12 Trio Sonatas / Sonate da chiesa, Op. 3 [1/3] - Corelli (Score)
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- Опубліковано 28 лип 2024
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Website: www.classicalmusicanalysis.com
Score of the first four of Arcangelo Corelli's 12 trio sonatas, Opus 3, a set of sonate da chiesa ("church sonatas", in contrast to the more suite-esque "chamber sonatas") written for two violins and basso continuo. Corelli was one of the first to make the distinction between the two types of sonata and was one of the most important composers to further develop them, which later influenced and evolved into the classical sonata.
Corellian church sonatas differ from chamber sonatas not because of the building's name where the music was performed (because they both weren't played only in churches or chambers) but because they use counterpoint and fugato texture. The main characteristic of Corelli's standardization of his church sonatas is that they all have four movements that almost always follow a Slow-Fast-Slow-Fast (SFSF) pattern:
- First movement: in almost all of Corelli's church sonatas the first movement is a slow introduction (SI) in binary form, duple (or, less commonly, triple) meter, and with chains of syncopated dissonances known as "durezze e ligature" (harshness and ties/syncopations).
- Second movement: a fast fugue (Fu) in duple (or, less commonly, triple) meter and with imitative polyphony and dialogue.
- Third movement: a triple meter movement (Tr) generally slow and of imitative or homophonic texture. It can also sometimes be a fugue.
- Fourth movement: in can be a dance fugato (DF) generally in triple meter, the most common one; or proper dances (D) with the requisite regular phrasing and bipartite structure; or, less commonly, proper fugues. All three options are in fast tempo.
00:00 - (Introduction)
00:17 - No. 1 in F major (SFFF / SI-Fu-D-DF)
06:54 - No. 2 in D major (SFSF / SI-Fu-Tr-D)
14:24 - No. 3 in Bb major (SFSF / SI-Fu-Fu-Fu)
21:28 - No. 4 in B minor (SFSF / SI-Fu-Tr-Fu with fantasia)
Performers: London Baroque; Charles Medlam (conductor)
![12 Trio Sonatas / Sonate da chiesa, Op. 3 [2/3] - Corelli (Score)](http://i.ytimg.com/vi/vho7GO3K9ks/mqdefault.jpg)
![12 Trio Sonatas / Sonate da chiesa, Op. 3 [2/3] - Corelli (Score)](/img/tr.png)
![12 Trio Sonatas / Sonate da camera, Op. 4 [3/3] - Corelli (Score)](http://i.ytimg.com/vi/YI0LKJur9fs/mqdefault.jpg)
![12 Trio Sonatas / Sonate da camera, Op. 4 [2/3] - Corelli (Score)](/img/n.gif)
Check the description for more info about church sonatas and Corellian structure!
Usually, I listen to a lot of Bach, but I've been trying to find some new pieces to listen to and enjoy, and this certainly fits the bill. This is absolutely beautiful.
If you are into contrapuntal-polyphonic music have a listen to Zelenka and the organ works of Pachelbel and Buxtehude.
If you like Bach, you must get all the Concerti Grossi of Handel. More melodic than Bach, better melodies, harmonies, just all around the most perfect baroque music for the modern music lover. Just so you dont miss any, get Handel's Opus 3 nos 1-6, Opus 12 Nos 1-12, His Concerti a Due Cori (for 2 groups), and anything coming from the Freiberg Baroque Orchestra. It's all on youtube for free, but if you drive a lot, record it or buy the CD's. Search Concerto Grosso on Wikipedia, etc. I discovered the fact that Handel was ''better'' than Bach 40 years ago, so, no CD's, few records, hard to search etc. But everything I listed above was popular then. There is a live video on YT of Handel Op 3 No 4. Fantastic Oboe solos.
These score are a true piece of art. Pure perfection.
Trio Sonatas exploram profundamente a capacidade de se fazer bons contrapontos com apenas três vozes. Não é nada fácil manter a consistência harmônica. Corelli um dos mais importantes desenvolvedores do gênero.
