@thunorrr overheads are just the mic's they place over the drums to catch cymbals. I used to just high pass em to death but found micing close mics, a room and overheads brings out much more tone out of drums than using OH just for cymbals. Also, you can isolate the snare in the overheads with compression and boost the output gain to raise the cymbals over the snare to get a better mix with em
Is that the SLAVERY - GETS SHIT DONE T-shirt from T-shirt hell? That is just so amazing. I turned to this video for production tips, but found a beautiful human being.
I wish it was a more informative interview. That's every engineer in the world for ya. "It depends......it depends.....it depends....." I was waiting for "Hey Andy, how do you record vocals? Do you use mics?" and hear "Well....it depends....yeah.....depends...."
this is not really a master class they should of called it a very vague class with no specific advice toward much at all i don't doubt anyone's abilities but if your looking to start producing your answers are not here
Andy is the man. Going back to his days with Sabbat; a fine player and now a great producer. PLEASE ...loose the awful flutter/B&W effect during the cutawas to the second camera. Annoying.
Yeah, great series! I'm thrilled to see new episodes of Production Masterclasses in other genres as well.
Appreciated the whole 4 parts! Thanx for asking everything i was wondering about!
nice series, keep em coming
i love how this video made by sound on sound has clicks in the background noise.
@thunorrr overheads are just the mic's they place over the drums to catch cymbals. I used to just high pass em to death but found micing close mics, a room and overheads brings out much more tone out of drums than using OH just for cymbals. Also, you can isolate the snare in the overheads with compression and boost the output gain to raise the cymbals over the snare to get a better mix with em
Amazingly bad sound on this video considering...whats with all the clicks and pops sos?
Having said that thanks for the great content!
again, good questions!
It's good information.
If you are looking to start producing look at a video tailored for beginners
0:16
@Innhouseproductions prove him wrong...whats a dynamic instrument mic for rock/metal more widely used then a 57....
The sound quality is bad, poping everywhere. SOS is about sound. Get it right please.
@Innhouseproductions mind you listening to the awesome sound from your lenny kravitz cover in your post you really know your stuff !
i like 4:04 to 4:10, best bit
Is that the SLAVERY - GETS SHIT DONE T-shirt from T-shirt hell? That is just so amazing. I turned to this video for production tips, but found a beautiful human being.
WTF? He ain't givin Mr Sneap a fist !
Is he from Birmingham? Sounds like it.
the good old 5150 amp ;)
What does he mean by overheads.
wonder if he uses Shaving for mic placement?
@MattDeatherage
Ohh, dearie me boy, don't make assumptions and think before you make a statement.
no its not i get the same thing.
WAIT MY BAD! ignore the last comment! Its my damn soundcard! Grrr...
What about this? Well it depends. (Repeat for 10 mn)
Guess I wasn't even close then.
I wish it was a more informative interview. That's every engineer in the world for ya. "It depends......it depends.....it depends....." I was waiting for "Hey Andy, how do you record vocals? Do you use mics?" and hear "Well....it depends....yeah.....depends...."
this dude got alot of gray screen! Sick..
Sneap's from Nottingham, Mark's from Manchester
I think you need to look up who Mark Mynett is if you think he knows nothing about metal!
what is the intro song?
what bothers me is that he moves on to quickly, when there's about to develope an intresting answer... Otherwise good
not definition- come on!!!!!!!! what a silly question
WHAT?
this is not really a master class they should of called it a very vague class with no specific advice toward much at all i don't doubt anyone's abilities but if your looking to start producing your answers are not here
Andy is the man. Going back to his days with Sabbat; a fine player and now a great producer. PLEASE ...loose the awful flutter/B&W effect during the cutawas to the second camera. Annoying.
This interview sounds more like a sales pitch, to try and sell gear!!!! sad indeed!!
horrible interview. why...WHY would anyone ask yes/no questions? i learned nothing new from this 4 part series. smh...
Awful interviewer!
WHAT?