Great image. I learned new methods of masking in Lightroom. I wonder how many other capabilities I am missing out on... I guess you can never stop learning. Great vid Julian.
Like the fact such a great photo didn't require a 5am start. So many video's focus on perfect light photography. As many (Most) amateur photographers work finding time to capture that ever so elusive perfect morning glow is really difficult, I'm normally on the M4 at this time. So if I only took photos in great light I'd hardly ever take any. So thank you Julian for reminding me that I can take photos in almost any light, just choose the subject. Brilliant video as my waffle above probably shows I found it inspiring. My camera hasn't been out for nearly a month, it's out tomorrow!
Thanks Steve, and great to hear you've been inspired to get your camera out. Did it go well? I'm a sucker for a big sunrise, but I think it's important to have a few creative ideas up your sleeve for when the weather is less than perfect....which in the winter in the UK is a lot! As you say, if all we did was wait for good light we'd never get out! 😀👍
@@jbairdexp Yes I got my camera out and tried some seascape photography. Whilst I don't think I got much other than a soaking I thoroughly enjoyed and found a location I want to revisit. I have also planned ahead for the times I can for photography without using the weather forecast. I'll keep watching your videos for more inspiration and motivation. Steve
Hi Julian. New to your channel. Very impressed and couldn't agree more...the final print is "the performance" and is most satisfying. Great video. Thanks for sharing. Dave
Thanks David, great to hear you enjoyed the video. I like the thought that the print is "the performance". 👍 Thanks for watching and leaving a comment, and welcome to the channel! 👍😀
Julian, another great and informative and also quite HELPFUL video. In the northeastern USA where I live, we all too often have a lot of gray light in winter as well. Your suggestions and clarifications will help me deal with this type of light here as well. Many thanks again for another "artful" presentation.
Thanks Paul, glad you got so much from the video. 👍 It's good to have some different ideas and approaches to photography, especially on those grey overcast days! Remember to #EmbraceTheGrey! 😀
Really enjoyed this video Julian. Great to see the complete process from start to finish and a great photo to choose. Lyme Regis is one of my favourite locations.
Love it! In the UK, we certainly have to make the most of dull, grey winter light - or any UK season come to that...:-) but rarer for it to be so still!! Many thanks - very enjoyable video.
Cheers Tony. I needed to shoot it at dawn (less people on The Cobb), when the tide was high, when it was very overcast, and not very windy....it took a while to get all those conditions and as you say, very rare for it to be still. Thanks for watching. 👍
Cheers Chris, glad you enjoyed it. It's great paper and one well worth getting. If you're at the show on Saturday I'm doing a talk at the Fotospeed stand at 3:30. Come and say hello, and I'll have some of my prints on display. 👍
Hi Julian. That's a stunning image ! You certainly made the most of the conditions and the print really brings the scene to life. Really enjoyed seeing the end to end process. I was sitting here thinking why not brush on the local adjustment to the Cobb, but as you quite rightly pointed out, there's loads of ways to achieve a similar outcome (and I've learned another technique so thank you ! ) Many thanks for sharing Julian.
Cheers Tim, always nice to read a comment from yourself. Yes, definitely more than one way to achieve the same result. I always try to not say this is the way to do it, because someone will always tell you different! lol Glad you liked the image so much. Your support is always appreciated.😀
Julian, great vlog from vision to print. Love the simplicity of the image & workflow. Thanks for sharing... Also thanks for highlighting the range masks in the post processing stage whilst using the graduated filter... very instructive... I have an old lightroom program & usefulness of the range masks has definitely made my mind up to upgrade my lightroom... Thanks again David
Thanks David, great to hear you got so much from the video. The range masks are a killer feature of LR, and one that I use a LOT in my workflow. Hope you get upgraded soon. Cheers. 😀
Thanks Lynne. Though I accept no responsibility for any reduction in the balance of your bank account! lol (BTW - If you want to pick up a Canon printer, The Photography Show is perfect place to get one as they normally have some pretty tasty show bargains - that's where I got mine). 👍
Beautiful image Julian, it really suits the conditions. With the adverse camber on the Cobb you wouldn't see me casually strolling along it looking into a camera, I'd be worried that I'd just walk off the edge!
