I’m just over two weeks in, my in person instructor put me to a 2.5 from 2 and said ‘we will get you on a 3 right away soon’. This seemed the opposite of everything I’ve been hearing from online and other sources (such as this video). I think I’ll just stick with the 2.5, I seem to be able to handle it so far. I’d say the low C and D are the hardest for me to get right consistently - I get a ‘wawawawa’ especially with the C not infrequently, or the C/D and occasionally the E will jump to the second octave - do a quick tongue flick and relax the embouchure and it corrects the second octave issue, but the wawawawa C seems to perplex me a bit still (happens probably 50% of the time when going to the C on a note change)
The is is super common and could be a couple things. First experiment with how much mouthpiece you are using. Second, it’s important to keep your tongue low in your mouth for those low notes. And finally if you’re still struggling, get your sax checked over by a repairer - it could have a leak which is easy and inexpensive to fix (and really common). Good luck.
@@McGillMusicSaxSchool Thanks! I thought it was hard on the alto on the low notes - I have now changed to Tenor lol. It’s 100% me, thanks for the info on the tongue position - opening up like that helped for sure!
Great tips. When I started I would find isolated practice places where no one need suffer through squeaks, long tones and mistakes. Freedom from judgement makes for relaxed playing. I found that sitting in the passenger seat of my car was comfy. Some dashboards hold music well, others I can open the glove compartment and sit music on the open door. Each car has different acoustics. Old Japanese car is a resonator, new BMW is a sound cocoon. Now I love playing, just not in public. Working on that. Got issues with being in tune and transposing to play with others. Also getting left thumb octave pain. Have slow key around b flat. Going low to high it hangs on fast passages. I have been lubricating and cleaning pivots which helps for a while, then problem returns. Tech said it works for him. It's in tune for him also, ha,ha. Yas-52. Thanks for the website 👍.
Hi Nigel, thank you for the wonderful video. I am having difficulty with the breathing section that you highlight in this video. My sound doesn't sound full, and as a result I don't think I have as good flow when I am playing a song. Do you have another video in your series of videos that addresses this point a little more in depth? Thanks again!!!!!
My tone is always fuzzy and sounds like my saxophone is full of spit but sometimes i get lucky with reed. I'm trying really hard but its hardly changing. :(
Sorry to hear that. Two things to try - 1: swab out your sax during an after every session (including the neck and mouthpiece). 2: Experiment with a softer reed to see if this helps to clear up your sound. Hope this helps.
I will certainly check the 5 things you mention. I lose my confidence with my tenor saxophone because sometimes it just won't play certain notes. These may change. I couldn't play anything right during the first half of our last gig. I kept changing the reed and mouthpiece around as sometimes this helps. But it was very embarrassing. Then the second half went perfectly. Thank goodness! But its the uncertainty of whether its going to play or not that's getting to me. I'm sure its all my fault. I'm not necessarily blaming the saxophone! I'd be grateful for your advice. Thanks.
I struggle with playing in tune as you described and use a 1.5 reed on an alto sax. I’ve been playing for a couple of months and have tried most things from experimenting with my embouchure while holding a note to get the green on my tuner. It seems to be hit and miss so I might try a 2.0 reed and see. Love your explanations.
So glad I ran across your school a couple of months ago. All of your tips and videos are so helpful. I have just finished the starter pathway, learning to read music, and everything else . So my issues are still many . Something I have noticed is sometimes a lack of concentration on the notes during a playback with the backing track. Actually what is helping is playing along with your sax and backing track. Anyway, thanks for all of this. Looking forward to this journey.
Good question - often this is just because you need to blow your air right through the lines to connect them up more. Spend a bit of time on slow melodies to fix this Onyeka.
I played cornet in college. Quit. 40 years later im picking up the tenor saxophone. My local store recommended the Rico 2.5 because the teacher thought someone that played a trumpet years ago could develop embouchure strength faster. If I try anything, it will be 2.0 reeds in a few months to see if i can get a little more consistent tone .
Since you asked... I've played tenor off and on for years. However over the last three years I'm more informed and a bit more serious. I still feel like an advanced beginner because it serms obvious when compared to real players...semi pros et cetera. Anyway, I have trouble with the palm keys. It feels like a strain and awkard struggle. I know I'm supposed to avoid tension and have good hands and finged to er positioning. Those palm keys are tough for me. My tone and range is improving so those palm keys I need to manage better.
Excellent video Nigel! I am struggling playing the high E on my Alto. No trouble hitting the note it's just when I play it, it sounds week and thin. I just switched over to a 3 1/2 Reed a month ago. Maybe I'll go back to a 2 1/2 like you suggested. Thanks Nigel?
Great video. I'm happy with my sound but I find the top C sounds quite tight and thin. I can do the c major and c blues scale over two octaves but literally I hit the top and the sound just sounds..yuk. almost certainly me tightening up I think.
Great tips Nigel, oh yeah Sax School is awesome!!! I’ve been playing sax for a while and 2.5 is my sweet spot when it comes to reeds. Keeping the horn full of air takes practice. I used to struggle with my low notes but consistent practice of long tones has got the job done. Yes, I hated playing those long tones but now I make them fun now I can hit my high F, and F sharp without sliding up to them.🇯🇲🎷🎷👍🔥🔥🤜🏾🤛🏾
Shanay Pringle oh yeah, I used to play haphazardly in the past and I wasn’t growing. Then I took things seriously and my sound has improved exponentially.
