war, one of whom tried to kill the Austrian painter. This is meant to show the duality of Hank: the racist cop and the man hunting the evil protagonist.
I also read that either during or before season 3, Dean Norris read Moby Dick. He is ASAC Ahab, down to the pegleg; in a fanatic quest to slay the white beast at all costs, even to his own “heroic” death. Walter White was a central figure in the NAACP, Heisenberg the German physicist, mirroring Walt’s transformation from liberal to…
The gang in the final series mirror Walt: enslave Jesse and off his gf. By destroying them, Walt symbolically destroys his legacy as Heisenberg, as well as 90% of his wealth. At the end, it would have been better for him to never fight against his inevitable decline. That is the message of BB according to Stagg. “Go gently into that good night”.
The battle between Walt and Obama (Fring) is also central. Pollos Hermanos is a metaphor for American capitalism, the public face of it, whereas the drug industry is its real seedy underbelly. America circa 2008-2012 is run by a mixed race, LGBT psychopath.
Walt’s name is a reference to American literary giant Walt Whitman, who is himself referenced at a couple of points in BB. One should bear in mind the very similar narrative structure of Gran Torino (Walt has terminal cancer, sacrifices himself for the Other).
Stagg references Hugo, the Native American janitor. In one scene he is erecting the American flag, just before being arrested by Hank, the racist cop who said he “fit the profile”. The kind, patriotic red taking the fall for the totally corrupt white man, smoking weed vs manufacturing the most powerful meth ever.
Gus has connections to Pinochet but the ultimate villains are Jack and Walt, a gradual progression to the purest form of “evil”.
@@smoothcritical1 All very interesting.
1) How is Hank a reference to Operation Valkyrie, though? That's not the names of the two Germans who tried to kill H-tler. As was your analysis of the janitor.
2) Gus's character has to have been Obama inspired to some degree, yes. I used to call his character "Obama" when the show was still coming out. I don't know if Obama's exploits with homosexuality was common knowledge when the show came out but it was probably subtly known among right-wing circles.
3) The Pinochet thing was also very interesting, because by depicting Fring as a ruthless character being the creation of the Pinochet regime, they are not so subtly demonizing one of the most successful right wing and anti-communist (and in my opinion, one of the best) leaders of the 20th century. As if Latin American communists weren't 1000x more brutal and violent.
This is a bit akin to the trend where there are 1000 different movies on Nazis and the Holocaust (mind you, I'm not some pro-NS type, far from it) but far fewer on Stalin and the USSR or Pol Pot.
4) Of course, the "ultimate villains" in the show are a bunch of Neo-Nazis with no character development if I recall correctly. They were not interesting at all.
1:37
Whats the intro music?
Take My True Love By The Hand - The Limeliters
I remember this trash being raved about as the latest tv box set for the masses to binge on a few years ago. I made it a few episodes in and smelt a rat straight away. Didn’t bother with any more and watching this I’m glad I didn’t.
Occams Razor would suggest that the symbolism is not that deep and many of the elements assigned with meaning and depth are just coincidences.
However, if we go to the other route, meaning, if the series really is that deep and layered with meta-commentary, then, isn't it what you are suggesting is that the writers are brilliant, doing brilliant propaganda? and if they are doing brilliant propaganda,... isn't their destructive impact somewhat meritorious due to their level of skill?
They are brilliant in being deceitful. But their destructive impact has no merit whatsoever.
@@caiobruno8006 Being skilled is neutral. Skilliful robberies in banks had occur, same for drug traficking.
Same for merit, merit is neutral, some have merit in destroying entire countries, and their lot is the negative effects caused by them.
So in this case they had a brilliant piece of propaganda that merits the negative effects it brings.
Personally, I don't think it is that deep, and it was not as well made as some say. The spanish accent was atrocious and some plots were gimmicky.
It's a glorified telenovela, way over hyped.
@@jorgepenaloza6834 If you can't or refuse to understand the profound influence art has on life, how entertainment has been systematically used to subvert and control Western civilization in the advent of the biggest propaganda machine in the world, you have no business commenting on any of this. Breaking Bad is but one of the many stories poisoning the well and the mythos of American, nay, Western civilization as a whole. As their deceitful nature bore the fruits of it's labor, they've became more brazen, more obvious; but the messaging was there ever since Radio, even before Hollywood. They're just winning now, is all.
