Although you can build a fully fleshed out kit in 5 steps, of course I included 6 more steps. What can I say, I'm thorough and it never fully ends. Thanks for watching. Let me know if this content helped you figure out your gear needs!
I'm a freelance videographer and have been receiving more requests for photography lately. So grateful I found your channel! I've been feasting on all your experience and wisdom and straightforward useful information. How you break things down is extremely helpful. I love your clear perspectives, and really enjoy your thoroughness. 😊
This is the advice I needed long ago. I have so much high-end specialized gear that I have used a handful of times and now sits on the shelf. The cost-conscious approach to building out and then upgrading one’s kit as needed is exceptional: thanks! I wish more people were seeing your channel. good luck
As someone who's starting their business this year, mostly weddings but also getting anything else that pays right now, your channel has become invaluable to me. Thank you!
I wish all photographers were as generous and thoughtful as you are Mik. Your advice saves me time (and money) by avoiding learning things the hard way. May you be very creative and prosperous this year my friend! Thanks.
Very true about the bag! I have yet to find the perfect bag for myself. I often use a Pelican case, because it just fits everything I need and is great, imo, for travel since it is so protective. But a good bag would also be nice for those times when a Pelican case is just not practical.
@@dianewarner9227 Agreed, a bag or bags video would be great! I use my Think Tank airport 2.0 for event gigs. So far it has been the best solution for me.
I've recently replaced some older bags with a very affordable Slinger Alpine 200 backpack and Slinger BigBag Simple 15 DSLR Roller Bag (which also works as a backpack) from Adorama for event work. In NYC, I often take the subway to gigs, and these two, with a stand bag, make it easy to transport everything I need, even when I'm putting up a portrait set as well as doing event coverage. For a simpler kit, the roller is enough, stashing 2-4 speedlights as well as two bodies and several lenses. For more, I put extra lighting (speedlights, AD200s) in the small backpack. Despite being half the price of the big brands (which I've owned over the decades), these are well designed and well made. I'm very happy with them and consider them a real bargain.
Thanks Mik! Your tips really make sense to me as an amateur event/portrait photographer. I'm very much constantly getting stuck in the shopping loop to solve problems I encountered in my last shoot but I should be spending more time getting faster at culling and editing and getting more jobs. Your videos are very helpful in helping me learn the ins and outs of event photography and focus on what's important first.
I’m transitioning into event photography and I find your videos very informative. I wish I’d followed these steps when I was initially gearing up. Probably could’ve saved thousands.
Solid list of steps. I took the jump for a 24-70 and 70-200 and regret absolutely nothing. I can cover an entire event with no hesitation with those 2 lenses. I am grabbing a 16-30 f/4 here soon because I do find a small gap in getting establishing shots and finding myself in tight spaces that need a wide lens.
14:33 I usually only do event photography in the summer months and every year i literally just watch all your new videos and rewatch the older ones to get back into it. You definitely have helped a lot of people. Thank you ♥
Thank You! You are absolutely right about 24-70 F2.8 for events. That one lens can do a lot on its own. As a second option, if there is enough light, I use 24-105 F4. However, dance photography which I do the most, 50mm F1.4 helps the most, especially in very low lit venues. Then the is 70-200 F2.8. It took me a long, long time to acquire this one, but I love it now.
A lot of Pro-gear does NOT get outdated as aften as people imagine. I am still using a first gen 1DX MK1 and it can do marvels with all good glass AND its dirt cheap nowadays (this body set you back 7000 USD when it was released). Yes its old, but its still a solid reliable tank, it just never fails and it an ISO range for most pro work, even today. PS. If my own somehow breaks, then I will get another second-hand without hesitating, they are now around 500 Eur in Europe for a reasonably used body.
Doing some editing right now, but leaving a comment to make sure you know that your videos are always appreciated, and also as a self-reminder to come back and leave a proper one =)
I have just binged several of your videos. I absolutely love how candid you are about your process and thoughts regarding executing. Very helpful for someone who knows how to use the camera and is now really building their business and practice. Thank you.
Got my first SLR for event photography way back 2017 with the 700D, never had any problems with it during events. Added the 50mm to my arsenal and it was a game changer, added the flash later and it was a way bigger game changer for events! I fully thought that my kit lens was a waste of time on events, but using the flash made me rethink lol. It wasn't the lens that's the problem, it's the lack of soft light in the subject that was the problem haha. Fast forward 2021, I now own an M50 more so for video work, and it's dual pixel af! and just last month I bought a used 1200D for $100 that I'll be using for street photography and as a backup camera haha. For now I think my lineup's complete with the exception of a 17-50 2.8 // 24-105 F4 Love the vid bro! It made me validate my purchasing decisions :D
Very interesting guideline steps. I’m more of a hobbyist at the moment and mostly shoot wildlife and landscape. I recently had an opportunity to support at an event and really enjoyed the experience. I felt like cramming for finals ahead of time trying to make sure I understood some of the challenges with lighting and etc. lol. With that interest in mind, thank you for your suggestions. If I would choose this as a method for side income it all makes a lot of sense!
Clearly you've thought this through. Not just the gear but the whole art of event photography. Your delivery is clear and to the point. Your tutorials are very helpful.
