Great pick, Doug. Traffic were the bridge between progressive bands like Yes and Van der Graaf Generator and the more traditional blues rock bands of the late 60's/early 70's. I always think of them as the "stealth" prog band of the early 70's in that they were TRULY progressive in the way they blended different genres and pushed boundaries. They could be compared to early Jethro Tull in how they mixed blues with folk and jazz, but it was Steve Winwood's soul roots that gave them a really unique sound. And yeah, Chris Wood is often mixed low in the recordings but he was still very important to Traffic's "brand". Please go on to The Low Spark of High Heeled Boys after you finish John Barleycorn.
hope you listened to the whole album. Its a Masterpiece. Check out "When The Eagle Flies" and Dream Gerrard which is Winwood and Vivian Stanshall. Some Borodin and Barber in that one.
I see that this episode won't make it to one of your most popular ones, so I just write to say kudos to you. Traffic is an old favorite of mine and your reaction/analysis captured something essential of their music. I see that others already gave you some good suggestions for other songs from them. Please, bring them back from time to time to your own lime-light. Thank you very much!
I LOVE that you talk over the music rather than switching it off every few seconds to comment like so many others do. Excellent breakdown! Subscribed. Thanks!
Traffic was an amazing band. Nobody sounded like them. My favorite is the "Traffic" album (released before "Barleycorn") -- extremely eclectic with some absolutely classic tunes.
It was great when Glad got into the outro, Doug instinctively started noodling on the keys, not realizing that was exactly what Winwood was about to do for the next few minutes!
This was the very first time I listened to Traffic when I went through my moms records when I was 11. She purchased the album new when it came out because her roommate in college was a huge Traffic fan and my mom loved this album start to finish. JBMD ranks at the top of my most listened to albums. I have my moms record and it still plays great. "Glad" you enjoyed it.
I was 16 in like 1998 and this is the first album from that era that I listened to. It was off to the classic rock races after that,lol. I agree this album is incredible and imo overlooked.
That, and 'Dear Mr Fantasy' (read about how it was written, spooky) and 'The Low Spark of High-Heeled Boys' (title track) are the current favourites of mine - incredible pieces of music.
While John Barleycorn is the undisputed masterpiece, Glad is often acknowledged as an underappreciated masterpiece in it's own right. I prefer to think that the masterpiece is John Barleycorn Must Die as the whole album and Barleycorn, Glad and Freedom Rider are the movements in it. Glad is wonderful!
50 years ago, musicians had to have their stuff in the sack, or they didn't make it-no shuckin' and jivin' back then-it was all about the music and the talent, especially in that time period between 1967-1973. Traffic was no exception.
Wow! I am grateful to you for having revived, the moment of a song and for the happiness of our ears, the music of TRAFFIC. An example, alas among many others, of an exceptional group... unfairly forgotten. Their live album "S̤h̤o̤o̤t̤ O̤ṳt̤ A̤t̤ T̤h̤e̤ Fa̤n̤t̤a̤s̤y̤ Fa̤c̤t̤o̤r̤y̤" (1973) also deserves our full attention. Thank you, Master Helvering.
@@markhaus2830 You are quite right. Forgive this careless mistake I made in writing my comment. However, I maintain my position on the exceptional quality of the studio album "Shoot Out at the Fantasy Factory". Cordially.
Doug all I'm going to say is you need to hear all of this fantastic album. Traffic are deservedly in the Rock Hall of Fame in case you didn't know and Steve Winwood was a child prodigy and was the front man of The Spencer Davis Group at age 15 (some say 16). Steves earlier work (like this record and all previous works) is my favorite but I have an appreciation of his more pop music as well, but less so. I listen to this record at last once a year and never tire of it.
Loved this analysis, Doug. Thanks for this great insight -- what a revelation! Next from Traffic: "Low Spark of High Heeled Boys" -- the album, please!
Yes, especially Rainmaker's outtro jam, when Capaldi's boppy trap drum jumps in to take captive the Afro-Latin percussion. The moment is a masterpiece!
Keep on going, play the whole album! Can you imagine listening to this as an 18 year old. My suggestion for an album is Sopwith Camel, The Miraculous Hump Returns from the Moon.
