Stravinsky - Requiem Canticles (1966) with score
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- Опубліковано 28 лип 2024
- Prelude - 0:00
Exaudi - 1:15
Dies Irae - 3:05
Tuba Mirum - 4:09
Interlude - 5:25
Rex Tremendae - 8:22
Lacrimosa - 9:45
Libera Me - 11:53
Postlude - 13:11
Stravinsky's last masterpiece not only takes his dodecaphonic technique in new directions (for instance using two different note rows for the first time), it also sums up his life's work, with quotations from Symphonies of Wind Instruments and Symphony of Psalms, referencing the violence of the Rite of Spring in the Dies Irae, and ending with a 12-note version of the bells of Les Noces.
Robert Craft conducts the Philharmonia Orchestra and the Simon Joly Chorale.
![Igor Stravinsky - Symphonies of Wind instruments [With score]](http://i.ytimg.com/vi/72V_OTSiAkM/mqdefault.jpg)
I find the chords Stravinsky writes here to be very otherworldly and beautiful, something I didn’t think previously possible.
This piece is so twentieth century! It has 12-tone rows, prepared piano (I think in the postlude), sprechstimme and crazy meters. Only Stravinsky could’ve written a piece like this and made it work.
There's no prepared piano in it.
Still my favourite Stravinsky work though.
I mean Stravisnky was one of the pioneers of the style prevalent in 20th century. This feels like one of the best examples of that style.
There are a piano, a celesta, a xylophone, a vibraphone, tubular bells and a harp ; enough to give the impression of preparation!
He actually used 2 tone rows and used his hexachordal transposition-rotation scheme, which he 'borrowed' from Ernst Krenek.
the most amazing thing to me is that he was in his mid eighties when he wrote it
Nobody could write a piece of music by Stravinsky like Stravinsky.
Imagine what divine masterpiece if he had wrote the complete requiem...
There's nothing more otherworldly from acoustic instruments than an atonal celesta playing thick chords.
Just amazing!
Thanks for posting, and for posting with score!
Prelude - 0:00
Exaudi - 1:15
Dies Irae - 3:05
Tuba Mirum - 4:09
Interlude - 5:25
Rex Tremendae - 8:22
Lacrimosa - 9:45
Libera Me - 11:53
Postlude - 13:11
Thank you.
Love the Dies Irae personally
maybe Strawinski's very best piece. And what a great interpretation!
maybe maybe or no maybe.
really no, but very good in his late works
Incredible. In every aspect. Not only does this piece sum up Stravinsky, it seems to sum up music as a whole.
GREAT point !
Bravo!! Gracias por compartirla!!
This piece cements Stravinsky as a revolutionary, and proves why the 20th century is the best era of music
beautiful music, beautiful score, thanks for share it!!!
Thank you for your comment. This one had to be scanned from the paper score!
maravilloso ¡ tank you ¡
Those bell-like sonorities of the Postlude remind me a little bit to Messiaen (Et expecto resurrectionem mortuorum). Excellent work
EXCELENT !!
GNARLY
He opens a Requiem with these irregular rhythms ? WoW! What is thi about .I guess I'll have to read analysis cuz...I luv Stravinsky the sound experience is unforgettable but there is always logic and meaning so....the tuba Mirum may be where that double trumpet concerto by Matthias Pintscher !
oppenheimer
Who's here from American prometheus
Bro
Like beggar
Myself
Yep. Realizing this is played throughout the whole movie too
Yes straight from there
¿Estará escuchando Oppenheimer esto para siempre?
Will be Oppenheimer listening to this forever?
Played at his funeral
Why Oppenheimer?
Where can I download the score?
Aren't they on IMSLP?
I scanned and cut up my own paper score. Don't think you can download it....
NKODA is a good resource
@@BromeliadBro They have good scores but the app is ATROCIOUS to use
@@ethanblackburn5817 i'll try to screenshot it for you and put it in a pdf
Bro was struggling to make the most grimy sounding peice before his death
Bro worked in dodecaphony in the last period
Музыка Стравинского подняла Россию на бунт и последующую революцию в 1917, в ней заключается мощная, необъяснимая, движущая сила!
Better than Agon? I think not.
13:11 it sounds like church bell
Who else could have been a genius who could write such a music using the twelve-tone technique, which was thought to be capable of writing only nonsense and broken musics?
Look at Berg's Violin Concerto. 12-Tone is an organizational technique, not a style.
Ewige Musik. So sad he wasted his central life composing bad music.
*music you don't enjoy
I do enjoy it. But those other works show he could achieve much more
@@EdoardoFittipaldi I think this piece shows off a lot of his genius, and besides he didn’t even spend his central life composing serialist music anyway
Had he not composed that music, we wouldn't have this piece. An artist's progress is never linear, especially over a 60+ year career!
@@BromeliadBro You may be right. There is no possibilità to know that. IS changed his style so radically so many times that in his particular case I would not be so sure. Even a short work like Renard is completely different from both the Sacre and his neoclassical s*. The same goes for his Zvezdolikij. And this is goes for his Canticum Sacrum as compared with Movements, composed just 5 years later.
Does sounds like something a dark souls boss would have as a theme…. Nice musical piece