One of my favorite solos. From what I can hear the third bar of the form isn’t really 7 over 4. The F hits right on beat 2 and it’s all 8th notes till the end of the bar. FDEbFGAb are all 8th notes. It’s hard to notate because he essentially stretches the time until beat 2 of measure 3.
i love this
Elliot’s teacher definitely can hear it in his playing
You can, can't you!
I believe he was originally assigned to Phil Wilson (at Berklee) but insisted on being switched to Hal.
@@RobEgertonJazzTranscriptionsso interesting!
@@RobEgertonJazzTranscriptionsdo you know any other plauers that sound remotely close to Elliot?
@@AryanShehranMusic No! Hal is probably the closest, but only in style and not sound.
@@RobEgertonJazzTranscriptions Yeah for sure! Elliot has that darkness and broadness. Definitely want that in my playing.
The PLAYING!!! This was also a great recording!
One of my favorite solos. From what I can hear the third bar of the form isn’t really 7 over 4. The F hits right on beat 2 and it’s all 8th notes till the end of the bar. FDEbFGAb are all 8th notes. It’s hard to notate because he essentially stretches the time until beat 2 of measure 3.
Yeah, that section almost took me longer than the rest put together. Such is the nature of standard notation, I was never really happy with it!
@@RobEgertonJazzTranscriptions
Thank you for doing it so well, Rob!
Amazing
Possibly jazz's most under-appreciated trombonist in my view.
The best!
Brilliant
yyyyyyeah! Thank you!
epic!😀
0:42
One of the most overlooked jazz trombonists ever.
Why is some random Mexican group getting the credit for this?
What? Where?
Never mind I just saw it. Damn UA-cam