Ye sirf aur sirf Rafi shb ki mahaanta ko darshata hai ki Rafi shb Nayyar ko papaji kahkar sambodhit kiya jabaki umar mein Rafi shb Nayyar se barhe the, Rafi shb 1924 aur 1926 ke paidaaish the. Anyway Rafi shb to apne se kaafi chhote ko bhi pahle salaam karte the, kyonki saadharan insaan the hi nahi.
Good information. OPN was sensitive so he realized his own mistake of short temper. As said in the interview there was no charm in Rafi Sahab & OPN combination after they rejoined. I think OPN market was lost mainly because of RDB start and his guitar of altogether different effect from film Teesri Manzil especially song Aja Aja. However there were few music directors like Anil Biswas who had recorded all songs of film DO RAHA 1952 in the voice of Rafi Sahab were changed to voice of Talat without taking even permission from Rafi Sahab. Even C. Ramchaandra who insulted Rafi Sahab in front of Talat Sahab during the recording of song from film Kavi 1954. Even Salil Da humulated Rafi Sahab during the recording of duet of Maya 1961. This is life and everyone has undergone similar situation including Lata Didi and Asha ji. No regrets. One has to take life as it comes. All singers and music directors have given their best and all of us have enjoyed their melodious music for several decades FREE OF CHARGE. I have been listening to Rafi Sahab from 1955. GOD bless everyone.
जिस-जिस ने भी रफी साहब को Humiliat किया, आज के दौर में उन का नाम भी कोई नहीं जानता ! दूसरी तरफ रफी साहब के करोड़ो प्रशंसक है, popularity के मामले में रफी साहब आज भी सबसे आगे हैं।
Mr.Nurulkar's statement is right previous version was not authentic . Nair Saab n Rafi Saab was not working together since long. If previous version ie pleasentry exchange during Idd was correct, Rafi Saab should do it earlier. He should not wait for so long. It would benifit both. So in my humble opinion Mr Nerulkar is absolutely on the dot.
San 1968 mein aayee film HUMSAYA, jisko actor Joy Mukherjee ne banaya thaa, ka geet DIL KI AAWAZ BHI SUN hi woh geet thaa jis ki recording ke samay Rafi Sahab late ho gaye thee aur OP Nayyar Rafi Sahab se naraaz. Iske baad Nayyar ji ne Rafi Sahab se chaar saal tak geet nahin gawaye..inn chaar saalon mein bahut kuchh badla..sangeet ka daur bhi badla..filmo ka daur bhi badla..50s aur 60s ke actor..MDs..ek ek karke lupt se ho gayee aur naye tarah ka music aaya.. Kishore Kumar..RD Burman ke yug ki shuruaat huyee..iss sabse Rafi Sahab aur OP Nayyar bhi achoote nahin rahe..Rafi Sahab ka career to phir bhi sambhal gaya lekin Nayyar ji ke saath aisa na ho saka..doosra unki Asha Bhonsle se bhi dooriyaan badh gayee..phir san 1974 mein film PRAN JAYEE PAR VACHAN NA JAYEE jisme unhone aakhiri baar Asha Bhonsle se gawaya..iss film ke baad OP Nayyar ne apne aap ko Bollywood se alag kar liya aur san 2007 mein unhone iss duniya ko alvida kaha..
Shirish Kanekar ki Ek kitab hai geet gata chal is kitabme is batka Jikra hai usme Nayyar Sahabne kaha. Rafisahab ki jagah Mahendra sahab ko Liya ye meri sabse badu Bwequfi thi.
I have always believed the version of Vishwas Ji because I had read it in another interview by OP himself. In our society myths are made up and believed. The same story, after successive narrations, becomes so distorted that some times it does not resemble the original.
