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I was listening to the Aman Brother podcast, the one with Zero T and he was asked what it was like working with Calibre and he said one of the most important things he picked up from him was it doesn’t matter how simple a track is, music is made to be listened to not looked at. I think in modern dnb we are so quick to keep adding layers of textures to create this wall of noise because the genre has evolved but ultimately it’s the vibe is the most important thing
No because it's baked big difference and if it was just cooked the bread would be grey in colour... also toast has a butterability scale test. That a master baker must consider when making hes dough. It be like making music with no sound. Source ... a baker 1881
Pure example of you dont need to be complex in production to make a banger. Some tracks just capture a vibe, and Pulp Fiction is just that.... Timeless tune! 🔥
Never been my fav track but I dig the creative chopping. Great breakdown. People get twisted about your titles. The answer here is no, it’s not lazy, the flips and flips are simple but effective and the samples are cheesy maybe but charming when paired with jungle chopping.
Fabio gave the track its name! he had recently seen the film (Pulp Fiction) in the cinema and said that the track was so good it should of been the soundtrack for the film.
Fascinating. I've always kind of hated this move towards minimalism. (I loved the complexity and swing of jungle back then, and this made everything so much more boring). But actually you are totally on the money. This is so minimal and so brilliant at the same time. I just wish it hadn't been quite so influential 🙂
I love simple songs. I make hip hop and have a song that is a single piano, a bass-line and a stringed instrument. I also have one that is entirely made out of three melodies I made on bells. These are some of my favourite songs. It takes real restraint and vision to stick with such a simple backing track. A lot of producers never have this opportunity as they start with the beat first
running to my 90's R&B collection and pitching everything up to 175.......... Also, Azzido Da Bass - Dooms Night (Timo Maas Remix) might be a fun one to do. Although it's really a remix of Flat Eric lol
Those older tunes that were done on feel definitely have more swing and life in them. It's like J Dilla playing beats by hand. They sound human, less machine.
Never forgot the first time I heard it. Sunday night in my flat in Hammersmith and had Giles petersen on the radio. He played it and it blew me away. Thanks for doing this.
With the quantization it depends on the samples and the aim of using the percussive sample. In this case this clap works better with no quantization. Generally I think that perkussive samples like claps, bongos etc. can work without quantization. Maybe some of the tambs and shaker too. But the real test for it starts when you try to mix two tracks with turntables. Espacially in drum and bass genre. When you have two tunes with no quantized loops etc. sometimes it is not possible to mix them. Some time ago I've recorded the three piece mix with 60 tunes from the 90s, and some of the blends were almost imbossible to mix! But you know... practice, practice and practice...
3:30 unquantized. went thru all opinions on the matter myself. i thought it always sounded better quantized, then hiphop unquantized, then electronic quantized, and now i finally found a good sequencer that will let me unquantize the synths. so now i'm back on the unquantized train!
I heard when Lynx did a little fix up on it a good few years later (more a touch up, not a remix) he wasn’t allowed to use the original trumpet for some reason so had to get it replayed by someone.
I always thought that bassline was a constant tone with a high-pass filter sweep (no resonance). That sort of "joop" sound like it's disappearing into nothing then coming back again. No idea it was a sample lol.
Still a fat tune all-day long.reminds me of days when was going labrynth up dalston.the stairs to no where.good times wicked wicked club was going there late 89 90s wowvlong time shame its gone😢
At my weekly in the 90's, the tunes that had little 'imperfections' were more evocative, more emotional and human. The slight imperfections gave life to the song, forcing the listener to engage in a way that provokes an earned depth.
Okay while i agree on loads you say, saying Alex Reece and Pulp Fiction spawned Techstep as a sub genre is doing Ed Rush, Nico, Trace, and a handful of others so soo dirty.
I remember being kind of annoyed when Pulp Fiction became so big. I appreciated Source Direct and Photek style drum chopping, so Pulp Fiction really did seem lazy. But it sounds so good through a big system with that bass. It's a monster.
Alex first used that r’n’b beat in his remix of Model 500 “The Flow” which is arguably a better tune (the bass line!!) and worth checking out if you’re a fan of this - mad to think he did these tracks in 1995 as well
Having bought the record way back when it came out, I still don’t much care for it, or the era/style of drum & bass it ushered in, but it’s hard to argue that it wasn’t well received, so each their own. Cheers for the walkthrough, always good to see a bit behind the production curtain.
