Magnifique. Tempo idéal, ni trop rapide comme les uns ni trop rapide, juste intimement passionné, comme Fauré. Gorgeous. Ideal tempo, neither too fast like some nor too fast, just intimately passionate, like Fauré was.
The child and teenager Fauré was a student at he so-called Niemeyer relgious music school, where one of his teachers was his everlasting friend Saint-Saens. Apart from the splendid and moving "Cantique de Jean Racine" op; 11 composed for a final exam, Fauré was introduced into the rich amateur world by Saint Saens. This pushed him to compose mainly "mélodies" (lieder - Fauré is probably one of the great masters in that genre outside the German world (Schubert, Schumann, Brahms, Wolff), together with Mussorgsky in Russia) and small piano pieces full of melodic and before all harmonic invention. But these were short pieces. This sonata, and his first quartet with piano were written during this first period. Probably he wanted to show to himself and to his colleagues, to critics and to listeners that he was able to compose large chamber music pieces in line with the demands of this style. Actually, this sonata is a miracle in trms both of melody, harmony and architecture - as in most of Mozart's works, this very firm architecture is hidden under the softness ancd continuity of musical language, while it is more apparent for instance in Haydn's and Beethoven's language. The trio of the fast central third movement always fascinated me, and could have been written by Schumann at his best. This outstanding sonata is played from time to time here in France, most often with a top level masterpiece, Franck's sonata (also in A major).
During the coronavirus, I discovered the composer Fauré and his wonderful musical compositions exclusively thanks to Bomsori's magical violin playing. Bomsori's wonderful repertoire is chosen, of course, by her amazing soul, her clear mind and sensitive heart.
It is impossible to briefly and accurately describe the soft, tender and deep thoughtfulness that Bomsori expresses with the amazing playing of her violin (especially in Andante and in Allegro quasi presto).
I can say for sure that the quarantine during the coronavirus opened to me a huge, unique, previously unknown world of Bomsori's beautiful music - a world that I never even dreamed of. And I'm incredibly happy about that.
Superb duo! Brava Bomsori Kim and Brava Hanna Holeksa ❤❤
콩쿨의 긴장감을 느낄 수 없을만큼 연주가 아름답습니다.. 이.저녁 감사하게 잘 듣고 갑니다. 이제는 대가의 길을 가시는 김 마에스트로의 앞길이 더 넓게 열리시기를.. 고맙습니다..
이야 정말 감탄을 금할 수 없습니다 정경화 님과 또 다른 음색..너무도 아름 다운 연주 입니다 농 익은 듯한 그러면서 기운찬 아르,ㅁ다운 연주
pianist is also excellent here.
포레곡 알려주셔서 감사합니다.연주 짱이십니다♡♡
Magnifique. Tempo idéal, ni trop rapide comme les uns ni trop rapide, juste intimement passionné, comme Fauré.
Gorgeous. Ideal tempo, neither too fast like some nor too fast, just intimately passionate, like Fauré was.
사랑해여 봄의 소리ㅡ
월드클래스 김봄소리 !!!! 글로벌 인재 !!!! 월드스타 !!!!! Princess Bomsori !!!!!
I. Allegro molto 0:00
II. Andante 07:33
III. Allegro vivo 14:04
IV. Allegro quasi presto 18:08
The child and teenager Fauré was a student at he so-called Niemeyer relgious music school, where one of his teachers was his everlasting friend Saint-Saens. Apart from the splendid and moving "Cantique de Jean Racine" op; 11 composed for a final exam, Fauré was introduced into the rich amateur world by Saint Saens. This pushed him to compose mainly "mélodies" (lieder - Fauré is probably one of the great masters in that genre outside the German world (Schubert, Schumann, Brahms, Wolff), together with Mussorgsky in Russia) and small piano pieces full of melodic and before all harmonic invention. But these were short pieces. This sonata, and his first quartet with piano were written during this first period. Probably he wanted to show to himself and to his colleagues, to critics and to listeners that he was able to compose large chamber music pieces in line with the demands of this style. Actually, this sonata is a miracle in trms both of melody, harmony and architecture - as in most of Mozart's works, this very firm architecture is hidden under the softness ancd continuity of musical language, while it is more apparent for instance in Haydn's and Beethoven's language. The trio of the fast central third movement always fascinated me, and could have been written by Schumann at his best. This outstanding sonata is played from time to time here in France, most often with a top level masterpiece, Franck's sonata (also in A major).
I joined your Utb.
Thank you for sharing that. Always nice to hear the background to these treasures which makes one appreciate even more.
She plays with abandance and freedom!
During the coronavirus, I discovered the composer Fauré and his wonderful musical compositions exclusively thanks to Bomsori's magical violin playing. Bomsori's wonderful repertoire is chosen, of course, by her amazing soul, her clear mind and sensitive heart.
It is impossible to briefly and accurately describe the soft, tender and deep thoughtfulness that Bomsori expresses with the amazing playing of her violin (especially in Andante and in Allegro quasi presto).
I like Gabriel, and this performance made me very very happy.
Beautiful piano accompaniment!
Bomsori's music is amazing. And she herself is amazing. Especially her lively eyes. Even the movement of her ponytail is amazing.
what a treat.
I can say for sure that the quarantine during the coronavirus opened to me a huge, unique, previously unknown world of Bomsori's beautiful music - a world that I never even dreamed of. And I'm incredibly happy about that.
How Beautiful！✣✜✢
Beautiful sound amazing play
바이올린의 소리 울림 때문에 구독 눌렀습니다.
좋은 음악 선물해주셔서 감사드립니다.
Exciting and masterful (mistress-ful?) young violinist.
Tocas hermosamente tu precioso y maravilloso espléndido violín bellísima música hermosa Bomsori felicidades Gracias
I love how I can hear her breathing in between sentences.
thats the reason why she lost the competition
I love this song and I listen a lot!
Maravillosa ! estoy subyugado !!!!!!
Superb!!!!
Bravo!
Wow
❤
포레..짱
beautiful woman.
今後ともよろしくお願いします、
她是小提琴世界的：郎朗！
Faure' Violin Sonata NO. 1 in A major-- Bomsori Kim....... BOMSORI KIM // UA-cam LICENTIE//
Прекрасное исполнение! Браво!
她右手的大拇指指尖的第一关节和希拉里一样，顶死了，所以如果未来她不调整的话，从40岁开始，她将无法演奏弓根重音，从弓根转动的柱状和弦等，如果那时候她强行演奏，就会出来杂音。不只她，所有右手大拇指尖第一关节不弯曲、顶死了的演奏家，都会这样非良性的发展。
안녕하세요 개그맨 허둥구단 허동환과 함께하는 봉카TV 입니다~~어릴때 많이 듣고 치던 음악 잘듣고 갑니다~~화이팅입니다.~~ ^^
어릴때 포레 소나타를 많이 듣고 쳤어요? ㅋㅋㅋㅋㅋㅋㅋ
ㅋㅋㅋㅋㅋㅋ
웃겨
0:22
東洋の魔女たちセクシー
콧소리 조금 볼륨 낮춰주세요😅
東洋の魔女たちセクシー