In one of his programs on Vividh Bharti,”Ujale unki yaadon ke” (Program is available on UA-cam),Nayyarsaab himself had mentioned that Rafisahab himself came to his house. (Though not on Eid and not with sevaiyaan)
रफ़ी साहब को किसी से कोई प्रोब्लम नही हो सकती, उन्हे काम की कमी नहीं थे रफ़ी साहब हर म्यूजिक डायरेक्टर की पहली पसंद थे, रही साहब के वजह से नैयर साहब की इमेज ख़राब हुई थी, उसी तरह से लता मंगेशकर की बिजली रफ़ी साहब को सुमन कल्याणपुर के रूप में मिल चुकी थी सारे डुएट हिट हो रहे थे करीब 140 गाने हिट थे फ़र्क तो लता मंगेशकर को पद रही थी।
Bhai, Vividbharti ke ek episodic interview mein Nayyar ne qubool kiya tha k Rafi saab ke saath jo rawayya unho ne apnaya tha woh ghalat tha aur us waqt Asha bhonsle unke hosh o hawaas pe qaabiz thi aur woh jo chaahti thi woh Nayyar karte chale ja rahe the. Geeta Dutt ke saath bhi yahi karwaya tha Asha ne... woh bechaari toh khamosh ho gayi magar Rafi saab ko khamosh karna Asha, RD, Salil choudhary aur bangali gang ke bas ke baahar tha, kyon k Rafi saab Allaah ke bande the, jo bandon ki wajah se nahi qudrat ki rahmat ki wajah se chamak rahe the, jin ko bujhana namumkin ho gaya...
woh aap kisi kahani ko bhi maante hain magar donon mein ek commonality hai ke donon jagahon par Rafi saab ne hi pahel ki aur maamle ko suljhaane ki koshish kee aur nayyar saab bhale maan gaye aur gale laga liya magar unhon ne apne ego ke ghulaam bane rahe bhale unhe bhi pata tha ke woh ghalati par the- yahi badi baat hoti hai ke apni ghalati ko maan kar jhukna har ek ke bus ki baat nahi hoti yahin par hamaara ego bada rukawat banta hai aur shaitaan apna kaam dikhaata hai- isi liye har dharm mazhab mein ego/arrogance aur ghussa yaani ke krodh ko bura maana gaya hai aur us se parhez karne ko kaha gaya hai. tabhi log rafi saab ko farishta maante hain bhale hi unko us naarazgi se kuch farkh nahi padha toh unhe toh jhukna nahi chahiye tha magar woh pahel kare neki ki taraf aur sawaab loot gaye dil jeet gaye.
Rafi's tiff with OP Nayyar was no loss to either party. Rafi had several composers backing him as Laxmikant Pyarelal, SD Burman, Shanker Jaikishen, Naushad, Madan Mohan etc so not getting OP Nayyar's songs would not have been an issue. OP Nayyar made full use of Mahendra Kapoor who admirably took up the challenge so that absence of Rafi ffom Nayyar's camp was not an issue. Remember the soulful songs of Baharen Phir Bhi Aayenge, Mohobat Zindahi Hain, Dil Aur Mohobat, Sambandh, Saawan Ki Ghata, Yeh Raat Phir Na Aayegi, Nasihat, Kahin Din Kahin Raat, Kismat etc. Rafi and OP Nayyar patched up in Aisa Bhi Hota Hai. Sadly Nayyar had lost his touch by then. Double sadly till Rafi was alive, he never took Mahendra Kapoor for his songs.
Jai Mohammad Rafi Sahab.
Mohammad Rafi Sahab ji ka koi Mishal nahi hai ❤❤❤
The Great Man in indian film industry Great MOhd Rafi Sahab
रफी साहब हमारे दिलों में जिंदा हैं और हमेशा रहेंगे। अफसोस है कि दोनों के बीच में जो मनमुटाव हुआ उससे हम सुरीले गानों से वंचित हो गये।
World' ke no.1 Singer Rafi Sahab ko namashkar hai jji..❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉🎉
🎉❤
Wonderful information about Rafi Saab and Nayyar ji
रफी साहब यदी नय्यर साहब के घर खीर लेकर गये तो उसमे बुरा कया हे यह सच हे रफी से बडकर न कोई सिंगर हुवा न होगा
Nice to hear this episode 👍👍
Kay saandaar log they kay baat h ek baar fir very nice vidio sir
Ye sirf aur sirf Rafi shb ki mahaanta ko darshata hai ki Rafi shb Nayyar ko papaji kahkar sambodhit kiya jabaki umar mein Rafi shb Nayyar se barhe the, Rafi shb 1924 aur 1926 ke paidaaish the. Anyway Rafi shb to apne se kaafi chhote ko bhi pahle salaam karte the, kyonki saadharan insaan the hi nahi.
