Thank you for this! Your reaction gives us a taste of how other classical musicians might have reacted to such an arrangement. Has Vlad also suggested analyzing Jethro Tull's song "My God"? It features what is probably the most obvious example of Ian Anderson's "flute + vocalizations" in their studio recordings. Of course, when the band would perform live, he added even more vocalizations. 🙂 "My God" also features a more formal arrangement, like a short suite with parts.
If your intend to come back to Jethro Tull, pleasee listen to the live version of, My God. It´s like watching Ian Andersson having a jamsession of his own on his flute. The song it self is more of an prog rock song but watching Ian is really something. There are manhy pro flutists that didn´t knew it was possible doing stuff like what he does when they see his performence. So please do watch that
Listening to my favourite bands, while watching someone from a different background hearing these songs for the first time was already one of the most pleasant ways of spending my time. Your historical and musical knowledge along with your presentation style is utterly mesmerizing. Thank you so much for the work you are putting in, it's sheer joy.
The Jethro Tull band was named after Jethro Tull (baptised 30 March 1674 - 21 February 1741, New Style) who was an English agriculturist from Berkshire who helped to bring about the British Agricultural Revolution of the 18th century. He perfected a horse-drawn seed drill in 1701 that economically sowed the seeds in neat rows, and later developed a horse-drawn hoe. Tull's methods were adopted by many landowners and helped to provide the basis for modern agriculture.
@@mehansen1772 , I’m uncertain if you mistakenly replied on this thread when intending to reply to someone else. This thread is discussing the late Jethro Tull, who lived 300 years ago. We weren’t discussing Ian Anderson.
Yes, I'm sure the band's name was deliberately chosen to suggest "Elizabethan minstrels catapulted into the era of steam, noise and coal-smoke". As well as being snappy. Jethro Tull is a major part of the boundary between the old ways and the agricultural-industrial revolution.
Sow four seeds all in a row, one for the sparrow, one for the crow, one to rot and one to grow. An old saying from the times before the invention by Tull of the mechanised seed drill.
This lady is absolutely delightful. I really enjoy listening to her and she totally gets it. There's more than one way to relate to a piece of music. I get the vibe she really knows what she is talking about.
This music caused me to become a flautist at 12. I tried to play the way Ian Anderson does, and subsequently discovered classical music. So Jethroe Tull definitely altered my life's trajectory.
I think that Jethro with this piece walks us from folk / classical, to jazz, to rock, and back again showing that it can be both beautiful and fun in any age. And...in doing so...that it's ok to have a childlike sense of play and to never lose it... It's both showing freedom and a genuine respect and love for the original music.
@@danwilcox7650 Pink Floyd took their name from the blues duo, Pink Anderson and Floyd Council. Quite frankly, I quite liked one of their earlier names, which was the Architectural Abdabs.....
Jethro Tull tied together 2 generations in my family. My older teens and all the old relatives…it became a feature at all family reunion. Let’s go listen to some Jethro Tull. All generations would gather.
This piece was almost exclusively Anderson and Cornick (d.2014 RIP!). I've been playing bass for many years and Glenn does things I could never have dreamed of emulating. If you wanted to introduce someone to classical music, Tull's Bouree is a great place to start.
Listen at timestamp 4:40 -- Her laugh conveys the joy of musical surprise so genuinely -- and although I've known and loved Bourree since 1971, I laughed with her in mutual recognition of that surprise. If anyone doubted whether this was her first listen-through, the laugh of recognition proved it was her first. So very much enjoyed this commentary and analysis. It was her first listen; I've treasured this piece since 1971, I can practically sing every instrument's part from memory 😀.
You may find it interesting that Emerson, Lake & Palmer has also reworked some classical pieces, such as "Pictures at an Exhibition" by Mussorgsky, and "The Barbarian" by Béla Bartók.
And do not forget their fantastic interpretation of Aaron Copland 's Fanfare for the Common Man , specialy that live one : ua-cam.com/video/c2zurZig4L8/v-deo.html
"It starts of nicely, then descends into a kind of despicable cocktail-lounge jazz..." Ian Anderson, introducing this piece at a Mozart tribute. He continued to get better & better over the years. I've never seen Jethro Tull, but I've seen Ian twice, and both were overwhelming performances. He's an amazing guitar player, and that gets overlooked because of the flute novelty. He brings a LOT to the table. He's much better than the commercially oriented "singles" suggest.
@@ДмитрийБрылов-ж6к The PIECE is by Bach, yes. The Tribute concert is Mozart themed. Ian just chose to play this because he thought it might please the crowd, I suppose.
Also, I think you've hit the nail on the head with the appeal of these reaction videos. It's unimportant whether you get what I get from a piece of music. My reaction will always largely be the same but hearing in detail what someone else gets from a piece is what is so fascinating. Especially when it's from someone with such a depth of knowledge and experience.
This will likely echo many other comments, but I will say it anyway. Watching your reactions, hearing your brilliant takes, along with your naivety of the band or artists I have listened to all my life is so much fun. I keep clicking on the next one, then another and another. I find myself telling myself, "self, you should really start listening to music you've never heard before too". Thank you for the inspiration to begin doing so.