Sax Buddy indeed, like Nigel said it’s easy to skip over the fundamentals of playing long tones but those are what set you up for sounding great on the horn.
Hi Nigel, I have trouble reaching the low notes on my soprano sax. I'm a beginner, with a Yamaha 4C mouthpiece, and a 1.5 cheaper reed. I'm used to playing brass instruments. I can hit the high notes pretty well on the soprano, but once I take my hand off the octave key, past G, it's bubbles and squeaks a lot.
Brian Stachow the best way to get out your low notes is by consistently playing long tones, all you need is 5 minutes each day. Set a timer for five minutes, set your metronome to 60 bpm, blow each note for 4 or 8 beats and move down the horn chromatically. Start at the note where you squeak and keep descending. In order not to overwhelm yourself, choose three to five notes eg. C,B,Bb, A,G without the octave key. Do this everyday for a week then a month and keep going down on your horn until you can play the lowest note on your sax. 🎷🎷🎷🔥🔥🤜🏾🤛🏾
Hi Nigel! Thanks for posting this. I had just finished practicing "Stardust" then I turned on this clip! My biggest difficulty (beside finding enough time to practice) is finding the reeds that produce the sound I want and have some longevity, but are not overly taxing on my embouchure (-- tough combination.)
Aaaahh, that’s a never ending struggle for us sax players Rob! I definitely find it easier now I only play Legere reeds. No adjusting or fiddling means more practice time! Glad you enjoyed the video.
@@McGillMusicSaxSchool I tried Legere Signature 2.5 and 2, and although they produce a nice tone, they were too rigid to produce subtones (which I use a lot) and a bit hard on my embouchure. I tried a softer Studio-cut, but wasn't happy with the tone. I'm still hoping to find the ideal synthetic reed, but until then I will keep working on various cane reeds.
Hi Nigel I get a lot of squeeking when playing . I always stop and reset when It happens. I find the A &B notes to be quite difficult to hold the low note. I am only recently really starting to practise daily ,I have been playing a bunch of long notes to videos of scales slowed down to make sure I'm in tune. Do these squeeks start to go away the more I play. I'm sure they will. All the best nick
Hi Nick. Sorry to hear that - check your embouchure and make sure your bottom teeth aren’t touching the reed. You can also check you aren’t using too much mouthpiece. A little less might do the trick. Good luck!
Hi, I have a question about upper denture in the mouth. Does it change the sound, after all you have plastic on the palate. If so, what is your suggestion?
This is an awesome video! Whenever I play, I never really get a clear, smooth sound. How can I get a better sound? I also struggle to get the high notes, should I move up to a 2.5 reed? I was previously on a 2.
Fantastic Nigel thanks!!!! This is very helpful to me, in fact I’m even struggling on how to manage holding my tenor properly I’m sure you have a video on this I’ll just have to find it in the course which I enrolled in but haven’t started yet.
I dont know either I see other students that play the tenor lean forward in their chair with tenor at your side and down really low. I prefer standing up and playing like i am in marching band or just have it at my side.
hey Mcgill, ive been playing for a while now but I've been finding myself making a real airy sound when playing not loud. it doesn't happen all the time but when it does I don't know why.
Biggest problem I have is squeaks and whistles, especially when transitioning to a high note, I have been adjusting the depth of the mouthpiece in my mouth, but don’t seem able to fix it.
Toughest part for my sound is not owning a sax. I will have to work on that. All joking aside, if I want to start playing sax, will wearing a partial denture effect the ability to play?
Having difficulty knowing they right size of Reed. I got a curved soprano started with a 2.5 but having difficulty with palm keys over D# and from F and E and my altissimo so I went down to 2 and then to 1.5. Other than that my sounds good while playing any tips or advices. Do I need another mouthpiece still using what came with the sax.
Hi Isaac. Higher notes on soprano are more tricky. Most people would struggle to get them out on a really soft reed but I think if you concentrate on building your tone in the middle register first, the high notes will come as your embouchure gets stronger. I don’t know which mouthpiece you have, but something like a Yamaha 4c or Selmer D mouthpiece is a good starting point as you build your skills. Good luck!
Great video on five tips. I wish I'd listened to something like this right at the beginning. I've managed to work out all five tips but it's taken me a few years. The reed strength tip took me the longest to figure out. I don't know when and were I'd got the impression but I thought starting on strength 3 was the way to go. I eventually decided to go to a 2 and it made such a difference, although as my playing progressed and I needed both the highest and lowest notes in the range I had a hunch that I needed a bit more support from the reed. Tried a 3 again but a 2.5 seems to be the sweet spot for me. My current challenge is figuring out relative pitch so I can better understand how best to improvise off a melody.
I have only 3 main issues when playing my Yamaha YAS-280 alto: I often get a fuzzy/gurgle sound when playing a high A. Sometimes I get a warble playing middle C. I can get nearly all my middle/low notes in tune but I always find my low D comes out a bit flat compared to other low notes.