Nice video with information
Its true story, thanks a lot🌹 Jawedji.
Good information. OPN was sensitive so he realized his own mistake of short temper. As said in the interview there was no charm in Rafi Sahab & OPN combination after they rejoined. I think OPN market was lost mainly because of RDB start and his guitar of altogether different effect from film Teesri Manzil especially song Aja Aja. However there were few music directors like Anil Biswas who had recorded all songs of film DO RAHA 1952 in the voice of Rafi Sahab were changed to voice of Talat without taking even permission from Rafi Sahab. Even C. Ramchaandra who insulted Rafi Sahab in front of Talat Sahab during the recording of song from film Kavi 1954. Even Salil Da humulated Rafi Sahab during the recording of duet of Maya 1961. This is life and everyone has undergone similar situation including Lata Didi and Asha ji. No regrets. One has to take life as it comes. All singers and music directors have given their best and all of us have enjoyed their melodious music for several decades FREE OF CHARGE. I have been listening to Rafi Sahab from 1955. GOD bless everyone.
जिस-जिस ने भी रफी साहब को Humiliat किया, आज के दौर में उन का नाम भी कोई नहीं जानता !
दूसरी तरफ रफी साहब के करोड़ो प्रशंसक है, popularity के मामले में रफी साहब आज भी सबसे आगे हैं।
I think this is true.
Mr.Nurulkar's statement is right previous version was not authentic .
Nair Saab n Rafi Saab was not working together since long.
If previous version ie pleasentry exchange during Idd was correct, Rafi Saab should do it
earlier. He should not wait for so long. It would benifit both. So in my humble opinion Mr Nerulkar is absolutely on the dot.
❤❤❤
Very nice video Rafisab bahuthi vinamra the isliye to Mahan the .❤❤
JAWAID SAHAB GANA TO HUM BAHUT SUNTE HAIN, LEKIN AB RAFI SAHAB JAISI AAWAZ KAHAN. RAFI SABKI AAWAZ MAIN EK JADOO THA JO MANTRA MUGHT HO JATE HAIN
San 1968 mein aayee film HUMSAYA, jisko actor Joy Mukherjee ne banaya thaa, ka geet DIL KI AAWAZ BHI SUN hi woh geet thaa jis ki recording ke samay Rafi Sahab late ho gaye thee aur OP Nayyar Rafi Sahab se naraaz. Iske baad Nayyar ji ne Rafi Sahab se chaar saal tak geet nahin gawaye..inn chaar saalon mein bahut kuchh badla..sangeet ka daur bhi badla..filmo ka daur bhi badla..50s aur 60s ke actor..MDs..ek ek karke lupt se ho gayee aur naye tarah ka music aaya.. Kishore Kumar..RD Burman ke yug ki shuruaat huyee..iss sabse Rafi Sahab aur OP Nayyar bhi achoote nahin rahe..Rafi Sahab ka career to phir bhi sambhal gaya lekin Nayyar ji ke saath aisa na ho saka..doosra unki Asha Bhonsle se bhi dooriyaan badh gayee..phir san 1974 mein film PRAN JAYEE PAR VACHAN NA JAYEE jisme unhone aakhiri baar Asha Bhonsle se gawaya..iss film ke baad OP Nayyar ne apne aap ko Bollywood se alag kar liya aur san 2007 mein unhone iss duniya ko alvida kaha..
Shirish Kanekar ki
Ek kitab hai geet gata chal is kitabme is batka
Jikra hai usme Nayyar Sahabne kaha.
Rafisahab ki jagah
Mahendra sahab ko
Liya ye meri sabse badu
Bwequfi thi.
❤
I have always believed the version of Vishwas Ji because I had read it in another interview by OP himself. In our society myths are made up and believed. The same story, after successive narrations, becomes so distorted that some times it does not resemble the original.
