Beatrice Rana plays Chopin: 12 Études, Op. 25: No. 11 in A Minor ("Winter Wind")
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- Опубліковано 8 лип 2021
- Beatrice Rana describes the final three Études of Chopin's Op. 25 as "emotionally agonising, as if reflecting a cry of desperation from the composer." Discover her album devoted to this composer: w.lnk.to/brcLY
"It is often written that each of the Études in Chopin’s Op. 25 collection, composed in the mid-1830s, is a self-standing piece of music. However, to me they seem implicitly connected, joined by a single line of expression, as if they are taking you on a journey." - Beatrice Rana
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I've heard dozens of versions of this Étude, and I've never seen such grace with dynamics and technique blended together with personal impression and feeling. Also, She managed to bring it down to a more graceful and less urgent and dramatic version of it and it is so good. I wish I had the chance of learning how to improve my piano dynamics with her. She is simply amazing.
It is easily my prefered piano composition, it is so beautiful that almost makes me cry. So well composed and so well played, so much energy completely under control, letting it go and restraining it as needed. What a feeling.
Wow the dynamics. The title “winter wind” was given justice.
This is a really great performance. The recording is exquisite. She is playing this piece w fire and energy. Well done!!!!! Thank you
I think whoever prepared the piano got it just right, as well. Great all round.
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stalkers, especially japanese actresses use huge amount money to make me unhappy and looks inferior than them.
and they repeat crushing and decieving, they just want to show broken me.
my this unhappy situation's trigger was that my little bit sexaul self-photo laying on the bed was stolen from my phone and spreaded on the internet in 2014 summer~fall. and just for absorbe my life and hide such source, they are trying to make large number of modifying datas, i knew this.
It's not so good((((
Superlative interpretation of this Chopin' very difficult study and result of years and years spent to exercise and technique.
Amazing!!!!!
Complimentissimi a Beatrice!!!!! 👏👏👏👏👏👏👏
This is such a unique and beautiful interpretation of this piece. Most pianists can play it pretty standard and faster than this, but this version is really something I've never heard. Truly amazing!
Very intelligent performance with much passion for inner voices. I enjoyed all the different colours of sound that she putted into that piece. Really amazing!
Wonderful piece and Beatrice !! 🙏❤🎶🎹🎶❤👌🌨 🌬 🤗 Congratulations and thank you so much, Beatrice Rana and Warner Classics. 💕💕🌹💐🌹💐🌹💐🌹💐🌹💐😊🌹❤
Absolutely outstanding. Both the pianist and the sound engineers.
Bravo, magnifique performance!
Wow absolutely masterful performance. 🌬🌪 SO enjoyed a perfect interpretation thank you Beatrice Very well done. 👏👏👏💐💐💐💐
Absolutely mesmerizing!! Phenomenal technique always at the service of the most expressive and dynamic interpretation
Una de mis pianistas preferidas, ¡gracias Beatrice! Es un estudio muy difícil como muchos de los de Chopin, Bravo
Bravo!
Grandissima esecuzione , personalità e carattere , lascia con il fiato sospeso
BRAVO!!!
extraordinaire, parfait. Un plaisir immense.
Meravigliosa Beatrice. Sei straordinaria!!
That was Epic ❤❤❤ B. Rana is Unique, she'll top Argerich in a near future 👌👌👌⭐⭐⭐🌹🌹
Bravissima Pianista. Mi dispiace che Lei non risponda mai ad un solo commento. Credo sia bello sentire Il Maestro.... Grazie
Non vorrei azzardare troppo, ma credo che attualmente sia una delle più brave pianiste sulla scena! Esecuzione di un dinamismo e di un'intensità senza pari!
...эмоции есть .. но много лажи ...и педали!(
Non azzardi nulla!
Crisp playing and Great piano too!
Una delle migliori interpretazioni. Complimenti!😄
Beautiful Beatrice!
Piękne 💐👏
BRAVO !!!!!
Wow, the winter wind is so strong 😮
wooowww what a power! cool
Oh gosh. It’s almost like I can’t believe what I’m hearing. She really is that good.
Sublime
Super
I find some pauses quite abrupt, but other than that really loved the passage at 0:48
完美的诠释🎉
Virtuosité, bien sûr ! C'est sans conteste.
Mais, en plus ... une sorte de puissance lyrique qui restitue à cette belle étude son caractère poétique que trop de pianistes-acrobates oublient !
Orgoglio italiano !!