I can't imagine.. instead, I can REMEMBER!!! ;-> Fazon will always be a touchstone of the "underground" (proto-AOR) era for me. Whaddya think of introducing Doug to the "amazing journey" of the first "side" of Tommy? On a SOTA system it's stunning! Cheers, compadre!
Doug reacted to Low Spark on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
This is Stevie Winwood. Huge respect. Jim Capaldi, Chris Wood, ditto. You could dive into Stevie Winwood's career and the many people he influenced. I listened to this album over and over back in the day.
Oh man ... Hard to say, but I'm looking forward to spending more time on Traffic (pun absolutely intended) Love John Barleycorn Must Die and Low Spark, fantastic albums from a fantastic band ... Who shot down the fantasy factory :P, sorry for those puns but how can anyone not be Glad and Free after this?
Great album, my father,(who has past) purchased Lp while I was in grade school and I was listening to it then in 6th grade. Like around 1972 I think. Not even knowing who Steve Winwood was. Enjoying it til this day. Particularly all side one.
One of my favourite 2 tracks in all the world! The percussion is teacups, spoon, glasses part filled with water, taped up and 'impaired' tambourine, an empty tin can and some beer bottles... all hit with various things, Jim Capaldi was to say the an eccentric percussionist! HE. WAS. BRILLIANT. Again played this myself but we had no saxophonist so I did the wah-wah sax on a six-string bass, fuzz box and wah-wah in that order, the other way around it sounds awful.
Very good insight about the all white chords to the all black chords. I think that it's on purpose, because no other song that I know, does this. The song is unusual because of these chord changes, so it's not by accident. Steve Winwood is a genius.
I do that going up by a half-step thing sometimes. I don't know whether they did it for the same reasons I do - for me it's intended as a tritone substitution rather than going to the V, and gives a different kind of movement that feels to give a lift that going to the V (or going up a full tone) just doesn't. That sax was being run through a wah which is probably what made it sound like there was something else there. Hey ho, who can tell their intentions, but it's a fab tune :-)
A wonderful album. Thoroughly unique for the time. The solos are a bit extraneous by todays standards, but hey, it's trippy, ya know? A combination of psychedelic pop, with jazz jam overtones and a hint of prog. And Stevie's voice is outstanding.
Let's see.. that's G going down to E flat, down to A flat then to D, then back on to A minor 7th, then following into E flat minor 7th, correct? This is the finest of the Winwood/Wood/Capaldi artwork.
Hi Professor Helvering, I do remember well having bought Traffic - On The Road (recorded live in Germany) in 1973 or thereabout (aged 15) with funny, made up traffic signs printed on the inner sleeve jackets or whatever they might be called in English, starting off with Glad/Freedom Rider as a mind-blowing session with two drummers plus percussionist, two keyboard players (with Winwood on Grand Piano being one of them). I had no idea of John Barleycorn (appearing after Winwood's Blind Faith interlude) or any other Traffic record at the time, but was disappointed completely when I finally bought it, because - in comparison with/to? On The Road - it totally sucked. So do yourself a favour and dive into the jamming skills of Traffic because the songs are mostly jams and if Winwood's electric lead solo on Sometimes I Feel So Uninspired is not driving you to tears, well, I don't know. Hi from Berlin, Germany
It's a year and some change later but I have to throw my voice in for Low Spark Of High Heeled Boys. It's phenomenal, and it is one of those songs that gives me good goose bumps when I listen.
Doug........For me the key changes are not weird. If it sounds good, who cares?! I love this album and the other Traffic albums. I have them all on vinyl. Enjoyed your analysis as always. Have a great day!
Nice to see Winwood and Clapton playing together more recently at Madison square gardens and also Crossroads festival - great concert and Steve shows he’s also an excellent guitarist. Check this out for instance one of their BLIND FAITH numbers at Crossroads ua-cam.com/video/8L82II1lNjo/v-deo.html
it doesnt matter if you make a video about that , but one day you have to check out Northern lights by Asia Minor. One of the most atmospheric and gentle tunes i ve ever heard from a terrific prog band from Turkey. Love you all , greetings and thanks for your awesome videos man!