It is nice to see someone who has an understanding of gear. It looks like our choices are not so different although I shoot Nikon. 17-35mm F2.8 AF-S for large group shots, EP shots and interior shots. 28-70mm F2.8 AF-S is good for EP shots and event shots.. 80-200mm F2.8 AF-S candids, 3/4 portraits shots and closeups. These lenses can be bought for $350-400 used a piece. 300mm F2.8 AF-I outdoor portraits sports, events, airshows, and nature. 200-500mm f5.6 VR sports, nature, and airshows. These lenses can bought for $1000 a piece. I actually own all these lenses. Here is my main gear Nikon D5 $3000 D4s $1400 (2) Nikon D3 $700 (2) SB-800 Speedlights $80 Nikkor 200-500mm f5.6 VR $1000 Nikkor 300mm F2.8 AF-I $1000 Nikkor 80-200mm F2.8 AF-S $350 Nikkor 28-70mm F2.8 AF-S $350 Nikkor 17-35mm F2.8 AF-S $350 Kenko 1.4X adapter $35 My backup lenses Nikkor 35-70mm F2.8 D $57 Nikkor80-200mm F2.8 ED $160 Tokina 300mm F2.8 (which I have owned since 1998) $700
After watching twenty of your videos, I am learning so much about flash and many other useful tips. Thanks for the excellent content! Love the R6 also! Mark
Thank you. By far the best take away from this which new shooters with photography/career or gear fever is to HAVE A GAME PLAN. Exactly. The Rabbit holes of chasing tools to become a better craftsman are not only destructive false security blankets, but run so deep you'll forget why you began the search in the first place and could very well become totally lost in the darkness. Use what you have to its full potential and to learn from experience what it is you will need is indeed the best advice. Same with having back-ups anytime you are working as a pro and being paid. Love your no nonsense, pro approach Mr. Milman and I have no doubt for those who take your advice will save themselves lots of stress and money going forward. Love and light.
Just found you on UA-cam as I am shooting my first event this weekend! Awesome content and super resourceful! Very grateful for your videos thanks so much! :)
I'm just starting with this type of photography and your channel really helps me. Thanks for all the content and the 25K subs are probably agreeing with me, that you are doing really great! Greeting all the way from the Netherlands!
As someone who has been doing photography for nearly a year now this is so useful because it's made me realise what I do need and what don't. Great video, would definitely recommend 👍
Glad it was helpful! Early in my career, as a second shooter, I got to play with a lot of gear I would not have had access to. It gave me a good idea of the gear I would need to buy but I wish I had been given a general order to follow!
I just have to buy back up batteries for my camera and the back up camera. Also maybe a 75-300 for some birdshots. The 18-140 I have is very versatile.
Great video for those starting out. Not many out there that give info like this! I have everything but the wide lens for my full-frame mirrorless cameras. I suppose that will be my next purchase...but I'm in no rush for it! Thanks for sharing such helpful and practical information with all of us.
I appreciate your content. Your vid on the checklist that you need before, during, and after an event was helpful in that it gave me confidence that I was already on the right track. I even learned the importance of why I should tag my images, so thanks for that. I'm subscribing because we are like-minded in our approach to photography 📸. This is my first year going full-time as a photographer, so I need all the support that I can get. Thanks again.
Thank you for this video. I shoot mostly outdoors and find shooting indoors extremely challenging. I have a Canon EOS 60D and 2 lenses: a Canon EFS 15-85mm and a Canon EF 300mm 1:4 L IS. The built in flash on my camera doesn’t seem to work. I’ve rarely ever used it. I’ve recently been asked to do some photography in a school gym and classrooms where I work here in Japan. Also some private students have asked me to do some indoor photography on their farm in warehouses, barns and special events. They also would like me to do indoor photography at their newly opened restaurant. I’ve tried at all these locations and the results have been extremely disappointing. I have a lot to learn. It’s much easier shooting birds in flight. I’m retiring in March 2024 so this isn’t something I’m doing for income, just something to help colleagues and friends. After I retire I’ll probably be able to buy some more expensive camera and glass. Just want some gear that’ll help me shoot indoors. My friends think that because I’m good at shooting birds in flight that I’m a good photographer. However, I know my limitations. Thanks for helping to educate me through this useful video.
just found you through your flash video. looking forward to watching more of your videos! building a kit is very daunting, but this step by step is very helpful. thank you!
Really enjoy your videos. You are of but a handful of photography channels that is not just modern infomercial! Thanks for the information and insights. I am starting to shoot more and step and repeats, red carpets. Some advice on flash brackets and external battery packs would be great.
Thanks for making this... I can totally relate. I am just starting out not too long. I have a full time job and need to sustain a family so I can't make this full time yet. I have been carefully buying lenses over time, and like you... have upgraded to R6 from 7D MkII... I recently did a few events and it was from watching the vids you made, it helped me to make good and conscious decisions. So thank you very much. Hopefully one day you can come to Singapore, there are many great landmarks and food here...
Thanks for all the great tips. You really provide the best event photography videos without any product placing. 🙏 I also started with a camera and a 24-70mm and know I see myself in step 3. 😊📸
Actually, the plant, couch and impressionist painting in the top of the frame are all for sale. Have you figured out if you'll go for a wide or telephoto next?
Thanks for these tips. By chance, I was pretty close to your recommendations based on my own experience. One thing that plagues me during an assignment though is how you carry/use all your gear. I really don’t want to feel like a pack mule for a 3or 4 hour job, but I also don’t want to need a lens that I left in another part of the venue. Insights appreciated.
