It's ridiculous how good a teacher you are. I'm only 10 minutes into this video and I've already learned more about the actual mechanics of re-harmonization, how you actually pick the chords that "work" over a melody line, than everything I'd ever read or watched up to now. Mind blown. Also, when you hit that Ab7alt at 10:25 I was just... shivers... that chord is literally perfect there. Just wow.
I have no idea how to play piano, but I just like watching you figure things out. The process of song-writing is such a mystery to people - it's fun to see someone with your talent and teaching ability work through a song and make it your own. #AimeeNolteIsFreakingTalented
You're really good at expressing what's going on inside your head without losing out too much, but in a way that people who aren't actually in your head can understand.
I never enjoyed listening to tritone subs until I heard you play them... lightly, and as part of an arrangement with many different chords, and with great voice-leading.
omg i've been away from the piano and really learning music and all this theory feels like blowing the dust off of a corner of my mind that's laid unused for a long time. love your videos
Hey, Aimee! You've just taught me in a few minutes what I've been trying to learn for years in books and in another tutorials. You're simply the best. Hugs and kisses from Brazil. 😙
As you're going through the scale-based triads that will fit with the melody, you get to A , which you point out has a 'rub', with C#-D, but it works anyway. When you get to C#º, you reject it for the same rub; this is the right conclusion, but I think it's really because there's a double rub; the 2nd one is F#-G. Two strikes, and it's out. But this is a wonderful technique - try them all out to see how they sound, and accept/reject based on that. It's a tune I'm not familiar with, but it works beautifully for this treatment. Thanks for showing us the process unfolding; the editing, too, was spot-on, keeping the train of thought on the track... The rest of what you've shown here will take me a lot longer to digest fully; thanks for this - it's some really good reference material. I'm just getting more into these more complex sorts of chords, thanks to a recent find on YT of one of my *all-time favorite pieces* - The Planets by Gustav Holst. (I trust you've run across this fantasically moving work in your lifelong musical excursion; but if you haven't, I highly recommend a listen, some time when you have the time & inclination.) The audio was a 1945 British recording (full orchestra), and the video was a score of the piece for 2 pianos. (No bouncing ball, so you have to pay close attention if you want to follow it.) The description had a link to where that score, and others for many other instrumental arrangements were found (IMSLP.org). I got the one for solo piano, and am surprised & delighted at how well it captures the piece, from what I've tried of it so far. I'm starting with the 1st & last movements (there are 7 altogether) - Mars and Neptune - which, along with Venus, I had experimented with sounding out the first dozen or so bars of, for quite some time. Anyway, if you should pick up on the piano music for this, I would be really curious to hear your thoughts on it . . .
You've presented a straightforward, yet creative and enjoyable approach to reharmonization that completely evaporates any trepidation toward the process. Thank you so much, Aimee!
I love the process of reharmonization...especially drawn to connecting to the outside of the tonality while preserving the melodic integrity if the song. Sometimes it works and others not so much yet the important takeaway is the journey one takes themselves and the music through. 🎵🎶
Awesome lesson, Aimee. I love how you leave in the process and demonstrate how trial, error, and taste ultimately lead you towards a polished arrangement. Inspiring. Imagine Dragons isn’t my cup of tea, but I like tons of pop and rock, so there’s plenty of source material for these kinds of experiments. I can’t wait to try it out.
i clicked on the vid because i was curious. I only planned to watch maybe a minute and just see what the results were. I got hooked and watch the whole thing! Thanks so much for this content!
I appreciate so much of your efforts but this episode demonstrated exactly how to reharmonize better than I have ever see. It was substantially faster than I accomplish it though. I cannot fathom how anyone can dislike this video but four have done so. I say give them their money back for what they paid to watch it. Perhaps it was Rick Beato, LOL.
+W. Dennis Sorrell i’m so glad you liked it, Denisse! Thank you! Rick is one of my best friends though. Let’s not worry about those four! In fact, Rick and I like to pretend that they are bots!
What an amazing approach to arranging any song! You almost make it seem easy, Aimee. The process you've laid out, the principles you apply and how to explore all the different possible chords is a real eye opener.
Aimee, I think you almost settled on Dear Prudence there, haha. It's so instructive to hear you think out loud as you run through the musical possibilities. Many of us do the same thing, but without your vocabulary (or your energy and thoroughness). Thanks for letting us in.
Learning so much even as a professional. Love revisiting concepts like this to find the little things other people do in their process. Thank you for this!