Delighted that you chose to react to this piece! It's interesting to note that Ian Anderson was entirely self-taught in the flute. He has a unique style because he didn't know any better. When his son began learning the flute, Ian tried to correct his son's fingering, only to learn that he'd just been doing it "wrong" for 20 years or so It might also help to contextualize Jethro Tull with a disclaimer that progressive rock, arguably the most prevalent genre of their catalog, is very much characterized by its jazz influences So this is a jazzy homage to Bach, by a musical genius without much clue about what he's doing, and it's wonderful
Ian Anderson does not have a son. He has a daughter. She is married to the actor who starred in the original “The Walking Dead”. They have 2 children intern grandchildren to Ian Anderson. His daughter was the one who also became a flutist. Correction: I did not know that Ian Anderson had a son. Nice information to finally know. The thing is is that I have not followed a whole heck of a lot for a couple of decades on Ian Anderson and Jethro Tull. Back in the 60s and 70s and a little bit in the early 80s I followed them religiously along with my brothers who originally got me onto them. One of my brothers has seen Jethro Tull 32 times. That’s how fanatical they were back in the day. I even have there VCR tapes that they put out when Ian Anderson purchased his estate back then to start his fish farm and a state hunting venture when he purchased that a state to live on. That was the 20th anniversary of Jethro Tull. That’s how long ago I was following them on a more close basis. Ian Anderson did not talk about his family a whole heck of a lot even in interviews so I was totally unaware that he had a son only a daughter because I remember the interview when he talked about having his daughter. That was decades ago. I’m in my 60s and quite frankly I do not get fanatical over a lot of bands anymore. Also, his son if he’s in the limelight now or had been at one point it was long past the time that I followed the band religiously. Some people keep themselves to themselves, and I was totally unaware of the fact that he had a son. I knew he had the daughter and I just by happenstance saw the interview or reference of who she was married to when that guy from The Walking Dead was doing an interview on a news show. From what Ian Anderson said, in an interview, talking about the fact that he did not hold the flute traditionally, and why that was at the time that he performed with Tony Snow right before he passed away. And he made that remark concerning the fact that he had been for so many years, holding the flute, and using the finger movements in a flat manner for so many years, it was difficult for him to curb his fingers in the proper manner. Did most often he ended up, still holding the flute and his curve structure for his fingers, the old way that he taught himself. So excuse me for making a mistake for the fact that I don’t follow bands religiously anymore because I’m not young and have nothing else to worry about. At this point in time I’m more worried about, dealing with making sure that I have enough for when I eventually retire in a handful of years. This is satisfy everybody that I made an Oopsie mistake. This is why I rarely make comments on anything anymore and when I do, there’s always gotta be somebody who’s got to prove that you’re wrong, or you made a mistake. I hope you’re all happy. Goodbye🤪🙄
@@jacquelinehogan8021 correction. Ian’s firstborn was his son James Duncan Anderson who doesn’t play flute but drums. His daughter played flute and taught him how to play flute correctly.
Ian heard the Bach piece incessantly from the room above his as a guitar student practiced it and decided to persue it. A very similar version was first played by Rashan Roland Kirk the famous Jazz woodwind player.
The genius of Jethro Tull brings tears to my eyes. Ian Anderson is a reincarnated wizard from mid evil times come to share his magic of music and the joy it brings.
@@dsgp7835 - No worries 😊 And I agree with your comment otherwise! 😀👍 The "mid evil" bit gave me a little fright, though! 😉 But there probably actually _was_ a lot of evil around during those times, too! 😅 Happy New Year! 😀🥂🎉
I have yet to hear you not "get it" about ANY piece of music you have reviewed, and I have spent my whole life listening to all sorts of music, from Gregorian chants to Frank Zappa, from Bach and Mahler, to pop, blues, reggae, rock, Celtic, jazz, European folk, polka, world music, zydeco, and country. And that's a far from complete list. I'm not a brilliant musician, but I am an eclectic listener. Please ignore anyone who says you "don't get" any sort of music simply because you are not rapturous about it. When watching your reviews I learn even more about the music I have been listening to for 70 years, and I am pleased when I come up with the same words you are spending a moment searching for. You appear to be my gold standard for music education and appreciation, so I choose to believe that your taste is impeccable. :)
It is not often I see someone who has a joyous delight in hearing music. You cannot fake this joy because it flows from the eyes and all muscles of the face involuntarily.
I like so much to see your faces during listening these pieces. I like a lot how did you enjoy how these your feelihgs. I am 64 years old and heared this theme long years ago when I was very young and most of our frieds we liked this piece of theme performed by the genial Ian Anderson ant Jethro Tull. Congrats from Chile.
Glenn Cornick the bassist on this track was Barrow in Furness my home town, I do remember Jethro Tull doing and almost acoustic session with Alan Freeman for the Rock Island album where Dave Pegg of Fairport Convention played on a great version of Bouree.
I’m happy to see you chuckle while listening to Tull. There is definitely an element of humor and sarcasm, and it’s something that people either get, or miss it completely. Similar to Zappa.
Even before I start watching may I say that this lineup of Jethro Tull was their finest. And nobody in Rock had a more imaginative and diverse portfolio as Jethro Tull. Especially their first 5 albums
Just subbed! Huge fan of music theory, as well as Jethro Tull! Didn't realize the connection to classical with this particular piece! Great content, btw, to bridge the audiences of classical and other genres, such as rock!
When the band first started, they didn't really have a set band name. Ian once talked about how horrible they were so they would continuously change their name so they could still get gigs. The name Jethro Tull was one of those random names.
I've been listening to Jethro Tull for over 50 years, have heard every one of the albums many times over. You have opened my mind to see new things in their music! Thank you!!!
And this is why I love Jethro Tull! And why you need to listen to the "Songs From The Wood" album. In particular you should save "Ring Out Solstice Bells" for the next holiday season. That would be an absolute gift!
I've always loved Jethro Tull's treatment of this piece. I'm thrilled that somebody with a background in classical music enjoys it too. Very insightful to hear your comments, it makes me appreciate the song even more. I was wondering what you think of the bass guitar in this song. It's very important for the song's jazzy sound, but it's so far removed from Bach's original music that it's probably the thing classical music listeners are going to dislike the most.
Actually bass was very important in Bachs music and in the first part of the song the bass guitar counterpoint was close to what Bach would have written.
@@nyobunknown6983 Bass is very important in Bach's music indeed, but the sound of the bass guitar is very different to the left hand on the organ or harpsichord. My experience is that it's the sound, not the notes that classical music listeners dislike. Sorry for not stating that more clearly.
As a lover of classical, melodic jazz, blues, and quality rock n roll, I would say that the more you know about all of the genres, the more you get out of Bouree!
What an excellent reaction to this piece, one of my favorites by Tull. If you do more Tull, I'll throw my vote in for 'Velvet Green' - as others have already suggested. Please do not abandon this format for the deep dives into Pink Floyd and the History series. At least not before you get to the gigantic 'Pictures at an Exhibition' by Emerson Lake and Palmer. Love your insights! Stay Healthy!
Insightful and engaging, as always. My other favorite Jethro Tull adaptation of a classical piece is Faure’s Pavane from their Christmas album. That album includes a different take on Bourée as well.
I remember when this album "Stand Up" came out. I liked this song, along with every other song on the album. I had no idea it was an arrangement of a classical song, let alone one by Bach. Thanks for enlightening me.
Gee. I must say that I adore what you are doing here. It's like looking at pieces of music I love from another perspective, and learning something new simultaneously. Thank you!
Ian Anderson was self-taught and re-learned flute after years of playing due to his daughter leaning flute and pointing out he wasn't doing it correctly.
What a great video. This is a much loved Tull piece. My father was a Bach fanatic, and he bought, and LOVED, Switched on Bach by Wendy Carlos. All synthesizer Bach works. I hope that's on your reaction list. My father used to say Bach would have approved the Carlos work.