I,wish I had seen this before, I have a lot of fast primes but I always feel that I miss the right gear, and the advise about flash is also i important.
I'd like to add investing in a good computer with high specs. Something like a Macbook Pro to start or a desktop like a Mac Studio or high-end PC with over 32GB of ram. It will make post editing much faster. My 2018 iMac couldn't even handle Lightroom with 200 photos in the library. I had to upgrade.
I agree... when its within your budget. I used the same imac for 10 years. After getting a Mac studio, I really wondered how I put up with such an old computer. But I built my business without funds or help and was somewhat trapped in a frugal mentality. Now that I'm in what I consider my late career, I value saving time much more than money.
Definitely wish I had this process years ago. I bought it all. LOL. It is paying off now however, but for years I didn't use, know how to effectively use, have the gear I owned.
I seriously love this content. I just ordered a 430 III flash because my A1X’s don’t have rear curtain sync with the R5 and would love to lighten the load.
The default recommendation of a 24-70, particularly in combination with a 70-200, has been repeated so often that it needs to be challenged. I've been shooting events for 20 years. I've never owned a 24-70/2.8. I have a 24-105/4, but use it mainly for lit group portraits and walkabout landscapes, not event coverage. The vast majority of my work has been done with 24mm, 35mm and 85mm primes on three bodies, with 18mm and 135mm primes in a bag or on a utility belt. Of late, I've found a 35-150 to be very useful in better-lit situations, but I still prefer working with primes. The hitch is that it takes three bodies. OTOH, when I was shooting Micro Four Thirds for seven years, my second and third bodies cost only $300 each, used in excellent condition, and they weighed next to nothing.
Actually the next thing I'm looking for is a tripod to replace my old one. It's an old Pitney Bowes aluminum one with a swivel panhead which I like, and was made to carry much heavier equipment than todays. Thing is it surprisingly only weighs 4 lb. Even the fiber ones run like 3.5 pounds so I'm just going back and forth over it. I'm not an event person though. Nature is my thing. I figure the extra half pound is probably good for the exercise. Of course it can only get down to about a height of 24" at the lense which the new ones outperform for macro. Maybe I should just get a good mini tripod. 🤔
Very nice video. I found it pretty useful. I am from Mumbai, India. I have started Event Photography after retiring from 38+ years of Service in Automobile Industry. I have Canon EOS 80D Camera, Canon 18-135 mm f 3.5/5.6 Kit Lens, Canon 50 mm f 1.4 Lens, Godox TT 520ii Manual Flash & Godox TT 685C TTL Flash. I am looking for adding a Camera & a Lens to the Kit. Looking forward to advice from you regarding Camera & Lens.
Thanks man. Another timely video for me at this point! Do you do portfolio reviews for event photographers? Or would you do some portfolio videos in the future? I’ve just made my website and am refining portfolio galleries.
For flash , I recommend the godox TT600 for those who can get by with a manual flash , they are amazing , I love them , since I got them my photos got really nice , and they are really cheap compare to TTL flashes and I don't use TTL at all so no need for it . I got 2 TT600 and a xpro trigger, cheap setup with amazing results . Can't wait to buy some more .
great stuff .. thanks for sharing. when your bouncing your flash off the walls are you still in TTL ... if yes do you wind up bumping the power up or are you usually happy with he balance you get on TTL , off the wall set at 0 compensation
Bouncing your flashes and especially good reason to shoot in TTL actually as the flash will always work to get a proper exposure. Compensation will not have anything to do with whether you bounce your flash, pointed directly at your subject, etc; rather, you want to use compensation just as you would with your cameras compensation. Have you watched my two videos on TTL? I think they would clarify this.
Thank you very much for the Information. Do you think i can survive a wedding without an 70 - 200? i will have a 85mm 1.8 and 50mm 1.8 and a 24-105 f4 L Thanks in advance for your reply🎉
Also definitely recommend the m50. It's pretty great for the price. I've been using it for 1.5 years now and buying the mkII to use as my main and keeping the mkI as a backup. I love how small my whole package is with this body and the M-mount lenses I got for it
Thank you so much for making this video. I just got 6D mark ii and 50mm f1.8, and Godox V1. I would like to buy Canon 24-70 but I can't afford it right now. would you recommend a Tamron or Sigma brand? or used canon brand?
I have two cameras. Canon 5d MK4 lens 24-105 and 16-35 EF. Second a Canon 200d MK2 which was my first Kit 18-55 EFS. I enjoy them both. I would like to learn event photography. where do I start? The EF lens will fit my 200d M.2. Thank you for your comment!
Hi David, I believe I address starting out in a couple of my videos. Here's one I think you may find useful: ua-cam.com/video/SGxaaKrFOv4/v-deo.html Let me know if you have any specific questions; I'd love to help!
acculy a really good list of items thou i will wanna add 1 ( and backups ) to it and that's a GOOD memory card ofc depending on what body you chooses but don't waste cash on the cheap once rather get decent once at first buy and always have 1-5 lol no but serious I carry 5 memory cards and yes I shoots with 2 bodys . my loved 5d mk2 and a 7d mk1 so CompactFlash for both.
Ive been using an old Canon 1000D for the past 3 years. Ive been through a kind of awkward way been thrown into the event photography space and it really doesnt do well in low light. I love it for daylight portraits but being limited to (a very grainy) ISO 1600 is incredibly punishing. Especially if the shots/motive are good but the quality ruins it. Ive now bought a Sony a7 III and a Samyang 24-70 f2.8 and I will never go back. The difference is literally night and day. Youre channel has been really helpful in the search for gear and advice! Any recommendations for flash? Ive been eyeing one of the larger Godox flashes...