In a previous life, Walter White converted for the jokes! He was a dentist that did naughty things to his patients......
Brilliant! Its christian slave morality, jesse is desperate to expiate his guilt and that's why he's portrayed as the virtuous protagonist who is allowed to live after much suffering (the movie). This also really becomes evident in better call saul where jimmy is adam and the white woman is eve
so rabbi yeshua is not coming back?
@@bigboss-qv7pe I wouldn't keep my fingers crossed
@@Axel-gn2ii how did you stumble upon the adam and eve connection in saul series? I tried to read a bit about it but there's only one reddit post that's dead.
Best wishes.
@@bigboss-qv7pe I haven't done a deep analysis but I've watched all the episodes. It's pretty obvious that both jimmy and kim are constantly tempted just like in the garden of eden and toward the end jimmy decides to fall on his sword like a good little cuck and pay for his "sins". The ending of that show is designed to instill guilt into the viewer, I'm sure there's a whole bunch of antiwhite subnarratives with further biblical analogies to be discovered and maybe wyatt can dig them up
@@bigboss-qv7pe there is nothing that Jews hate more than that rabbi and his actual followers. It's all I need to know.
I really disliked this show and could only watch a few episodes, i never got why people actually like it.
🙄😒🤔😬🤯
Horrible series.
reSEARCH, not 'REEEsearch'.
This was the dumbest thing I've read all week
I'm not sure whatever Vince Gilligan was conscious about any of these things when writing Breaking Bad though.
It's impossible that he was not aware given the symbolism involved. Especially looking at the storyline written around Grey Matter Technologies. It's a pretty obvious metaphor for the power a certain group now possesses over our civilization, and our own dispossession from it.
@@wyattstagg1783 I definitely wouldn't say impossible. Its not that unlikely that you write something that has overlap with larger issues in the world without of you being specifically aware of that.
Though the "Schwartz" thing is pretty good evidence regarding to him being conscious of these things.
@@vaarkobke3102 If you've seen the X-Files episode "Drive", which was written by Vince Gilligan, it featured Bryan Cranston in the role of an "antisemitic" conspiracy theorist dying from a mysterious neurological condition. It was on the basis of that role that Cranston was cast as Walter White. So, in my opinion, Vince is very much aware of what he is doing.
@@wyattstagg1783 Yeah that's also some good evidence. Its hard to comprehend just how fucked up these people are.
@@wyattstagg1783 I always thought the Grey came from the mix of White and Schwarz, which in itself could be said to be a metaphor for the desirability of mixing white out of existence.
I think this is an interesting analysis but I totally disagree this was the message. Imo the message of the show is to take charge of one's life and live it on YOUR terms. WW starts out as an effete pushover at a deadend job. He applies his talents to make his mark on the world.
Actually in the show he ends up becoming evil so the lesson is that him taking charge of his own life is what ruined it so badly. According to the writers, he shouldn't have bothered because his resistance caused him more trouble.
Vince Gilligan has stated that his goal was to make the viewers like WW at first and then come to hate him towards the end.
@@catphuckers I disagree, the point of the ending is that not only did he make up for it but he won in the end.
@@AlabasterTheGreat I don't think that conflicts with my point. Winners are hated.
@@68planehits I guess you just don't get it then. You probably think the main White male characters in Cargo, Gran Turino, and 28 Days Later "won" in the end too...
This is a top tier schizo post
Symbolism - if it looks like some thing it can be interpreted as that thing. You are just shallow.
Gay
Ju , weeb
meds, now
We don't have meds for you, comrade.
juicebox
what kind of schyzo rabbit hole is this?
The messaging is clear.
The Jacob vs Esau “reference” is the biggest red flag to me. Once I heard that it convinced me. This symbolism is intentional.
You can call it “schizo” all you want, but it doesn’t really matter what you think.
>Juan
>L
you are the personification of the destruction he is talking about
@@terrencechess1695 this video is just a very pathetic attempt at intelectualism by a man who thinks he is very special and is the only one who can see the "signs" and decode a code that is not there.
And of course, it catters to the very same kind of people. A niche of pathetic people who have done nothing remarkable, so they have to assign value to the pigmentation of their skin (so they have something that makes them "better), and who also think they are very smart boys who can see things that no one else can.
And no, this kind of pathetic groups is not exclusive to white people, other races have them as well and to be honest, you're all as pathetic.