Doug reacted to Low Spark of High Heeled Boys on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
Good sir, your next songs from traffic should be (in order) John Barleycorn, Tragic Magic, Feelin' Alright? (yes, with the question mark, Cocker covered them), Light Up or Leave Me Alone, and The Low Spark of High Heeled Boys.
I have been reading Richard Digby Smith's book on his career, starting Island. One his first editing jobs was on Freedom rider. The 2nd time you hear the snare on it's own it is an edit, copied from the first time. The first time I heard this it blew me away, Winwood right at the edge of his range.
To me, Traffic;s greatness comes largely from their transcendence of genres. They got into jazz, blues, psychedelia, folk, whatever they were feeling at the time.
I like your reaction when you first hear it. This is one of my all-time favorite songs. I think you really need to listen to the Woodstock 1994 performance. Winwood is there, but the sax/flute is by Randall Bramlett. My ear says the 1994 version is far superior to the original.
When you feel like revisiting Traffic, take on the title track from the next studio album following John Barleycorn - "Low Spark Of High Heeled Boys" (it's long) - this will highlight the 'jam' direction they were taking: ua-cam.com/video/vDGorIWYz-A/v-deo.html If you want to know what Steve Winwood did during his hiatus, he formed a one-shot supergroup called "Blind Faith", with Eric Clapton and Ginger Baker from Cream, and Ric Grech on bass (who appears on the Low Spark album with the reformed Traffic)... Their epic track (the entire 2nd side) is "Do What You Like", on which everyone gets an extended solo: ua-cam.com/video/u2IpqvvlT24/v-deo.html
Doug reacted to Low Spark of High Heeled Boys and Blind Faith - Can't Find My Way Back Home on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
My wife lived in England for 2 yrs ages 18-20 yrs 86-88. Jim Capaldi was the local drunk and she got to know him quite well. No one in town, nor his Brazilian wife; respected him.
No low road. Late wife is/was someone Vince Neil wrote a song about. It was a tale she’d talk about while proving to me she can make this Bolognese worthy of this native NY’ker. There is a paragraph about her in Motley Crue’s The Dirt. And the song is: You’re Invited but your friends can’t come.
@@guyaugello3730 yes. She laughed about that all the time. He was the local drunk. His candle was fading as she served him(1987-1989). My genetically blessed wife, legit looked like Mercedes in License to Drive. No one could understand why she divorce her husband for me. Yeah I’m a thick 7 inch but I was still 3 inches shorter than her first man. And yet she chose me, time & time again. Now 47 and having zero family except for my Shiba Inu named Chewbacca, Tempe Town Lake has been my solstice of being alone. She passed 7/29/23 @ age 55 leaving me a family-less 46 yr old. Now 47 & zero family in a college town, my Shiba Inu is my only family
Traffic were the first band to be labelled "progressive." I watched it happen in 1967. I'm not saying they invented prog (although they were certainly a landmark), just that they inspired the name. The first wave of British progressive music with Traffic, The Moody Blues, Soft Machine, Procol Harum, The Nice.
ug reacted to Low Spark of High Heeled Boys on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
Low Spark Of High Heeled Boy, start to finish, is a masterpiece.
I love this album--and Low Spark of High Heeled Boys--always fun to play bass to--I do often.
Great, thanks!! What a great time to be a senior in high school! The music was outstanding!!!
Great pick, Doug. Traffic were the bridge between progressive bands like Yes and Van der Graaf Generator and the more traditional blues rock bands of the late 60's/early 70's. I always think of them as the "stealth" prog band of the early 70's in that they were TRULY progressive in the way they blended different genres and pushed boundaries. They could be compared to early Jethro Tull in how they mixed blues with folk and jazz, but it was Steve Winwood's soul roots that gave them a really unique sound. And yeah, Chris Wood is often mixed low in the recordings but he was still very important to Traffic's "brand". Please go on to The Low Spark of High Heeled Boys after you finish John Barleycorn.
Once again, Kudos to the Incredible and Underrated Drumming (and Lyrics) of The Late, Great, Jim Capaldi 🥁
Thanks for checking this out. They were extremely adventurous and they affected me that way.
Traffic were a great band and really overlooked
They had a lot of good songs. These were 2 of my favorites. Also, Low Spaek of High Heeled Boys is great.