Brilliant. You retain a focused and analytically driven method going through this process, making it easy to follow and understand. It's crazy how applicable reharmonization is for melodies and how much it can improve a basic pop song. Many thanks for showing us your work!
Oh, I forgot to say..thank you for bringing to our attention the New Orleans style videos 1-4 series that you made. I'm enjoying working out those notes, chords and licks with your video. You're a great teacher!
Wow, Aimee! This is really great. My problem is I'm 62 and out of touch. I had to go to UA-cam to listen to It's Time by Imagine Dragons. You have done an amazing job, but I'm still having trouble connecting the two versions. Was wondering if you could do a reharm for your senior subscribers. Maybe a Motown hit, Jimi Hendrix, Van Morrison, Rolling Stones or a hymn like A Mighty Fortress Is Our God. I have satellite radio in the car and I'm usually listening to Real Jazz or Soul Town and usually don't hear a lot of current stuff. I might not be the only "old geezer" who doesn't know this tune. Just a suggestion/request. Thanks :)
Richard, you lived during the Golden Age of popular music. There is nothing like that today to be "in touch" with. "A Mighty Fortress" already has one chord per word so I do not think it would benefit from re-harmonization. I would recommend using a simpler 3-chord hymn like "He Hideth My Soul".
@@codetech5598 I mean I don't think that was a golden age. Just a different time. Theres amazing music out there today and there always will be. Just different styles.
Fantastic as always, Aimee. I'm so glad there are people like you out there who teach others the ins and outs of music, in a simple enough manner for nonprofessional musicians to understand. I absolutely love your tutorials like this one and throughout this entire video I was just in awe of the chords and how beautiful they sounded. Your process alone was awe-inspiring enough and got me past a small block and I'll use this video's methods in future compositions and rearrangements. Thank you for everything you do, Aimee.
When I worked in recording studios in the 60’s I overheard a young budding studio musician ask a seasoned veteran what the secret was to becoming a “first call” musician; the seasoned veteran replied, “show up time, and bring a pencil with an eraser.”
More like this please! Truly a great teaching session by a master of the craft! Inspiring on multiple levels, and like many others I’ve never heard the original song before. This rendition is so beautiful 🤩 #PianoGoals
Its amazing watching you work. You start out with what looks like the chords in the major diatonic scale and go from there. Lots of which allude me but with repeated listing I could begin to pick up on. Im a bass player and this is wildly informative Thanks soooo much!!
This lesson was fantastic! Once I mentally shifted into feeling mode by noodling around, it became FUN! I have perfect pitch, but I'm only now learning theory, and your walk-through really helps me. Thanks Aimee.
16:15 When the melody goes from A to F#, you deftly point out that the F# is kind of a hinge point toward the next chord, so it becomes the E-11. Once I got that, I realized the possibilities are endless.
This is helping me out tremendously. Thank you! I'm a JOTW lurker and classically trained violinist trying to make my way into Jazz. This is very close to how I write songs anyway, but the 'going out of the key' chords is very, very helpful. I also sing tenor/alto - crooner type.
only a few minutes in, and i note that the first D chord has the second in it...also known as the Steely Dan Mu Major chord (same trick works with a minor chord). Fagen and Beckerused those chords extensively. I guess because the 2nd adds a sense of ambiguity to the chord, and let's face it, the Dan's turnarounds are legendary!
This is so great!! It reminds me of when I would write a song and take it to the band and we would sit and work it out. Sometimes the song would evolve like this and it can be so magical!!! thanks Aimee
This is a video i have searched for for years...a systematic way to reharmonize, yet allowing for trial and error. This could be the start of a series!!!
"It's kind of because jazz musicians get a little bit bored..." with the same four chords I just heard about in Mr. Beato's video that I just watched right before this video... hmmm ;-)
Really good video. I'm not too much into jazz. But I could see myself using this to spice up my own dull songs. It's always a pleasure learning from your videos!
Oh...to add....you kept the integrity of the melody...another option can be to play around with the melody itself at times...u could for eg change a major chord to minor, and then change the major 3rd melody note to a minor 3rd. Thanks Aimee!
i have to say, it's totally compelling that your hands are the speakers - in that when you talk but your face isn't on screen, your hands become the speaker - kinda like watching the muppets. totally enjoyed this one! love seeing musicians talking through their decision process.
Okay, so I don't normally watch your channel, but this just made me inspired to reharm a song on my own... So, I'll definitely be watching consistently from now on!
