Hey Jacob, love this film. Love the ease throughout the music with all the beautiful moments you captured. The couple must have been really happy with your work!
Hi there. Your colors look excellent. Much better than the default setting in cineprint. I noticed the green color of your video look much nicer and overall image color is balance and smooth. The default green is too saturated. Could you help me to archieve that green please ❤
Man, this is just so beautiful! Can you make a tutorial? Did you shoot in log or 8 bit desaturated profile? These kind of videos make me excited about filming. What I love is that it's not overdone and full of unnecessary transitions. Just beautiful! Subscribed 🔥
Hi! Yeah, I can make a tutorial soon. However, in short, I shot in 10 Bit UHD. I used SLOG3 and Sgamut3.cine. This allowed me to have a lot of latitude when filming. To be honest, in future I would have shot on vintage glass as the footage had to be softened quite a lot in post on account of Sony lenses being so dang sharp!
@@jacobpietras Understood! Was it at 24mm? I just really love how you captured the moments. The edit is superb, I would pay for this kind of service with this level of attention to details especially colors. I believe they loved it when they go it. Can't wait for the tutorial man🔥.
Yup - it’s usually the case that you have to work in post to correct the grade. Tom Bolles (the guy who made Cineprint) has some fantastic videos showing you how to work the grade. I always shoot in SLOG3 (Sony’s LOG profile). Cineprint tends to accentuate the green tones that are already present in Sony colors, so I always desaturate the green and teal tones in post. I then will adjust the skin tones on a seperate node within the Cineprint node tree. Flick me a message on IG if you need any help :)
And to answer your question more specifically: no, Cineprint is not built into the camera as a profile. It’s a power grade within davinci resolve that you can purchase from Tom Bolles :)
This changed with every grade so I can’t say precisely what I do. Usually what I focus on is desaturating the greens and teals in the hue V saturation tab as these colors seem to be the most dominant with the power grade.
Whut!… this is beautiful! been finding it difficult to get the cineprint to look like this on my Sony a7siii, also problems with exposing slog3, any tips for exposing for skin please?
Thanks bro! This was super minimal set up. I just shot handheld and kept the image stable by holding the camera away from my body so that the strap was tight on my neck. Creating a point of tension using your strap is great for keeping the camera stable. Nowadays, I rig my camera up.
This is really lovely! Hands down one of the best wedding highlights I've seen
Thank you! I’d love to get back into shooting weddings :) They are such fun days to be a part of
This is really cute
so good
what a beautiful memories
Beautiful man. I really like your style.
Hey Jacob,
love this film. Love the ease throughout the music with all the beautiful moments you captured. The couple must have been really happy with your work!
Thanks bro! They were very happy, which in turn made me happy! Appreciate the support :)
incredible!
Hi there. Your colors look excellent. Much better than the default setting in cineprint. I noticed the green color of your video look much nicer and overall image color is balance and smooth. The default green is too saturated.
Could you help me to archieve that green please ❤
Nice!
Love this! im practicing more and more with cineprint at the moment to achieve a look i like!
Nice bro! Keep at it. Get those reps in :)
Nice video!
Beautiful video!!
Man, this is just so beautiful! Can you make a tutorial? Did you shoot in log or 8 bit desaturated profile? These kind of videos make me excited about filming. What I love is that it's not overdone and full of unnecessary transitions. Just beautiful! Subscribed 🔥
Hi! Yeah, I can make a tutorial soon. However, in short, I shot in 10 Bit UHD. I used SLOG3 and Sgamut3.cine. This allowed me to have a lot of latitude when filming. To be honest, in future I would have shot on vintage glass as the footage had to be softened quite a lot in post on account of Sony lenses being so dang sharp!
@@jacobpietras Understood! Was it at 24mm? I just really love how you captured the moments. The edit is superb, I would pay for this kind of service with this level of attention to details especially colors. I believe they loved it when they go it. Can't wait for the tutorial man🔥.
Why would you shoot in 8 bit if you are planning to push the colors like this?
Do you use cineon or printfilm inside cineprint ??
its awesome!! can u tell me more about cineprint16, its in-built log profile? do we need to work in post/grading?
Yup - it’s usually the case that you have to work in post to correct the grade. Tom Bolles (the guy who made Cineprint) has some fantastic videos showing you how to work the grade.
I always shoot in SLOG3 (Sony’s LOG profile). Cineprint tends to accentuate the green tones that are already present in Sony colors, so I always desaturate the green and teal tones in post. I then will adjust the skin tones on a seperate node within the Cineprint node tree.
Flick me a message on IG if you need any help :)
And to answer your question more specifically: no, Cineprint is not built into the camera as a profile. It’s a power grade within davinci resolve that you can purchase from Tom Bolles :)
@@jacobpietras sure my friend..will catch you once the edit of my shortfilm is over .. thank u so much
How you achieve this kind of color?
Cineprint16 with some personal adjustments
Amazing color! Do you know where on average you keep your grade saturation and post contrast at after setting WB and exposure with Cineprint?
This changed with every grade so I can’t say precisely what I do. Usually what I focus on is desaturating the greens and teals in the hue V saturation tab as these colors seem to be the most dominant with the power grade.
Awesome
Whut!… this is beautiful! been finding it difficult to get the cineprint to look like this on my Sony a7siii, also problems with exposing slog3, any tips for exposing for skin please?
I expose for skin tones and usually go 1.5 stops over exposed when shooting in Slog3.
Hope that helps!
El tipo de video que quisiera en mi boda
Hey man love the video, did you use 30p and then slow it down to 24p in the edit by any chance ?
Nah! All shot in 25p and exported at 25p :)
@@jacobpietras Dam mate it looks so smooth
@@danieltremble2394 operating with steady hands babbbby!
this is an amazing wedding vid. good work! was this done handheld or with a gimbal at all?
Thanks bro! This was super minimal set up. I just shot handheld and kept the image stable by holding the camera away from my body so that the strap was tight on my neck. Creating a point of tension using your strap is great for keeping the camera stable.
Nowadays, I rig my camera up.
Beautiful video mate - what lens(es) are you using here? Awesome work!
I shot this all on the G-Master 35mm F1.4 and the Sony Zeiss 50mm 1.8
amazing footage .. but bro wore sandals to his wedding wow lol
At New Zealand weddings this is surprisingly common! Hahaha