Cheers David, always great to see a comment from yourself. The Cobb can be a dangerous place....falling off the edge, getting hit by a wave, tripod getting blown over, leaving your bag open and watching the contents get soaked....it's a wonder anyone photographs it! lol 😜
Great video Julian. I've recently upgraded my D810 to the Z7 and totally blown away by it even if it does only have 1 card slot. keep up the good work dude.
Beautiful image Julian and I would say it would work well in B&W as well. Nice easy process on the photo keeping it natural. I have recently bought a canon pro 100s and still trying to get to grips with. What is the canon pro studio, I have never heard of that programme.
Thanks Terry, I like to keep things simple and natural when I can. Print Studio Pro is Canon's own printing software (and works as a plugin in LR). You can download it here: www.canon.co.uk/printers/inkjet/pixma/professional_photo_printers/print_studio_pro/ It's compatible with the Pro-100S so it should have been on the driver disc in the box (though you'll want to download the latest version).
Julian Baird Photography thanks Julian I download and had a quick glance at it. I love the bordless because I had issues with LR when printing. I will have a good look through and seen if my prints work better. Thanks again really appreciate the help.
Great to see the process end-to-end Julian and a lovely image it is too. How did you manage to find a time with no one else around? My calibrator and photo paper has been in storage since September and just came out this week so I am ready to do some printing again. With the current weather, spending some time going back through the last six months' images is probably no bad thing.
Glad you enjoyed seeing the complete process and the final result. There were a few people about, but most were walkers and runners so they didn't hang about long. Going at dawn keeps most people away, and going on a grey flat day keeps most early morning photographers away as well. I managed to squeeze this shoot in early one Friday morning (sunrise), so a little quieter again. Hope you find some gems in your catalogue! 👍
Thanks for the video Julian. Great to see the image getting edited and printed. I'd be interested to learn more about preparing the image file for printing, running costs and maintenance. I currently use lab printing, order up a sample print (12x8" or similar) and when I'm happy I order a framed print which can be expensive. I'd love to own a printer but I'm there's the inital outlay and the cost of replacement inks etc to worry about. Another concern is if I didn't print anything for a couple of months would this risk ink blockages etc? Perhaps I've been unduly influenced by Thomas Heaton's 'Who'd own a printer video'. Would be great to hear mooire from you about printer maintenance and running costs. Having said that, I'm a Nikon Z6 owner and there's the 70-200mm F2.8 lens getting released in June. Gradually coming to the conclusion that resistance is futile, I'm sure you'll understand ;)
Thanks for watching and leaving a comment Richard. In terms of preparing the file for printing I don't do anything other than what I do in editing. I have a fairly simple workflow and there isn't much more than what you saw. I select Print, set the paper (and associated ICC profile) and margin sizes and go for it. I've never had a problem with blockages on my Pro-10S. It's had several periods where it's been turned off for weeks at a time, or left on and nothing printed for days, and I've not had an issue. Running costs are a little more tricky. Replacement genuine Canon ink tanks for the Pro-10S are around £9.50 each from Amazon. However, there is no easy way to work out how much each print costs in terms of ink. If you look at Canon's published tank yields I would estimate that an A3+ print costs around £1.54. Personally though, I don't concern myself with the costs too much. I don't mean that money is no object for me, but I consider the running costs of the printer just another line item of cost in my photography like petrol to get to all these locations. I appreciate not everyone can have the same attitude as that but given everything else that I spent money on my photography, ink is probably low down in the yearly expenses. Still, given the choice between the 70-200 f/2.8 Z lens and a printer, I'd probably go with the lens! :-) Not sure if any of that helped?!