Hi Mik, thank you for sharing all of your event photography videos. It has inspired me to give events it a try, but I hope you can answer this for me: I have 3 Godox 685's, 1 Godox AD100 Pro and 1 Godox AD200 Pro as my portable flashes. I know that the AD100 Pro & AD 200 Pro are powerful enough for events, but not a good idea to use because they're not versatile enough...or are they? Do you think that the Godox 685's are powerful enough for events or should I invest in something like the Godox V1? Also, I have a Canon R6 but I was wondering how you think a Canon 5DSR would perform during events? Thanks for your insight!
I'm not familiar enough with the various options Godox offers to comment on this, unfortunately. Sure, you could use a 5DSR for an event... but is it the most ideal camera for it? No. But you do not need the most ideal equipment to get something done, right?
I don’t know what flash from any manufacturer is more versatile than the AD200 with its multiple head options, direct mount modifiers, extendable with S bracket, etc. As long as you don’t need more power for your particular event situations, I’d say you have more than enough flash options in your kit. As to the 5DSR, have you ever used a DSLR? If not, you might find it a significant step back from the R6 for events. At one point, I had the 1Ds mk iii and the OG EOS R. The focus features alone of the R allowed me to work events much more quickly and confidently that the 1D became the backup camera.
I have a 24-120 f4 but I want a 70-200. I understand the advantages of a 2.8 vs an f4. My question is why spend the extra $ on a 2.8 if you're probably still going to shoot in f4 anyway to have deeper depth of field. Am I missing something? Should I be blurring the background for a speaker on stage at an event or is it simply a matter of needing the light?
I do not think that going from f4 to f2.8 is the game changer people might expect, depth of field wise. But in low lighting situations it can make a difference in my opinion. My advice is to ge ta 70-200 next, if you need one and then maybe see if you can get by with adding a 50mm 1.8 or 1.4 to your kit for instances when you need it.
@@MikMilman Thanks for responding. I have a 16-35mm f4, 50mm 1.8, 24-70mm 2.8 and 24-120 f4. I'm looking to increase my telephoto and really want you to help me decide my next lens, I'm between 70-200 f2.8 or 70-200 f4 or 70-300 f4.5-f5.6. What say you?
If it's in your means I really recommend just going for the 70-200 f2.8. Like I said in the video, I would rather have that lens of any version than a more modern F4 version.
I heard you in one video say you stay on top of your SEO to keep the customers coming instead of paying for advertising. I wanted to know did you have someone in common. I am loosing ground in my ranking on google. Who do you use?
I'm not 100 percent sure I am understanding your question, but I do not pay for SEO. I spent a few years obsessively learning everything I could about it. Sometimes you're not doing anything wrong to be losing ranking btw.
Although you can build a fully fleshed out kit in 5 steps, of course I included 6 more steps. What can I say, I'm thorough and it never fully ends.
Thanks for watching. Let me know if this content helped you figure out your gear needs!
I def made a lot of bad purchases :( I got a fisheye lens before I even got a 70-200!
I did something similar lol
I'm a freelance videographer and have been receiving more requests for photography lately. So grateful I found your channel! I've been feasting on all your experience and wisdom and straightforward useful information. How you break things down is extremely helpful. I love your clear perspectives, and really enjoy your thoroughness. 😊
This is the advice I needed long ago. I have so much high-end specialized gear that I have used a handful of times and now sits on the shelf. The cost-conscious approach to building out and then upgrading one’s kit as needed is exceptional: thanks! I wish more people were seeing your channel. good luck
THANK YOU! I very much appreciate the comment and support!
Awesome. Mik has really helped my event photography hustle grow. I hope that I'll be able to show him this level of support soon!
As someone who's starting their business this year, mostly weddings but also getting anything else that pays right now, your channel has become invaluable to me. Thank you!
I wish all photographers were as generous and thoughtful as you are Mik.
Your advice saves me time (and money) by avoiding learning things the hard way.
May you be very creative and prosperous this year my friend! Thanks.
As an event photographer myself, Your tips are right on. The bag was an another issue that could be of interest for your views. Great job!
Very true about the bag! I have yet to find the perfect bag for myself. I often use a Pelican case, because it just fits everything I need and is great, imo, for travel since it is so protective. But a good bag would also be nice for those times when a Pelican case is just not practical.
@@dianewarner9227 Agreed, a bag or bags video would be great! I use my Think Tank airport 2.0 for event gigs. So far it has been the best solution for me.
I've recently replaced some older bags with a very affordable Slinger Alpine 200 backpack and Slinger BigBag Simple 15 DSLR Roller Bag (which also works as a backpack) from Adorama for event work. In NYC, I often take the subway to gigs, and these two, with a stand bag, make it easy to transport everything I need, even when I'm putting up a portrait set as well as doing event coverage.
For a simpler kit, the roller is enough, stashing 2-4 speedlights as well as two bodies and several lenses. For more, I put extra lighting (speedlights, AD200s) in the small backpack.
Despite being half the price of the big brands (which I've owned over the decades), these are well designed and well made. I'm very happy with them and consider them a real bargain.