Arcangelo Corelli. III. Allegro from Sonata in F Major, Op. 3, No.
1 (1681).
(starting at 3:40-5:44)
Great for score-study, and to work on my figured-bass chops. Thanks!
Thank you so much! Very useful for my ABRSM Grade 8 exam! :) Or just to enjoy beautiful music.
The Largo from No. 3 is one of the greatest pieces of music ever composed.
I played that on the harpsichord on my last exam of my music degree. I will never forget that moment in my life
Totally agree. So beautiful! In a week or so I will publish the second part of this set of sonatas, so stay tuned!
@@tommyiglesias2267 Dope! Is there a recording of that?
16:52
Thanks for the upload!
and a good reason to listen again this one ua-cam.com/video/QqCDM8i7EsY/v-deo.html
Wow, I didn't know about this fugue! I imagine Bach saying to Corelli something like this ua-cam.com/video/O5WbFb_Hi3E/v-deo.html :')
Haha!
good job!
Coole presentation 😀
This music is very dope. Corelli was very dope.
Will you upload the chamber sonatas?
16:53 My absolute favorite, it really benefits a lot from the gorgeously played embellishments
thats so similar to pachelbel, thats why i cant enjoy listening to this, even though it is written way better
@@juuus2764 Thats true. Pachelbel might be overplayed as hell, however I still like his music.
@@juuus2764 That's because that Corelli movement uses the same harmonic sequence as Pachelbel's Canon in D: The _Romanesca_ , both in it's stepwise variant and the leaping bass variant.
7:52
Who are the artists?
I found it! London Baroque, directed by Charles Medlam. The label is Harmonia Mundi.
What the hell? In the first movement the key is signaling Fmajor, but it's actually in Emajor, a half step down. Why?
They’re playing in baroque tuning, 415hz
@@JMGuitarCovers Oh, now I see.
Sheet music?
Sounds like the continuo is a lute in #1. Is that correct?
Yes! In the first sonata, the continuo part is played by three instruments: the cello, which restricts itself to playing the written part (quasi-obbligato); the organ, which adds a constant accompaniment; and the lute, which improvises from the figured bass.
@@classicalmusicanalysis Very interesting. Thanks!
27:41
Thanks for the upload! Who is playing???
The Donald Trump String Ensemble of Washington
I found it! London Baroque, directed by Charles Medlam. The label is Harmonia Mundi.
트리오 소나타 = 트리오의미 [3성부= 악기군 선율1 선율1 통주저음(2人)] / 실제 연주자 4명이나 그 이상
What do the numbers mean? below the stave
That’s called figured bass.
dogchow13 Thank you!
"The numbers, Mason"
The numbers represent the chords you have to play. It's an old system that predates the roman numeral analysis.
16:53, Lento; 6:58 Grave
❤❤
19:48
No 3 is in Fmajor, not Bb major
It is in Bb major, clearly. It just lacks e flat in key signature. Back in the day it was very common to omit the last alteration in key signature.
17세기 말 교회소나타(트리오소나타) 형식 확립한 볼로냐 악파 코렐리
느빠느빠 13악장 두 성부 대위적, 24악장 세 성부 푸가처럼 주제 선율을 번갈아가며 연주
WHO IS PLAYING??? :)
I found it! London Baroque, directed by Charles Medlam. The label is Harmonia Mundi.
@@AlessandroSistiMusic Thanks !! :)
2:18 - 3:34 ii allegro
hello ,are you in huma1102? Nice to meet you
ayyyye yes i am, nice to meet you :D
next lecture sit togather?
lingfung liu dm me
@@jaymixo607 itsc lfliuaa
What is the texture of This?
1:13 I bet Pergolesi liked that part :^)
Sounds like his stabat mater
ua-cam.com/video/ufy4AGOFVAI/v-deo.html
True. Thanks . Exact same basse.
LOL
Arcangelo Corelli. II. Allegro from Sonata in F Major, Op. 3, No.
1 (1681).
(starting at 2:18- 3:35)
16:53