I thought I'd paste my patch notes here, for anyone that might be interested... This is my first piece composed by my new uScale quantizer. Maths ch4 LFO going to v/oct on the uScale. I used the ch3 offset into the Both control to more easily dial in the rate. Mother 32 LFO, attenuated by it's own VC Mix control, and offset by the voltage math on the 0-coast to the LFO rate on the Mother to make it go slower than the stock speed. That LFO is fed to the Shift control on the uScale to wiggle the interval. Output A on the uScale is run into the v/oct on the STO. Output B into the Beast's Chalkboard for octave shift and then out from there into the v/oct on the Erica Black Wavetable. Maths ch1 unity out LFO going to the wave CV on the Black Wavetable to modulate the wave. An offset of that LFO is going from the SUM output of Maths to the Shape input of the STO to modulate the variable waveshape control. STOs Wave output is run to the input on the Belgrad filter, then output to the 2hp VCA. The Black Wavetable output is going to the external input on the Mother 32, set on VCA mode with the mix control set fully clockwise.. thus using the Mother only for the filter. The VCF mod amount is dialed up, so the LFO that's running on Mother is affecting the filter. This is output to the second channel of the 2hp VCA. LFO from the 0-coast's Slope generator is going to the CV input of ch1 on the 2hp VCA, making the STO/Belgrad voice fade in and out. LFO from Peaks ch2 is going to ch2 of the 2hp VCA making the Black Wavetable/Mother filter voice fade in and out as well. LFO on ch1 of Peaks is modulating the Belgrad filter via the FM input. Outputs from ch1 and ch2 of the 2hp VCA are going to the left and right inputs of the Morphagene. A clock from the Tempi is going to the clock input of the Morphagene to allow the Morph control to affect the Gene size in a more time-stretch kind of way. The Morphagene is setup in time lag accumulation mode and used this way as an additional effect. It's outputs are going into my little Yamaha mixer, which has a BigSky reverb on the effect send.
Very Nice...very cool combination of M32 and 0coast ..so did you go trough the process of removing all knobs & nuts to make 0coast eurorack ready? I also see rings idleing on top right :)
Funk Tree yes, I did the whole dismantling on the 0-coast. This, of course, voids the warranty so you do so at your own risk and is not supported by the manufacturer. If you bone it up, you could be out a 0-coast, so some electronics know-how is mandatory.
I did it ....last night ...couple of scratches around boots but work good ...my first coupling was with basimilus iteritas alter ...another crazy module .... I just started my journey it is very addictive
Great stuff, really enjoyed this!
I thought I'd paste my patch notes here, for anyone that might be interested...
This is my first piece composed by my new uScale quantizer.
Maths ch4 LFO going to v/oct on the uScale. I used the ch3 offset into the Both control to more easily dial in the rate.
Mother 32 LFO, attenuated by it's own VC Mix control, and offset by the voltage math on the 0-coast to the LFO rate on the Mother to make it go slower than the stock speed. That LFO is fed to the Shift control on the uScale to wiggle the interval.
Output A on the uScale is run into the v/oct on the STO. Output B into the Beast's Chalkboard for octave shift and then out from there into the v/oct on the Erica Black Wavetable.
Maths ch1 unity out LFO going to the wave CV on the Black Wavetable to modulate the wave. An offset of that LFO is going from the SUM output of Maths to the Shape input of the STO to modulate the variable waveshape control.
STOs Wave output is run to the input on the Belgrad filter, then output to the 2hp VCA. The Black Wavetable output is going to the external input on the Mother 32, set on VCA mode with the mix control set fully clockwise.. thus using the Mother only for the filter. The VCF mod amount is dialed up, so the LFO that's running on Mother is affecting the filter.
This is output to the second channel of the 2hp VCA.
LFO from the 0-coast's Slope generator is going to the CV input of ch1 on the 2hp VCA, making the STO/Belgrad voice fade in and out.
LFO from Peaks ch2 is going to ch2 of the 2hp VCA making the Black Wavetable/Mother filter voice fade in and out as well.
LFO on ch1 of Peaks is modulating the Belgrad filter via the FM input.
Outputs from ch1 and ch2 of the 2hp VCA are going to the left and right inputs of the Morphagene. A clock from the Tempi is going to the clock input of the Morphagene to allow the Morph control to affect the Gene size in a more time-stretch kind of way.
The Morphagene is setup in time lag accumulation mode and used this way as an additional effect. It's outputs are going into my little Yamaha mixer, which has a BigSky reverb on the effect send.
Very Nice...very cool combination of M32 and 0coast ..so did you go trough the process of removing all knobs & nuts to make 0coast eurorack ready? I also see rings idleing on top right :)
Funk Tree yes, I did the whole dismantling on the 0-coast. This, of course, voids the warranty so you do so at your own risk and is not supported by the manufacturer. If you bone it up, you could be out a 0-coast, so some electronics know-how is mandatory.
Rings isn't in this patch, but I do use it a lot.
I did it ....last night ...couple of scratches around boots but work good ...my first coupling was with basimilus iteritas alter ...another crazy module .... I just started my journey it is very addictive
Yes it is!