Step 1, become the Camera Store :D I like you
Thanks Mik! Your tips really make sense to me as an amateur event/portrait photographer. I'm very much constantly getting stuck in the shopping loop to solve problems I encountered in my last shoot but I should be spending more time getting faster at culling and editing and getting more jobs. Your videos are very helpful in helping me learn the ins and outs of event photography and focus on what's important first.
I’m transitioning into event photography and I find your videos very informative. I wish I’d followed these steps when I was initially gearing up. Probably could’ve saved thousands.
Great tips for those of us that are considering event photography. Good thing is that I have most of this kit already. Cheers!
Are you shooting events?
@@MikMilman I have shot about a half dozen paid events, I'm considering to get into it more. Need to establish some contacts where I am...
Solid list of steps. I took the jump for a 24-70 and 70-200 and regret absolutely nothing. I can cover an entire event with no hesitation with those 2 lenses. I am grabbing a 16-30 f/4 here soon because I do find a small gap in getting establishing shots and finding myself in tight spaces that need a wide lens.
That should do it. Who makes a 16-30?
@@MikMilman was a little off. Nikon makes a 14-30 f/4. That’s my next lens.
My 18-140 serves me well. I don't have to be in the peoples faces to get a close up.
14:33 I usually only do event photography in the summer months and every year i literally just watch all your new videos and rewatch the older ones to get back into it. You definitely have helped a lot of people. Thank you ♥
Thank You! You are absolutely right about 24-70 F2.8 for events. That one lens can do a lot on its own. As a second option, if there is enough light, I use 24-105 F4. However, dance photography which I do the most, 50mm F1.4 helps the most, especially in very low lit venues. Then the is 70-200 F2.8. It took me a long, long time to acquire this one, but I love it now.
I wish i had this advice 10 years ago. More so the mentorship.
Thanks for sharing
Number 3. My first flash was a metz-44 it was dead for many many years but when I checked it this summer apparently it worked 🤣
Thanks, I’m doing my first event on Saturday night. I’ve been watching quite a bit of your work. Much appreciated
A lot of Pro-gear does NOT get outdated as aften as people imagine. I am still using a first gen 1DX MK1 and it can do marvels with all good glass AND its dirt cheap nowadays (this body set you back 7000 USD when it was released).
Yes its old, but its still a solid reliable tank, it just never fails and it an ISO range for most pro work, even today.
PS. If my own somehow breaks, then I will get another second-hand without hesitating, they are now around 500 Eur in Europe for a reasonably used body.
Doing some editing right now, but leaving a comment to make sure you know that your videos are always appreciated, and also as a self-reminder to come back and leave a proper one =)
I have just binged several of your videos. I absolutely love how candid you are about your process and thoughts regarding executing. Very helpful for someone who knows how to use the camera and is now really building their business and practice. Thank you.
Thanks, Samuel.
Thank you Mik! So helpful in preparing for events coming up.
Got my first SLR for event photography way back 2017 with the 700D, never had any problems with it during events. Added the 50mm to my arsenal and it was a game changer, added the flash later and it was a way bigger game changer for events! I fully thought that my kit lens was a waste of time on events, but using the flash made me rethink lol. It wasn't the lens that's the problem, it's the lack of soft light in the subject that was the problem haha. Fast forward 2021, I now own an M50 more so for video work, and it's dual pixel af! and just last month I bought a used 1200D for $100 that I'll be using for street photography and as a backup camera haha. For now I think my lineup's complete with the exception of a 17-50 2.8 // 24-105 F4
Love the vid bro! It made me validate my purchasing decisions :D
Very interesting guideline steps. I’m more of a hobbyist at the moment and mostly shoot wildlife and landscape. I recently had an opportunity to support at an event and really enjoyed the experience. I felt like cramming for finals ahead of time trying to make sure I understood some of the challenges with lighting and etc. lol. With that interest in mind, thank you for your suggestions. If I would choose this as a method for side income it all makes a lot of sense!
Clearly you've thought this through. Not just the gear but the whole art of event photography. Your delivery is clear and to the point. Your tutorials are very helpful.
It is nice to see someone who has an understanding of gear. It looks like our choices are not so different although I shoot Nikon.
17-35mm F2.8 AF-S for large group shots, EP shots and interior shots.
28-70mm F2.8 AF-S is good for EP shots and event shots..
80-200mm F2.8 AF-S candids, 3/4 portraits shots and closeups. These lenses can be bought for $350-400 used a piece. 300mm F2.8 AF-I outdoor portraits sports, events, airshows, and nature. 200-500mm f5.6 VR sports, nature, and airshows. These lenses can bought for $1000 a piece. I actually own all these lenses.
Here is my main gear
Nikon D5 $3000
D4s $1400
(2) Nikon D3 $700
(2) SB-800 Speedlights $80
Nikkor 200-500mm f5.6 VR $1000
Nikkor 300mm F2.8 AF-I $1000
Nikkor 80-200mm F2.8 AF-S $350
Nikkor 28-70mm F2.8 AF-S $350
Nikkor 17-35mm F2.8 AF-S $350
Kenko 1.4X adapter $35
My backup lenses
Nikkor 35-70mm F2.8 D $57
Nikkor80-200mm F2.8 ED $160
Tokina 300mm F2.8 (which I have owned since 1998) $700
About to purchase my second camera body and I feel like I'm getting to a good place with my gear!
Once again: SPOT ON :) Thank you for the video!
