Why is my musical ear tortured since 50 years now in radio and everywhere when there exists such a beautifull music for centuries .But we can listen to it whenever we want .on youtube.Yeah
Diego Lopez is genius . Not only he learned the Iranian Tombak, he learned it good. He is infusing the Persian tune with Medieval Europe. Great taste, I think Lopez is the first for this infusion. He plays without any accent. He can play anytime with Iranian groups, a traditional song. On UA-cam I saw Siavash Rastani , infused Zarb, Daf and Tombak with medieval European Music. But Diego Lupez is the first one. thank you and greetings from Iran/California.
For those commenting on the presence of percussion. This was dance music. It had percussion. Kapsberger named the piece 'Canarios', after a dance form that was popular in Spain, but originally came from the Canary Islands. (Just off the coast of West Africa). The presence of properly clad dancers, with tap-shoes performing the percussion, would not rule out other percussive instruments (albeit maybe not, traditionally, the Tombak). It is just that paper was so expensive - the other parts were not written down. By the same token, harmonization: musicians of the period were expected to derive a harmony from the bass-line in real-time. This was called 'Basso Continuo'. (Here is another interpretation of the same piece: ua-cam.com/video/ZtDyHrGdp6E/v-deo.html with percussive dance.)
I find that the addition of rhythm can make some renaissance and baroque dance music come to life...not saying we should add it to everything, but it can really work for me
Of course percussion was used, but they didn't play it like that; like a Portland hippy-punk in a vegetarian-only drum circle... I've never been to the Canary Islands, but anyone can hear that this bongo-thing is not going good with the Theorbo.
The idea of music being performed strictly as written and for specific instruments is fairly recent. In this era, composers who could get published often published very spare manuscripts because the effort to be too florid with the printing presses of the era would have been too cumbersome. Parts could be performed by a set of viols, recorders, voices, or any other instruments available to the locals who purchased the manuscripts. And 17th century Rome, Kapsberger's stomping grounds, would have been full of diversity and flavor. While this drum performance isn't particularly "historical," the idea of musicians noodling around and improvising on whatever instruments were available is certainly the spirit of the era. So you are free now just to enjoy. Merry Christmas.
@@rickcomer8497 A castanet held aloft (a la Flamenco) is not beyond the bounds of imagination. Baroque guitar was taking shape at this time, and would evolve into the classical form in Spain over the next 200 years.
Impeccable. Wonderful performance. Wonderfully recorded. Such a delight to hear! My only regret is that it was published in 2014 and the algorithm is just bringing it up now???
It is difficult to explain the almost-mantric allure of this beautiful piece. I play this version of the Canarios on my guitar with my eyes closed and let my mind go. I love this interpretation of this jewel by these talented musicians. The use of the tombak is very fitting as the lute origins comes from the Africa and the Middle East and became fashionable in Europe to have Court musicians well versed in the use of the lute theorbo or chitarrone. Bravo!
Divine ... Thank you ... Today I found out about the musical instrument the Theorbo ..... Seeking and searching out youtubes to learn more .. Thank you for placing this upon youtube... thank you for teaching me today..... brings me to tears, at the beauty ......
'Canario" was popular music. Everyone from Bogota to Budapest played it and danced to it and had their own versions of it. For sure there was percussion. This combination is as good as any. Does anyone still know the dance? Is there video?
Amici della musica , ahh ecco una composizione di stampo latino uno dei miei preferiti , il genere spagnolo con la sua allegria ,semplicità ,sensualità etc ,calza perfettamente con i miei gusti e penso a chi concorda con me ' , l'unica pecca che sono stati fatti una notevole variazione in tutte le salse molto somiglianti .
Je découvre depuis un an Kapsberger, et moins que les harmoniques et les mélodies, ce sont les rythmes qui m'interpellent le plus dans ses compositions Je veux dire, les rythmes pour son époque évidemment
He's using a more eastern technique (the really fast tapping is atypical of western music) Percussion was never written down with pieces like this, because it was supposed to be improvised upon by the percussionists per the needs of the other players and the percussionist's skill. It was improvised, but it's supposed to be, albeit in an atypical fashion in this instance.
For those wondering years later, the piece is written for solo theorobo. It's common to improvise additional parts to chaconnes, passacaglias, and canarios in the baroque period.
I don't think this pieces of guitar and lute (theorbo) had percussion parts... The manuscripts just contain the parts of the instruments. Also worth mentioning this is from the baroque period, particularly. Theorbo was one of the main players in the continuo during the baroque era. Greetings Noel! I hope you keep on enjoying this music.
@@iiirdeyeheretik Even more common considering the musical forms you mentioned are based upon a harmonic ground and introduce variations on the chord progression. Greetings!
Mis amigos de Argentina coincidirán que esta pieza musical es una innegable precursora del "malambo", género desarrollado en el Río de la Plata, que se baila zapateado y se ejecuta con guitarra y bombo.