I don't have musical training; but your reharmonization of this Imagine Dragons melody literally transformed it into a Jimmy Webb song(especially at the end parts of your treatment. Am I the only one who noticed this?
Hi Amy - - Ellie Leimer here - - I have not been on your youtube channel for a long time - - At age 78 I added 5 new students this Fall and now have 26..I love this video - - It addresses a burning question and that is how do you find ALL of the potential chords that will work against a melody!!! Thank yopu thank you for things and for shring your awesome musical talents with the rest of us>. Ellie
I would love to see more of this! I am very interested in the subject and i'm sure alot of your other subscribers are too. If you could just start recording every once in a while when you feel like reharm'ing something, i would be very happy. :)
First time I watched this video. was lost but in awe but coming back to, I’m inspired to use this as a way to creatively express a cover song. Thanks Aimee!!
pop musicians have been reworking jazz tunes and turns for ages now, its only fair that you take some back :D after all we only have 12 notes to play around with over and over again, why let anything go to waste?
Aimee, some examples/suggestion of well-known 3-chord hymns to re-harmonize: He Hideth My Soul I Need Thee Every Hour Wonderful Words of Life Burdens are Lifted at Calvary Sweet By and By Near the Cross (Generally any popular hymn written by Fanny Crosby fits this category.)
Thank you so much for the great reharm tutorial! I am an amateur pianist and love playing pops but always struggle to make it sound a bit tastier. I am learning a lot from your thought process on how to come up with a lovely chord progression! (As a huge T.Monk admirer I also loved your another video on analyzing Monk's sound!)
Amazing Aimee(That should be your super hero name!!)!! I have learnt so much from you.. I have tried to learn this so many times but this is so simply taught by you!! Thanks a lot!!
ladyyyyyy! this should cost a lot of money, this is some berkley education! , ty for making it free. Tons of love.
You’ve got an incredible gift for explaining things. Your voice is relaxing like Bob Ross and you explain things clearly and simply.
Very inspiring! You have become my favourite jazz teacher (Sorry Adam Neely - I still love you too).
It's ridiculous how good a teacher you are. I'm only 10 minutes into this video and I've already learned more about the actual mechanics of re-harmonization, how you actually pick the chords that "work" over a melody line, than everything I'd ever read or watched up to now. Mind blown. Also, when you hit that Ab7alt at 10:25 I was just... shivers... that chord is literally perfect there. Just wow.
+GHRiz makes me happy. Thanks for letting me know. 😍
Seeing the process has been so helpful to realize that there is a lot of trial and error until you find what you like. Thanks!
I'm a third year music student - and this has been one of the most inspiring lessons I've ever watched! Thank you so much Aimee!
Singularly the best video I've seen on reharmonisation, especially for a person coming from rock music like myself. Aimee's stuff is a gold mine.
It's like watching someone create magic! It's so enjoyable to hear how the song came together.
I like your methodical approach.
I have no idea how to play piano, but I just like watching you figure things out. The process of song-writing is such a mystery to people - it's fun to see someone with your talent and teaching ability work through a song and make it your own. #AimeeNolteIsFreakingTalented
Thanks Bill!
You're really good at expressing what's going on inside your head without losing out too much, but in a way that people who aren't actually in your head can understand.
This reharmonization process gives us something nice for our ears. It also gives a window into how your mind works to create music. Thank you.
At about 30 minutes into the video, I'm overcome by how beautiful the chords are. Thank you. But throughout I'm learning so much.
I never enjoyed listening to tritone subs until I heard you play them... lightly, and as part of an arrangement with many different chords, and with great voice-leading.
Oh thanks so much, Roy
this makes me want a piano
... in the biblical sense.
This made me want to actually learn my chords for vibraphone
Thanks so much. This was the first time I’ve seen the whole process. Fascinating, I’ve only heard the results before…Beautiful, thanks again.
Excellent video. Music = fun. Thanks Aimee
omg i've been away from the piano and really learning music and all this theory feels like blowing the dust off of a corner of my mind that's laid unused for a long time. love your videos
Hey, Aimee! You've just taught me in a few minutes what I've been trying to learn for years in books and in another tutorials. You're simply the best. Hugs and kisses from Brazil. 😙
Watching your process with this was super helpful. I love this! More harmonization demos please 🎵🎶🎵🎶 you're awesome, Aimee!
The supertonic seems a bit overused in the Imagine Dragons melody. But you really crushed it and built it up into something very different and cool 🥰
As you're going through the scale-based triads that will fit with the melody, you get to A , which you point out has a 'rub', with C#-D, but it works anyway.
