Cool video! I didn’t know the standing waves were just as prominent at all volumes. I still think there’s something to it when it comes to minimising a flawed rooms effect in what you’re hearing. If I listen to a mix quietly in a giant room, I really can’t see how that won’t reduce what the room would do if the sound was rattling around off the walls if it was being blasted?! Mixing at low levels definitely works seems to translate into better mixes. It affords me to mix longer without fatigue, which is a very real thing in long sessions. I mix at a level where you can easily talk over it. I tend to only find myself turning stuff up for clients to vibe out to what we’ve done. I think a fair few mixers work at low levels with near-fields. Thanks!
Thanks Steve.
Thanks again for all the help! Your expertise in audio has made a world of difference in my studio!
Cool video!
I didn’t know the standing waves were just as prominent at all volumes. I still think there’s something to it when it comes to minimising a flawed rooms effect in what you’re hearing.
If I listen to a mix quietly in a giant room, I really can’t see how that won’t reduce what the room would do if the sound was rattling around off the walls if it was being blasted?!
Mixing at low levels definitely works seems to translate into better mixes. It affords me to mix longer without fatigue, which is a very real thing in long sessions. I mix at a level where you can easily talk over it. I tend to only find myself turning stuff up for clients to vibe out to what we’ve done.
I think a fair few mixers work at low levels with near-fields.
Thanks!
Right? I had no idea either. But, Ethan's done all the testing and research for us.
Cheers my man, good info for those in need.
Thanks mate!!!