@@aidan4473 I am not sure but what I think my issue is partly to do with moisture build up in the neck/body octave pip as when I clean out the neck, I have less off an issue with a gurgle tin type sound. I haven't noticed it yet with my new Yanagisawa AWO2 but I have only had it a week and haven't played it enough to know if it becomes an issue or not on it. I also found this video that helps from Robert Young on the A fuzz issue: ua-cam.com/video/J48iJf6o1u8/v-deo.html
Nigel, thankyou for a very informative video. I've just started back playing after an absence of about 30 yrs. I'm finding that I get fatigued (embouchure) when practicing for about an hour per day. When this happens, I tend loose control of the notes I'm playing. Thanks again
jazzyjag1989 think of your embouchure like your legs, if you work them to a certain point they will get tired and sore. To go beyond an hour without getting sore and losing control will take practice. So after you’ve practiced for 20 minutes to half an hour give yourself a 5-10 minutes break. Stretch, walk away from the horn, drink water etc then return. After an hour do the same. If you usually find that your cut off is at 60 minutes, the next day move incrementally by practicing for 65 minutes and keep going up in increments of 5-10 minutes over days weeks etc. Going up in small increments will allow your embouchure to get stronger to hold the strain for longer periods of time. After a while 1 hour will feel like a breeze. 🎷🔥🔥🤜🏾🤛🏾
Derek Akien that’s true if practice is inconsistent. When done consistently over a long periods of time it will become easier to practice for longer. I love quote, “success is never owned, it is rented and the rent is due everyday.”
Nigel thank you for the tips and other great videos. One of my challenges is going from the high range to a lower range. Sometimes it stays high when I release the octave key. Sometimes it speaks. Any tips for this?
I am starting out, and I have noticed my thumbs really ache after 30 mins, I find it hard to dismantle the sax after playing as they are so sore. This is because you mentioned to let you know what I struggle with
I'm struggling with the notes above D. I have three altos. The yas23 all notes are there but need practice. The cannonball is hit or miss and the yas-62 is worse. All three have been to the shop and they said they had everything fixed and played for them. Tried switching mouthpieces and had limited success. I've tried staying relaxed,wind support, playing the lower octave then the problem note and all help but it's not consistent. The shop wanted me to play the good alto in front of them and under pressure I failed even at that so they must think I am clueless. My tenor yas23 is fine and it's easy as any other notes. I wish this suffering was silent 😭. Help me obi wan.
Hi Nigel! I am a flute player but I decided to learn the alto sax, I would like to improve my tone, I sound a bit flat on the saxophone and my sound is not a fluent harmonious.What could I do to sound better?Thank you!
Hi Nigel, I have a couple of things that are hard for me with a tenor saxophone, 1. get the right reeds, not the size I use 2 1/2, is more about get some that really sound good. 2. Embouchure, some times is hard to get a good E, D and C in the low range and G in the high (octave) and keep a good sound. I will thank you for any advice you can share.
I saw in another video that evey note has to start with the tongue. However, when I tried it, I could hear how there was saliva in the mouthpiece. How can I fix this? Is there a specific technique to do it so that saliva doesn't affect the sound?
Hi Nigel! Great video... I used to play alto sax in my primary school band, and have just picked it up again after 13 years, and am having a lot of trouble playing low D (my sax wants to play high D), and when I try and play high D, another sound altogether comes out! Just wondering if this is a common problem for beginners, or maybe because I've jumped straight on to the left over 2.5 reeds I had from school?
Hi, yes a common issue really and could be a few different causes. You could experiment with a slightly softer reed. Definitely spend plenty of time on your embouchure to get back into shape. But it could also be a slight leak on your sax - generally a super easy and cheap fix. Good luck I hope you get it sorted.
Hardest part has been learning to read music, especially when you hear another song in it and just want to take off on that. 😂 Breathing is also taking a bit work, timing wise.
Hi Steve, this could be because of the mouthpiece and reed combo but the first step is to spend plenty of time building your embouchure strength with slow melodies and long tones. Good warmup exercises really help with this, especially if you use your tuner too.
I have a problem when slurring from say high b to middle d. I get an unwanted overtone. I have to tongue it to make sure it sounds a d. Very frustrating!
Hi Alan. This is a really common problem on sax. As long as your fingers are all moving together, the problem can be sorted by spending some time working on your tone for the middle D, then gradually building confidence going C to D, then B to D. You’ll get there, but take your time!
I struggle with improvising jazz, it's such a foreign concept. I have over 10 years with the sax and not concerned with my timbre, though I'm also struggling to find that growly jazz sound too. Maybe I should look into a different mouthpiece.
I have been a saxophonist since i was 12 now im 13 Idk how to improve the sound of my alto, cause everytime i look in youtube theres sound so good but mine doesn't i wanna learn how to express the sound of the alto saxo correctly but i dont know what to improve
As a beginner, I start blowing and there's no sound initially. This results in wasted air and I don't have enough air in my lungs for long notes. Thanks for the time and the free advice you give.
Timing... Timing... Timing... It may sound simple, but so many including myself struggles with timing. Please ad an in depth lesson with tips and tricks and lessons to keep us timing impaired back on time.... Please!
Good question and a common problem. Here are two videos to check out: How to improve your Timing with Nigel Hitchcock: ua-cam.com/video/tV3Zqgg12KU/v-deo.html. And Tips for "Feeling the Beat": ua-cam.com/video/DYjqXwEGSio/v-deo.html. Hope these help you.