When you get to C#º, you reject it for the same rub; this is the right conclusion, but I think it's really because there's a double rub; the 2nd one is F#-G. Two strikes, and it's out.
But this is a wonderful technique - try them all out to see how they sound, and accept/reject based on that. It's a tune I'm not familiar with, but it works beautifully for this treatment.
Thanks for showing us the process unfolding; the editing, too, was spot-on, keeping the train of thought on the track...
The rest of what you've shown here will take me a lot longer to digest fully; thanks for this - it's some really good reference material.
I'm just getting more into these more complex sorts of chords, thanks to a recent find on YT of one of my *all-time favorite pieces* - The Planets by Gustav Holst.
(I trust you've run across this fantasically moving work in your lifelong musical excursion; but if you haven't, I highly recommend a listen, some time when you have the time & inclination.)
The audio was a 1945 British recording (full orchestra), and the video was a score of the piece for 2 pianos. (No bouncing ball, so you have to pay close attention if you want to follow it.)
The description had a link to where that score, and others for many other instrumental arrangements were found (IMSLP.org). I got the one for solo piano, and am surprised & delighted at how well it captures the piece, from what I've tried of it so far.
I'm starting with the 1st & last movements (there are 7 altogether) - Mars and Neptune - which, along with Venus, I had experimented with sounding out the first dozen or so bars of, for quite some time.
Anyway, if you should pick up on the piano music for this, I would be really curious to hear your thoughts on it . . .
I like this. Your choice of interesting harmonies allows the repetitive melody to be the glue to let the harmonies take center stage.
You've presented a straightforward, yet creative and enjoyable approach to reharmonization that completely evaporates any trepidation toward the process. Thank you so much, Aimee!
You have a great taste in chords
I love the process of reharmonization...especially drawn to connecting to the outside of the tonality while preserving the melodic integrity if the song. Sometimes it works and others not so much yet the important takeaway is the journey one takes themselves and the music through. 🎵🎶
your english is so clear and easy to understand to me
Awesome lesson, Aimee. I love how you leave in the process and demonstrate how trial, error, and taste ultimately lead you towards a polished arrangement. Inspiring. Imagine Dragons isn’t my cup of tea, but I like tons of pop and rock, so there’s plenty of source material for these kinds of experiments. I can’t wait to try it out.
i clicked on the vid because i was curious. I only planned to watch maybe a minute and just see what the results were. I got hooked and watch the whole thing! Thanks so much for this content!
Thanks, Steve!
Fantastic to be a fly on the wall as you work through this. This is great.
I appreciate so much of your efforts but this episode demonstrated exactly how to reharmonize better than I have ever see. It was substantially faster than I accomplish it though. I cannot fathom how anyone can dislike this video but four have done so. I say give them their money back for what they paid to watch it. Perhaps it was Rick Beato, LOL.
+W. Dennis Sorrell i’m so glad you liked it, Denisse! Thank you! Rick is one of my best friends though. Let’s not worry about those four! In fact, Rick and I like to pretend that they are bots!
What an amazing approach to arranging any song! You almost make it seem easy, Aimee. The process you've laid out, the principles you apply and how to explore all the different possible chords is a real eye opener.
Your sense of melodic concepts absolutely knocks me over! Listening to you search for alternate chords is awesome. Thanks for a wonderful video.
Aimee, I think you almost settled on Dear Prudence there, haha. It's so instructive to hear you think out loud as you run through the musical possibilities. Many of us do the same thing, but without your vocabulary (or your energy and thoroughness). Thanks for letting us in.
Learning so much even as a professional. Love revisiting concepts like this to find the little things other people do in their process. Thank you for this!
I haven't gotten such joy from a music video in a very long time. I laughed alot and learned alot. Thank you.
You should release a full album of reharmed of your favorite pop songs
When she played that B- chord in the verse... My soul was quite literally touched.
Brilliant. You retain a focused and analytically driven method going through this process, making it easy to follow and understand. It's crazy how applicable reharmonization is for melodies and how much it can improve a basic pop song. Many thanks for showing us your work!
🙏🏼🙌🏼
The bridge gave me Breath of the Wild vibes. Your entire interpretation was beautiful.
Beautiful, emotional result.
Oh, I forgot to say..thank you for bringing to our attention the New Orleans style videos 1-4 series that you made. I'm enjoying working out those notes, chords and licks with your video. You're a great teacher!