After watching twenty of your videos, I am learning so much about flash and many other useful tips. Thanks for the excellent content! Love the R6 also! Mark
I really your comment "Less is more" . This forces creativity and makes us better photographers. Thank you for the great video.
Absolutely. Thanks for watching.
Thank you. By far the best take away from this which new shooters with photography/career or gear fever is to HAVE A GAME PLAN. Exactly. The Rabbit holes of chasing tools to become a better craftsman are not only destructive false security blankets, but run so deep you'll forget why you began the search in the first place and could very well become totally lost in the darkness. Use what you have to its full potential and to learn from experience what it is you will need is indeed the best advice. Same with having back-ups anytime you are working as a pro and being paid. Love your no nonsense, pro approach Mr. Milman and I have no doubt for those who take your advice will save themselves lots of stress and money going forward. Love and light.
Just found you on UA-cam as I am shooting my first event this weekend! Awesome content and super resourceful! Very grateful for your videos thanks so much! :)
I'm just starting with this type of photography and your channel really helps me. Thanks for all the content and the 25K subs are probably agreeing with me, that you are doing really great!
Greeting all the way from the Netherlands!
Thank you!
Love your tips in this video. Very helpful
As someone who has been doing photography for nearly a year now this is so useful because it's made me realise what I do need and what don't. Great video, would definitely recommend 👍
Glad it was helpful! Early in my career, as a second shooter, I got to play with a lot of gear I would not have had access to. It gave me a good idea of the gear I would need to buy but I wish I had been given a general order to follow!
I have used this video to build my kit and so far it has been perfect!
Thank you for this candid and honest information. I have lived your advice. I feel vindicated to my wife. More luck in the future!
haha good.
🙏 Thanks for this! I’m early in my photography business journey and this video is one I believe I’ll come back to again and again.
Thank you!
I just have to buy back up batteries for my camera and the back up camera. Also maybe a 75-300 for some birdshots. The 18-140 I have is very versatile.
Great content and advise for a starter.
Great video for those starting out. Not many out there that give info like this! I have everything but the wide lens for my full-frame mirrorless cameras. I suppose that will be my next purchase...but I'm in no rush for it! Thanks for sharing such helpful and practical information with all of us.
Hi Mik - thank you so so much for your effort and sharing knowledge. Your content is really helpful.
I love your ideas! ❤
Good vid I enjoyed this
Great info and thanks for doing this video
I appreciate your content. Your vid on the checklist that you need before, during, and after an event was helpful in that it gave me confidence that I was already on the right track. I even learned the importance of why I should tag my images, so thanks for that. I'm subscribing because we are like-minded in our approach to photography 📸. This is my first year going full-time as a photographer, so I need all the support that I can get. Thanks again.
Thank you for this video. I shoot mostly outdoors and find shooting indoors extremely challenging. I have a Canon EOS 60D and 2 lenses: a Canon EFS 15-85mm and a Canon EF 300mm 1:4 L IS. The built in flash on my camera doesn’t seem to work. I’ve rarely ever used it. I’ve recently been asked to do some photography in a school gym and classrooms where I work here in Japan. Also some private students have asked me to do some indoor photography on their farm in warehouses, barns and special events. They also would like me to do indoor photography at their newly opened restaurant. I’ve tried at all these locations and the results have been extremely disappointing. I have a lot to learn. It’s much easier shooting birds in flight. I’m retiring in March 2024 so this isn’t something I’m doing for income, just something to help colleagues and friends. After I retire I’ll probably be able to buy some more expensive camera and glass. Just want some gear that’ll help me shoot indoors. My friends think that because I’m good at shooting birds in flight that I’m a good photographer. However, I know my limitations. Thanks for helping to educate me through this useful video.
just found you through your flash video. looking forward to watching more of your videos! building a kit is very daunting, but this step by step is very helpful. thank you!
Really enjoy your videos. You are of but a handful of photography channels that is not just modern infomercial! Thanks for the information and insights. I am starting to shoot more and step and repeats, red carpets. Some advice on flash brackets and external battery packs would be great.
Thanks for making this... I can totally relate. I am just starting out not too long. I have a full time job and need to sustain a family so I can't make this full time yet. I have been carefully buying lenses over time, and like you... have upgraded to R6 from 7D MkII... I recently did a few events and it was from watching the vids you made, it helped me to make good and conscious decisions. So thank you very much. Hopefully one day you can come to Singapore, there are many great landmarks and food here...
Thanks for all the great tips. You really provide the best event photography videos without any product placing. 🙏 I also started with a camera and a 24-70mm and know I see myself in step 3. 😊📸
Actually, the plant, couch and impressionist painting in the top of the frame are all for sale.
Have you figured out if you'll go for a wide or telephoto next?
@@MikMilman 😂😂😂
@@MikMilman yeah probably in the near future, but at the moment I am quite happy with my equipment.
Great video📸
Thank you
Excellent content!
THANKS FOR THE HELP
Thanks! You are down to to earth and on the spot on your advice. I much appreciate it.
Great video! ❤ very well done and very informative.
Thank you!
I photograph corporate event and gatherings using an aps-c Nikon d500 with a 16-80 f2.8-4 lens. My flash is a GODOX V1.
Great advice. I always recommend Canon to people who are starting out. So many used lenses and bodies out there that are very affordable.
Wish I had this when I started out! Thank you for all you do!
Great Video! This was amazing, and I appreciate your being so candid!
Excellent presentation, Respectfully, Tom.