Low Spark of High Healed Boys would be a great one for Doug.
and Paper Sun, A Hole In My Shoe too
hope you listened to the whole album. Its a Masterpiece. Check out "When The Eagle Flies" and Dream Gerrard which is Winwood and Vivian Stanshall. Some Borodin and Barber in that one.
I see that this episode won't make it to one of your most popular ones, so I just write to say kudos to you. Traffic is an old favorite of mine and your reaction/analysis captured something essential of their music. I see that others already gave you some good suggestions for other songs from them. Please, bring them back from time to time to your own lime-light. Thank you very much!
I LOVE that you talk over the music rather than switching it off every few seconds to comment like so many others do. Excellent breakdown! Subscribed. Thanks!
Shootout at the Fantasy Factory song is just rock bliss Doug
That point with the white and black keys was a brilliant observation!
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That album is a masterpiece imo
Do the whole album, it's FANTASTIC, my favorite Traffic album!
Excellent album. Going on a road trip…Great driving music.
Traffic was an amazing band. Nobody sounded like them. My favorite is the "Traffic" album (released before "Barleycorn") -- extremely eclectic with some absolutely classic tunes.
Wah wah and octave filter on the sax, Doug !
It was great when Glad got into the outro, Doug instinctively started noodling on the keys, not realizing that was exactly what Winwood was about to do for the next few minutes!
Grade 8, I'm listening to 'Love Grows Where My Rosemary Goes'. One year later, it's Traffic. :-)
I saw them do this live a couple of times when the Album first came out.
Perhaps their finest work. Still one of my favorites to this day.
This was the very first time I listened to Traffic when I went through my moms records when I was 11. She purchased the album new when it came out because her roommate in college was a huge Traffic fan and my mom loved this album start to finish. JBMD ranks at the top of my most listened to albums. I have my moms record and it still plays great. "Glad" you enjoyed it.
I was 16 in like 1998 and this is the first album from that era that I listened to. It was off to the classic rock races after that,lol. I agree this album is incredible and imo overlooked.
I love that whenever Doug jams along with any tune it always sounds so tasteful and in-place. Never sticks out badly, no matter the genre
Superb stuff Doug - great drumming!
2 other great early 70’s albums from the UK are
“Split” by the Groundhogs and “Argus” by Wishbone Ash. Timeless
+1 onn Argus!
You cannot do anything from this album unless you do John Barleycorn. Its their masterpiece.
That, and 'Dear Mr Fantasy' (read about how it was written, spooky) and 'The Low Spark of High-Heeled Boys' (title track) are the current favourites of mine - incredible pieces of music.
Steeleye Span does a fabulous John Barleycorn.
@@frankshailes3205 dear mr. fantasy was written at Christmas time ✨
While John Barleycorn is the undisputed masterpiece, Glad is often acknowledged as an underappreciated masterpiece in it's own right. I prefer to think that the masterpiece is John Barleycorn Must Die as the whole album and Barleycorn, Glad and Freedom Rider are the movements in it.
Glad is wonderful!
@@erikkaye1114 100% agree! Couldn’t get him to do the entire album so thought this introduction was the next best thing.
Chris Wood used to electrify his saxophone and run it through a wah pedal. Miles Davis used to do it with his trumpet too.
50 years ago, musicians had to have their stuff in the sack, or they didn't make it-no shuckin' and jivin' back then-it was all about the music and the talent, especially in that time period between 1967-1973. Traffic was no exception.
Oh great! I asked for Traffic some premiers back, this really makes me and many more dougs happy, I feel amazing. Ty Doug!
Love this album.
Wow! I am grateful to you for having revived, the moment of a song and for the happiness of our ears, the music of TRAFFIC. An example, alas among many others, of an exceptional group... unfairly forgotten. Their live album "S̤h̤o̤o̤t̤ O̤ṳt̤ A̤t̤ T̤h̤e̤ Fa̤n̤t̤a̤s̤y̤ Fa̤c̤t̤o̤r̤y̤" (1973) also deserves our full attention. Thank you, Master Helvering.
You must be thinking of the live album, Traffic "On the Road". Shoot Out at the Fantasy Factory is a studio album.