+rachelsmename 🙌🏼🙏🏼❤️
Wow, Aimee! This is really great. My problem is I'm 62 and out of touch. I had to go to UA-cam to listen to It's Time by Imagine Dragons. You have done an amazing job, but I'm still having trouble connecting the two versions. Was wondering if you could do a reharm for your senior subscribers. Maybe a Motown hit, Jimi Hendrix, Van Morrison, Rolling Stones or a hymn like A Mighty Fortress Is Our God. I have satellite radio in the car and I'm usually listening to Real Jazz or Soul Town and usually don't hear a lot of current stuff. I might not be the only "old geezer" who doesn't know this tune. Just a suggestion/request. Thanks :)
Good idea
Richard, you lived during the Golden Age of popular music. There is nothing like that today to be "in touch" with.
"A Mighty Fortress" already has one chord per word so I do not think it would benefit from re-harmonization. I would recommend using a simpler 3-chord hymn like "He Hideth My Soul".
Code Tech I’m 18 and I agree sir.
@@codetech5598 I mean I don't think that was a golden age. Just a different time. Theres amazing music out there today and there always will be. Just different styles.
"Hard times befallen the soul survivors."
How cool is this ? Fantastic tutorial
Fantastic as always, Aimee.
I'm so glad there are people like you out there who teach others the ins and outs of music, in a simple enough manner for nonprofessional musicians to understand. I absolutely love your tutorials like this one and throughout this entire video I was just in awe of the chords and how beautiful they sounded. Your process alone was awe-inspiring enough and got me past a small block and I'll use this video's methods in future compositions and rearrangements.
Thank you for everything you do, Aimee.
+Tom 🙏🏼😍
Amiee I followed your lesson on a song called Drive by Incubus... and it's now on Spotify! Thank you SO MUCH I owe so much to you and your page!
When I worked in recording studios in the 60’s I overheard a young budding studio musician ask a seasoned veteran what the secret was to becoming a “first call” musician; the seasoned veteran replied, “show up time, and bring a pencil with an eraser.”
Full reharm starts at 35:14
I am a guitarist, and I love reharming pop songs. Your process for reharminization is cool. Thank you Aimee for a well presented lesson.
More like this please! Truly a great teaching session by a master of the craft! Inspiring on multiple levels, and like many others I’ve never heard the original song before. This rendition is so beautiful 🤩 #PianoGoals
aimee, thanks for being alive
Its amazing watching you work. You start out with what looks like the chords in the major diatonic scale and go from there. Lots of which allude me but with repeated listing I could begin to pick up on. Im a bass player and this is wildly informative
Thanks soooo much!!
Those chords fit so well with that melody in the beginning 😄🔥🔥
I loved the introduction so much
Such a talented beautiful young lady 🙏
This lesson was fantastic! Once I mentally shifted into feeling mode by noodling around, it became FUN! I have perfect pitch, but I'm only now learning theory, and your walk-through really helps me. Thanks Aimee.
16:15 When the melody goes from A to F#, you deftly point out that the F# is kind of a hinge point toward the next chord, so it becomes the E-11. Once I got that, I realized the possibilities are endless.
19:50 your jazz ears identified the common B hinge in both chords. Hey this is fun!
This is helping me out tremendously. Thank you! I'm a JOTW lurker and classically trained violinist trying to make my way into Jazz. This is very close to how I write songs anyway, but the 'going out of the key' chords is very, very helpful. I also sing tenor/alto - crooner type.
Niiiiice!
only a few minutes in, and i note that the first D chord has the second in it...also known as the Steely Dan Mu Major chord (same trick works with a minor chord). Fagen and Beckerused those chords extensively. I guess because the 2nd adds a sense of ambiguity to the chord, and let's face it, the Dan's turnarounds are legendary!
This is so great!! It reminds me of when I would write a song and take it to the band and we would sit and work it out. Sometimes the song would evolve like this and it can be so magical!!! thanks Aimee
+Lance Maus 😍🙏🏼🙌🏼
This is a video i have searched for for years...a systematic way to reharmonize, yet allowing for trial and error. This could be the start of a series!!!
You may think you know what you do for so many people. But what you really do is infinitely more than you think.
+Dan Ber ❤️
The knowledge you have of music is like WOW! Amazing
"It's kind of because jazz musicians get a little bit bored..." with the same four chords I just heard about in Mr. Beato's video that I just watched right before this video... hmmm ;-)
Really good video. I'm not too much into jazz. But I could see myself using this to spice up my own dull songs. It's always a pleasure learning from your videos!
