Thanks for your answer. So in your opinion, the adjustable bridge doesn’t negatively affect the volume and sustain? It seems like lots of people in the US hate adjustable bridges.
I just bought this very guitar and I absolutely love it and I love the adjustable bridge.I own ten high end acoustic guitars and I'm very happy with this Gibson J-45 Sixties model.
Normally, people do the micing at 12fret(if some one have only one mic.) If mic was located at sound hall, it cause too much Low. In my case, If I use 2 mic, one is near the 5 fret, and the other one is body. If i can add one more, i add at sound hall. But you can modify it to your liking. I recommand you to try many case, and monitoring
Great !
Did you replace the saddle? I thought these came w the adj saddle?
Might be.... this 1960 guitar has two version of saddle (adj vs trad) in this case... non adj saddle !
Is there a difference in sound between the Standard J-45 and the 60’s version?
Yes tortally different...
To me, 60s ver gibson have more abundant mid-low sound than standard. And Production finish is better than standard.
Thanks for your answer. So in your opinion, the adjustable bridge doesn’t negatively affect the volume and sustain? It seems like lots of people in the US hate adjustable bridges.
I just bought this very guitar and I absolutely love it and I love the adjustable bridge.I own ten high end acoustic guitars and I'm very happy with this Gibson J-45 Sixties model.
How did you decide on that specific mic placement? Did you try any other areas, like below the sound hole?
Normally, people do the micing at 12fret(if some one have only one mic.) If mic was located at sound hall, it cause too much Low.
In my case, If I use 2 mic, one is near the 5 fret, and the other one is body.
If i can add one more, i add at sound hall.
But you can modify it to your liking. I recommand you to try many case, and monitoring
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