Whilst quite partial to a bit of Reece, I never particularly gelled with Metalheadz output (despite his involvement), lacking a certain substantial something thats hard to put a specific finger on. Selling themselves though, they where really, really good at that. Talking of the era though, Johnny L's - '2 of us EP' ..downright incredible; but then I particularly dig things with an ambient, ethereal twist to them :)
I mean in my years of looking through charts I've seen quite a few lazy tracks. But this takes the cake. I was gonna suggest some Bredren tracks but they dont even come close 😂😂
surely the last bass note of the loop needs to be lower? the very last note after 2 bars. its quite obviously a variation of the first bar. with a semitone (i think) lower end note just compared with the original. if it wasn't for that tiny oversight, it would sound basically identical haha
i only use the reverse on sampler on ambient stuff like pads i really should play more around with it, gives a super nice groove in the bassline great video🙃
Yeah it's crazy. On the face of it not an impressive track. But first time I heard it I think Fabio played it last track at Speed and of course it was silly craziness and it got wheeled up a couple of times. Just works.
I'd love to help you, just book in a call here - forms.gle/AtgE2RmmhZJ1vreW8 If those times don't work feel free to email me - www.youtube.com/@GyuBeats You can find my email there^^^
And yet it works so well. You dont need loads of production elements and layereing, infact thats everything that wrong with modern DnB, overproduced and no vibe. Modern DnB sound like pop music
Want to go from being frustrated with your music (or lack of it) to finishing tracks you're proud of?
I can help.
Book in a call to find out how - forms.gle/AtgE2RmmhZJ1vreW8
I was listening to the Aman Brother podcast, the one with Zero T and he was asked what it was like working with Calibre and he said one of the most important things he picked up from him was it doesn’t matter how simple a track is, music is made to be listened to not looked at. I think in modern dnb we are so quick to keep adding layers of textures to create this wall of noise because the genre has evolved but ultimately it’s the vibe is the most important thing
Toast is just twice cooked bread, but it's fantastic and a classic
Damn
But you need butter or it's just really dry bread. Butter=Love.
A track can be simple but it needs to come from a place of love or its just dry bread.
No because it's baked big difference and if it was just cooked the bread would be grey in colour... also toast has a butterability scale test.
That a master baker must consider when making hes dough.
It be like making music with no sound.
Source ... a baker 1881
But it is still a banger though
It's fascinating how many tracks have buried themselves into our collective consciousness while being built largely of snip-its from other records
This track changed the game
All the scatter gun Amens had got got too much (at the time). This was a breath of fresh air.
Pure example of you dont need to be complex in production to make a banger. Some tracks just capture a vibe, and Pulp Fiction is just that.... Timeless tune! 🔥
The 90's was so busy we needed this track.
Lazy? No, just very clever.
Alex had such an ear for minimalism + his (and Wax Doctor's) love for techno (hence the 707/727/808/909s in their tracks).
Never been my fav track but I dig the creative chopping. Great breakdown. People get twisted about your titles. The answer here is no, it’s not lazy, the flips and flips are simple but effective and the samples are cheesy maybe but charming when paired with jungle chopping.
Who wouldve expected one of my fav classic DNB tracks sampled a song produced by one of my fav artist, Cassius, no wonder I love it so much!
Fabio gave the track its name! he had recently seen the film (Pulp Fiction) in the cinema and said that the track was so good it should of been the soundtrack for the film.
first time i heard that in 24 years of listening to jungle and dnb. wow
This and the Krust remix of Alex Reece's Jazz master were huge game changers at the time.
Fascinating. I've always kind of hated this move towards minimalism. (I loved the complexity and swing of jungle back then, and this made everything so much more boring). But actually you are totally on the money. This is so minimal and so brilliant at the same time. I just wish it hadn't been quite so influential 🙂
I like the unquantized clap: gives a kinda pseudo-reverb effect.
Deceptively simple, like all great dance tracks. Nothing this rich and clean can be lazy
One of the greatest DnB tracks ever, would always energise a weary 90s crowd
I love simple songs. I make hip hop and have a song that is a single piano, a bass-line and a stringed instrument.
I also have one that is entirely made out of three melodies I made on bells.