@@McGillMusicSaxSchool Thank you Nigel, I saw the 2nd one about playing to the beat, Not the 1st one. I couldn't find the rhythm and skills section in Sax School Could you send me the direct link? You should have a pathway dedicated soley on rhythm and timing.... Just my opinion... Thx!
JURANDIR JORGE Infelizmente não. Nesse mundo da música, como em qualquer outra área do conhecimento, entender o inglês ajuda muito. Transformou-se numa língua universal. Além de aprender música e saxofone, ainda precisamos aprender inglês. Não necessário, mas recomendável.
When to breathe in. Toughest thing for me to learn is when is the best time to sneak in a breath if I'm playing a lot. Need to get a better rhythm to it, or something.
First step is to try some different brand / strength reeds. Next is explore some other mouthpieces. Lots of mouthpiece info on my channel and blog. Hope it helps you.
I had zero guidance while learning sax as a teen, so I just naturally assumed all professionals use the higher numbered reeds. Went ask the way up to a the and a half over the years not realizing a two or two and a half were probably fine. 🙄
Good to try and avoid biting. Always take a break if your mouth is feeling tired. Also try to think of a more round shape with your embouchure - that will help you. Have fun.
It will get easier, the best thing to do is to try and practice nice gentle long notes with a metronome and aim for a little longer each day. Slow melodies really help with this too.
This is a really common issue Gene. Do you practice much with a tuner? I have found working on intervals with my tuner really helps to beat those sharp high notes.
That’s a common struggle. But….it can be fixed if you work on the right things. Lots of exercises to help you in Sax School or check out my free Tool Kit lesson bundle as a good starting point: saxschoolonline.com/courses/
@@McGillMusicSaxSchool I have been playing scales articulating the upbeats, finding ways to bend notes in articulation, listening to other players and trying to copy their sound, etc. I am trying to relearn vibrato to move from a throat vibrato to a doy-oy-oy-oy vibrato but it's slow for me. I learned wrong many years ago.
I’m just over two weeks in, my in person instructor put me to a 2.5 from 2 and said ‘we will get you on a 3 right away soon’. This seemed the opposite of everything I’ve been hearing from online and other sources (such as this video). I think I’ll just stick with the 2.5, I seem to be able to handle it so far.
I’d say the low C and D are the hardest for me to get right consistently - I get a ‘wawawawa’ especially with the C not infrequently, or the C/D and occasionally the E will jump to the second octave - do a quick tongue flick and relax the embouchure and it corrects the second octave issue, but the wawawawa C seems to perplex me a bit still (happens probably 50% of the time when going to the C on a note change)
The is is super common and could be a couple things. First experiment with how much mouthpiece you are using. Second, it’s important to keep your tongue low in your mouth for those low notes. And finally if you’re still struggling, get your sax checked over by a repairer - it could have a leak which is easy and inexpensive to fix (and really common). Good luck.
@@McGillMusicSaxSchool Thanks! I thought it was hard on the alto on the low notes - I have now changed to Tenor lol. It’s 100% me, thanks for the info on the tongue position - opening up like that helped for sure!
Well done tutor I am new on sax and battling with some issues like breath control, learning to play faster arpeggio and dynamics thanks sir.
Glad it helped you. Lots more free lessons to help with finger speed and tone here: saxschoolonline.com/courses
Great tips. When I started I would find isolated practice places where no one need suffer through squeaks, long tones and mistakes. Freedom from judgement makes for relaxed playing.
I found that sitting in the passenger seat of my car was comfy. Some dashboards hold music well, others I can open the glove compartment and sit music on the open door. Each car has different acoustics. Old Japanese car is a resonator, new BMW is a sound cocoon. Now I love playing, just not in public. Working on that.
Got issues with being in tune and transposing to play with others. Also getting left thumb octave pain. Have slow key around b flat. Going low to high it hangs on fast passages. I have been lubricating and cleaning pivots which helps for a while, then problem returns. Tech said it works for him. It's in tune for him also, ha,ha. Yas-52. Thanks for the website 👍.
Hi Nigel, thank you for the wonderful video. I am having difficulty with the breathing section that you highlight in this video. My sound doesn't sound full, and as a result I don't think I have as good flow when I am playing a song. Do you have another video in your series of videos that addresses this point a little more in depth? Thanks again!!!!!
Hi. It could be your breathing but could also be your reed strength. Email me for more help here: support@saxschoolonline.com
My tone is always fuzzy and sounds like my saxophone is full of spit but sometimes i get lucky with reed. I'm trying really hard but its hardly changing. :(
Sorry to hear that. Two things to try - 1: swab out your sax during an after every session (including the neck and mouthpiece). 2: Experiment with a softer reed to see if this helps to clear up your sound. Hope this helps.
I’m a big L plate learner myself I feel you’re thoughts
same with me!!
I just had the same problem. My sax teacher told me the reed maybe thinning or is soft and you may need a new reed or a harder reed.
I will certainly check the 5 things you mention. I lose my confidence with my tenor saxophone because sometimes it just won't play certain notes. These may change. I couldn't play anything right during the first half of our last gig. I kept changing the reed and mouthpiece around as sometimes this helps. But it was very embarrassing. Then the second half went perfectly. Thank goodness! But its the uncertainty of whether its going to play or not that's getting to me. I'm sure its all my fault. I'm not necessarily blaming the saxophone! I'd be grateful for your advice. Thanks.