I've only recently found your channel and I'm loving it. I've always liked classical music but only occasionally reached for it on the shelf, so to speak, and I'm I rock fan till I die, so getting a double perspective as you discover this music is very entertaining. Your giggles gave me giggles, too.
Emerson, Lake, and Palmer have a tune called “Knife Edge” which has a Bach interlude which is really excellent. Would love to hear if you think there are other parts of the piece which are borrowed that I am ignorant of.
You gotta admit, the flute was no mere gimmick for Ian Anderson, he could play that thing... and at the same time he stretched the boundaries of the instrument. Frequently he vocalized through the flute, but as you say, it works so well 🐱
Actually Ian Anderson could not play the flute. He did it all wrong and had a wonky pinky that made it difficult to play certain notes. It drives flute teachers crazy when students try to play like Anderson did in the early days. It was not until way later that he learned how to properly play the flute. However that is what made his playing even more remarkable. He mastered an instrument that he kind of did not know how to play. Most flute players can't do what Anderson does, because of their formal training. He was kind of the Jimi Hendrix of flute. Hendrix was left-handed, so his guitar was upside down and backwards.
@@robinblackmoor8732in other words he DOES know how to play. To play an instrument, one needs to be able to reproduce a piece of music recognisably. It has NOTHING whatever to with HOW the notes are played. He may not have been able to play like a trained flautist, but then a trained flautist would have great difficulty playing like he does. To say he couldn't play because he doesn't do it the way you think he "should" is purest snobbery and elitism. Music has enough of that...... no need to add to the pile.
I agree that you can't say that someone doesn't know how to play an instrument unless he plays it with proper technique. Speaking of the guitar, possibly the two greatest jazz guitar players ever were Django and Wes. The first played with just two fingers of the left hand, and the second just with the thumb of the right. Not exactly what Segovia recommends. That being said, it's not simply the way "he" thinks that the flute "should" be played, it's just the way anyone who is a competent flutist thinks the flute should be played (including Anderson, probably). There is a reason why the classical technique is classical.@@catzkeet4860
@@catzkeet4860 My comment is the same as yours. We both stated he could not play as a properly trained flute player. I also said his playing was remarkable. Is English a second language for you?
Amy🎉🎉🎉Thank you. Your comment about "stealing music" is right on.Inspiration comes to us in many ways including from 50,100,200,1000....years ago. Thank God for it too as all of us are a individual and we grow as individuals making ideas our own.
I really enjoyed your reaction, along with the Bach info. While the flute plays the central role in this piece, I was also hoping you would have commented on the use of the walking bass, which I really think enhance the feel of this piece. It even has that little bass solo in the middle. This was released in 1969, so Ian Anderson had only been playing flute for two years at the time (he first learned to play the flute in the summer of 1967).
@@Hartlor_Tayley Agreed. Of course as a bass player and student of bass you had to know I would zero in on the bass part. 😁 I guess Ian deserves some notice too.😉 I don't know if he did both flute parts or had another flutist doing the second flute part on this recording.
@@LeeKennison I can’t imagine them hiring another player for this besides it sounds like Ian but you know studio decisions were not all entirely rational. I had a small book of some Segovia Bach notation, there wasn’t much sheet music around for guitar when I was a kid., just folk songs and that Segovia book, I found a copy of “ the Girl from Ipanema” with chord charts so I focused on that song a lot but that song is musically insane ;). and I soon realized that Bossa Nova Jazz sheets had chord charts etc. Ok what I’m trying to say is that Rock is almost entirely based on artists that are self taught. Back in the sixties that meant everyone picked different things and developed in different directions in an almost random way. Jerry Garcia likened it to creating your own Frankenstein monster out whatever you could find and jolting it with energy until eventually it comes alive. This is why Rock is the way it is or at least was.
One of my favorite all time songs by Tull and Bach. Actually it was this song that introduced me to Bach and been listening to early music ever since. So you made my day when you said at 6:04 "I like it"
Fab as ever. Come on dear Amy!...when are we going to hear your take on pre - 1975 Genesis? It's got to happen😉. Tracks choices from me are 'The Musical Box', 'Cinema Show' and 'Suppers Ready'. Go on... You know you want to. Ps: Happy New Year x
Fun story, Ian has said that he originally did this to annoy a neighbor who was playing this on cello (badly) when he was trying to sleep. He'd return the favor by playing the song when the neighbor started as loudly as he could. The more he played it the more he found ways to pump up the song, it became sort of a warm-up song for him and morphed into what you hear now.
Ian is unique in his talent with many instruments. He picked up the flute as a secondary instrument when he realized he would never be as good as Clapton on the guitar (his quote). And he doesn't read music. He composes and performs everything by memory.
Happy New Year! 😀🥂 I'd once played this piece with my very first proper band, in the late 80's and with me on drums, but for some reason, the guitarist and keyboardist had played the main motif _straight_ instead of syncopated. We'd also played 'Locomotive Breath', and I'd put a nice, cracking back-beat on the snare into its rhythm 😁 Our singer eventually became the supervisor for Jethro Tull's German fan club, and he's met Ian Anderson in person multiple times 😊
Very well explained and educational, excellent job. I've been a rock fan for decades and now getting into Classical music, especially Baroque, so this is extremely important information. Love the detail and explanation with the music notation.
Thank you expanding your UA-cam channel to American viewers I studied classical music in high school as I’m a much older person I grew up, listening to a lot of rhythm and blues music, but I love classical music The heart is a particular instrument that I love to hear Also, I love to hear a large orchestra arrangements So please I would love to hear what you are going to do with your arrangement idea to composition
This is the first time to the channel and Jethro Tull has been apart of my life for over 40 years. Many thanks to the lady presenting who has a fantastic musical knowledge. I shall enjoy watching more
You've got to give it to Glen Cornick. What an inspired bass part! Such an influence on bass players everywhere. Pity he couldn't have stayed with the band.
I've never really been able to hear the bass in any song in anything other than an addition in the background but here I can appreciate it as an entity unto itself and I can appreciate it so much that I want more. Many songs have drum solos but bass solos not so much. Just my observation of admittedly limited exposure.
Your musicals sense is classical , yet sassy. you have the depth of understanding that transcends of what most people listen to, but t hear....a lot of people who have no musical background praise music that they can't understand, or appreciate. You have the gift of
14:45 You have said something agreeable to me. I have a YT playlist entitled "Another Time, Another Pace" wherein I save musician's versions which are not just "Covers", but (hopefully surprising) reworkings in another feel or style. The Playlist label says "People with talent write great numbers. Great numbers have the depth to be reinterpreted by people with talent."