@@jbairdexp Thanks for the reply Julian. I've found that getting acceptable prints has been the most difficult part of my photography journey. After purchasing a calibration device (Spyder X Pro) and still getting too dark prints, further research made me realise my cheap and cheerful monitor just wasn't designed for calibration. My new BenQ 270C sorted that issue, my prints are now much closer to what I'm seeing on screen. I regard it as a worthwhile expense as it affects every image. It led to a replacement for my aging pc which couldn't supply the necessary resolution but that was a purchase I had been putting off for at least 3 years. I'm rambling on a bit here, but one final question. Your print was framed pretty quickly, do you buy standard frame sizes and then size your prints to fit the frame? Apologies for the rambling, thanks again for engaging.
No apologies necessary Richard! 😀 You can't beat the quality of a very good monitor. If you ever calibrate a cheap monitor and a decent one side by side and the see the differences in colour range you'll know what I mean. I've actually got a a few frames that I use on a regular basis and I just swap the prints when I see fit. So for this video I already had a frame ready, so just printed the image to fit. In other videos, such as this one - ua-cam.com/video/FJYOckTLbyA/v-deo.html - I ordered a custom frame to meet the specifications of the print. 😀
Very nice, tnx for sharing. A question though: doesn't printing all the way to the edge mess up your printer inside with ink? And the frames are A3+ and have a mounting all around are they standard?
Thanks Dimitris. I've had no problems with ink inside the printer by printing edge to edge. 😀 I order all from my frames from www.pictureframesexpress.co.uk/ - I can configure the frame to my exact requirements. So there is nothing special about the frame components, but I do have them made to measure.👍
I really do need to start printing. If only there was a someone at the Photo Show who I could listen to showing me how he does it using Fotospeed papers....
Yes you do Jamie! There was a rather enthusiastic photographer on the Fotospeed stand last year who was evangelising the merits of printing at home but I can't remember his name?! See you at the show mate. 😀👍
Hi Julian. There are a couple of reasons that I don't print my own work. The first one is that when I used to do it years ago it would fade after time and lose the colours. The second is cost. How much do you think it costs to do an A3 because for me to get it printed high quality is about £7.00.
Hi Barry. I can't say that I've noticed any fade in my prints but then again I've only been making prints for a few years. I use genuine Canon Lucia inks so I'm confident that they will last (coupled with a high quality paper). Ink cost is a hard thing to estimate because there is no way to measure how much ink is used to make a print (you can in the imagePROGRAF PRO-1000). However, based on Canon's published ink tank yields, I've estimated that an A3+ print costs around £1.50 in ink. I print on A3+ papers from Fotospeed which cost from £2.92 to £3.48 per sheet. So I'd say that print you saw cost me around a £5 (which is less than what I spent on petrol getting to Lyme Regis).😀
What monitor are you using? The bigger right hand one nearest the camera? I need to invest in a better one and you’ve obviously got 2 different monitors for a reason? Thanks.
The monitor I use for my photography (the one nearest the camera) is an Eizo CX217 calibrated with a SypderX. The other monitor is connected to a laptop and isn't used in any of my photography or video workflows. Eizo monitors are pricey, but the BenQ PhotoVue range is highly rated and I am considering getting one so I can jump from 2K to 4K resolution.👍
Great job Julian, love the image. By the way working my way through the 52 assignment book, that video really did bring back my passion for photography, would love you to check out the videos on my channel, if nothing else you can laugh at my video skills.
Thanks John, and great to hear you've been working your way through the 52 Assignments book! I've added one of your videos to my watch later list so I will check it out later....I see you've done a few videos on 52 Assignment. 👍
That’s why teal is my favourite colour...peaceful and elegant 👍🏻
Thanks Paul 👍😀
What a fantastic print
Thanks John! 👍
I really like the post processed version Julian. A great print to hang on the wall.