These are some of my favourite songs. It takes real restraint and vision to stick with such a simple backing track.
A lot of producers never have this opportunity as they start with the beat first
"So Far" has been an album I've listened to constantly since it came out. So clean and jazzy.
Love your takes on these classic tracks, keep 'em coming!
An amazing album.. I rinsed this when it came out.. Acid Lab is my stand-out track I think!!
running to my 90's R&B collection and pitching everything up to 175.......... Also, Azzido Da Bass - Dooms Night (Timo Maas Remix) might be a fun one to do. Although it's really a remix of Flat Eric lol
:D Yes, that's an absolute belter! On my list for sure
Those older tunes that were done on feel definitely have more swing and life in them. It's like J Dilla playing beats by hand. They sound human, less machine.
Never forgot the first time I heard it. Sunday night in my flat in Hammersmith and had Giles petersen on the radio. He played it and it blew me away. Thanks for doing this.
Non quantized for this track works better imo, integral part of the track sound
With the quantization it depends on the samples and the aim of using the percussive sample. In this case this clap works better with no quantization. Generally I think that perkussive samples like claps, bongos etc. can work without quantization. Maybe some of the tambs and shaker too. But the real test for it starts when you try to mix two tracks with turntables. Espacially in drum and bass genre. When you have two tunes with no quantized loops etc. sometimes it is not possible to mix them. Some time ago I've recorded the three piece mix with 60 tunes from the 90s, and some of the blends were almost imbossible to mix! But you know... practice, practice and practice...
3:30 unquantized. went thru all opinions on the matter myself. i thought it always sounded better quantized, then hiphop unquantized, then electronic quantized, and now i finally found a good sequencer that will let me unquantize the synths. so now i'm back on the unquantized train!
That clap always throws me out mixing the tune 😂
One of the best DNB tracks I've ever had the fortune to actually rave to!!
Use to listen this album from MC Solaar a lot in the past ! What a shock haha.
I still love this song!
for me the trumpet just made pulp fiction, i was so sad as i found out it was a sample aswell ...
anyway its a crazy genius tune.
Landmark tune. Never thought for a minute that was how the trumpet was made.
Wicked tune. Was the most demanded tune in the record shop I worked in in East London. Could never have enough copies. Enjoyed the break down, thanks.
Prose Combat's still such a wicked album, even if I don't speak French :)
having the confidence to write a track like this and knowing it's a banger is the hard part. It's way to easy to overcomplicate
I heard when Lynx did a little fix up on it a good few years later (more a touch up, not a remix) he wasn’t allowed to use the original trumpet for some reason so had to get it replayed by someone.
Laziest DNB track... Man samples the clap and the crash out of the track 'just to save time'. Who's really the lazy one. Timeless tune.
I always thought that bassline was a constant tone with a high-pass filter sweep (no resonance). That sort of "joop" sound like it's disappearing into nothing then coming back again. No idea it was a sample lol.
This was one of the first drum & bass songs I heard back in the day so it has a special place in my heart.
Still a fat tune all-day long.reminds me of days when was going labrynth up dalston.the stairs to no where.good times wicked wicked club was going there late 89 90s wowvlong time shame its gone😢
Im not a massive DnB fan, but this track and Dj Krust Warhead are my absolute percy's another great vid.
I had NO idea this was how this track was made, great work!
And yet. Still remains timeless
At my weekly in the 90's, the tunes that had little 'imperfections' were more evocative, more emotional and human. The slight imperfections gave life to the song, forcing the listener to engage in a way that provokes an earned depth.
The trumpets always reminded me of McDonald’s back in the days when they used to play music classic
😂
Doesn't matter, it's a undeniable classic. Sometimes simplicity is king. So much crap in lot of production nowadays too.
I can not believe it's all just samples! It's so good it could be half an hour long and I'd listen to it all the way through
Sounds like the menu music for a ps1 game :)
Okay while i agree on loads you say, saying Alex Reece and Pulp Fiction spawned Techstep as a sub genre is doing Ed Rush, Nico, Trace, and a handful of others so soo dirty.
BCUK too?
I remember being kind of annoyed when Pulp Fiction became so big. I appreciated Source Direct and Photek style drum chopping, so Pulp Fiction really did seem lazy. But it sounds so good through a big system with that bass. It's a monster.