Man I love your reactions. I gain many insights to what actually occurs in the music. While this is sort of a music appreciation class in rock, it also is a wonderful music composition course as well. What you are doing in this reaction process is so unique and so much needed and is adding so much to this music I grew up with. Thank you, thank you, thank you!!!!
I was introduced to Tull in 1970. Bouree was the first. I thank my friend Stewart Allen. You haven’t started your score markup yet, but I couldn’t wait.
I love watching your reactions to the music. You’re so sweet. Welcome to being a fan like the rest of us. I would love to see your reaction to Jethro Tull’s album A Passion Play” and “Thick as a Brick”.
I knew as soon as I saw the title that you would enjoy this one! I've always considered Jethro Tull's song to be a set of variations on Bach's original piece - each variation repeated only a few times (less than is expected in a more classical set of variations, I think?). Anderson begins (and ends) with only minimal variation, then gets more and more divergent until the bass solo portion - which then reaches a high-energy point and stops almost suddenly ... the bass then returns to the original "walking" bass from the first variation, and the band replays the first section's minimal arrangement to finish the song.
@@tullfan2560 Also check out Dieter Folks and sons work, also 12 dances with God by IAN Anderson, ASLO flautist Thjis Van Leer solo albums but checks out the songs Rondo 1, Rondo 2, and Rondo 3. Very Tullian.
I've been listening to this song since 1969, when a friend introduced me to the Stand Up album during Summer School in High School. I appreciate your take on it. It gave me a completely different view of a song that really turned me on to Bach, and classical music. I consider Bach the foundation to most classical music, and he is, by far, my favorite classical composer. I'm a big fan of Baroque because of this song and it's introduction for me. Your obvious educated background really opened my eyes to aspects I might have underestimated. Thank you for your wonderful review.
Love that version from Jethro Tull. Love that group. I have also heard classical musician play the piece, lute, classical guitar and it is beautiful. I love in Jethro tull version how it moves from Barock to Rock to Jazz. It is so playful. The bass has such a good tone and I love how the drums swing. Jethro Tull have played in different styles of music. I think you should check out two records (Songs from the woods/Heavy horses) where they more than ever (because they have kind of always done that) build on English folk music and like in this Bach music are innovated and the music interesting. A great band with many, many good records. His flute playing became more professional as time past. His signature thing was standing on one foot while playing. Anderson is self-taught on the flute. You can see how much better he is at his playing later but he obviously was very quick to learn to play the flute. As a musician he is simply very natural talent.
So glad you are continuing to explore Jethro Tull. I really hope you take the chance to listen to either “A Passion Play” or “Thick as a Brick”. Both are single songs that fill up both sides of the album. Both are remarkable (Passion Play, being my preferred). Your analysis would be an amazing learning for us all!
Ian Anderson is a very unconventional flutist and he learned to play it for very unconventional purposes. Jethro Tull is such a fantastic band there is so much to explore in their catalog. Amy you are Best, thank you.
I was a youngster when Tull released this and it was great because I realised a bridge between classical and rock is possible. It even made classic music sound cool :)
As usual, please write here your questions only.
This question is for Vlad. My good man, when are you going to introduce her to Focus?
ua-cam.com/video/gKSrq_qjB_Y/v-deo.html
What composers insperd you to beginn playing harp?
Thank you for this! Your reaction gives us a taste of how other classical musicians might have reacted to such an arrangement. Has Vlad also suggested analyzing Jethro Tull's song "My God"? It features what is probably the most obvious example of Ian Anderson's "flute + vocalizations" in their studio recordings. Of course, when the band would perform live, he added even more vocalizations. 🙂
"My God" also features a more formal arrangement, like a short suite with parts.
If your intend to come back to Jethro Tull, pleasee listen to the live version of, My God. It´s like watching Ian Andersson having a jamsession of his own on his flute. The song it self is more of an prog rock song but watching Ian is really something. There are manhy pro flutists that didn´t knew it was possible doing stuff like what he does when they see his performence. So please do watch that
Thank you for being open minded, Ian Anderson & Jethro Tull are a personal favorite of mine for over 50 years now.
Listening to my favourite bands, while watching someone from a different background hearing these songs for the first time was already one of the most pleasant ways of spending my time. Your historical and musical knowledge along with your presentation style is utterly mesmerizing. Thank you so much for the work you are putting in, it's sheer joy.
only sad, that its only a music reaction, because he is one of the biggest stage beasts and you can see all the power of him...^^
@@seelenwinter6662 So true. I suggested she do just that.
Rush!
@@marslennon1 No worries. Karl is Canadian and I understand a HUGE fan. They are master musicians.
Here, here!
The Jethro Tull band was named after Jethro Tull (baptised 30 March 1674 - 21 February 1741, New Style) who was an English agriculturist from Berkshire who helped to bring about the British Agricultural Revolution of the 18th century. He perfected a horse-drawn seed drill in 1701 that economically sowed the seeds in neat rows, and later developed a horse-drawn hoe. Tull's methods were adopted by many landowners and helped to provide the basis for modern agriculture.
Tull was a contemporary of Bach although unlikely would have met.
Are you trying to say IAN ANDERSON? I understand they are all playing but so many call Ian "Jethro"
@@mehansen1772 , I’m uncertain if you mistakenly replied on this thread when intending to reply to someone else. This thread is discussing the late Jethro Tull, who lived 300 years ago. We weren’t discussing Ian Anderson.
Yes, I'm sure the band's name was deliberately chosen to suggest "Elizabethan minstrels catapulted into the era of steam, noise and coal-smoke". As well as being snappy. Jethro Tull is a major part of the boundary between the old ways and the agricultural-industrial revolution.
Sow four seeds all in a row, one for the sparrow, one for the crow, one to rot and one to grow. An old saying from the times before the invention by Tull of the mechanised seed drill.
This lady is absolutely delightful. I really enjoy listening to her and she totally gets it. There's more than one way to relate to a piece of music. I get the vibe she really knows what she is talking about.
Ian Anderson had actually only been playing the flute for just about three years when this was recorded. He was also completely self taught.
And he didn't do drugs, which was one of the reasons Frank Zappa liked him.
@@markschattefor6997 Its also probably one of the reasons why he's alive and mostly healthy today (apparently he has a little COPD).
@@markschattefor6997 Well, Zappa also liked Don van Vliet, and he definitely did drugs. But he generally didn't allow his musicians do do drugs.
It was probably only two years as it was recorded in May 1969!