I struggle with playing in tune as you described and use a 1.5 reed on an alto sax. I’ve been playing for a couple of months and have tried most things from experimenting with my embouchure while holding a note to get the green on my tuner. It seems to be hit and miss so I might try a 2.0 reed and see. Love your explanations.
Can you give as short licks with their solfège to rehearse with please
Thanks for making all this sax wisdom available!
You're welcome Rich. Thanks for watching!
So glad I ran across your school a couple of months ago. All of your tips and videos are so helpful. I have just finished the starter pathway, learning to read music, and everything else . So my issues are still many . Something I have noticed is sometimes a lack of concentration on the notes during a playback with the backing track. Actually what is helping is playing along with your sax and backing track. Anyway, thanks for all of this. Looking forward to this journey.
I am one of the thousands of sax school members. I've been studying since 2016.
Thank you so much for this great video. My sound seem to be breaking along musical lines, what can I do to correct it?
Good question - often this is just because you need to blow your air right through the lines to connect them up more. Spend a bit of time on slow melodies to fix this Onyeka.
I played cornet in college. Quit. 40 years later im picking up the tenor saxophone. My local store recommended the Rico 2.5 because the teacher thought someone that played a trumpet years ago could develop embouchure strength faster. If I try anything, it will be 2.0 reeds in a few months to see if i can get a little more consistent tone .
Good plan. Thanks for watching.
Since you asked...
I've played tenor off and on for years. However over the last three years I'm more informed and a bit more serious. I still feel like an advanced beginner because it serms obvious when compared to real players...semi pros et cetera.
Anyway, I have trouble with the palm keys. It feels like a strain and awkard struggle. I know I'm supposed to avoid tension and have good hands and finged to er positioning. Those palm keys are tough for me. My tone and range is improving so those palm keys I need to manage better.
Excellent video Nigel! I am struggling playing the high E on my Alto. No trouble hitting the note it's just when I play it, it sounds week and thin. I just switched over to a 3 1/2 Reed a month ago. Maybe I'll go back to a 2 1/2 like you suggested.
Thanks Nigel?
Steve Henry check my comment above under Brian Stachow comment and replicate what I suggested, ascend instead of descending.
Ok thank you
Steve Henry my absolute pleasure. 🎷👍🔥🔥🤜🏾🤛🏾
Great video! I am working hard on my articulation. Any tips?
Great video. I'm happy with my sound but I find the top C sounds quite tight and thin. I can do the c major and c blues scale over two octaves but literally I hit the top and the sound just sounds..yuk. almost certainly me tightening up I think.
Could be. As your mouth muscles get stronger though your sound will improve on those high notes.
Great tips Nigel, oh yeah Sax School is awesome!!! I’ve been playing sax for a while and 2.5 is my sweet spot when it comes to reeds. Keeping the horn full of air takes practice. I used to struggle with my low notes but consistent practice of long tones has got the job done. Yes, I hated playing those long tones but now I make them fun now I can hit my high F, and F sharp without sliding up to them.🇯🇲🎷🎷👍🔥🔥🤜🏾🤛🏾
Kadrian Thomas I agree with you. If you want to improve your sound you have to be consistent.
Those long notes can be boring but they work.
Shanay Pringle oh yeah, I used to play haphazardly in the past and I wasn’t growing. Then I took things seriously and my sound has improved exponentially.
Sax Buddy indeed, like Nigel said it’s easy to skip over the fundamentals of playing long tones but those are what set you up for sounding great on the horn.
@@KadrianThomas true, using the right reed is very important. What been reeds do you use bro?
Hi Nigel, I have trouble reaching the low notes on my soprano sax. I'm a beginner, with a Yamaha 4C mouthpiece, and a 1.5 cheaper reed. I'm used to playing brass instruments. I can hit the high notes pretty well on the soprano, but once I take my hand off the octave key, past G, it's bubbles and squeaks a lot.
Brian Stachow the best way to get out your low notes is by consistently playing long tones, all you need is 5 minutes each day. Set a timer for five minutes, set your metronome to 60 bpm, blow each note for 4 or 8 beats and move down the horn chromatically. Start at the note where you squeak and keep descending. In order not to overwhelm yourself, choose three to five notes eg. C,B,Bb, A,G without the octave key. Do this everyday for a week then a month and keep going down on your horn until you can play the lowest note on your sax. 🎷🎷🎷🔥🔥🤜🏾🤛🏾
Hi Nigel! Thanks for posting this. I had just finished practicing "Stardust" then I turned on this clip! My biggest difficulty (beside finding enough time to practice) is finding the reeds that produce the sound I want and have some longevity, but are not overly taxing on my embouchure (-- tough combination.)
Aaaahh, that’s a never ending struggle for us sax players Rob! I definitely find it easier now I only play Legere reeds. No adjusting or fiddling means more practice time! Glad you enjoyed the video.
@@McGillMusicSaxSchool I tried Legere Signature 2.5 and 2, and although they produce a nice tone, they were too rigid to produce subtones (which I use a lot) and a bit hard on my embouchure. I tried a softer Studio-cut, but wasn't happy with the tone. I'm still hoping to find the ideal synthetic reed, but until then I will keep working on various cane reeds.