Alex first used that r’n’b beat in his remix of Model 500 “The Flow” which is arguably a better tune (the bass line!!) and worth checking out if you’re a fan of this - mad to think he did these tracks in 1995 as well
Shadow Boxing by Nasty Habits is also dead simple. Same pattern, but the volume fades in and out the whole track
Nice mate this is a good remake
You go steady there fella, steer away from the bait titles... It ain't what you're about..... Don't follow the crowds of other baiters....
Absolutely agree
For Ambient production lovers: S1gns of L1fe is your channel
loved the vid.... think i heard it on the Goldie Incredible mix cd classic sound good vid
Wait, Coolio had TWO songs?
Coolio's first album is a slept on classic.
but when you first heard it back then it was genius, that is the hardest to do the simplest
Man i haven't heard this track since i was a tiny human
What about the trumpet parts????
Having bought the record way back when it came out, I still don’t much care for it, or the era/style of drum & bass it ushered in, but it’s hard to argue that it wasn’t well received, so each their own. Cheers for the walkthrough, always good to see a bit behind the production curtain.
That album was a classic.
Making drum and bass in a boom bap way. I love it
great video mate, as always. would be good to cover more jungle and drum & bass tunes.
Still one of the best ever produced
Great insight and no quantise👌
Love all your uploads 😊 keep em coming bro 🌟,✌️🗣️☁️☁️
Whilst quite partial to a bit of Reece, I never particularly gelled with Metalheadz output (despite his involvement), lacking a certain substantial something thats hard to put a specific finger on. Selling themselves though, they where really, really good at that. Talking of the era though, Johnny L's - '2 of us EP' ..downright incredible; but then I particularly dig things with an ambient, ethereal twist to them :)
I mean in my years of looking through charts I've seen quite a few lazy tracks.
But this takes the cake.
I was gonna suggest some Bredren tracks but they dont even come close 😂😂
It's not just two samples
Your right and it’s said it doesn’t sample MC Solaar.
surely the last bass note of the loop needs to be lower? the very last note after 2 bars. its quite obviously a variation of the first bar. with a semitone (i think) lower end note just compared with the original. if it wasn't for that tiny oversight, it would sound basically identical haha
tune destroys dances
i only use the reverse on sampler on ambient stuff like pads
i really should play more around with it, gives a super nice groove in the bassline
great video🙃
Thanks!
Amazing simplicity.
I love this track
Yeah it's crazy. On the face of it not an impressive track. But first time I heard it I think Fabio played it last track at Speed and of course it was silly craziness and it got wheeled up a couple of times. Just works.
It's not the clap that's loose. It's the break.
Timeless
I could do with your help man.. great strip down as ever 👊🏼✌🏼
I'd love to help you, just book in a call here - forms.gle/AtgE2RmmhZJ1vreW8
If those times don't work feel free to email me - www.youtube.com/@GyuBeats
You can find my email there^^^
Non quantise is better for that clap.
As Ella said "It dont mean a thing if it aint got that swing"!
Nice one! Good to see how it was done
Absolutely awesome video! How do you know where all the samples are from?
WhoSampled?
Pulp fiction will play at my funeral
Not to be confused with Jade - Pulp Friction (a.k.a. Pump Friction) from 2005. Equally "Lazy" but for _totally different_ reasons!
Boring is the word you are looking for.
Dead ass tune.
Awesome channel.
Wicked breakdown 🔥🔥🔥🔥🔥💯
Im not 100% sure but i think the break was from one of the Emu romplers perhaps the MoPhatt.
The MoPhatt wasn't released until the late 90's, I'm certain it's from TLC.
Clap definatly where it is!
that clap makes is hard to mix ha ha so many times i thought i was in sync but no
On my CD, it was called Pulp Friction.
That was a remix because Island didn’t own the track.
Cool analysed 😊
It made me quit d&b back then. 2step boredom was the lamest braindead vibe. Luckly ukgarage saved the era
. I always remember the sax being redone badly in remixes. Nice to know the source
Trumpet not saxophone.
If it's good it's good !!!
Nobody cared on the dancefloor and they still don't :)
true, stop making music for other producers, keep making it for the people
Some of the most basic tracks are the best.
And yet it works so well. You dont need loads of production elements and layereing, infact thats everything that wrong with modern DnB, overproduced and no vibe. Modern DnB sound like pop music