Thank you, Raul
Amazing Reharm Lesson. Thank you so much for sharing your musical mind with us. I learned a lot!
+Santiago Valencia I’m so glad! Thanks for watching!
What an absolutely beautiful tone! I love your baby grand Aimee 😍
Beautiful chord progression. I'm jammin some sax to this.
Oh...to add....you kept the integrity of the melody...another option can be to play around with the melody itself at times...u could for eg change a major chord to minor, and then change the major 3rd melody note to a minor 3rd. Thanks Aimee!
i have to say, it's totally compelling that your hands are the speakers - in that when you talk but your face isn't on screen, your hands become the speaker - kinda like watching the muppets. totally enjoyed this one! love seeing musicians talking through their decision process.
+steevkelly ahhh it kind of happens naturally like that. Glad you approve! And I love the muppets. ;)
I can't do this yet, so I guess I'm reharmless... Learned so much from this video. Thanks, Aimee!
Okay, so I don't normally watch your channel, but this just made me inspired to reharm a song on my own... So, I'll definitely be watching consistently from now on!
Thank you matthew.
Aimee, this is a fantastic video that you made! Yay!
Many thanks for this episode! It will help me to make new interestning arrangements for my youtube channel.
I don't have musical training; but your reharmonization of this Imagine Dragons melody literally transformed it into a Jimmy Webb song(especially at the end parts of your treatment. Am I the only one who noticed this?
Wowww. This has been a blessing to me. I just learned so much from this video Aimee! Thank you. God bless you
Thank you,Aimmè... Very well,,
Great share and great job!!! 🎵🎶
Hi Amy - - Ellie Leimer here - - I have not been on your youtube channel for a long time - - At age 78 I added 5 new students this Fall and now have 26..I love this video - - It addresses a burning question and that is how do you find ALL of the potential chords that will work against a melody!!! Thank yopu thank you for things and for shring your awesome musical talents with the rest of us>. Ellie
i am going to watch this one two or three times ! thanks for soO much info !!!
Very comprehensive and useful. Thanks
I love your arrangement Aimee this is beautiful
Thank you Aimee, you are such a talented instructor. Very enjoyable.
You just explained the intro to Bob James’ “Feel Like Making Love.” I just found my jazz piano teacher.
I would love to see more of this! I am very interested in the subject and i'm sure alot of your other subscribers are too. If you could just start recording every once in a while when you feel like reharm'ing something, i would be very happy. :)
Omg, this is perfect! I was just thinking of how fun it would be to reharmonize my favourite pop ballads!!
Wow!! I love this. You make me feel that's easy, but it isn't!! Jajajaja!! You're amazing, Aimee. Thanks!!
First time I watched this video. was lost but in awe but coming back to, I’m inspired to use this as a way to creatively express a cover song. Thanks Aimee!!
pop musicians have been reworking jazz tunes and turns for ages now, its only fair that you take some back :D after all we only have 12 notes to play around with over and over again, why let anything go to waste?
Sounds out of this world :)
P.S. thank you so much for this beautiful lesson 🎵❤
Aimee, some examples/suggestion of well-known 3-chord hymns to re-harmonize:
He Hideth My Soul
I Need Thee Every Hour
Wonderful Words of Life
Burdens are Lifted at Calvary
Sweet By and By
Near the Cross
(Generally any popular hymn written by Fanny Crosby fits this category.)
A treasure house of ideas!
This is fascinating. Thanks so much for sharing!
I finally have a teacher I understand! Thanks Aimee
🙌🏼🙌🏼
This is great stuff Aimee.. it’s a limits of my knowledge but I think I get most of it in my head. Just gotta get it in the fingers 👌🎹
Thank you that was riveting and enlightening! A Marian McPartland vibe!
Best explanation I've found! Cheers!!
Thank you so much for the great reharm tutorial! I am an amateur pianist and love playing pops but always struggle to make it sound a bit tastier. I am learning a lot from your thought process on how to come up with a lovely chord progression! (As a huge T.Monk admirer I also loved your another video on analyzing Monk's sound!)
The best reharmonization material I've ever studied for sure, thank you very much!
IN LOVE WITH THIS YOUR REHARM VERSION
Amazing Aimee(That should be your super hero name!!)!! I have learnt so much from you.. I have tried to learn this so many times but this is so simply taught by you!! Thanks a lot!!
The name Amazing Aimee makes me think she's gonna frame her husband for murder.
LOL.. is it from that Ben affleck film?.. haha
Gone Girl :)
yeah!!
+Fake Pianist omgsh. 😍😂