For me, Mr. Carmignola is probably the best violinist alive today: such overwhelming beauty in each and every aspect of that huge word! Thank you, Maestro.
Very few musicians has the same rich understanding of Vivaldi in general and Four Seasons in particular. In lesser hands it always sounds frenzied and mechanical. Not in Maestro Carmingola's case. He has that innate affinity to material and feel quite free to work the tempi and volume and character to a much more nuanced and richer sound that opens up Vivaldi as true original. The lovers of a clean style usually wince at all that. Too bad for them. He has an utmost taste for decoration and his light hand technique is exquisitely agile and elegant. Add to the mix rigorous musicality and extreme sensitivity to any shifts in rhythm and character of the sound. One wonders how come he is not a superstar he is ought to be? Looks like all that rich chromaticism is not to a saxon liking. Oh, well, he is a personal favorite all the same. Bravo, Maestro!
Quel movimento immensamente espressivo e a fil di suono... dell'Autunno... mi era sembrato già Inverno.... Musica da brividi.... Non ho parole... dall'ammirazione e, come dire, estasi....
Excelente interpretación de Las Cuatro Estaciones célebre obra compuesta por el veneciano Antonio Vivaldi. Para mí el genial violinista italiano Giuliano Carmignola es sin duda la persona que mejor ejecuta la música barroca. Es un autentico deleite para nuestros oídos. BRAVO !!!. Saludos desde España.
Mi piacerebbe tanto sapere di quale grandissimo artista liutaio è il violino straordinario con cui il Maestro Giuliano Carmignola dà una tale pienezza di vita e fascino e splendore sublime a questo capolavoro delle Quattro Stagioni di quel genio dal nome Antonio Vivaldi...
Meravigliosa e talmente espressiva e interessante, originale e veramente convincente e sempre vivissima interpretazione anzi Immedesimazione.... anche di tutto l'insieme!!!
My favorite 4-seasons recording (1982 ?) was conducted by Zubin Mehta with violinists Stern, Perlman, Zuckerman, and Mintz. Would be spectacular to have Carmignola record with some of these other greats. Be sure to enjoy Vivaldi's RV 278; Carmignola is by far the best I've heard performing it.
coompletely different styles and aesthetics. stern and perlman turn everything into klezmer, zuckerman is OK but too much compulsive vibrato...mintz was good at paganini but too scratchy at anything else
Superba interpretazione. Per suonare bene il barocco italiano serve tanta fantasia, attenzione alle sfumature, elasticità, sottile interpretazione del suono, dinamica, bravura. Se pretendiamo di trasformarla in qualcosa di matematico e rigido, la musica italiana del periodo diventa arida ed insignificante, come succedeva anni fa con le interpretazioni soprattutto dei tedeschi e degli olandesi. Di fronte all'imprevedibilità ed alla straripante vitalità della musica di Vivaldi, non c'è posto per esecuzioni accademiche. Vivaldi non è Bach e Bach non è Vivaldi. E il barocco è soprattutto Italia, perché qui è nato, in tutte le arti.
L'esecuzione è molto buona e ben fatta, e, se proprio devo fare un appunto è sugli archi, solista compreso: vedere mentoniera e spalliera mi fa un po' impressione, non tanto per voler essere puristi ma per il fatto che la performace cambia molto, (questi accessori subentrarono circa un secolo dopo e Vivaldi non li disponeva). Poi, ci sarebbe anche da ridire sull'asta d'appoggio dei violoncelli ma ciò lo tollero maggiormente. Naturalmente siamo a livelli molto alti ma preferisco altre formazioni che si attengono più alla storicità.
Baroque era violins are tuned at a lower hertz than modern violin you hear. This might be a reason why it sounded a little "off." Notice how he holds the bow closer to the center, which is how they played during that time. It wouldn't surprise me if he tuned his violin likewise.
Maybe he is not completely clean, but for me his interpretations are really colourful, powerfull and interesting. More than most of the solo violin players
It might be but we're all human and instruments can be a bit like cats and do their own thing. Concerto I movement 2 the viola is definitely more sharper!! Carmignola gives a little glance around 5:10 - 5:15 as if to say, "come on buddy, whatcha doing with that tuning of yours?!?"
Classical is so weird sometimes. Like, how is the audience supposed to stay quiet after the first movement of Winter??? They NAILED the ending of that movement.
... Carmignola, too strong ... but sometimes music goes out from barocco to become rococò becouse of his narcisim ... I mean he adds notes to the Vivaldi's text ...