Thanks for these tips. By chance, I was pretty close to your recommendations based on my own experience.
One thing that plagues me during an assignment though is how you carry/use all your gear. I really don’t want to feel like a pack mule for a 3or 4 hour job, but I also don’t want to need a lens that I left in another part of the venue. Insights appreciated.
this helps a lot thanks
I,wish I had seen this before, I have a lot of fast primes but I always feel that I miss the right gear, and the advise about flash is also i important.
Primes are great but require a certain way of shooting.
This vid teach me a lot…tnx :)
Very helpful. Validated a lot of the decisions I’ve made, and will help me avoid some mistakes.
Happy to hear that!
I'd like to add investing in a good computer with high specs. Something like a Macbook Pro to start or a desktop like a Mac Studio or high-end PC with over 32GB of ram. It will make post editing much faster. My 2018 iMac couldn't even handle Lightroom with 200 photos in the library. I had to upgrade.
I agree... when its within your budget. I used the same imac for 10 years. After getting a Mac studio, I really wondered how I put up with such an old computer. But I built my business without funds or help and was somewhat trapped in a frugal mentality. Now that I'm in what I consider my late career, I value saving time much more than money.
Definitely wish I had this process years ago. I bought it all. LOL. It is paying off now however, but for years I didn't use, know how to effectively use, have the gear I owned.
So do I. That's why I made this video for other people :D
I seriously love this content. I just ordered a 430 III flash because my A1X’s don’t have rear curtain sync with the R5 and would love to lighten the load.
The default recommendation of a 24-70, particularly in combination with a 70-200, has been repeated so often that it needs to be challenged. I've been shooting events for 20 years. I've never owned a 24-70/2.8. I have a 24-105/4, but use it mainly for lit group portraits and walkabout landscapes, not event coverage. The vast majority of my work has been done with 24mm, 35mm and 85mm primes on three bodies, with 18mm and 135mm primes in a bag or on a utility belt. Of late, I've found a 35-150 to be very useful in better-lit situations, but I still prefer working with primes. The hitch is that it takes three bodies.
OTOH, when I was shooting Micro Four Thirds for seven years, my second and third bodies cost only $300 each, used in excellent condition, and they weighed next to nothing.
When I return to making videos, I actually plan on making a video on this topic.
Actually the next thing I'm looking for is a tripod to replace my old one. It's an old Pitney Bowes aluminum one with a swivel panhead which I like, and was made to carry much heavier equipment than todays. Thing is it surprisingly only weighs 4 lb. Even the fiber ones run like 3.5 pounds so I'm just going back and forth over it. I'm not an event person though. Nature is my thing. I figure the extra half pound is probably good for the exercise. Of course it can only get down to about a height of 24" at the lense which the new ones outperform for macro. Maybe I should just get a good mini tripod. 🤔
I wish I could help you with that. The only thing I know is that I've never used a tripod I liked.
Thank you for making this video!
I just came across ur page and thank u for the wisdom. Wish we could speak for a moment
Thank you. If you're interested, I offer 1 on 1 sessions through Patreon.
I appreciate your recommendations.
Very nice video. I found it pretty useful.
I am from Mumbai, India. I have started Event Photography after retiring from 38+ years of Service in Automobile Industry. I have Canon EOS 80D Camera, Canon 18-135 mm f 3.5/5.6 Kit Lens, Canon 50 mm f 1.4 Lens, Godox TT 520ii Manual Flash & Godox TT 685C TTL Flash.
I am looking for adding a Camera & a Lens to the Kit.
Looking forward to advice from you regarding Camera & Lens.
Really helpful advice and reminders.
Don't focus on just the big 3 brands, other brands also have great gear. I'm super happy with my Panasonic S5II for example.
Thanks!
WOW. Thank you so much for your support! It is so greatly appreciated.
!!!!
My oly kit:
Em1 Mk3, Em1 Mk1
12-40mm pro, 40-150mm pro
Godox V1
Black Rapid double harness
Thanks man. Another timely video for me at this point!
Do you do portfolio reviews for event photographers? Or would you do some portfolio videos in the future? I’ve just made my website and am refining portfolio galleries.
I do. I have a patreon support level for includes portfolio reviews.
😉👍
Step 2 or 3 should be bulk buy SD cards and spare batteries. And external harddrives and a back up system.
For flash , I recommend the godox TT600 for those who can get by with a manual flash , they are amazing , I love them , since I got them my photos got really nice , and they are really cheap compare to TTL flashes and I don't use TTL at all so no need for it . I got 2 TT600 and a xpro trigger, cheap setup with amazing results . Can't wait to buy some more .
What are you shooting with those?
great stuff .. thanks for sharing.
when your bouncing your flash off the walls are you still in TTL ... if yes do you wind up bumping the power up or are you usually happy with he balance you get on TTL , off the wall set at 0 compensation
Bouncing your flashes and especially good reason to shoot in TTL actually as the flash will always work to get a proper exposure. Compensation will not have anything to do with whether you bounce your flash, pointed directly at your subject, etc; rather, you want to use compensation just as you would with your cameras compensation. Have you watched my two videos on TTL? I think they would clarify this.
Great Vidieo ! Did you get a r5 yet bud ?