@@GeoffCB April 24, 1969
This music caused me to become a flautist at 12. I tried to play the way Ian Anderson does, and subsequently discovered classical music. So Jethroe Tull definitely altered my life's trajectory.
I think that Jethro with this piece walks us from folk / classical, to jazz, to rock, and back again showing that it can be both beautiful and fun in any age. And...in doing so...that it's ok to have a childlike sense of play and to never lose it... It's both showing freedom and a genuine respect and love for the original music.
Actually, Jethro Tull is the name of the band. The guy with the flute is Ian Anderson.
By the way, which one is “Pink”
As I understand the name "Jethro Tull" is from English folk lore. Ian adopted the name for his band. Like in Pink Floyd where there is no "Pink"
@@danwilcox7650 Pink Floyd took their name from the blues duo, Pink Anderson and Floyd Council. Quite frankly, I quite liked one of their earlier names, which was the Architectural Abdabs.....
@@danwilcox7650 Incorrect. en.wikipedia.org/wiki/Jethro_Tull_(agriculturist)
Jethro Tull tied together 2 generations in my family. My older teens and all the old relatives…it became a feature at all family reunion. Let’s go listen to some Jethro Tull. All generations would gather.
And fabulous bass playing by Glenn Cornick!
This piece was almost exclusively Anderson and Cornick (d.2014 RIP!). I've been playing bass for many years and Glenn does things I could never have dreamed of emulating. If you wanted to introduce someone to classical music, Tull's Bouree is a great place to start.
I always think of Jethro Tull as a folk/minstrel band, as if someone went back in time and gave King Arthur's court lute band modern rock instruments.
Listen at timestamp 4:40 -- Her laugh conveys the joy of musical surprise so genuinely -- and although I've known and loved Bourree since 1971, I laughed with her in mutual recognition of that surprise. If anyone doubted whether this was her first listen-through, the laugh of recognition proved it was her first. So very much enjoyed this commentary and analysis. It was her first listen; I've treasured this piece since 1971, I can practically sing every instrument's part from memory 😀.
I had fun too, thanks again for sharing. I do love Bach's Bourree, and Jethro Tull's improvisational piece.
You may find it interesting that Emerson, Lake & Palmer has also reworked some classical pieces, such as "Pictures at an Exhibition" by Mussorgsky, and "The Barbarian" by Béla Bartók.
Emerson Lake and Powell did Mars, Bringer Of War.
And do not forget their fantastic interpretation of Aaron Copland 's Fanfare for the Common Man , specialy that live one : ua-cam.com/video/c2zurZig4L8/v-deo.html
I've always felt that Emerson, Lake, and Palmer was my introduction to classical music.
As did the Nice, Egg , Rick Wakeman and many more of the early prog rock band's .
@@alainbascou6439 My intro to ELP was "Hoedown"!
"It starts of nicely, then descends into a kind of despicable cocktail-lounge jazz..." Ian Anderson, introducing this piece at a Mozart tribute. He continued to get better & better over the years. I've never seen Jethro Tull, but I've seen Ian twice, and both were overwhelming performances. He's an amazing guitar player, and that gets overlooked because of the flute novelty. He brings a LOT to the table. He's much better than the commercially oriented "singles" suggest.
Maybe you didn't see him, cause he died back in 1741. (Sorry, this joke had to be made 😓😂)
“Flute ‘novelty’”
🤣🤣🤣🤣🤣🤣
🤔
I've always loved Ian's guitar playing and I agree that that aspect of his musicianship is sadly overlooked.
Только не Моцарту, а Баху...
@@ДмитрийБрылов-ж6к The PIECE is by Bach, yes. The Tribute concert is Mozart themed. Ian just chose to play this because he thought it might please the crowd, I suppose.
Also, I think you've hit the nail on the head with the appeal of these reaction videos. It's unimportant whether you get what I get from a piece of music. My reaction will always largely be the same but hearing in detail what someone else gets from a piece is what is so fascinating. Especially when it's from someone with such a depth of knowledge and experience.
This will likely echo many other comments, but I will say it anyway. Watching your reactions, hearing your brilliant takes, along with your naivety of the band or artists I have listened to all my life is so much fun. I keep clicking on the next one, then another and another. I find myself telling myself, "self, you should really start listening to music you've never heard before too". Thank you for the inspiration to begin doing so.
I have listened to this piece for 50 years or so, your enjoyment is obvious. Thanks Mate.
Delighted that you chose to react to this piece!
It's interesting to note that Ian Anderson was entirely self-taught in the flute. He has a unique style because he didn't know any better. When his son began learning the flute, Ian tried to correct his son's fingering, only to learn that he'd just been doing it "wrong" for 20 years or so
It might also help to contextualize Jethro Tull with a disclaimer that progressive rock, arguably the most prevalent genre of their catalog, is very much characterized by its jazz influences
So this is a jazzy homage to Bach, by a musical genius without much clue about what he's doing, and it's wonderful
Actually, it was his daughter....
Ian Anderson does not have a son. He has a daughter. She is married to the actor who starred in the original “The Walking Dead”. They have 2 children intern grandchildren to Ian Anderson. His daughter was the one who also became a flutist.
Correction: I did not know that Ian Anderson had a son. Nice information to finally know. The thing is is that I have not followed a whole heck of a lot for a couple of decades on Ian Anderson and Jethro Tull. Back in the 60s and 70s and a little bit in the early 80s I followed them religiously along with my brothers who originally got me onto them. One of my brothers has seen Jethro Tull 32 times. That’s how fanatical they were back in the day. I even have there VCR tapes that they put out when Ian Anderson purchased his estate back then to start his fish farm and a state hunting venture when he purchased that a state to live on. That was the 20th anniversary of Jethro Tull. That’s how long ago I was following them on a more close basis. Ian Anderson did not talk about his family a whole heck of a lot even in interviews so I was totally unaware that he had a son only a daughter because I remember the interview when he talked about having his daughter. That was decades ago. I’m in my 60s and quite frankly I do not get fanatical over a lot of bands anymore. Also, his son if he’s in the limelight now or had been at one point it was long past the time that I followed the band religiously. Some people keep themselves to themselves, and I was totally unaware of the fact that he had a son. I knew he had the daughter and I just by happenstance saw the interview or reference of who she was married to when that guy from The Walking Dead was doing an interview on a news show. From what Ian Anderson said, in an interview, talking about the fact that he did not hold the flute traditionally, and why that was at the time that he performed with Tony Snow right before he passed away. And he made that remark concerning the fact that he had been for so many years, holding the flute, and using the finger movements in a flat manner for so many years, it was difficult for him to curb his fingers in the proper manner. Did most often he ended up, still holding the flute and his curve structure for his fingers, the old way that he taught himself. So excuse me for making a mistake for the fact that I don’t follow bands religiously anymore because I’m not young and have nothing else to worry about. At this point in time I’m more worried about, dealing with making sure that I have enough for when I eventually retire in a handful of years. This is satisfy everybody that I made an Oopsie mistake. This is why I rarely make comments on anything anymore and when I do, there’s always gotta be somebody who’s got to prove that you’re wrong, or you made a mistake. I hope you’re all happy. Goodbye🤪🙄
Ian has taken lessons on the flute in the early 90's.