🙏
Increible 😍😍😍
Grandissima, credo che Chopin sarebbe strafelice di questa Sua lettura. La saluto signorina, è sempre una grande emozione ascoltarLa
Levels are good.
Мощно, сильно, впечатляет. Там в степи глухой замёрзал ямщик....
Veramente superlativa. Passione, grazia e perfezione tecnica. Straordinaria.
so well played!
Wonderful.
J’adore le 5 ème en karaté 🥋 à 3:38 ❤️
wonderful!
I love this piece 🥰
Müthiş
🇦🇷😍🇦🇷😍
Incredible
Speaking as a pianist, the only thing I don't like about Beatrice Rana's playing is that she makes it look much easier than it is.
Yes, pretty much everything is easy for her
Because she doesn't show off, like other female pianists, i.e. Buniatishivili or Wang
@@stefanomacobi7236 She learned music, not theatrics.
In fact, it should be more daring, otherwise it's too monotonous.
WOW!
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
3:37
I like her tempo
Winter wind? More like a winter hurricane
Bellissimo
Není co řešit super krasavice
ショパンの木枯らしのエチュードの難易度は、最高レベルらしい
神曲紹介してるから再生リスト見てちょ
0:28
Che pianista......le dita corrono come il vento
Glänzend... aber Pollini nimmt weniger Pedal, dadurch klingt manches deutlicher!
This should have a trillion views
Tutto con lei è come deve essere! Olimpica.
Chopin ❤️
Anyone else noticed she just kinda looks like Janice?
This is really very hard to play
.....mamma mia!!!!!!......è un mostro sacro. !!!!! Emozionante..come governa il piano, e come lo rispetta!!! SUPER
Cette pièce aussi devenue morceau est marginale ..
It's magic. I believe that Chopin must like to be played by you
I think not. Romanticists of the past was not so dramatic.
Anche Leonora Armellini se la "cava bene" con Chopin.
se va beh! non basta cavarsela a questi livelli.... avremmo bisogno di altro, da entrambe le artiste.
Molto accademica,brava ma riguardo all interpretazione c è molto ancora da lavorare
A suo modo accademica, tanto da risultare monotona purtroppo.
Tutto troppo equilibrato e perfetto, insomma niente a che vedere con i grandi pianisti del passato più grezzi, pazzerelli e passionali.
beautiful piano playing, narcissist camera man.
Beatrice Rana mi piaceva di più quando era in competizione, osava di più, forse sotto pressione veniva fuori il meglio... ora è tutto molto perfetto, ben suonato, tutto fin troppo equilibrato, ma la trovo molto monotona, non sento quella capacità di saper "cantare" che avevano/hanno i miei pianisti preferiti che erano/sono sì virtuosi, ma anche grezzi, passionali e pazzerelli (vedi Argerich, Horowitz, Elisso Virsaladze, Sviatoslav Richter, Emil Gilels). Per carità sto confrontando con mostri sacri, ma stiamo parlando di un'artista di alto livello, che ormai ha 30 anni non più 20, mi aspettavo francamente un evoluzione migliore... invece è tutto molto piatto, manca la genialità e manca una propria personalità distintiva. E' lo spartito suonato a perfezione, con facilità e basta.
Anche la dinamica che usa in questo studio, non la trovo confacente a uno studio, ma più a un notturno, cioè non capisco la scelta di rallentare come per pensare... è uno studio va suonato, non occorre pensare, nei notturni si pensa.
Poi per carità molto brava, tra i contemporanei non c'è paragone a mio avviso.
Pretty good but I miss Richter beating the hell out of those final chords
How to prove you’re ambidextrous.
We want to see her play not the piano ...
THAT PIANO SOUNDS HORRIBLE, ESPECIALLY IN THE LOW END......MUDDY IN GENERAL, BUT ESPECIALLY THE BIG BASS NOTES AT 3:36 !!!
Let’s see you play it 😭😭
@@eleneingorokva I WASN'T CRITICIZING HER PLAYING, ONLY THAT OLD BEAT DOWN STEINWAY...
i thought i was the only one
Very loud and annoying resonance from too much pedaling in each second half of the chromatic scale descents, especially toward the end of each sentence. One should refrain from excessive pedaling in the second half of the chromatic scale descents for two reasons: (1) over-sustaining bass notes causes excessive resonance which makes music very murky; (2) excessive resonance makes hearing/tracking long decent difficult which is bound for mistakes or even grinds to a halt.
Peccato quel rallentamento troppo evidente
E' tutto troppo evidente e accademico.