Any tips on learning how to growl? Also practicing slurring into notes making them less staccato
Hi Nigel I get a lot of squeeking when playing . I always stop and reset when It happens. I find the A &B notes to be quite difficult to hold the low note. I am only recently really starting to practise daily ,I have been playing a bunch of long notes to videos of scales slowed down to make sure I'm in tune. Do these squeeks start to go away the more I play. I'm sure they will. All the best nick
Hi Nick. Sorry to hear that - check your embouchure and make sure your bottom teeth aren’t touching the reed. You can also check you aren’t using too much mouthpiece. A little less might do the trick. Good luck!
Thank you very much
Hi, I have a question about upper denture in the mouth. Does it change the sound, after all you have plastic on the palate. If so, what is your suggestion?
Thanks so much Sir.🙏
This is an awesome video! Whenever I play, I never really get a clear, smooth sound. How can I get a better sound? I also struggle to get the high notes, should I move up to a 2.5 reed? I was previously on a 2.
Fantastic Nigel thanks!!!! This is very helpful to me, in fact I’m even struggling on how to manage holding my tenor properly I’m sure you have a video on this I’ll just have to find it in the course which I enrolled in but haven’t started yet.
I dont know either I see other students that play the tenor lean forward in their chair with tenor at your side and down really low. I prefer standing up and playing like i am in marching band or just have it at my side.
I have purchased YAS280 one week back. Can you please tell how and where to place the reed ?
I struggle with getting a consistent cl
ear tone. Sometimes it seems to be with changing to specific notes.
hey Mcgill, ive been playing for a while now but I've been finding myself making a real airy sound when playing not loud. it doesn't happen all the time but when it does I don't know why.
Biggest problem I have is squeaks and whistles, especially when transitioning to a high note, I have been adjusting the depth of the mouthpiece in my mouth, but don’t seem able to fix it.
My name z Isaiah, some of the problem I have are :breath control, fame fingers,how to place mouth on d reed
Toughest part for my sound is not owning a sax. I will have to work on that. All joking aside, if I want to start playing sax, will wearing a partial denture effect the ability to play?
Having difficulty knowing they right size of Reed. I got a curved soprano started with a 2.5 but having difficulty with palm keys over D# and from F and E and my altissimo so I went down to 2 and then to 1.5. Other than that my sounds good while playing any tips or advices. Do I need another mouthpiece still using what came with the sax.
Hi Isaac. Higher notes on soprano are more tricky. Most people would struggle to get them out on a really soft reed but I think if you concentrate on building your tone in the middle register first, the high notes will come as your embouchure gets stronger. I don’t know which mouthpiece you have, but something like a Yamaha 4c or Selmer D mouthpiece is a good starting point as you build your skills. Good luck!
@@McGillMusicSaxSchool thanks for the tips. Really appreciate it I'll work towards getting one of those mouthpieces for starters
Great video on five tips. I wish I'd listened to something like this right at the beginning. I've managed to work out all five tips but it's taken me a few years. The reed strength tip took me the longest to figure out. I don't know when and were I'd got the impression but I thought starting on strength 3 was the way to go. I eventually decided to go to a 2 and it made such a difference, although as my playing progressed and I needed both the highest and lowest notes in the range I had a hunch that I needed a bit more support from the reed. Tried a 3 again but a 2.5 seems to be the sweet spot for me.
My current challenge is figuring out relative pitch so I can better understand how best to improvise off a melody.
I have only 3 main issues when playing my Yamaha YAS-280 alto: I often get a fuzzy/gurgle sound when playing a high A. Sometimes I get a warble playing middle C. I can get nearly all my middle/low notes in tune but I always find my low D comes out a bit flat compared to other low notes.
I have a YTS-480 Tenor sax and I have the same issue with the high a. Maybe it’s an issue with how Yamaha instruments are made!
@@aidan4473 I am not sure but what I think my issue is partly to do with moisture build up in the neck/body octave pip as when I clean out the neck, I have less off an issue with a gurgle tin type sound. I haven't noticed it yet with my new Yanagisawa AWO2 but I have only had it a week and haven't played it enough to know if it becomes an issue or not on it. I also found this video that helps from Robert Young on the A fuzz issue: ua-cam.com/video/J48iJf6o1u8/v-deo.html
I have intermittent problems with my high A on my Yani Alto. Sounds like a weird overtone
Nigel, thankyou for a very informative video. I've just started back playing after an absence of about 30 yrs. I'm finding that I get fatigued (embouchure) when practicing for about an hour per day. When this happens, I tend loose control of the notes I'm playing. Thanks again
jazzyjag1989 think of your embouchure like your legs, if you work them to a certain point they will get tired and sore. To go beyond an hour without getting sore and losing control will take practice. So after you’ve practiced for 20 minutes to half an hour give yourself a 5-10 minutes break. Stretch, walk away from the horn, drink water etc then return. After an hour do the same. If you usually find that your cut off is at 60 minutes, the next day move incrementally by practicing for 65 minutes and keep going up in increments of 5-10 minutes over days weeks etc. Going up in small increments will allow your embouchure to get stronger to hold the strain for longer periods of time. After a while 1 hour will feel like a breeze. 🎷🔥🔥🤜🏾🤛🏾
Kadrian, thanks for your reply. I'll give your suggestion a try starting to day...tough getting back! But, it's all good!
jazzyjag1989 my pleasure, yeah I know it’s tough but you’ll do great man, just start and be patient with yourself in the process.