@@jacquelinehogan8021 correction. Ian’s firstborn was his son James Duncan Anderson who doesn’t play flute but drums. His daughter played flute and taught him how to play flute correctly.
Ian heard the Bach piece incessantly from the room above his as a guitar student practiced it and decided to persue it. A very similar version was first played by Rashan Roland Kirk the famous Jazz woodwind player.
The genius of Jethro Tull brings tears to my eyes. Ian Anderson is a reincarnated wizard from mid evil times come to share his magic of music and the joy it brings.
You must mean 'medieval'!? At least I hope so! 😅
@@mightyV444 Yeah, that's what I meant. Thanks.
@@dsgp7835 - No worries 😊 And I agree with your comment otherwise! 😀👍 The "mid evil" bit gave me a little fright, though! 😉 But there probably actually _was_ a lot of evil around during those times, too! 😅 Happy New Year! 😀🥂🎉
@@mightyV444funny though XD. Full evil wouldn’t come to fruition until the XXth century.
Yeah, Ian was a remarkable composer and some are just songs so perfect they do bring tears of joy to me as well.
I have yet to hear you not "get it" about ANY piece of music you have reviewed, and I have spent my whole life listening to all sorts of music, from Gregorian chants to Frank Zappa, from Bach and Mahler, to pop, blues, reggae, rock, Celtic, jazz, European folk, polka, world music, zydeco, and country. And that's a far from complete list. I'm not a brilliant musician, but I am an eclectic listener. Please ignore anyone who says you "don't get" any sort of music simply because you are not rapturous about it. When watching your reviews I learn even more about the music I have been listening to for 70 years, and I am pleased when I come up with the same words you are spending a moment searching for. You appear to be my gold standard for music education and appreciation, so I choose to believe that your taste is impeccable. :)
As always, love Amy's interpretations and reactions. Also, always liked how Jethro Tull would give the songs a medieval sound to them.
It is not often I see someone who has a joyous delight in hearing music. You cannot fake this joy because it flows from the eyes and all muscles of the face involuntarily.
I like so much to see your faces during listening these pieces. I like a lot how did you enjoy how these your feelihgs. I am 64 years old and heared this theme long years ago when I was very young and most of our frieds we liked this piece of theme performed by the genial Ian Anderson ant Jethro Tull. Congrats from Chile.
Glenn Cornick the bassist on this track was Barrow in Furness my home town, I do remember Jethro Tull doing and almost acoustic session with Alan Freeman for the Rock Island album where Dave Pegg of Fairport Convention played on a great version of Bouree.
I’m happy to see you chuckle while listening to Tull. There is definitely an element of humor and sarcasm, and it’s something that people either get, or miss it completely. Similar to Zappa.
Even before I start watching may I say that this lineup of Jethro Tull was their finest. And nobody in Rock had a more imaginative and diverse portfolio as Jethro Tull. Especially their first 5 albums
Just subbed! Huge fan of music theory, as well as Jethro Tull!
Didn't realize the connection to classical with this particular piece!
Great content, btw, to bridge the audiences of classical and other genres, such as rock!
When the band first started, they didn't really have a set band name. Ian once talked about how horrible they were so they would continuously change their name so they could still get gigs. The name Jethro Tull was one of those random names.
I've been listening to Jethro Tull for over 50 years, have heard every one of the albums many times over. You have opened my mind to see new things in their music! Thank you!!!
This exactly. Could not agree more.
Yes I was weened on Aqualung too.
And this is why I love Jethro Tull!
And why you need to listen to the "Songs From The Wood" album.
In particular you should save "Ring Out Solstice Bells" for the next holiday season. That would be an absolute gift!
Great album.
I think she would love Velvet Green
@@samuelecallegari6117
Absolutely!
My favorite song from that album is "The Whistler." I can't keep still when I hear it.
I've always loved Jethro Tull's treatment of this piece. I'm thrilled that somebody with a background in classical music enjoys it too. Very insightful to hear your comments, it makes me appreciate the song even more. I was wondering what you think of the bass guitar in this song. It's very important for the song's jazzy sound, but it's so far removed from Bach's original music that it's probably the thing classical music listeners are going to dislike the most.
Actually bass was very important in Bachs music and in the first part of the song the bass guitar counterpoint was close to what Bach would have written.
@@nyobunknown6983 Bass is very important in Bach's music indeed, but the sound of the bass guitar is very different to the left hand on the organ or harpsichord. My experience is that it's the sound, not the notes that classical music listeners dislike. Sorry for not stating that more clearly.
As a lover of classical, melodic jazz, blues, and quality rock n roll, I would say that the more you know about all of the genres, the more you get out of Bouree!
Thank you for returning to Jethro Tull and Ian! Wonderful memories.
What an excellent reaction to this piece, one of my favorites by Tull. If you do more Tull, I'll throw my vote in for 'Velvet Green' - as others have already suggested.
Please do not abandon this format for the deep dives into Pink Floyd and the History series. At least not before you get to the gigantic 'Pictures at an Exhibition' by Emerson Lake and Palmer. Love your insights! Stay Healthy!
THANK YOU! Someone finally did the best song they EVER did. Saw this live in 1970 & have never forgotten it.
Love listening to this lady’s comments very knowledgeable and open minded. Plus a Tull fan, I am hooked!
Insightful and engaging, as always. My other favorite Jethro Tull adaptation of a classical piece is Faure’s Pavane from their Christmas album. That album includes a different take on Bourée as well.
All the years and never knew it was a based on a Bach piece🤯. Your insight is fascinating - Thank you!
I remember when this album "Stand Up" came out. I liked this song, along with every other song on the album. I had no idea it was an arrangement of a classical song, let alone one by Bach. Thanks for enlightening me.
Gee. I must say that I adore what you are doing here. It's like looking at pieces of music I love from another perspective, and learning something new simultaneously. Thank you!
Ian Anderson was self-taught and re-learned flute after years of playing due to his daughter leaning flute and pointing out he wasn't doing it correctly.
