Actually, the poor ear can’t hear all these notes ringing over each other. Lute music were written to adapt the ringing notes to each other, no not create dissonances not true to the key. It happens in some early music, but not so often. Also take into consideration that this sounds good and the ringing is not so bad, because: lute music is written to give the performer a chance to damp the bass strings, avoiding the notes ringing that you don’t want. You can’t really do that in Villa-Lobos etudes or Due Canzone L’idie. You can’t even do it in the simplest Sor divertimentos. Try playing a 10 string or other multistringed guitar yourself and you’ll notice you are drowning in notes. The poor ear don’t realize this, because all they can think of when imagining playing this instrument for all music is a Satie Gymnopedie or a slow poorly Canon in D
Also if you play this set of pieces by Torroba yourself, you’ll realize in two movements that you are required to damp some strings. Good luck doing that on 5 extra strings
We are talking about this piece (and most modern pieces) how it would sound shit in a 11 string alto guitar. On 6 string as it’s played in the video it sounds good. I think you misunderstood. It’s relevant because I made an example on why you should play everything on multistringed instruments
S8mply stunning! How can he extract so much beauty from these rather overlooked pieces? So much to learn for a lot of younger players, especially.
Salah satu gitaris favorit ... 👍
Excellent❤
Muy bien ejecutado e interpretado. Congratulaciones al maestro Goran Sollscher.
sensacional o Goran tocando esta suite, personalidade, refinamento, o cara é muito bom mesmo!!! obrigado pelo video!
thank you for this video! enjoyed it very much!
Does anyone have all the videos from that concert including the encores?
Muito bonito!
Bravo!
spaniol😊
Eccellente interpretazione
This music would sound so beautiful on the alto guitar. Why use it just for lute music?
Bunch of random notes ringing all the time
Actually, the poor ear can’t hear all these notes ringing over each other. Lute music were written to adapt the ringing notes to each other, no not create dissonances not true to the key. It happens in some early music, but not so often. Also take into consideration that this sounds good and the ringing is not so bad, because: lute music is written to give the performer a chance to damp the bass strings, avoiding the notes ringing that you don’t want. You can’t really do that in Villa-Lobos etudes or Due Canzone L’idie. You can’t even do it in the simplest Sor divertimentos. Try playing a 10 string or other multistringed guitar yourself and you’ll notice you are drowning in notes. The poor ear don’t realize this, because all they can think of when imagining playing this instrument for all music is a Satie Gymnopedie or a slow poorly Canon in D
Also if you play this set of pieces by Torroba yourself, you’ll realize in two movements that you are required to damp some strings. Good luck doing that on 5 extra strings
We are talking about this piece (and most modern pieces) how it would sound shit in a 11 string alto guitar. On 6 string as it’s played in the video it sounds good. I think you misunderstood. It’s relevant because I made an example on why you should play everything on multistringed instruments