Why is my musical ear tortured since 50 years now in radio and everywhere when there exists such a beautifull music for centuries .But we can listen to it whenever we want .on youtube.Yeah
Bass strings on the theorbo have such a superb tone!
Loved the clarity of interplay between the two instruments. Very clean and pleasing!
Delicioso, te sumerge en un mundo de esplendedez y armonía, fluyen recuerdos inconmensurables de la niñez y de bienestar, exquisito. Gracias
Diego Lopez is genius .
Not only he learned the Iranian Tombak, he learned it good.
He is infusing the Persian tune with Medieval Europe. Great taste, I think Lopez is the first for this infusion. He plays without any accent. He can play anytime with Iranian groups, a traditional song.
On UA-cam I saw Siavash Rastani , infused Zarb, Daf and Tombak with medieval European Music.
But Diego Lupez is the first one.
thank you and greetings from Iran/California.
For those commenting on the presence of percussion. This was dance music. It had percussion. Kapsberger named the piece 'Canarios', after a dance form that was popular in Spain, but originally came from the Canary Islands. (Just off the coast of West Africa). The presence of properly clad dancers, with tap-shoes performing the percussion, would not rule out other percussive instruments (albeit maybe not, traditionally, the Tombak). It is just that paper was so expensive - the other parts were not written down. By the same token, harmonization: musicians of the period were expected to derive a harmony from the bass-line in real-time. This was called 'Basso Continuo'. (Here is another interpretation of the same piece: ua-cam.com/video/ZtDyHrGdp6E/v-deo.html with percussive dance.)
I find that the addition of rhythm can make some renaissance and baroque dance music come to life...not saying we should add it to everything, but it can really work for me
Of course percussion was used, but they didn't play it like that; like a Portland hippy-punk in a vegetarian-only drum circle... I've never been to the Canary Islands, but anyone can hear that this bongo-thing is not going good with the Theorbo.
The idea of music being performed strictly as written and for specific instruments is fairly recent. In this era, composers who could get published often published very spare manuscripts because the effort to be too florid with the printing presses of the era would have been too cumbersome. Parts could be performed by a set of viols, recorders, voices, or any other instruments available to the locals who purchased the manuscripts. And 17th century Rome, Kapsberger's stomping grounds, would have been full of diversity and flavor. While this drum performance isn't particularly "historical," the idea of musicians noodling around and improvising on whatever instruments were available is certainly the spirit of the era. So you are free now just to enjoy. Merry Christmas.
@@rickcomer8497 A castanet held aloft (a la Flamenco) is not beyond the bounds of imagination. Baroque guitar was taking shape at this time, and would evolve into the classical form in Spain over the next 200 years.
@@rickcomer8497 You know where the Canary Islands are, don't you?
What an unexpected and delightful mixture of harmony and lightness !... 😊
There are no words to discribe the pleasure of listening to this piece.
Impeccable. Wonderful performance. Wonderfully recorded. Such a delight to hear! My only regret is that it was published in 2014 and the algorithm is just bringing it up now???
@@banjoboy01 maybe it would work better with a banjo solo
Semplicemente meraviglioso. Un'interpretazione impeccabile ed eseguita con grande sensibilità.
Amazing sounfs. Beautiful thanks so much. ❤❤❤
You have brought tears to my eyes. Taken the Chiconne to a whole new level.
Awesome! Thank God some people were given this kind of skill!
Muito lindo, parabéns e muito obrigado por conpartilhar!
So beautiful
Beautiful gentlemen, absolutely beautiful.
Muy hermoso!
Pure bliss!
It is difficult to explain the almost-mantric allure of this beautiful piece. I play this version of the Canarios on my guitar with my eyes closed and let my mind go. I love this interpretation of this jewel by these talented musicians. The use of the tombak is very fitting as the lute origins comes from the Africa and the Middle East and became fashionable in Europe to have Court musicians well versed in the use of the lute theorbo or chitarrone. Bravo!
Fernando Camareno n
I listen to it if I’m worried or having trouble sleeping. Instantly soothing.
Mabe greeks
on Alexander the great era
transfere the ancestor
of this instrument in near east.
for me it's seems like cuban baroque music
you know this was selective, you sound foolish
That is ... wow! ... Beautiful!
Maravilloso. Bella música.
Divine ...
Thank you ...
Today I found out about the musical instrument the Theorbo .....
Seeking and searching out youtubes
to learn more ..
Thank you for placing this upon youtube... thank you for teaching me today.....
brings me to tears, at the beauty ......
Amazing interpretation of this beautiful piece!
'Canario" was popular music. Everyone from Bogota to Budapest played it and danced to it and had their own versions of it. For sure there was percussion. This combination is as good as any. Does anyone still know the dance? Is there video?
Formidabile interpretazione e splendido connubio tra due strumenti così storicamente differenti. Congratulazioni.
