@@organman52 it wasn't clear - it sounded like a rethorical excess of enthusiasm instead of a rethorical excess of close minded attitude (with all the usual things it usually carries on: a bit of arrogance, a bit of ignorance, a bit of violence...)
Intriguing sound world at first, but then after a few minutes it' becomes boring, expressively uniform and gray - the same 'avant garde' clichés repeated over and over again. The notation is typical of the pretentious old school avant-garde style: overly detailed and totally impractical (how could any human performer meaningfully distinguish between ppppppp and ppppp?)
Regardless of personal tastes and notational clichés, I don't think we can say that this is the usual “over and over again avant-garde”. One could say this if this were a contemporary piece, but it is a composition from 1989; it’s the culmination of Nono's compositional journey, coherent with what it was from "Polifonica monodia ritmica" until the end. That's Nono, like it or not, he's not an imitation of someone else.
Insanely beatiful, as Nono always is... ❤
Thank you very much for sharing.
Brilliant, thank you for sharing.
Thank you very much for the score.
Je me suis abonné rien qu'en voyant le nom de la chaîne, avant même que la musique commence. Maintenant qu'elle a démarré... Merci.
so good...
Grandios!
"Caminante, no hay caminos..." I think it's originally a poem by Antonio Machado.
Yes, an important poem for Nono
Nono saw this sentence wrote on a wall in a monastery in Spain, in Toledo I think.
La dernière oeuvre de Luigi Nono.
This is without question on the same level as Bach and Mozart.
How can you even compare Nono with Bach or Mozart? Such different worlds...
@@juliusseizure591 ever hear of sarcasm???
@@organman52 it wasn't clear - it sounded like a rethorical excess of enthusiasm instead of a rethorical excess of close minded attitude (with all the usual things it usually carries on: a bit of arrogance, a bit of ignorance, a bit of violence...)
Intriguing sound world at first, but then after a few minutes it' becomes boring, expressively uniform and gray - the same 'avant garde' clichés repeated over and over again. The notation is typical of the pretentious old school avant-garde style: overly detailed and totally impractical (how could any human performer meaningfully distinguish between ppppppp and ppppp?)
Regardless of personal tastes and notational clichés, I don't think we can say that this is the usual “over and over again avant-garde”. One could say this if this were a contemporary piece, but it is a composition from 1989; it’s the culmination of Nono's compositional journey, coherent with what it was from "Polifonica monodia ritmica" until the end. That's Nono, like it or not, he's not an imitation of someone else.
lol