Thanks John, I appreciate you leaving a positive comment. 👍
Most enjoyable video Julian
Thanks Andy, very glad to hear that you enjoyed it. 👍👍
Loved the video and the finished picture
That's great to hear Peter, thank you! 😀👍
Good vlog Julian. Particularly like seeing the process from start to finish, especially how to get the best out of the post processing.
Thanks Ray, glad you enjoyed seeing the process from start to finish. 👍
Real simple shot Julian that has a lot of impact nicely captured. Looks great framed up.
Thanks John, really appreciate you watching and leaving a comment. 👍
Really enjoyed the video Julian. And the print looked stunning.
Thanks Paul, glad you enjoyed the video! 😀👍
Believe it or not, it is gray and rainy in Tucson, Arizona. And it's a great day for photographic work!
As long as you are out with the camera that's the main thing, right?! 👍😀
Excellent, learnt quite a bit here many thanks 🙏 🙏
Thanks for watching and great to hear to learnt something as well. 👍😀
Great shot, looks really good printed.
Thanks Steven! 👍😀
Hi, what a magnificent video. Keep up the amazing work! I look forward to your next video.
Thanks Stephen, most kind of you to say. Next video will be out next week. :-)
Great image. I learned new methods of masking in Lightroom. I wonder how many other capabilities I am missing out on... I guess you can never stop learning. Great vid Julian.
Thanks Bob! 😀 This is why I watch other peoples processing videos....you never know what features or techniques you might be missing out on. 😀
Great video Julian. It was good to see the whole process from start to finish.
Thanks Valerie, glad you enjoyed the whole thing. Thanks for watching! 👍
Like the fact such a great photo didn't require a 5am start. So many video's focus on perfect light photography. As many (Most) amateur photographers work finding time to capture that ever so elusive perfect morning glow is really difficult, I'm normally on the M4 at this time. So if I only took photos in great light I'd hardly ever take any. So thank you Julian for reminding me that I can take photos in almost any light, just choose the subject. Brilliant video as my waffle above probably shows I found it inspiring. My camera hasn't been out for nearly a month, it's out tomorrow!
Thanks Steve, and great to hear you've been inspired to get your camera out. Did it go well? I'm a sucker for a big sunrise, but I think it's important to have a few creative ideas up your sleeve for when the weather is less than perfect....which in the winter in the UK is a lot! As you say, if all we did was wait for good light we'd never get out! 😀👍
@@jbairdexp Yes I got my camera out and tried some seascape photography. Whilst I don't think I got much other than a soaking I thoroughly enjoyed and found a location I want to revisit. I have also planned ahead for the times I can for photography without using the weather forecast. I'll keep watching your videos for more inspiration and motivation. Steve
Hi Julian. New to your channel. Very impressed and couldn't agree more...the final print is "the performance" and is most satisfying. Great video. Thanks for sharing. Dave
Thanks David, great to hear you enjoyed the video. I like the thought that the print is "the performance". 👍 Thanks for watching and leaving a comment, and welcome to the channel! 👍😀
Lovely image
Thanks James! 😀😀
Well this had it all from start to finish. A pleasure to see the final result but I enjoyed the whole process. Loved it Julian 👌
Mali, you are too nice mate, too nice! Thanks. 😀 See you at the show in a few weeks.👍
Really enjoyed the video great from start to finish.
Thanks Trevor. You must have shot The Cobb before?😀
Massive fan of your videos Julian! Keep up the awesome work
That is most kind of you to say Kyle! I really appreciate your support. Have a good weekend, cheers! 👍🍷😀
Another great video Julian, love the walkthrough on the editing to, the end result image is stunning 👌👍
Thank you so much Chris! 😀👍
Julian, another great and informative and also quite HELPFUL video. In the northeastern USA where I live, we all too often have a lot of gray light in winter as well. Your suggestions and clarifications will help me deal with this type of light here as well. Many thanks again for another "artful" presentation.