I'm so impressed with your knowledge of S. Bach !!
What a great video. This is a much loved Tull piece. My father was a Bach fanatic, and he bought, and LOVED, Switched on Bach by Wendy Carlos. All synthesizer Bach works. I hope that's on your reaction list. My father used to say Bach would have approved the Carlos work.
I've only recently found your channel and I'm loving it. I've always liked classical music but only occasionally reached for it on the shelf, so to speak, and I'm I rock fan till I die, so getting a double perspective as you discover this music is very entertaining.
Your giggles gave me giggles, too.
I had a huge smile plastered across my face for most of this video! Lol loved it!
Emerson, Lake, and Palmer have a tune called “Knife Edge” which has a Bach interlude which is really excellent. Would love to hear if you think there are other parts of the piece which are borrowed that I am ignorant of.
As a long time Jethro Tull fan, it was very enjoyable to watch this video. Thank you.
Thanks for being so positive to this track. I've loved it from when it was released.
You gotta admit, the flute was no mere gimmick for Ian Anderson, he could play that thing... and at the same time he stretched the boundaries of the instrument. Frequently he vocalized through the flute, but as you say, it works so well 🐱
Actually Ian Anderson could not play the flute. He did it all wrong and had a wonky pinky that made it difficult to play certain notes. It drives flute teachers crazy when students try to play like Anderson did in the early days. It was not until way later that he learned how to properly play the flute. However that is what made his playing even more remarkable. He mastered an instrument that he kind of did not know how to play. Most flute players can't do what Anderson does, because of their formal training. He was kind of the Jimi Hendrix of flute. Hendrix was left-handed, so his guitar was upside down and backwards.
@@robinblackmoor8732in other words he DOES know how to play. To play an instrument, one needs to be able to reproduce a piece of music recognisably. It has NOTHING whatever to with HOW the notes are played. He may not have been able to play like a trained flautist, but then a trained flautist would have great difficulty playing like he does. To say he couldn't play because he doesn't do it the way you think he "should" is purest snobbery and elitism. Music has enough of that...... no need to add to the pile.
I agree that you can't say that someone doesn't know how to play an instrument unless he plays it with proper technique. Speaking of the guitar, possibly the two greatest jazz guitar players ever were Django and Wes. The first played with just two fingers of the left hand, and the second just with the thumb of the right. Not exactly what Segovia recommends. That being said, it's not simply the way "he" thinks that the flute "should" be played, it's just the way anyone who is a competent flutist thinks the flute should be played (including Anderson, probably). There is a reason why the classical technique is classical.@@catzkeet4860
@@robinblackmoor8732 is called improv and creativity. No one played with the power Ian did.
@@catzkeet4860 My comment is the same as yours. We both stated he could not play as a properly trained flute player. I also said his playing was remarkable. Is English a second language for you?
Have you ever heard “Pictures at an exhibition” by Emerson Lake and Palmer? Amazing, I think!
Amy🎉🎉🎉Thank you.
Your comment about "stealing music" is right on.Inspiration comes to us in many ways including from 50,100,200,1000....years ago.
Thank God for it too as all of us are a individual and we grow as individuals making ideas our own.
I really enjoyed your reaction, along with the Bach info. While the flute plays the central role in this piece, I was also hoping you would have commented on the use of the walking bass, which I really think enhance the feel of this piece. It even has that little bass solo in the middle. This was released in 1969, so Ian Anderson had only been playing flute for two years at the time (he first learned to play the flute in the summer of 1967).
That bassline is the entire feel of this piece.
@@Hartlor_Tayley Agreed. Of course as a bass player and student of bass you had to know I would zero in on the bass part. 😁 I guess Ian deserves some notice too.😉 I don't know if he did both flute parts or had another flutist doing the second flute part on this recording.
The bass is already walking in the original
Glenn Cornick on bass. A great player. This bass part was really different at the time.
@@LeeKennison I can’t imagine them hiring another player for this besides it sounds like Ian but you know studio decisions were not all entirely rational. I had a small book of some Segovia Bach notation, there wasn’t much sheet music around for guitar when I was a kid., just folk songs and that Segovia book, I found a copy of “ the Girl from Ipanema” with chord charts so I focused on that song a lot but that song is musically insane ;). and I soon realized that Bossa Nova Jazz sheets had chord charts etc. Ok what I’m trying to say is that Rock is almost entirely based on artists that are self taught. Back in the sixties that meant everyone picked different things and developed in different directions in an almost random way. Jerry Garcia likened it to creating your own Frankenstein monster out whatever you could find and jolting it with energy until eventually it comes alive. This is why Rock is the way it is or at least was.
One of my favorite all time songs by Tull and Bach. Actually it was this song that introduced me to Bach and been listening to early music ever since. So you made my day when you said at 6:04 "I like it"
Fab as ever. Come on dear Amy!...when are we going to hear your take on pre - 1975 Genesis? It's got to happen😉. Tracks choices from me are 'The Musical Box', 'Cinema Show' and 'Suppers Ready'. Go on... You know you want to. Ps: Happy New Year x
Fun story, Ian has said that he originally did this to annoy a neighbor who was playing this on cello (badly) when he was trying to sleep. He'd return the favor by playing the song when the neighbor started as loudly as he could. The more he played it the more he found ways to pump up the song, it became sort of a warm-up song for him and morphed into what you hear now.
This piece, along with two other classical music instrumentals, "Pavane" and "Greensleeves" are on Jethro's Tull's Christmas Album.
The Bouree on th Christmas album is terrible though
Ian is unique in his talent with many instruments. He picked up the flute as a secondary instrument when he realized he would never be as good as Clapton on the guitar (his quote). And he doesn't read music. He composes and performs everything by memory.
I am really impressed by your knowledge of music. You are able to communicate your expertise of music and appreciation of it!
Thank you so much!
Happy New Year! 😀🥂 I'd once played this piece with my very first proper band, in the late 80's and with me on drums, but for some reason, the guitarist and keyboardist had played the main motif _straight_ instead of syncopated. We'd also played 'Locomotive Breath', and I'd put a nice, cracking back-beat on the snare into its rhythm 😁 Our singer eventually became the supervisor for Jethro Tull's German fan club, and he's met Ian Anderson in person multiple times 😊
Being a Bach fan, I enjoyed your analysis of Bach and adaptation, which we hear with Jethro Tull’s piece.
Very well explained and educational, excellent job. I've been a rock fan for decades and now getting into Classical music, especially Baroque, so this is extremely important information. Love the detail and explanation with the music notation.
