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"Pick of the Day" - 1960 Fender Jazzmaster Olympic White
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- Опубліковано 27 тра 2018
- Tyler's Pick of the Day is a 1960 Fender Jazzmaster in original custom color Olympic White. A great playing Jazzmaster! This one shows some natural honest play wear, but is all stock with a fantastic sound. Excellent feeling slim neck typical of 1960, and a beautiful slab board Brazilian Rosewood fretboard with a fresh pro refret done with correct vintage-size wire. The pickups have a thick Fender tone with a woody sounding neck pickup and bright, percussive bridge pickup. Includes original hardshell case as well as a reissue brown G&G hardshell case.
We plugged this gorgeous guitar into a matching-year Fender Twin, an absolutely amazing combo to play!
For more information about the guitar or amp, please check out:
www.emeraldcity...
www.emeraldcity...
Music: Supermother "Off The Rails" (Instrumental)
The rhythm circuit is one of the main reason I play jazzmasters... 🙃
I use the rhythm circuit... Not useless.
Nothing else sounds quite like it
The very first Fender I ever played, was my older brother's 1960 Cherry Sunburst Jazzmaster, through his 1960 PRO amp. He played it semi-professionally for most of three years with the group that went on to record "Spooky" and "Traces." He eventually had a furniture store refinish it in a white, just like this, maybe in 1962. Eventually ended up in a Tallahassee pawn shop and eventually, I have heard, was moved to Chattahoochee Florida where I think it now resides with a Baptist preacher, along with the PRO. Would love to own both ... but that's life in the slow lane, I reckon! Our family does have possession of the 1962 Cherry Sunburst Jazz that he was playing when he passed in 1995 ... at least we have that ... And you can't go wrong with a Jazzmaster.
Jazzmaster into a cranked Twin drenched in spring reverb... Nothing like it. Same as a Strat into a JTM or a Les Paul into a JCM. Some combinations were just marriages made in guitar heaven.
I have one of those. 😎 Had it for 15 years now.
The rhythm circuit is absolutely Killer into a treble booster pedal or a bright fuzz! Or for a darker clean sound. The typical “it’s useless” take on this circuit is IMO echo chamber BS.
Hi David! I'm almost exclusively a clean signal player (as I'm sure you've noticed from the video.) Because of this, I and many others have a hard time finding any real use for the darkness that lies within the rhythm circuit. Chalk it up to cognitive bias :)
The circuit was intended for a jazz guitar sound that was popular at the time.
it's one of the reasons i want that extra circuit is for that extra sound otherwise i would have bought one without
Love the rhythm circuit. Won't buy a new JM because it's not included. I use it constantly. Without it, it's a Jazzmaster in name only.
Thank you. Designed to provide instant, preset tonal changes for songs that required soft rhythms and punchy, bright leads. Well said, Sir.
As a Jazzmaster player, I really can't imagine not having the rhythm circuit. I would say i'm 70% of the time in that circuit and 30% on the lead.
I thought the comment about the rhythm circuit as completely personal opinion made to sound like fact. I absolutely love the sound of the rhythm circuit
you can tell this guy doesn't have much love for the JM ;)
I had a white w/white headstock 65/66 J-master that I bot for $200 in about 1978. The neck on that guitar was by far the best Fender neck ever, and I had it on a Strat for about 20 years. There were a lot of years in there where you could barely give a Jazzmaster away, nobody wanted them.
I really like the Jazzmaster both circuits are great
Great presentation of a very nice guitar.
Thanks John!
Love the history lesson here. Your videos are always so well done.
Nice, enjoyed the history and the demo very much, thanks!
Thanks for watching Jamie!
cool guitar
Why is it that you always want a guitar that you already had? Can you say, why did I ever sell my 1965 Lake Placid Bue Jazzmaster???
I use the rhythm circuit through a pitch shifter to play basslines into a looper. The top end roll-off helps a pitch shifter track better than simply rolling down the tone knob. Useless? More like, 30+ years ahead of its time for modern playability.
I have this exact guitar.
1958 is what i have, my dad was a friend of Leo Fender.
@@laurazarboni9647 Hi Laura, are you interested in selling this guitar?
Got a 61 myself ;)
Whoa whoa whoa WTF? The rhythm circuit "is a punchline" and "nobody uses it"? I really love the videos on this channel but that's just some straight up nonsense right there. Surprising considering the quality of instruments featured here, too.
Eh, he works there, probably took inspiration from the good ol' echo chamber forums where people own relics but can barely play chords.
Why always blues for test?
Nice!
Sounds good
Much appreciated Ofer!
Nicely Done
Thanks Marius!
Well it was some underwhelming playing.
Lost Keys?
First song name?
at 4:56 ... maybe "anna" by the Beatles .... in a very rough version ..... who knows ...
oreg beer Hell Yeah! Thats it thank you so much!
Very intrusive background music.
Man that was a lot of build up for an underwhelming demo. Haha. He made that guitar sound like dog shit
How about some Jazz
DANI CALIFORNIA .. Oh wait, not at all
Right?? I never realized how similar those progressions are!
This demo is such garbage. Get someone who can play.
Great color but the pickguard looks like a toilet
Wow never knew there were so many rhythm circuit lovers 😅 who cares for real lol
we do care
Sorry but this and the Jaguar are Fenders worst deigns for these reasons
Short scale couple with bad bridge saddle design bad neck angle
if you do not set the neck angle to raise the bridge for lighter string gauges
you get what I am hearing is bad string brake that is contributing to strings pinging
They where designed when strings where 13 to 56 gauge
the rose wood introduced due to customer and dealer complaints because the lacquer was shedding of maple causing the boards to discolor !!!
vintage scmintage
Uh. The Jazzmaster does not have a short scale. And the rest of your reasons aren't reasons at all. Every guitar needs the neck angle set properly to play its best. I have a vintage-spec Jazzmaster with 10 gauge strings and it plays beautifully, even with the vintage bridge. When set-up properly, it works great. The problem is a lot of people have no mechanical aptitude and have no idea how to set up a guitar like this, and then they blame the guitar when they should have just taken it to somebody who has the knowledge to set it up properly. :\