All is good EXCEPT FOR ONE THING - THE DAMN FOOT STOMPING! AND btw, they play modernized instruments in a baroque style - not true baroque manner on authentic instruments and on modern metal strings not gut strings. So, its only their style that is somewhat baroque. Poorly recorded.
It's a piece of music, not a rap song. Treat it with the ingenious and masterful respect it deserves. Don't try your own version. If you want to do that, grow a genius brain and spend time writing your own music. How dare you ruin someone else's masterpiece to make a name for yourself.
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The only violinist that knows exactely what is going on behind what is written on the papers! He is the best baroque violinist!
Totally agree!
I am so proud to be an Italian. And to call both the author and the Maestro my connationals.
For me, Mr. Carmignola is probably the best violinist alive today: such overwhelming beauty in each and every aspect of that huge word! Thank you, Maestro.
i m so agry !!! the very best !
Very few musicians has the same rich understanding of Vivaldi in general and Four Seasons in particular. In lesser hands it always sounds frenzied and mechanical. Not in Maestro Carmingola's case. He has that innate affinity to material and feel quite free to work the tempi and volume and character to a much more nuanced and richer sound that opens up Vivaldi as true original. The lovers of a clean style usually wince at all that. Too bad for them. He has an utmost taste for decoration and his light hand technique is exquisitely agile and elegant. Add to the mix rigorous musicality and extreme sensitivity to any shifts in rhythm and character of the sound. One wonders how come he is not a superstar he is ought to be? Looks like all that rich chromaticism is not to a saxon liking. Oh, well, he is a personal favorite all the same. Bravo, Maestro!
Baroque doesn't need heroes like Justin Bieber or Nigel Kennedy. Vivaldi is not suffering a popularity crisis like 1700 - 1920s.
Quel movimento immensamente espressivo e a fil di suono... dell'Autunno... mi era sembrato già Inverno.... Musica da brividi.... Non ho parole... dall'ammirazione e, come dire, estasi....
what a dazzling, deeply penetrating performance by this virtuoso ! In my humble opinion , he is 21 st century PAGANINI
Absolutely fantastic violinist, performances are so vibrant and full of personality, precision and passion! Thank you!
Bravo！！！Thanks to Giuliano Carmignola for such an amazing interpretation of Vivaldi's work.
Excelente interpretación de Las Cuatro Estaciones célebre obra compuesta por el veneciano Antonio Vivaldi. Para mí el genial violinista italiano Giuliano Carmignola es sin duda la persona que mejor ejecuta la música barroca. Es un autentico deleite para nuestros oídos. BRAVO !!!. Saludos desde España.
Best version of the four seasons…
yes !!!!!
Truly wonderful performance. Real Vivaldi master of our time, he is getting older but his music is only getting better. 👍👍👍👍👍
A true violin master. Marvelous.
Speechless. What a master!
I just adore him:Antonio Lucius Vivaldi.His red hair, his music...❤
Mi piacerebbe tanto sapere di quale grandissimo artista liutaio è il violino straordinario con cui il Maestro Giuliano Carmignola dà una tale pienezza di vita e fascino e splendore sublime a questo capolavoro delle Quattro Stagioni di quel genio dal nome Antonio Vivaldi...
C" vrai.G.Carmignola est le meuilleur specialiste de la musique baroque, surtout de Vivaldi !!!
Meravigliosa e talmente espressiva e interessante, originale e veramente convincente e sempre vivissima interpretazione anzi Immedesimazione.... anche di tutto l'insieme!!!
carmignola le génie de la musique baroque,admiration profonde,joie et grand bonheur
Großartig, Dankeschön 😌❤️
I’m crying! Fabuloso! The performance of your team It’s spectacular, how many hours have you spent to do these, No matter how many it worthy!
best version ever ♫
I love how they play Summer Presto again at the end, it's my favorite part of the entire Four Seasons, and I'm currently learning on guitar.
Você é maravilhoso Giuliano!!!!!
Melhor interprete de Vivaldi
Para el primer violín y su conjunto, Bravo,bravo !!!
Verano 9:45
Otoño 19:45
Inviero 31:00
impressive, absolutely impressive, specifically the last 9 minutes (30' to 39')
Wonderful !!!
Yesss!! Das ist Ba-ROCK! Antonio und Giuliano sind seelenverwandt: Herbst, 2.Satz.
Crisp, elegant
Bravo Carmignola!
No words...
Astonisching!!!
感觉自己很幸运的发现了这个频道，感谢邓律师!
