Thank you that is good exercise... Most important Isa good violin hold without using left hand to support the violin. So use shoulder rest and a good chin rest. Then left hand becomes free to glide anywhere on the fingerboard and vibrato becomes easier.
Concert violinists take the contrary position: that the Suzuki method of clamping between shoulder and chin creates too much strain and tension, which causes fatigue and poor form. Instead, they say to have as loose a hold as possible, resting the neck of the violin between the thumb pad and the 1st finger palm knuckle, using the chin rest only enough to keep the violin from slipping off the shoulder when changing hand positions. In my limited experience, this latter method leads to less strain in the upper back which in turn leads to more and better practice.
I'm gonna give this a shot. I'm hoping to be able to play the first dozen Wohlfahrt etudes by the end of next year, though, so vibrato will be a much lower priority than articulation.
Either you are a left-handed violinist or this is a mirror-image! However, in a way it could be a good thing and helpful for pupils to watch it this way round. The exercises were clear and helpful, thank you.
No. Not going to work for this pianist... Watching further... MAYBE knocking with the little-finger side of the hand (like a karate chops)???? I will experiment. God help me.
Thank you for this simple approach. Please send more videos
Thank you that is good exercise... Most important Isa good violin hold without using left hand to support the violin. So use shoulder rest and a good chin rest. Then left hand becomes free to glide anywhere on the fingerboard and vibrato becomes easier.
Concert violinists take the contrary position: that the Suzuki method of clamping between shoulder and chin creates too much strain and tension, which causes fatigue and poor form. Instead, they say to have as loose a hold as possible, resting the neck of the violin between the thumb pad and the 1st finger palm knuckle, using the chin rest only enough to keep the violin from slipping off the shoulder when changing hand positions. In my limited experience, this latter method leads to less strain in the upper back which in turn leads to more and better practice.
Most greatful, thank you for reminding me!
Thank you for your advice. It's not easy when you start. I will keep working at it
I'm gonna give this a shot. I'm hoping to be able to play the first dozen Wohlfahrt etudes by the end of next year, though, so vibrato will be a much lower priority than articulation.
interesting. i
will try these ❤
Beautiful ❤
Good and helpful!!! Thank you
Simply awesome 🌹
Thanks a lot 😊
❤🙏
❤❤❤❤❤❤❤❤
Awesome, I will try, yes? But that sounded terrible
Wow shes cute :O
Very useful, thank you! And your tattoo is beautiful 😊
Thank you!😀
Either you are a left-handed violinist or this is a mirror-image! However, in a way it could be a good thing and helpful for pupils to watch it this way round. The exercises were clear and helpful, thank you.
It is mirroring. I’m working on fixing it. Thank you for the comment!
Violin is so difficult!!! My bow oh my awful dreadful bow bouncing I cannot stop the bow bounce help meeeeeee
My teacher (s)implied that it was an emotional effect and was caught by copying and imitation rather than being taught
Very interesting. I believe that it can be learned by copying, but how is it it emotional effect?
I. Love your tattoo
No. Not going to work for this pianist... Watching further... MAYBE knocking with the little-finger side of the hand (like a karate chops)???? I will experiment.
God help me.
Hi teacher...
Nice tattoo drawing ❤❤❤❤❤
Thank you!