Thanks Paul, glad you got so much from the video. 👍 It's good to have some different ideas and approaches to photography, especially on those grey overcast days! Remember to #EmbraceTheGrey! 😀
Really enjoyed this video Julian. Great to see the complete process from start to finish and a great photo to choose. Lyme Regis is one of my favourite locations.
Cheers Barry, great to hear you enjoyed it so much. There's a lot to like and shoot at Lyme Regis. 😀👍
thanks Julian, really inspiring
Thanks Pauline! 😀👍
Love it! In the UK, we certainly have to make the most of dull, grey winter light - or any UK season come to that...:-) but rarer for it to be so still!! Many thanks - very enjoyable video.
Cheers Tony. I needed to shoot it at dawn (less people on The Cobb), when the tide was high, when it was very overcast, and not very windy....it took a while to get all those conditions and as you say, very rare for it to be still. Thanks for watching. 👍
Great to see the end to end process Julian, fantastic image, must pick up some of that Fotospeed paper at TPS!!
Cheers Chris, glad you enjoyed it. It's great paper and one well worth getting. If you're at the show on Saturday I'm doing a talk at the Fotospeed stand at 3:30. Come and say hello, and I'll have some of my prints on display. 👍
Hi Julian. That's a stunning image ! You certainly made the most of the conditions and the print really brings the scene to life. Really enjoyed seeing the end to end process. I was sitting here thinking why not brush on the local adjustment to the Cobb, but as you quite rightly pointed out, there's loads of ways to achieve a similar outcome (and I've learned another technique so thank you ! ) Many thanks for sharing Julian.
Cheers Tim, always nice to read a comment from yourself. Yes, definitely more than one way to achieve the same result. I always try to not say this is the way to do it, because someone will always tell you different! lol Glad you liked the image so much. Your support is always appreciated.😀
Beautiful image Julian - love the tones and the simplicity of the composition. Really effective.
Thanks mate. Really must get you there one day! I think you'd like it. :-)
Julian, great vlog from vision to print. Love the simplicity of the image & workflow. Thanks for sharing... Also thanks for highlighting the range masks in the post processing stage whilst using the graduated filter... very instructive... I have an old lightroom program & usefulness of the range masks has definitely made my mind up to upgrade my lightroom... Thanks again David
Thanks David, great to hear you got so much from the video. The range masks are a killer feature of LR, and one that I use a LOT in my workflow. Hope you get upgraded soon. Cheers. 😀
That's a gorgeous place. New subscriber.
It is indeed, and I'll be heading back there soon. Thank you for watching and subscribing. Welcome to my channel Erick. :-)
@@jbairdexp You're very welcome. Nice channel.
My kinda image Julian , the Cobb just lends itself to LE photography perfectly 👌
You've now got me thinking I need a printer ...thanks for that 😅
Thanks Lynne. Though I accept no responsibility for any reduction in the balance of your bank account! lol (BTW - If you want to pick up a Canon printer, The Photography Show is perfect place to get one as they normally have some pretty tasty show bargains - that's where I got mine). 👍
Really liked this one mate👍🏻 stunning image! Really my cup of tea
Cheers matey. Well, now you are closer (aren't you?), we should do a shoot there one morning. 👍
Julian Baird Photography I am mate first week in the new job last week😬 we shall definitely meet up for a shoot there for sure!
Beautiful image Julian, it really suits the conditions. With the adverse camber on the Cobb you wouldn't see me casually strolling along it looking into a camera, I'd be worried that I'd just walk off the edge!
Cheers David, always great to see a comment from yourself. The Cobb can be a dangerous place....falling off the edge, getting hit by a wave, tripod getting blown over, leaving your bag open and watching the contents get soaked....it's a wonder anyone photographs it! lol 😜
Great video Julian. I've recently upgraded my D810 to the Z7 and totally blown away by it even if it does only have 1 card slot. keep up the good work dude.