Same here. You don't pick up where you left off, unfortunately. Easier than starting from scratch though.
Derek Akien that’s true if practice is inconsistent. When done consistently over a long periods of time it will become easier to practice for longer. I love quote, “success is never owned, it is rented and the rent is due everyday.”
Nigel thank you for the tips and other great videos. One of my challenges is going from the high range to a lower range. Sometimes it stays high when I release the octave key. Sometimes it speaks. Any tips for this?
true good advice
Cheers David. Thanks for watching.
@@McGillMusicSaxSchool thanks for replying
I am starting out, and I have noticed my thumbs really ache after 30 mins, I find it hard to dismantle the sax after playing as they are so sore. This is because you mentioned to let you know what I struggle with
Great Video by the way!
Cheers!
I'm struggling with the notes above D.
I have three altos. The yas23 all notes are there but need practice. The cannonball is hit or miss and the yas-62 is worse.
All three have been to the shop and they said they had everything fixed and played for them. Tried switching mouthpieces and had limited success.
I've tried staying relaxed,wind support, playing the lower octave then the problem note and all help but it's not consistent.
The shop wanted me to play the good alto in front of them and under pressure I failed even at that so they must think I am clueless.
My tenor yas23 is fine and it's easy as any other notes.
I wish this suffering was silent 😭.
Help me obi wan.
Hi Nigel! I am a flute player but I decided to learn the alto sax, I would like to improve my tone, I sound a bit flat on the saxophone and my sound is not a fluent harmonious.What could I do to sound better?Thank you!
Hi Nigel, I have a couple of things that are hard for me with a tenor saxophone, 1. get the right reeds, not the size I use 2 1/2, is more about get some that really sound good. 2. Embouchure, some times is hard to get a good E, D and C in the low range and G in the high (octave) and keep a good sound. I will thank you for any advice you can share.
The high G issue is a thing that happens on most tenors, lots of people have it. At least that’s what I was told by a teacher
Alto Sax. Ur great instructor. Want to play Some Hollywood and Bollywood songs just for fun.
thanks
I saw in another video that evey note has to start with the tongue. However, when I tried it, I could hear how there was saliva in the mouthpiece. How can I fix this? Is there a specific technique to do it so that saliva doesn't affect the sound?
Hi Nigel! Great video... I used to play alto sax in my primary school band, and have just picked it up again after 13 years, and am having a lot of trouble playing low D (my sax wants to play high D), and when I try and play high D, another sound altogether comes out! Just wondering if this is a common problem for beginners, or maybe because I've jumped straight on to the left over 2.5 reeds I had from school?
Hi, yes a common issue really and could be a few different causes. You could experiment with a slightly softer reed. Definitely spend plenty of time on your embouchure to get back into shape. But it could also be a slight leak on your sax - generally a super easy and cheap fix. Good luck I hope you get it sorted.
I have problem on my mouthpiece positioning and also do not get clear sound for lower C and C#
Hardest part has been learning to read music, especially when you hear another song in it and just want to take off on that. 😂 Breathing is also taking a bit work, timing wise.
I’m right there with you, reading music is totaly hard no doubt, the breathing well I’m not doing that well.
i got a problem with getting the out lower note with alto saxophone. and im using a ddadario select jazz marble mouthpiece, is it ok for beginer?
Professional sound
I really like and want to learn to play slow melodies!
Hi, can you tell me for how much money i can buy some good saxophone not very expensive. Thanks for the educations!
Hey I would look for a used Yamaha, especially the old ones made in Japan. Get it set up by a tech as well
I struggle with tone and playing in tune especially on G. Upper register is h as rder than lower register. Could it be the horn or mouthpiece,?
Hi Steve, this could be because of the mouthpiece and reed combo but the first step is to spend plenty of time building your embouchure strength with slow melodies and long tones. Good warmup exercises really help with this, especially if you use your tuner too.
Wat about meyer m6 new York I played with selmer for a long time
I have a problem when slurring from say high b to middle d. I get an unwanted overtone. I have to tongue it to make sure it sounds a d. Very frustrating!
Hi Alan. This is a really common problem on sax. As long as your fingers are all moving together, the problem can be sorted by spending some time working on your tone for the middle D, then gradually building confidence going C to D, then B to D. You’ll get there, but take your time!
McGill Music Sax School thanks!
My neighbours are a bit funny and can’t always practice everyday … can I practice my Embouchure with out playing ? With it not attached ??? X.
You can also work on reeds to make them softer right?
Watch Bob Reynolds prepare his new reeds. On YT !
I'm a beginner player and with sound and fingerings and how to practice
I struggle with improvising jazz, it's such a foreign concept. I have over 10 years with the sax and not concerned with my timbre, though I'm also struggling to find that growly jazz sound too. Maybe I should look into a different mouthpiece.
I have been a saxophonist since i was 12 now im 13
Idk how to improve the sound of my alto, cause everytime i look in youtube theres sound so good but mine doesn't i wanna learn how to express the sound of the alto saxo correctly but i dont know what to improve
The only thing is when I try to play the A the high one I need help with that
I am really struggling with moving my fingers fast enough, any tips to help me out?
Great question. Faster fingers starts with keeping your fingers closer to the keys. Check out this video: ua-cam.com/video/m9a4WHRqaJ4/v-deo.html
@@McGillMusicSaxSchool Thank you! I'll be sure to check the video out when I have time!