@@markhaus2830 You are quite right. Forgive this careless mistake I made in writing my comment. However, I maintain my position on the exceptional quality of the studio album "Shoot Out at the Fantasy Factory". Cordially.
Traffic is one of my favorite bands. Chris Wood on sax and flute. R.I.P. Chris. This is a great album.
Doug all I'm going to say is you need to hear all of this fantastic album. Traffic are deservedly in the Rock Hall of Fame in case you didn't know and Steve Winwood was a child prodigy and was the front man of The Spencer Davis Group at age 15 (some say 16). Steves earlier work (like this record and all previous works) is my favorite but I have an appreciation of his more pop music as well, but less so. I listen to this record at last once a year and never tire of it.
Thanks for this reaction and analysis. It's my second favorite track from this fantastic album, after the title track. Hope you get to that one soon!
Such dynamic creativity from one of the era's GOAT musicians.
Doug, great fun to watch you react to and break down those amazing changes on Freedom Rider. Incredible song, incredible album, incredible band.
The sax microphone was running through a wah wah pedal
I love this album. Huge Traffic and Steve Winwood fan. Always have been a Traffic fan!
Steve Winwood is my favorite male rock singer, so I'm very familiar with this one. Great stuff.
Glad you did this album. It was something very new at the time and only Three players
Lou R. is absolutely right. John Barleycorn is a must do.
I thought it was about an actual dude at first, music buddy of mine laughed about how it was about making alcohol.
✌🏼🤣👍🏼
Loved this analysis, Doug. Thanks for this great insight -- what a revelation!
Next from Traffic: "Low Spark of High Heeled Boys" -- the album, please!
Yes, especially Rainmaker's outtro jam, when Capaldi's boppy trap drum jumps in to take captive the Afro-Latin percussion. The moment is a masterpiece!
Very special at the time and it holds up over time.
Thanks, Richard, you read my mind!
And thank you Doug, you broke the code in record time!
You’re welcome
Fabulous album! Happy to see a section of it (would love to hear the rest!)
Keep on going, play the whole album! Can you imagine listening to this as an 18 year old.
My suggestion for an album is Sopwith Camel, The Miraculous Hump Returns from the Moon.
I can't imagine.. instead, I can REMEMBER!!! ;-> Fazon will always be a touchstone of the "underground" (proto-AOR) era for me. Whaddya think of introducing Doug to the "amazing journey" of the first "side" of Tommy? On a SOTA system it's stunning! Cheers, compadre!
The whole album is great. Low Spark of High Heeled Boys is another good one. Fun analysis, thanks
Doug reacted to Low Spark on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
Doug, you will absolutely love that whole album. Without a doubt. It should find its way onto the list for future EPL episodes 🙂
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This is Stevie Winwood. Huge respect. Jim Capaldi, Chris Wood, ditto. You could dive into Stevie Winwood's career and the many people he influenced. I listened to this album over and over back in the day.
I'm looking forward to it. Ten more minutes 😊
Oh man ... Hard to say, but I'm looking forward to spending more time on Traffic (pun absolutely intended)
Love John Barleycorn Must Die and Low Spark, fantastic albums from a fantastic band ... Who shot down the fantasy factory :P, sorry for those puns but how can anyone not be Glad and Free after this?
Oh yeah Man!
Great album, my father,(who has past) purchased Lp while I was in grade school and I was listening to it then in 6th grade. Like around 1972 I think. Not even knowing who Steve Winwood was. Enjoying it til this day. Particularly all side one.
One of my favourite 2 tracks in all the world!
The percussion is teacups, spoon, glasses part filled with water, taped up and 'impaired' tambourine, an empty tin can and some beer bottles... all hit with various things, Jim Capaldi was to say the an eccentric percussionist! HE. WAS. BRILLIANT.
Again played this myself but we had no saxophonist so I did the wah-wah sax on a six-string bass, fuzz box and wah-wah in that order, the other way around it sounds awful.
Very good insight about the all white chords to the all black chords. I think that it's on purpose, because no other song that I know, does this. The song is unusual because of these chord changes, so it's not by accident. Steve Winwood is a genius.
