Brahms - Symphony No.1, op.68 - Klemperer, Philharmonia (1956 STEREO)
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- Опубліковано 10 лип 2024
- ------- ReSound Project -------
Johannes Brahms - Symphony No.1 in C minor, Op.68
I. Un poco sostenuto - Allegro.............................. 0:00
II. Andante sostenuto...........................................14:04
III. Un poco allegretto e grazioso............................ 23:30
IV. Adagio - piu andante - Allegro non troppo.......... 28:12
Otto Klemperer - Philharmonia Orchestra
studio recording, 1956/57
This is THE performance of the Brahms First, truly in a class by itself.
Just a pity its third class
@@inboxmail2053 Which performances would you deem "first class?"
@@inboxmail2053still waiting...
Great performance!!!!
Fantastic sound quality for 1956...
Superb. Klemps at his finest.
The great Otto Klemperer:One of my favourite of the greatest conductors...
Bravo Mr Klemperer.. 👍👍👍💝
I love how all voices are " in focus " especially 2nd movement
Wonderfull interpretation and exellent sound! Amazing for 1956!
The reference recording
Sólido, riguroso, sobrio, implacable, atento a los matices, enérgico, lirico y lleno de emoción. Otto Klemperer en estado puro, intrepretando la musica de ese músico soberbio que es Johanes Bramhs.
Yes
Jaw dropping interpretation. How one can combine great lyricism and such balance of sound and form is incredible.
Brahms gave this two thumbs up from the grave.
The best Brahms 1 ever! Klemperer was at his best in the German classics!
What I love about Brahms is his generosity in tone, range and syntax. Works so much better with broader, slower tempi and rubato
堅固の造形と気迫あふれる演奏で巨匠クレンペラーが蘇える。
A great version.......THE version
Happy Birthday Johannes Brahms. Born in 1833, too soon gone in 1897. Your 1st Symphony is my favorite, especially the horn call in the 4th movement. Your are missed. Thanks again for your dynamic music.
sachseco . I totally agree with all your comments.
Extraordinary recording... in STEREO!!! Furthermore, I think that Klemperer's interpretation is unlike any other conductor because he seemed a little more rubato and took as much time as possible, in a unique way! Plus, the sounds go together very well, too!
Me encanta Brahms y esta versión de O.K. me recuerda a ratos a Celibidache. Gracias por subir un registro de gran calidad.
Brahms' stars still shift in oceans long since forgotten by navigators.
冒頭のティンパニーの強打から始まるからクレンペラーの気迫に満ちた演奏が素晴らしいね！これ欲しい！
Hermosa interpretación...en el top de cualquier lista
Szell, Bruno Walter (Columbia), Karajan (BPO 1963), Bernstein (NYPO/VPO), Guilini, Levine (Philadelphia/VPO), Furtwangler, Kurt Sanderling (Dresden), Haitink (Concertgebouw) as starters
GREAT!!!! GOOD WORK THE SOUND IS SUPERBE!
Yes. It seems like a horn dynamic "glissando", incredible liberty of playing and technique.
Damn! Granitic
Always a marvellously balanced sound from Klemperer - and only sometimes as slow as people said he was. In fact, he was frequently on the quick side
さすがは、マエストロ。奥深い演奏ですね。一点のミスも、有りませんし、見事な名録音だと、思います。心に、ひびきますね。
This dynamism is amazing. A performance in which the elements of Furtwangler are clarified. However, there is no indication in the score that you should hit the timpani with such a hitting tension that the skin is likely to break. However, Klemperer is a friend of Furtwangler's only good public and private opponents to counter Karajan, who he saw as cheeky with Furtwenger. After being struck by Walter Legge, he took over the Philharmonia from Karayan, and after using it as a pot, the evaluation finally improved. Philharmonia was perfected through a huge recording with Karajan.
This is beautiful. thank you so much
Impresionante version, con klemperer y legge
なんという鉄壁のような構成力と音楽性。
Klemperer always gets to the bottom no matter!
amazing..new favourite version!
Recorded ; 28 Mar 1957, Kingsway Hall, London
When Klemperers tempi worked they REALLY WORKED. The opening is so much better at this tempo. More claustophobic. The woodwinds on this recording are fabulous. My only complaint ( with this and most other recordings ) is the clarinet in the third movement is too prominent . I dont think brahms intented the obligato to be a clarinet solo. A minor quibble. 23:56
Grandioso!