This is my second day on alto saxophone, and I’m struggling with fingers. And waterer fingeri press it does not make much difference.
my sax always seems to sound loud and forced and i want to try and get it to sound smooth, not sure what to do.
As a beginner, I start blowing and there's no sound initially. This results in wasted air and I don't have enough air in my lungs for long notes. Thanks for the time and the free advice you give.
Try to have a fast air from the beginning. You’ll need faster air for lower and higher notes (I think).
Timing... Timing... Timing... It may sound simple, but so many including myself struggles with timing. Please ad an in depth lesson with tips and tricks and lessons to keep us timing impaired back on time.... Please!
Good question and a common problem. Here are two videos to check out: How to improve your Timing with Nigel Hitchcock: ua-cam.com/video/tV3Zqgg12KU/v-deo.html. And Tips for "Feeling the Beat": ua-cam.com/video/DYjqXwEGSio/v-deo.html. Hope these help you.
@@McGillMusicSaxSchool Thank you Nigel, I saw the 2nd one about playing to the beat, Not the 1st one. I couldn't find the rhythm and skills section in Sax School Could you send me the direct link? You should have a pathway dedicated soley on rhythm and timing.... Just my opinion... Thx!
Definitely embochure!
As aulas são traduzidas para portugues ou espanhol?
JURANDIR JORGE Infelizmente não. Nesse mundo da música, como em qualquer outra área do conhecimento, entender o inglês ajuda muito. Transformou-se numa língua universal. Além de aprender música e saxofone, ainda precisamos aprender inglês. Não necessário, mas recomendável.
I struggle with low notes and the very high notes. Also, reed placement.
When to breathe in. Toughest thing for me to learn is when is the best time to sneak in a breath if I'm playing a lot. Need to get a better rhythm to it, or something.
At the end of a phrase, or shortening a minim to breathe without getting late or something in the middle of a phrase if it's too long.
I would like to improve my consistent vibrato
I started on a Rico 2.5 and I am definitely staying on Vandoren Blue Box 3s! There great!
Cool. I like the good old faithful Blue Box Vandorens too!
My saxophone is not bringing out darker sound what can I do to it
First step is to try some different brand / strength reeds. Next is explore some other mouthpieces. Lots of mouthpiece info on my channel and blog. Hope it helps you.
Há apostila ou exercicios em ingles
I'm struggling with getting started again, it's hard finding a place to practice without interruptions
It feels like air is just going through the sax, and it’s not turning into sound. It sounds like that could be mouthpiece placement or reed selection.
am finding it difficult to play
I'm struggling with mouth position and the saxophone's sound. I tried multiple methods but none of them worked.
Sorry to hear that. Check out this lesson - this will help: ua-cam.com/video/duPlAGVBFCA/v-deo.htmlsi=pFvV4ye904pt_o1M
i'm plaing for a year now and i think that i need to rise my reed to a 2 or 2.5 buy i'll still need practice
Good idea, most players settle on a 2 or 2.5 reed.
squeking when going low to high or high to low. Thats what I'm struggling with.
OK, could be a few causes with this, but most commonly it's your mouth position. Also check out this video:ua-cam.com/video/snfW_kBqoU0/v-deo.html
I had zero guidance while learning sax as a teen, so I just naturally assumed all professionals use the higher numbered reeds. Went ask the way up to a the and a half over the years not realizing a two or two and a half were probably fine. 🙄
But your tips are great
Thanks.
I struggle the most with tone and biting lips and tonguing
Good to try and avoid biting. Always take a break if your mouth is feeling tired. Also try to think of a more round shape with your embouchure - that will help you. Have fun.
I started 6 weeks ago And I am still not able to breathe. Even in very short exercises.
It will get easier, the best thing to do is to try and practice nice gentle long notes with a metronome and aim for a little longer each day. Slow melodies really help with this too.
Am really struggling with my sound😩🙏
Am a beginner, please teach me
Haw mach secxhofhn..?
Does a dent on top of the mouth peice make the sound of the saxo sound bad
i go sharp in the upper-register
This is a really common issue Gene. Do you practice much with a tuner? I have found working on intervals with my tuner really helps to beat those sharp high notes.
One of my problem is playing high notes
That is a challenge for loads of players - build up your embouchure strength to help with this. Long tones and quiet playing. You’ll get there!
I struggle with the position of my fingers and my tone.
That’s a common struggle. But….it can be fixed if you work on the right things. Lots of exercises to help you in Sax School or check out my free Tool Kit lesson bundle as a good starting point: saxschoolonline.com/courses/
Everything
Low c# big problem
Articulation and vibrato are my struggles.
Thanks Barbara. What do you do to work on these things?
@@McGillMusicSaxSchool I have been playing scales articulating the upbeats, finding ways to bend notes in articulation, listening to other players and trying to copy their sound, etc. I am trying to relearn vibrato to move from a throat vibrato to a doy-oy-oy-oy vibrato but it's slow for me. I learned wrong many years ago.
I m new
My endurance is pretty bad for me to be in marching band :(
To get a good sound you have to tease it, coax it out, not blow it out. And play with feeling - think Otis Redding.
It all starts with good technique and a strong embouchure though Derek.
Breathing