I do that going up by a half-step thing sometimes. I don't know whether they did it for the same reasons I do - for me it's intended as a tritone substitution rather than going to the V, and gives a different kind of movement that feels to give a lift that going to the V (or going up a full tone) just doesn't.
That sax was being run through a wah which is probably what made it sound like there was something else there.
Hey ho, who can tell their intentions, but it's a fab tune :-)
This is awesome! Makes me want to learn notes again!
A wonderful album. Thoroughly unique for the time. The solos are a bit extraneous by todays standards, but hey, it's trippy, ya know? A combination of psychedelic pop, with jazz jam overtones and a hint of prog. And Stevie's voice is outstanding.
"Glad" is one of the greatest instrumentals ever IMO.
Trafic the best of british rock
This is essential listening.
Very cool to listen to your description.
Musically I have no idea what you're talking?
But have loved this music for Decades
And your reactions!!!...
Let's see.. that's G going down to E flat, down to A flat then to D, then back on to A minor 7th, then following into E flat minor 7th, correct? This is the finest of the Winwood/Wood/Capaldi artwork.
Hi Professor Helvering,
I do remember well having bought Traffic - On The Road (recorded live in Germany) in 1973 or thereabout (aged 15) with funny, made up traffic signs printed on the inner sleeve jackets or whatever they might be called in English, starting off with Glad/Freedom Rider as a mind-blowing session with two drummers plus percussionist, two keyboard players (with Winwood on Grand Piano being one of them). I had no idea of John Barleycorn (appearing after Winwood's Blind Faith interlude) or any other Traffic record at the time, but was disappointed completely when I finally bought it, because - in comparison with/to? On The Road - it totally sucked. So do yourself a favour and dive into the jamming skills of Traffic because the songs are mostly jams and if Winwood's electric lead solo on Sometimes I Feel So Uninspired is not driving you to tears, well, I don't know.
Hi from Berlin, Germany
Well, lots of good comments about this song, but of course there is the incredible 'Every Mother's Son' which is so heartfelt.
This opening nailed me - as a young Dave Brubeck fan.
It's a year and some change later but I have to throw my voice in for Low Spark Of High Heeled Boys. It's phenomenal, and it is one of those songs that gives me good goose bumps when I listen.
Doug........For me the key changes are not weird. If it sounds good, who cares?! I love this album and the other Traffic albums. I have them all on vinyl. Enjoyed your analysis as always. Have a great day!
If you like this you should check out their concert from 1972 recorded at the Santa Monica Civic Center.
the sax is being run through a wah-wah pedal, Doug.
So glad to see some Traffic on the channel.
The other song you missed is the titled track “ John Barleycorn must Die”
The sax is using a wah-wah pedal. Like Ian Underwood on Hot Rats.
I bet he's gonna do something by Blind Faith soon. He will be tempted by Steve Winwood teaming up with Clapton.
I also would have suggested his short adventure with Clapton/ Baker… a superb Classic excellent album lineup! (Do what you like)
Nice to see Winwood and Clapton playing together more recently at Madison square gardens and also Crossroads festival - great concert and Steve shows he’s also an excellent guitarist. Check this out for instance one of their BLIND FAITH numbers at Crossroads ua-cam.com/video/8L82II1lNjo/v-deo.html
I have a freaking awesome from the board bootleg of Traffic at the Anderson Theater in NYC from November 23, 1973. Amazing setlist.
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it doesnt matter if you make a video about that , but one day you have to check out Northern lights by Asia Minor. One of the most atmospheric and gentle tunes i ve ever heard from a terrific prog band from Turkey. Love you all , greetings and thanks for your awesome videos man!
Ravishing!!! Thanks for the tip! Blessings!
Low Spark of High Heeled Boys should be your next excursion into traffic. Put on your seatbelt.👍👍👍🤠
Doug reacted to Low Spark of High Heeled Boys on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
I think Chris Wood used a wah wah peddle on his sax to get that funky sound in Glad.
Saw Traffic live 2X, late 60's, Winwood is amazing. Check out Gimme Some Lovin by Spencer Davis Group( Winwood lead vocals ).
Good sir, your next songs from traffic should be (in order) John Barleycorn, Tragic Magic, Feelin' Alright? (yes, with the question mark, Cocker covered them), Light Up or Leave Me Alone, and The Low Spark of High Heeled Boys.