In one of his programs on Vividh Bharti,”Ujale unki yaadon ke” (Program is available on UA-cam),Nayyarsaab himself had mentioned that Rafisahab himself came to his house. (Though not on Eid and not with sevaiyaan)
Dono ab to khwab hain, aur khwab me jhoot kya aur bhala sach hai kya. Unke collaboration ke gaanon ka lutf uthayen.
रफ़ी साहब को किसी से कोई प्रोब्लम नही हो सकती, उन्हे काम की कमी नहीं थे रफ़ी साहब हर म्यूजिक डायरेक्टर की पहली पसंद थे, रही साहब के वजह से नैयर साहब की इमेज ख़राब हुई थी, उसी तरह से लता मंगेशकर की बिजली रफ़ी साहब को सुमन कल्याणपुर के रूप में मिल चुकी थी सारे डुएट हिट हो रहे थे करीब 140 गाने हिट थे फ़र्क तो लता मंगेशकर को पद रही थी।
Md Rafi and O P Nayyar met in a party that sounds normal. But Rafi Saab went to his house does not sound correct.
Bhai,
Vividbharti ke ek episodic interview mein Nayyar ne qubool kiya tha k Rafi saab ke saath jo rawayya unho ne apnaya tha woh ghalat tha aur us waqt Asha bhonsle unke hosh o hawaas pe qaabiz thi aur woh jo chaahti thi woh Nayyar karte chale ja rahe the. Geeta Dutt ke saath bhi yahi karwaya tha Asha ne... woh bechaari toh khamosh ho gayi magar Rafi saab ko khamosh karna Asha, RD, Salil choudhary aur bangali gang ke bas ke baahar tha, kyon k Rafi saab Allaah ke bande the, jo bandon ki wajah se nahi qudrat ki rahmat ki wajah se chamak rahe the, jin ko bujhana namumkin ho gaya...
Well said Sir Absolutely Right, Fully Agreed 💯
RAFI SAHAB is RAFI SAHAB ♥️
No-one can take place of RAFI SAHAB ♥️
महेंद्र कपूर ने पुरा खराब कर दिया
woh aap kisi kahani ko bhi maante hain magar donon mein ek commonality hai ke donon jagahon par Rafi saab ne hi pahel ki aur maamle ko suljhaane ki koshish kee aur nayyar saab bhale maan gaye aur gale laga liya magar unhon ne apne ego ke ghulaam bane rahe bhale unhe bhi pata tha ke woh ghalati par the- yahi badi baat hoti hai ke apni ghalati ko maan kar jhukna har ek ke bus ki baat nahi hoti yahin par hamaara ego bada rukawat banta hai aur shaitaan apna kaam dikhaata hai- isi liye har dharm mazhab mein ego/arrogance aur ghussa yaani ke krodh ko bura maana gaya hai aur us se parhez karne ko kaha gaya hai. tabhi log rafi saab ko farishta maante hain bhale hi unko us naarazgi se kuch farkh nahi padha toh unhe toh jhukna nahi chahiye tha magar woh pahel kare neki ki taraf aur sawaab loot gaye dil jeet gaye.
Rafi's tiff with OP Nayyar was no loss to either party. Rafi had several composers backing him as Laxmikant Pyarelal, SD Burman, Shanker Jaikishen, Naushad, Madan Mohan etc so not getting OP Nayyar's songs would not have been an issue. OP Nayyar made full use of Mahendra Kapoor who admirably took up the challenge so that absence of Rafi ffom Nayyar's camp was not an issue. Remember the soulful songs of Baharen Phir Bhi Aayenge, Mohobat Zindahi Hain, Dil Aur Mohobat, Sambandh, Saawan Ki Ghata, Yeh Raat Phir Na Aayegi, Nasihat, Kahin Din Kahin Raat, Kismat etc. Rafi and OP Nayyar patched up in Aisa Bhi Hota Hai. Sadly Nayyar had lost his touch by then. Double sadly till Rafi was alive, he never took Mahendra Kapoor for his songs.
Mahendra Kapoor was also a good singer and his songs of O P Nayyar were good and became hit too.
जावेद जी: क्या आप यह बताने की कस्ट करेंगे की कितने दिनोतक रफी साहब और नैयर साहब के बीच अनबन थी?
More than 4 years
Mote than 4 years