Brahms jumping on intensity early. It doesn't get any better than this, maybe as terrific, but not any better.
Otto The Great.
those blows at the beginning at that slow tempo are unequalled by any other conductor.
Try Celibidache and Furtwängler
拝見 クレンペラー先生。
20年ぶりの再会であります。
あの頃はまだ若造で、
先生の芸風の深遠さが
理解できず、失礼しました。
リマスタリングが大変向上し、
やっと先生の藝術を正しく
認識できるようになりました。
では。
私はブラームス１番の出だしで背中が凍る感じがする演奏に涙を流す。今、私は苦悩という暗黒の重圧により右脳から出血しています（悲）
私は、迫害・不遇・困窮による心労などで一昨年、左脳で塞栓が起きました（同病）。
この演奏もいいですが、ベーム、フルトヴェングラーの方がテンポ設定はいいかなあ、と。
Best conductor ever
The performance is entirely devoid of that nervous tension that often exists in some Brahms performances. I think that’s why some people call Klemperer’s recordings “granitic”. He doesn’t caress the phrasing in the same way someone like Karajan would. It’s just absolutely straight.
I especially like Ludwig’s wonderful singing: such anguish in her voice
a King's music.
Best First!
この曲の名演の録音は、少ない。
クレンペラーの指揮は、老練。
第1楽章は、楽譜どおりの指揮で、素晴らしい。
I prefer Furtwangler's 1951 version in Hamburg, recording of the century.
I like that particular version also. Klemperer had a very different approach to Furt's, but I prefer Klemperer's on two days and Furtwangler's on the third day.
1952 version by furtwängler is even better
.
27:12 pausa.
Ouvindo por recomendação do professor Olavo de Carvalho.
look no farther
Some of these earlier recordings - and this, surely, must be one of those, serve as a yardstick for quality against later ones. This has happened on more than one occasion. Possibly some of the modern approaches, whatever they are, don`t work as well as reasoning supposes. Also, digital tech doesn`t always deliver, by any means! I once heard a wonderful old recording of R. Strauss`s A.S.Zarathustra (spelling!) when , suddenly there was an awful several seconds of jumping forward many times and very rapidly! Guess what - it had been transferred on to a CD! Why not just play the original tape? Or even a decent record? It`s only going to sit in storage the rest of the time anyway. I had to turn off - I had lost the magic. On a final note - I don`t like having Brahms or any other composer being interrupted by a moronic advert telling me how to upgrade my computer by buying a new program! I really detest this interrupting of a great work which took thousands of dedicated hours of intense activity -- right from the composer to all the musicians who trained the other musicians who are performing -- plus the recording engineers etc etc! As I write, Whizz Kid is telling me how to play millions of tunes in five minutes using three chords -- or something like that. Interrupting Brahms - just for that! See what I mean? There! I have said it! Oh, and PLEASE don`t suggest I buy a non advert package -- that won`t work with me - why should I have to do that? Time for me to calm down, now. I DO hope you enjoy this Symphony - if you get a flippin chance!
I dislike this piece. Hypocritical. I like only the second movement in its own right. Klemperer and Philharmonia are as good as usual.
Different.
No really, I don't know why all the excitement about Klemperer's Brahms. I do not like this performace at all. For the Brahms no 1 I easily prefer Karajan (any of his), Bohm and Jochum (in that order). I know taste differs, so all those excited about the Klemperer are welcome to like it. But I simply cannot share their excitement. Over all I find Klemperer quite boring in almost any repertoire.
For me, this is the best Brahms 1 ever. Everything is a matter of opinions, of course.
I share arte's opinion that this is 1 of the best 1's. Many critics also put K's first near the top (since I have no valid opinions of my own)
I’m so grateful that you allow others a different preference
I like the third movement, but Im not as enthused as the others either. believe it or not my favororite is Stokowski and the LSO in a live recording from the 70s. Completely changed my opinion of Stoky
Don’t usually like a lot of Klemperer’s recordings, but this one is very fine. But, English oboes? Marc Lifschey, Ray Still, and the entire Tabuteau bunch are cringing in their graves! Clarinets, horns great tho. Just sayin’.