Cool 😎 thanks ❄ 🌎❄
I have been reading Richard Digby Smith's book on his career, starting Island. One his first editing jobs was on Freedom rider. The 2nd time you hear the snare on it's own it is an edit, copied from the first time.
The first time I heard this it blew me away, Winwood right at the edge of his range.
Whole lp is superb.
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🙋🏼♂️🎵🙋🏼♂️Hope U Will Do Alan Parson Project Tales Of Mystery & Imagination 1976 (1987 remix) thank u SIR 🙋🏼♂️
I used to play that on Halloween on a small AM station in South Jersey. They never knew!
Love the burlap barley sack cover.
It is Empty Pages & it is fabulous. Should have gone right into it
There is a video of Blood, Sweat & Tears covering Traffic’s Empty Pages. Highly recommend.
To me, Traffic;s greatness comes largely from their transcendence of genres. They got into jazz, blues, psychedelia, folk, whatever they were feeling at the time.
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I like your reaction when you first hear it. This is one of my all-time favorite songs.
I think you really need to listen to the Woodstock 1994 performance. Winwood is there, but the sax/flute is by Randall Bramlett.
My ear says the 1994 version is far superior to the original.
Steve Winwood the multi instrumentalist playing keys and flute and who knows what else lol
When you feel like revisiting Traffic, take on the title track from the next studio album following John Barleycorn - "Low Spark Of High Heeled Boys" (it's long) - this will highlight the 'jam' direction they were taking: ua-cam.com/video/vDGorIWYz-A/v-deo.html
If you want to know what Steve Winwood did during his hiatus, he formed a one-shot supergroup called "Blind Faith", with Eric Clapton and Ginger Baker from Cream, and Ric Grech on bass (who appears on the Low Spark album with the reformed Traffic)... Their epic track (the entire 2nd side) is "Do What You Like", on which everyone gets an extended solo: ua-cam.com/video/u2IpqvvlT24/v-deo.html
Doug reacted to Low Spark of High Heeled Boys and Blind Faith - Can't Find My Way Back Home on Patreon if you are interested. Check the Daily Doug Directory in this video's description for a list of reactions. www.patreon.com/doughelvering/posts
My wife lived in England for 2 yrs ages 18-20 yrs 86-88. Jim Capaldi was the local drunk and she got to know him quite well. No one in town, nor his Brazilian wife; respected him.
How very sad.
I find that hard to believe. Capaldi was well respected by his peers… among them was George Harrison.
Looks like Brian took the low road.
No low road. Late wife is/was someone Vince Neil wrote a song about. It was a tale she’d talk about while proving to me she can make this Bolognese worthy of this native NY’ker.
There is a paragraph about her in Motley Crue’s The Dirt. And the song is:
You’re Invited but your friends can’t come.
@@guyaugello3730 yes. She laughed about that all the time. He was the local drunk. His candle was fading as she served him(1987-1989). My genetically blessed wife, legit looked like Mercedes in License to Drive. No one could understand why she divorce her husband for me. Yeah I’m a thick 7 inch but I was still 3 inches shorter than her first man. And yet she chose me, time & time again. Now 47 and having zero family except for my Shiba Inu named Chewbacca, Tempe Town Lake has been my solstice of being alone.
She passed 7/29/23 @ age 55 leaving me a family-less 46 yr old.
Now 47 & zero family in a college town, my Shiba Inu is my only family
I remember Steve Winwood from Blind Faith
I think he was 19 or 20 when he composed it . At some vacant house in the countryside.
Traffic were the first band to be labelled "progressive." I watched it happen in 1967.
I'm not saying they invented prog (although they were certainly a landmark), just that they inspired the name.
The first wave of British progressive music with Traffic, The Moody Blues, Soft Machine, Procol Harum, The Nice.
👆👆 hey 🎊 you won a gift🎀📦📦📦
I believe that's a sax played through a wa-wa peddle.
Low Spark of High Heeled Boys. You need to get to that one if you haven't yet.
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“Forty Thousand Headmen”.
These were basically a bunch of kids and a savant.
Low Spark
The is being played through a wah-wah pedal. Perhaps, someone mentioned that already.