My favorite 4-seasons recording (1982 ?) was conducted by Zubin Mehta with violinists Stern, Perlman, Zuckerman, and Mintz. Would be spectacular to have Carmignola record with some of these other greats.
Be sure to enjoy Vivaldi's RV 278; Carmignola is by far the best I've heard performing it.
coompletely different styles and aesthetics. stern and perlman turn everything into klezmer, zuckerman is OK but too much compulsive vibrato...mintz was good at paganini but too scratchy at anything else
Brividi
Brillant
Magistral
Muito lindo
ul
My soul soars! so beautiful
Mestre em todos os detalhes ..Maravilhoso
Awesome
Perfect subtext!
Superba interpretazione. Per suonare bene il barocco italiano serve tanta fantasia, attenzione alle sfumature, elasticità, sottile interpretazione del suono, dinamica, bravura. Se pretendiamo di trasformarla in qualcosa di matematico e rigido, la musica italiana del periodo diventa arida ed insignificante, come succedeva anni fa con le interpretazioni soprattutto dei tedeschi e degli olandesi. Di fronte all'imprevedibilità ed alla straripante vitalità della musica di Vivaldi, non c'è posto per esecuzioni accademiche. Vivaldi non è Bach e Bach non è Vivaldi. E il barocco è soprattutto Italia, perché qui è nato, in tutte le arti.
Is that Kerson Leong as principal?!
Yes, it is.
Le maestro fait de la comedia del arte
I was introduced to th VIOLIN in 1974 I am passionate about this instrument !! I wish I could have played
보통 비발디 사계는 거르는 곡이였는데...... 충격이다, 너무 좋다!!!!!!!ㅠㅠ
maravilloso !!!!!
Spetacular!
гениально
👑🎻👑👑🎻👑
L'esecuzione è molto buona e ben fatta, e, se proprio devo fare un appunto è sugli archi, solista compreso: vedere mentoniera e spalliera mi fa un po' impressione, non tanto per voler essere puristi ma per il fatto che la performace cambia molto, (questi accessori subentrarono circa un secolo dopo e Vivaldi non li disponeva). Poi, ci sarebbe anche da ridire sull'asta d'appoggio dei violoncelli ma ciò lo tollero maggiormente. Naturalmente siamo a livelli molto alti ma preferisco altre formazioni che si attengono più alla storicità.
報告用 10:55 19:59 38:50
Is he using a baroque violin or a modern violin in this performance?
Modern violin with modern set-up and a late barock bow
@@petrus1696 Thank you!
Why does it sound to me like his violin is slightly out of tune?
It sounds to me that he tuned his violin slightly higher so he sounds more brilliant, but it may just be me being a dummy haha
Baroque era violins are tuned at a lower hertz than modern violin you hear. This might be a reason why it sounded a little "off." Notice how he holds the bow closer to the center, which is how they played during that time. It wouldn't surprise me if he tuned his violin likewise.
@@oxenfree117 haha they actually are tuned to 440
Maybe he is not completely clean, but for me his interpretations are really colourful, powerfull and interesting. More than most of the solo violin players
It might be but we're all human and instruments can be a bit like cats and do their own thing. Concerto I movement 2 the viola is definitely more sharper!! Carmignola gives a little glance around 5:10 - 5:15 as if to say, "come on buddy, whatcha doing with that tuning of yours?!?"
Classical is so weird sometimes. Like, how is the audience supposed to stay quiet after the first movement of Winter??? They NAILED the ending of that movement.
oh Viola.........
??
ノノやノノノノのココとユーコメ一手者のニノニコ「ホノメとコココメとの
メオゆおこそ飲めなて祖母のようよのメリメ留喉」の女の子を込め真央の目にな
... Carmignola, too strong ... but sometimes music goes out from barocco to become rococò becouse of his narcisim ... I mean he adds notes to the Vivaldi's text ...
player-chosen ornaments were common in vivaldi's time
also this is true
orchestra fuori tempo e fuori tono, tempi a casaccio. neanche alle prove.
Non capisci un cazzo
All is good EXCEPT FOR ONE THING - THE DAMN FOOT STOMPING! AND btw, they play modernized instruments in a baroque style - not true baroque manner on authentic instruments and on modern metal strings not gut strings. So, its only their style that is somewhat baroque. Poorly recorded.
Dude... Chill tf out
It's a piece of music, not a rap song. Treat it with the ingenious and masterful respect it deserves. Don't try your own version. If you want to do that, grow a genius brain and spend time writing your own music. How dare you ruin someone else's masterpiece to make a name for yourself.
This has to be the best interpretation of four seasons lol, also during those times the players did add on to the original.