Yes, there is a reason. I used to always rely on Ableton's compressor. But one day, I realized that I lacked control over attack and release. That’s when I started using LFO Tool. This plugin controls the volume envelope, allowing me to customize it individually for each track and find the envelope shape that provides the desired groove. When you use a compressor for this, the signal's volume changes depending on the incoming signal from the kick. The Gain parameter in Utility serves as an alternative to the LFO Tool plugin. It allows me to create a ducking effect independently of the kick. For mid and high-frequency instruments, I use sidechain compression. However, with low frequencies, I need maximum control, so I manually automate the Gain parameter in Utility.
@@AndrewNitts thanks for the reply mate, but the stock ableton compressor has the attack and release nob in it right? or do you feel like you want more control than the predefined ones
The Ableton compressor has attack and release settings that allow you to control the ducking effect. I use it, for example, with 16th-note shakers. In the case of the bass, I need the ducking effect to activate before the transient of the kick appears. In other words, the bass volume decreases first, and then the kick plays.
@@fabfilterabidin of course adrew has skills its better if he using all this skills for self 😅 yanamastes tracks has much more drive than just kick and tom and some clapss 😅😅😅 its all
Awesome. Maybe one on Marcal or Rene Wise.
Marcal and Chlär pleseeeeee
Great tutorial, thanks mate! Learned a lot.
¡Oh man, that's really awesome! That's some good stuff 🔥👌🏻
Glad you like it )
Sick.Marcal or Chlar next please
Sick as always! Thanks a lot! Could you introduce something about Kenji Hina? I’m especially interested in the low-end range.
I listened to it, cool tracks, I’ll try to do something.
when SC why dont you use the compressor ? you SC with gaain automation on utility, any particular reason ?
Yes, there is a reason. I used to always rely on Ableton's compressor. But one day, I realized that I lacked control over attack and release. That’s when I started using LFO Tool. This plugin controls the volume envelope, allowing me to customize it individually for each track and find the envelope shape that provides the desired groove.
When you use a compressor for this, the signal's volume changes depending on the incoming signal from the kick. The Gain parameter in Utility serves as an alternative to the LFO Tool plugin. It allows me to create a ducking effect independently of the kick.
For mid and high-frequency instruments, I use sidechain compression. However, with low frequencies, I need maximum control, so I manually automate the Gain parameter in Utility.
@@AndrewNitts thanks for the reply mate, but the stock ableton compressor has the attack and release nob in it right? or do you feel like you want more control than the predefined ones
The Ableton compressor has attack and release settings that allow you to control the ducking effect. I use it, for example, with 16th-note shakers. In the case of the bass, I need the ducking effect to activate before the transient of the kick appears. In other words, the bass volume decreases first, and then the kick plays.
Most basic techno ever.
sorry but sounds like beginner
Thank you for your feedback.
Listen to the track Yanamste - 8 Tone.
Of course its not same 😂
@@ivsticet5487 why he would like to do the same track? XDXD
@@yokaidj its looks like same track for begginers for me its not same 😅
@@fabfilterabidin of course adrew has skills its better if he using all this skills for self 😅 yanamastes tracks has much more drive than just kick and tom and some clapss 😅😅😅 its all