I like how you try and succeed in finfding apropriate words to describe any part of experience.
Very nice seeing you enjoy Jethro Tull. They were, and in my mind still are, a very unique rock band. Thank you for sharing your knowledge
Thank you expanding your UA-cam channel to American viewers I studied classical music in high school as I’m a much older person I grew up, listening to a lot of rhythm and blues music, but I love classical music The heart is a particular instrument that I love to hear Also, I love to hear a large orchestra arrangements So please I would love to hear what you are going to do with your arrangement idea to composition
Seen him three times over the years starting in 1971. One of the best concerts ever. Full of energy and good music. Not a boring moment.
This is the first time to the channel and Jethro Tull has been apart of my life for over 40 years. Many thanks to the lady presenting who has a fantastic musical knowledge. I shall enjoy watching more
This whole Album was so much part of my teenage - great stuff!
You've got to give it to Glen Cornick. What an inspired bass part! Such an influence on bass players everywhere. Pity he couldn't have stayed with the band.
I've never really been able to hear the bass in any song in anything other than an addition in the background but here I can appreciate it as an entity unto itself and I can appreciate it so much that I want more. Many songs have drum solos but bass solos not so much. Just my observation of admittedly limited exposure.
I’d been looking forward to this ever since I found your channel
Thank you once again for the awesome reaction and knowledge... 😃
Wow, can't wait til you release that. Please let us know!
Your musicals sense is classical , yet sassy. you have the depth of understanding that transcends of what most people listen to, but t hear....a lot of people who have no musical background praise music that they can't understand, or appreciate. You have the gift of
14:45 You have said something agreeable to me. I have a YT playlist entitled "Another Time, Another Pace" wherein I save musician's versions which are not just "Covers", but (hopefully surprising) reworkings in another feel or style. The Playlist label says
"People with talent write great numbers.
Great numbers have the depth to be reinterpreted by people with talent."
Man I love your reactions. I gain many insights to what actually occurs in the music. While this is sort of a music appreciation class in rock, it also is a wonderful music composition course as well. What you are doing in this reaction process is so unique and so much needed and is adding so much to this music I grew up with. Thank you, thank you, thank you!!!!
I was introduced to Tull in 1970. Bouree was the first. I thank my friend Stewart Allen. You haven’t started your score markup yet, but I couldn’t wait.
I love watching your reactions to the music. You’re so sweet. Welcome to being a fan like the rest of us.
I would love to see your reaction to Jethro Tull’s album A Passion Play” and “Thick as a Brick”.
Love your take on this. For future knowledge, Jethro Tull is the group. The flute player/singer is named Ian Anderson.
Helluva bass player on this - was that Glenn Cornick?
Great tune. 💝You are adorable. Excellent points & musical insights.
I am excited that you will do this on Harp for us.
I knew as soon as I saw the title that you would enjoy this one! I've always considered Jethro Tull's song to be a set of variations on Bach's original piece - each variation repeated only a few times (less than is expected in a more classical set of variations, I think?). Anderson begins (and ends) with only minimal variation, then gets more and more divergent until the bass solo portion - which then reaches a high-energy point and stops almost suddenly ... the bass then returns to the original "walking" bass from the first variation, and the band replays the first section's minimal arrangement to finish the song.
This is one of the first tunes that I ever heard Ian and his band play. I love it so much!
It is soooo fun to watch your reaction to his village dance sequence at 5:00!
I love the walking bassline in this song along with the haunting flute.
Do you know of any other music that captures this sound? Its so awesome!!! Yes love the walking baseline with haunting melody!!!
@@UnityFromDiversity No - there is nothing else like it! And it's so satisfying to listen to as well!
@@tullfan2560 Also check out Dieter Folks and sons work, also 12 dances with God by IAN Anderson, ASLO flautist Thjis Van Leer solo albums but checks out the songs Rondo 1, Rondo 2, and Rondo 3. Very Tullian.
@@UnityFromDiversity Just found this Tull cover. Very good. ua-cam.com/video/mtTyROdNOGI/v-deo.html
I've been listening to this song since 1969, when a friend introduced me to the Stand Up album during Summer School in High School. I appreciate your take on it. It gave me a completely different view of a song that really turned me on to Bach, and classical music. I consider Bach the foundation to most classical music, and he is, by far, my favorite classical composer. I'm a big fan of Baroque because of this song and it's introduction for me. Your obvious educated background really opened my eyes to aspects I might have underestimated. Thank you for your wonderful review.
Released 1969. I was 15. It is almost emotional to see younger people react so positively to music that was so important to me when I was young.
Amy Shafer ROCKS in a lovely Classical way . Really lovely videos . Many thanks .
Thankyou for an amazing,honest articulate reaction.
Love that version from Jethro Tull. Love that group. I have also heard classical musician play the piece, lute, classical guitar and it is beautiful. I love in Jethro tull version how it moves from Barock to Rock to Jazz. It is so playful. The bass has such a good tone and I love how the drums swing. Jethro Tull have played in different styles of music. I think you should check out two records (Songs from the woods/Heavy horses) where they more than ever (because they have kind of always done that) build on English folk music and like in this Bach music are innovated and the music interesting. A great band with many, many good records. His flute playing became more professional as time past. His signature thing was standing on one foot while playing. Anderson is self-taught on the flute. You can see how much better he is at his playing later but he obviously was very quick to learn to play the flute. As a musician he is simply very natural talent.
Yes ,they shifted from progressive to more folk rock with those two albums.Heavy horses is maybe the best Jethro album ,for me
Delightful. I've not heard this Tull track before.
So glad you are continuing to explore Jethro Tull. I really hope you take the chance to listen to either “A Passion Play” or “Thick as a Brick”. Both are single songs that fill up both sides of the album. Both are remarkable (Passion Play, being my preferred). Your analysis would be an amazing learning for us all!
The baseline is mesmerizing.
Ian Anderson is a very unconventional flutist and he learned to play it for very unconventional purposes. Jethro Tull is such a fantastic band there is so much to explore in their catalog. Amy you are Best, thank you.
I was a youngster when Tull released this and it was great because I realised a bridge between classical and rock is possible. It even made classic music sound cool :)
Jethro Tull was among my first Rock experiences in 1976 or 77 and it still works unlike so much of the other good music during this time frame.
I just love your analysis and humor. Please keep it up! My rock/classical music tastes runs mostly to Frank Zappa. He has a ton of classical stuff.
It's like taking music class... I would definitely attend your class. Great work.
Watching your reaction to one of my favorite bands ever since the 70's , so wonderful and refreshing , thank you!!