A beautiful homage to a beautiful piece of music! I really enjoy the way you interpreted the piece! I've had fun recreating this piece in the past, and every time I go back to it, I find more things to do. :)
Wonderful! The week I discovered modular, I became taken with Kaitlyn's music and intrigued by a picture of Make Noise Pressure Points, which seemed welcomingly inscrutible. Your video brought me back to those moments that prompted me to visit Perfect Circuit "just to check it all out."
This is so beautiful, and reminds me that sometimes a very simple melodic idea can be used as the glue for so much exploration. Now to go listen back to the original for more inspiration! Thank you!
Outstanding and inspirational. As opposed to giving me more GAS am thinking how can I do something similar with what I have. Which is where all the fun starts.
Thanks sir, .. nice .. way nice. And took a peek at Kaityn's video, .. she's very much "playing" her gear. I see that she's worked with Danny Elfman, .. a favorite of mine.
Yes, Kaitlyn has to work much harder and she's pushing that wavefolder a lot. The original is much different and my fiddling doesn't compare. But it's so cool to patch it up!
@@CinematicLaboratoryAt times, .. "intervention" works .. though, I've proved to myself, that sometimes it does not, .. in these cases, the machinery doing a better job of "playing" than me.
This is great recreation... Interesting that you set it back to its "factory state" with the original modules - I am the same... OCD maybe, who knows. If you have some patch notes on this, would love to try recreate it. Thank you for posting - as usual, great work!
It's not a difficult patch. You can run a slow (/4) and a fast clock (x12) on tempi and clock Rene's X and Y channel. Enable four notes on X and use the Y channel as the 'arp'. Enable ADD and Snake on the Function page, and patch CV to Y's CV input to transpose the arp (use pressure points or a woggle). Use DPO's vco's to taste, Kaitlyn used the complex (final) output on the Easel to add fold. You can also use PP pressure for that. Use Maths to set appropriate envelopes for the slow and the fast notes.
A beautiful homage to a beautiful piece of music! I really enjoy the way you interpreted the piece! I've had fun recreating this piece in the past, and every time I go back to it, I find more things to do. :)
Thanks maestro! It's been a great experience!
@@CinematicLaboratory definitely one of the joys of the modular experience!
Wonderful! The week I discovered modular, I became taken with Kaitlyn's music and intrigued by a picture of Make Noise Pressure Points, which seemed welcomingly inscrutible. Your video brought me back to those moments that prompted me to visit Perfect Circuit "just to check it all out."
It took me a few years to finally understand the Shared enough to patch this up, only to learn it's super simple...
It strikes me that there's a metaphor about life in that statement.@@CinematicLaboratory
Simply beautiful.
This is so beautiful, and reminds me that sometimes a very simple melodic idea can be used as the glue for so much exploration. Now to go listen back to the original for more inspiration! Thank you!
Yes, less is definitely more. All the time.
Outstanding and inspirational. As opposed to giving me more GAS am thinking how can I do something similar with what I have. Which is where all the fun starts.
I'll focus more on what I have this year, I am a bit done with buying new gear. It's good to know people appreciate this.
Beautiful work as always!
Was listening as I was reading a book and thought I had mistakenly put on one of my Suzanne Ciani CD's
I probably need to tribute her too this year.
Bravo c’est super musical ! Nice patch
Merci!
That was a great one!
Thanks sir, .. nice .. way nice. And took a peek at Kaityn's video, .. she's very much "playing" her gear. I see that she's worked with Danny Elfman, .. a favorite of mine.
Yes, Kaitlyn has to work much harder and she's pushing that wavefolder a lot. The original is much different and my fiddling doesn't compare. But it's so cool to patch it up!
@@CinematicLaboratoryAt times, .. "intervention" works .. though, I've proved to myself, that sometimes it does not, .. in these cases, the machinery doing a better job of "playing" than me.
This is great recreation... Interesting that you set it back to its "factory state" with the original modules - I am the same... OCD maybe, who knows. If you have some patch notes on this, would love to try recreate it. Thank you for posting - as usual, great work!
It's not a difficult patch. You can run a slow (/4) and a fast clock (x12) on tempi and clock Rene's X and Y channel. Enable four notes on X and use the Y channel as the 'arp'. Enable ADD and Snake on the Function page, and patch CV to Y's CV input to transpose the arp (use pressure points or a woggle). Use DPO's vco's to taste, Kaitlyn used the complex (final) output on the Easel to add fold. You can also use PP pressure for that. Use Maths to set appropriate envelopes for the slow and the fast notes.
thank you for this!
Monday morning modular meditation-ooooooooooohm