What a great masterpiece this is. My dad always loved the Brandenburg Concertos, so when my uncle (his eldest brother) and I visited him in the hospital, we played Concerto No.1 and this one for him. Though he was very ill and not expected to live much longer, he loved it so much that we played Concerto No.2 for him again. Though it is sad to think about my dad as he passed away just a few days later, this is wonderful music and reminds me of him. All six Concertos are wonderful.
I’m very sorry to hear about your loss, and I’m so happy and grateful that this music has been able to resonate with y’all in such deep and impactful ways. You and your uncle really made the best out of a horridly sad situation, and it’s wonderful that y’all have this memory of your dad :)
The more I study the cantatas the more I see almost every movement derives emotionally (in a tangential way) and structurally from the original impulse or motif in the beginning. Brandenburg such a good example - pity the King put them on the shelf!
@@geoffstemen3652 Absolutely! That's the hardest part of composition, I find: finding that granular germ for the wider genealogy. I sometimes wonder whether that is why Bach was obsessed with genealogy of the Bach family - it's the same principle
4:41 B-A-C-H
What a great masterpiece this is. My dad always loved the Brandenburg Concertos, so when my uncle (his eldest brother) and I visited him in the hospital, we played Concerto No.1 and this one for him. Though he was very ill and not expected to live much longer, he loved it so much that we played Concerto No.2 for him again. Though it is sad to think about my dad as he passed away just a few days later, this is wonderful music and reminds me of him. All six Concertos are wonderful.
I’m very sorry to hear about your loss, and I’m so happy and grateful that this music has been able to resonate with y’all in such deep and impactful ways. You and your uncle really made the best out of a horridly sad situation, and it’s wonderful that y’all have this memory of your dad :)
2:17 my favorite part
That trumpet range is insane.... how can the trumpet player play so high for SO long?
Practice.
Pretty sure they play something like a piccolo trumpet or a C trumpet
@@reyjay281 they play a piccolo trumpet. However it doesn't make high notes easier it just makes the more reliable to hit on demand
The recording was done on a natural trumpet...
@@gammafoxlore2981the tone sounds quite bright tbh
2:51 love this foreshadowing of mvt II
I never noticed that before. Thank you for pointing it out!
That's one of his best techniques
The more I study the cantatas the more I see almost every movement derives emotionally (in a tangential way) and structurally from the original impulse or motif in the beginning. Brandenburg such a good example - pity the King put them on the shelf!
@@neilwalsh3977 The granular implies the global!
@@geoffstemen3652 Absolutely! That's the hardest part of composition, I find: finding that granular germ for the wider genealogy. I sometimes wonder whether that is why Bach was obsessed with genealogy of the Bach family - it's the same principle
8:51 - Allegro assai
5:10 Andante
Bach is my teacher
Preacher*
In which tune is the trumpet?
The instrument is in the key of C in the piece. Meaning the that it is probably the F Trumpet.
@@signafortune Yep, it's scored for Natural (Baroque if you put a few tuning holes) Trumpet in F.
SCHILLER SCHULE FOR EVER‼️‼️
Hi Haraldson
It sounds like they're playing in baroque tuning
Grüße an die 9c von Domme
yeet
badest song in my life