Thanks very much Adam. I too have been very happy with the Z7...small niggles like the single card slot aside. Thanks for watching. 😀
Beautiful image Julian and I would say it would work well in B&W as well. Nice easy process on the photo keeping it natural. I have recently bought a canon pro 100s and still trying to get to grips with. What is the canon pro studio, I have never heard of that programme.
Thanks Terry, I like to keep things simple and natural when I can. Print Studio Pro is Canon's own printing software (and works as a plugin in LR). You can download it here: www.canon.co.uk/printers/inkjet/pixma/professional_photo_printers/print_studio_pro/ It's compatible with the Pro-100S so it should have been on the driver disc in the box (though you'll want to download the latest version).
Julian Baird Photography thanks Julian I download and had a quick glance at it. I love the bordless because I had issues with LR when printing. I will have a good look through and seen if my prints work better. Thanks again really appreciate the help.
No worries Terry. 👍
Great to see the process end-to-end Julian and a lovely image it is too. How did you manage to find a time with no one else around? My calibrator and photo paper has been in storage since September and just came out this week so I am ready to do some printing again. With the current weather, spending some time going back through the last six months' images is probably no bad thing.
Glad you enjoyed seeing the complete process and the final result. There were a few people about, but most were walkers and runners so they didn't hang about long. Going at dawn keeps most people away, and going on a grey flat day keeps most early morning photographers away as well. I managed to squeeze this shoot in early one Friday morning (sunrise), so a little quieter again. Hope you find some gems in your catalogue! 👍
I was exiting a set of stills from the Cobb all evening, I was surprised when I saw this on my timeline just now
Great minds think alike Ryan...hope the edits turned out well. 😀👍
Thanks for the video Julian. Great to see the image getting edited and printed. I'd be interested to learn more about preparing the image file for printing, running costs and maintenance. I currently use lab printing, order up a sample print (12x8" or similar) and when I'm happy I order a framed print which can be expensive.
I'd love to own a printer but I'm there's the inital outlay and the cost of replacement inks etc to worry about. Another concern is if I didn't print anything for a couple of months would this risk ink blockages etc? Perhaps I've been unduly influenced by Thomas Heaton's 'Who'd own a printer video'. Would be great to hear mooire from you about printer maintenance and running costs.
Having said that, I'm a Nikon Z6 owner and there's the 70-200mm F2.8 lens getting released in June. Gradually coming to the conclusion that resistance is futile, I'm sure you'll understand ;)
Thanks for watching and leaving a comment Richard. In terms of preparing the file for printing I don't do anything other than what I do in editing. I have a fairly simple workflow and there isn't much more than what you saw. I select Print, set the paper (and associated ICC profile) and margin sizes and go for it. I've never had a problem with blockages on my Pro-10S. It's had several periods where it's been turned off for weeks at a time, or left on and nothing printed for days, and I've not had an issue.
Running costs are a little more tricky. Replacement genuine Canon ink tanks for the Pro-10S are around £9.50 each from Amazon. However, there is no easy way to work out how much each print costs in terms of ink. If you look at Canon's published tank yields I would estimate that an A3+ print costs around £1.54. Personally though, I don't concern myself with the costs too much. I don't mean that money is no object for me, but I consider the running costs of the printer just another line item of cost in my photography like petrol to get to all these locations. I appreciate not everyone can have the same attitude as that but given everything else that I spent money on my photography, ink is probably low down in the yearly expenses.
Still, given the choice between the 70-200 f/2.8 Z lens and a printer, I'd probably go with the lens! :-)
Not sure if any of that helped?!