I use an r6ii and r6
Thank you very much for the Information. Do you think i can survive a wedding without an 70 - 200? i will have a 85mm 1.8 and 50mm 1.8 and a 24-105 f4 L
Thanks in advance for your reply🎉
Also definitely recommend the m50. It's pretty great for the price. I've been using it for 1.5 years now and buying the mkII to use as my main and keeping the mkI as a backup. I love how small my whole package is with this body and the M-mount lenses I got for it
Thank you so much for making this video.
I just got 6D mark ii and 50mm f1.8, and Godox V1. I would like to buy Canon 24-70 but I can't afford it right now. would you recommend a Tamron or Sigma brand? or used canon brand?
Yes. I actually use the original version of the Canon 24-70. I do hear good things about the Sigma, but I'm not familiar with what Tamron offers.
I have two cameras. Canon 5d MK4 lens 24-105 and 16-35 EF. Second a Canon 200d MK2 which was my first Kit 18-55 EFS. I enjoy them both. I would like to learn event photography. where do I start? The EF lens will fit my 200d M.2. Thank you for your comment!
Hi David,
I believe I address starting out in a couple of my videos. Here's one I think you may find useful:
ua-cam.com/video/SGxaaKrFOv4/v-deo.html
Let me know if you have any specific questions; I'd love to help!
acculy a really good list of items thou i will wanna add 1 ( and backups ) to it and that's a GOOD memory card ofc depending on what body you chooses but don't waste cash on the cheap once rather get decent once at first buy and always have 1-5 lol no but serious I carry 5 memory cards and yes I shoots with 2 bodys . my loved 5d mk2 and a 7d mk1 so CompactFlash for both.
😊👍
Ive been using an old Canon 1000D for the past 3 years. Ive been through a kind of awkward way been thrown into the event photography space and it really doesnt do well in low light. I love it for daylight portraits but being limited to (a very grainy) ISO 1600 is incredibly punishing. Especially if the shots/motive are good but the quality ruins it. Ive now bought a Sony a7 III and a Samyang 24-70 f2.8 and I will never go back. The difference is literally night and day. Youre channel has been really helpful in the search for gear and advice! Any recommendations for flash? Ive been eyeing one of the larger Godox flashes...
💪😎👌
Hi Mik, thank you for sharing all of your event photography videos. It has inspired me to give events it a try, but I hope you can answer this for me: I have 3 Godox 685's, 1 Godox AD100 Pro and 1 Godox AD200 Pro as my portable flashes. I know that the AD100 Pro & AD 200 Pro are powerful enough for events, but not a good idea to use because they're not versatile enough...or are they? Do you think that the Godox 685's are powerful enough for events or should I invest in something like the Godox V1? Also, I have a Canon R6 but I was wondering how you think a Canon 5DSR would perform during events? Thanks for your insight!
I'm not familiar enough with the various options Godox offers to comment on this, unfortunately.
Sure, you could use a 5DSR for an event... but is it the most ideal camera for it? No. But you do not need the most ideal equipment to get something done, right?
@@MikMilman Right! Thank you.
I don’t know what flash from any manufacturer is more versatile than the AD200 with its multiple head options, direct mount modifiers, extendable with S bracket, etc. As long as you don’t need more power for your particular event situations, I’d say you have more than enough flash options in your kit.
As to the 5DSR, have you ever used a DSLR? If not, you might find it a significant step back from the R6 for events. At one point, I had the 1Ds mk iii and the OG EOS R. The focus features alone of the R allowed me to work events much more quickly and confidently that the 1D became the backup camera.
Any recommendations for a camera strap?
Not really. I use a collection of vintage camera straps- nothing special, but much nicer than what comes in the box of a new camera.
I have a 24-120 f4 but I want a 70-200. I understand the advantages of a 2.8 vs an f4. My question is why spend the extra $ on a 2.8 if you're probably still going to shoot in f4 anyway to have deeper depth of field. Am I missing something? Should I be blurring the background for a speaker on stage at an event or is it simply a matter of needing the light?
I do not think that going from f4 to f2.8 is the game changer people might expect, depth of field wise. But in low lighting situations it can make a difference in my opinion. My advice is to ge ta 70-200 next, if you need one and then maybe see if you can get by with adding a 50mm 1.8 or 1.4 to your kit for instances when you need it.
@@MikMilman Thanks for responding. I have a 16-35mm f4, 50mm 1.8, 24-70mm 2.8 and 24-120 f4. I'm looking to increase my telephoto and really want you to help me decide my next lens, I'm between 70-200 f2.8 or 70-200 f4 or 70-300 f4.5-f5.6. What say you?
If it's in your means I really recommend just going for the 70-200 f2.8.
Like I said in the video, I would rather have that lens of any version than a more modern F4 version.
@@MikMilman appreciate that and taking your time to respond. I'll go and look for a good to mint condition one on eBay.
You may also want to consider KEH
Do you recommend an f/4 or 2.8 for the 15-35?
f4 for most.
how about a f2.8 tamron 28-75 ?
No reason that wouldn't work.
What was the wrong gear you bought?
I don't think anything I ever purchased was "wrong." But I do wish I had gotten my gear in the order detailed.
Thanks man
Anybody know a similar youtuber for event Videography
LMK if you find one
I heard you in one video say you stay on top of your SEO to keep the customers coming instead of paying for advertising. I wanted to know did you have someone in common. I am loosing ground in my ranking on google. Who do you use?
I'm not 100 percent sure I am understanding your question, but I do not pay for SEO. I spent a few years obsessively learning everything I could about it. Sometimes you're not doing anything wrong to be losing ranking btw.