THE BEST tilak kamod on internet. Mastery unprecedented - masters and ustaads are those who knows what not to do. Not a single place of error. Divinity
The Himalayan figure in Indian Music. But may I dare say, however beautiful may this sound, this is not at all tilak kamod...and he just didn't use a few other notes but digressed from the Raag many times.
You need not "dare say": as indicated in the reply string above, the source recording was explicit - "Tilak Kamod with Ragamala". Khansahib began with this raga and extended it to ragamala. Hence the additional Komal and tivra notes and the digression you hear
THE BEST tilak kamod on internet. Mastery unprecedented - masters and ustaads are those who knows what not to do. Not a single place of error. Divinity
Just 9000 views : What a tragedy that this supremely elevating music has not graced more ears !!
No word can appraise this devine music,
Splendid ! Ustadji's best recordings were not necessarily his longest ones. This is a stellar example. Thanks very much for your kind shares.
Uses of komal swar is just out of the world 👏👏👏
बिच बिच मे दुसरे राग में वह भी कोमल स्वर के जाकर वापस आना अति सुन्दर .
Ali Akbar was god of our music.
Just amazing improvisations
Aliakbarkha iconic legend sitarist whom people love to hear his renditon
He played sarod not sitar 😅
Use of Krintans is also a lesson for all music students. .
La........................... Jawab...! Kya
kha jaye. 🙏🙏🙏🙏
Priceless !! Wonderful stereophonic audio. Any details Ramesh da ?
Tilak Kamod with Ragamala
Aochar, Sitarkhani & Drut TinTal Gats
Tabla: Swapan Chaudhuri
Oriental Records LP/BGRP1041 (1982)
With respect to Ustaad Ali Akbar Khan, RAAG TILAK KHAMOD by Bharat Ratna Ustaad Bismilla Khan is the best.
What is the meaning of your statement?
Is it royalty free? Can I use this in a youtube short film
The Himalayan figure in Indian Music. But may I dare say, however beautiful may this sound, this is not at all tilak kamod...and he just didn't use a few other notes but digressed from the Raag many times.
You need not "dare say": as indicated in the reply string above, the source recording was explicit - "Tilak Kamod with Ragamala". Khansahib began with this raga and extended it to ragamala. Hence the additional Komal and tivra notes and the digression you hear