@@jbairdexp Thanks for the reply Julian. I've found that getting acceptable prints has been the most difficult part of my photography journey. After purchasing a calibration device (Spyder X Pro) and still getting too dark prints, further research made me realise my cheap and cheerful monitor just wasn't designed for calibration. My new BenQ 270C sorted that issue, my prints are now much closer to what I'm seeing on screen. I regard it as a worthwhile expense as it affects every image. It led to a replacement for my aging pc which couldn't supply the necessary resolution but that was a purchase I had been putting off for at least 3 years.
I'm rambling on a bit here, but one final question. Your print was framed pretty quickly, do you buy standard frame sizes and then size your prints to fit the frame? Apologies for the rambling, thanks again for engaging.
No apologies necessary Richard! 😀 You can't beat the quality of a very good monitor. If you ever calibrate a cheap monitor and a decent one side by side and the see the differences in colour range you'll know what I mean. I've actually got a a few frames that I use on a regular basis and I just swap the prints when I see fit. So for this video I already had a frame ready, so just printed the image to fit. In other videos, such as this one - ua-cam.com/video/FJYOckTLbyA/v-deo.html - I ordered a custom frame to meet the specifications of the print. 😀
Very nice, tnx for sharing. A question though: doesn't printing all the way to the edge mess up your printer inside with ink? And the frames are A3+ and have a mounting all around are they standard?
Thanks Dimitris. I've had no problems with ink inside the printer by printing edge to edge. 😀 I order all from my frames from www.pictureframesexpress.co.uk/ - I can configure the frame to my exact requirements. So there is nothing special about the frame components, but I do have them made to measure.👍
I really do need to start printing. If only there was a someone at the Photo Show who I could listen to showing me how he does it using Fotospeed papers....
Yes you do Jamie! There was a rather enthusiastic photographer on the Fotospeed stand last year who was evangelising the merits of printing at home but I can't remember his name?! See you at the show mate. 😀👍
Hi Julian. There are a couple of reasons that I don't print my own work. The first one is that when I used to do it years ago it would fade after time and lose the colours.
The second is cost. How much do you think it costs to do an A3 because for me to get it printed high quality is about £7.00.
Hi Barry. I can't say that I've noticed any fade in my prints but then again I've only been making prints for a few years. I use genuine Canon Lucia inks so I'm confident that they will last (coupled with a high quality paper). Ink cost is a hard thing to estimate because there is no way to measure how much ink is used to make a print (you can in the imagePROGRAF PRO-1000). However, based on Canon's published ink tank yields, I've estimated that an A3+ print costs around £1.50 in ink. I print on A3+ papers from Fotospeed which cost from £2.92 to £3.48 per sheet. So I'd say that print you saw cost me around a £5 (which is less than what I spent on petrol getting to Lyme Regis).😀
What monitor are you using? The bigger right hand one nearest the camera? I need to invest in a better one and you’ve obviously got 2 different monitors for a reason? Thanks.
The monitor I use for my photography (the one nearest the camera) is an Eizo CX217 calibrated with a SypderX. The other monitor is connected to a laptop and isn't used in any of my photography or video workflows. Eizo monitors are pricey, but the BenQ PhotoVue range is highly rated and I am considering getting one so I can jump from 2K to 4K resolution.👍
Hi Julian, do you use third party inks If you do what ones ? Thanks. Mate
Hey Barry, nope, I only use genuine Canon inks. 😀
Cheers Julian
What printer is that matey? 👍 wicked shot
Thanks! It's a Canon Pixma Pro-10S - ua-cam.com/video/mCTBTlqalrM/v-deo.html
Great job Julian, love the image. By the way working my way through the 52 assignment book, that video really did bring back my passion for photography, would love you to check out the videos on my channel, if nothing else you can laugh at my video skills.
Thanks John, and great to hear you've been working your way through the 52 Assignments book! I've added one of your videos to my watch later list so I will check it out later....I see you've done a few videos on 52 Assignment. 👍
@@jbairdexp My vlogging skills are not great but the mono magic seems to be the favourite so far. Thanks again.