Originally searching for this, I found Canarios by Gaspar Sanz and forgot about this one. I just happened to search Kapsberger and found it again!
Simple cadence ... magic.
Golly good show.
this fine performance socked it to me . the two players and their instruments blended beautifully. thx
Superb! And beautifully photographed as well.
I love it !!!!
I want more
I'm diggin' it...Thanks for sharing.
GREAT!! Thoroughly enjoyed!
There is nothing more sweet and simple than a canary.
Beautiful: the drum evokes in my imagination street dances at a 17th Century Canary Islands Fiesta: very atmospheric.
Dresden arch guitar my fave.
That's a wonderful Theorbo and beautifully played!! Thanks.
Beautiful and deeply meditative music and performance.
Maravilloso! Gracias por compartirlo.
Great work. So melodic and carefully orchestrated and exucuted
Such a masterpiece! Loved it!
Absolutamente maravilloso...
Thank you! Beautiful. Very much appreciated
Beauty for ears and eyes!
Beautifully done!
Priceless mesmerising beauty!
This is incredibly beautiful !
Great videos !
Great thanks indeed !
Bravo. A respite from the modern world (although I guess UA-cam is the modern world).
Que bonito suena. Muy fino. Aplausos!
Really enjoy this! Theorbo has quite captured my interests, and your bass line is yummy!
Fantástico, los felicito.
Lovely in all respects, setting, beautifully played on beautiful instruments.
Magnifico and wunderbar...
Love it! 🌻🌻🌻🌞🌞🌞
Una delicia bravo!!! Gracias
This is soooo perfect
O maior prazer obtido pela audição
Beautiful!
It sounds beautiful and takes a lot of rhythm
Um trabalho muito bom desses músicos. Essa é uma deliciosa peça.
loved it~
fantastico!! registrazione poi incredibile!!
Amazing version.
Amici della musica , ahh ecco una composizione di stampo latino uno dei miei preferiti , il genere spagnolo con la sua allegria ,semplicità ,sensualità etc ,calza perfettamente con i miei gusti e penso a chi concorda con me ' , l'unica pecca che sono stati fatti una notevole variazione in tutte le salse molto somiglianti .
Different and beautiful
This piece contains just three chords on its ground, still is so amazing, the music of life...
I can't stop playing this song on my guitar ...
Do you have a copy of the music for it??
@@j8432 Check my channel
La Tablatura brilliant. Thank you
We’ll make sure you don5 play it too fast. It is for dancing to.
It feels like I'm in a busy J-RPG town.
Ever since skyrim I've always loved those tavern vibe
Superbe Merci Thanks for posting!
Full of beauty.
delightful and fresh.
This is amazing
Love this
Genious Interpretation.
lovely, like a mantra
This is the true sense of the best that we can be as a civilization.
LOL.
de lujo!!!!!!!!!
Bellissimo, grazie!
This.. is.. art..!
Bravo !!!
Good stuff for single driver speakers.
Beautiful.
Je découvre depuis un an Kapsberger, et moins que les harmoniques et les mélodies,
ce sont les rythmes qui m'interpellent le plus dans ses compositions
Je veux dire, les rythmes pour son époque évidemment
I don't know whether or not Diego's playing the tombak as written or improvising, but it sounds like I'm at a medieval poetry slam.
He's using a more eastern technique (the really fast tapping is atypical of western music)
Percussion was never written down with pieces like this, because it was supposed to be improvised upon by the percussionists per the needs of the other players and the percussionist's skill.
It was improvised, but it's supposed to be, albeit in an atypical fashion in this instance.
For those wondering years later, the piece is written for solo theorobo. It's common to improvise additional parts to chaconnes, passacaglias, and canarios in the baroque period.
@Noel Goetowski Don't confuse medieval style with early baroque. Medieval music sounded completely different.
I don't think this pieces of guitar and lute (theorbo) had percussion parts... The manuscripts just contain the parts of the instruments. Also worth mentioning this is from the baroque period, particularly. Theorbo was one of the main players in the continuo during the baroque era. Greetings Noel! I hope you keep on enjoying this music.
@@iiirdeyeheretik Even more common considering the musical forms you mentioned are based upon a harmonic ground and introduce variations on the chord progression. Greetings!
Viva la vieja escuela!
genial!!!!!!
Che bellezza!
brilliant!
El poder de la frase "Llévame al mar" en según que contextos...
wow...thanks.....
heavenly music
amazing
UA-cam suggestions delivers once more. Happy new year all. Way to start the year with some baroque music.
it sounds sometimes like djembe soli, speaking about the tombak(zarb) solo. Diego Lopez is a master!
such a banger
Mis amigos de Argentina coincidirán que esta pieza musical es una innegable precursora del "malambo", género desarrollado en el Río de la Plata, que se baila zapateado y se ejecuta con guitarra y bombo.
Es muy parecida !!
❤
Percussion is about accompaniment and rhythm and Spanish music should be played with passion, intensity and soul..