Mikhail Pletnev plays Rachmaninoff - Preludes, Morceaux, Etudes-Tableaux (Warsaw, 2017)
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- Опубліковано 2 жов 2024
- Mikhail Pletnev plays an all-Rachmaninoff's program, live at the Chopin festival in Warsaw.
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Sergei Rachmaninoff (1873-1943)
► 00:02. Prelude in C-sharp minor op. 3 No. 2
► 04:32. Elegy in E flat minor op. 3 No. 1
► 10:54. Polichinelle in F sharp minor op. 3 No. 4
► 15:04. Barcarolle in G minor op. 10 No. 3
► 19:16. Humoresque in G major op. 10 No. 5
► 23:27. Prelude in B flat major op. 23 No. 2
► 27:25. Prelude in D major op. 23 No. 4
► 32:26. Prelude in G minor op. 23 No. 5
► 37:01. Prelude in A minor op. 32 No. 8
► 38:43. Prelude in G-sharp minor op. 32 No. 12
► 41:27. Etude-tableau in C minor op. 39 No. 7
Mikhail Pletnev, piano
Chopin and his Europe Festival
Live in Warsaw, 22 August 2017
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Сергей Рахманинов (1873-1943)
► 00:02. Прелюдия до-диез минор op. 3 No. 2
► 04:32. Элегия ми-бемоль минор op. 3 No. 1
► 10:54. Полишинель фа-диез минор op. 3 No. 4
► 15:04. Баркарола соль минор op. 10 No. 3
► 19:16. Юмореска соль мажор op. 10 No. 5
► 23:27. Прелюдия си-бемоль мажор op. 23 No. 2
► 27:25. Прелюдия ре мажор op. 23 No. 4
► 32:26. Прелюдия соль минор op. 23 No. 5
► 37:01. Прелюдия ля минор op. 32 No. 8
► 38:43. Прелюдия соль-диез минор op. 32 No. 12
► 41:27. Этюд-картина до минор op. 39 No. 7
Михаил Плетнев, фортепиано
Фестиваль "Шопен и его Европа"
Варшавская Филармония, 22 августа 2017
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► Mikhail Pletnev: ua-cam.com/video/cpq0ibsuOSI/v-deo.html
► Nikolai Medtner: ua-cam.com/video/YuhxyTgvR2Y/v-deo.html
► Nikolai Golovanov: ua-cam.com/video/5qp0ELT2_4M/v-deo.html
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Thank you Russia for you genius . I love you !!! Fron italy . Como lake..
Thanks to Mikhail Pletnev and his unique gift, the works of Sergei Rachmaninov acquired a new meaning, colors and sounded even more attractive. . .Is - his divine freedom that so much admires us and gives us a sense of touch to eternity !
Весь тревожный, рваный, больной дух и тщательно заретушированная боль души композитора пробились наружу в исполнении Плетнева. Но это проникновение за шторку другой души так деликатно, так трепетно и осторожно, что не чувствуешь себя подсматривающим в чужое окно человеком. Просто посвящен в чужую тайну. Спасибо, отслужим за это доверие, поможем еще кому-то немного очиститься. Музыка это может! Спасибо!
Когда слушаешь Плетнева, слова заканчиваются. Остаются только мурашки по спине и желание переслушивать много-много раз
М.В.Плетнёв -- гениальный пианист!
Да, гениальный!
Потрясающе!!! Сражена!!! Михаил Васильевич говорит с нами звуками на понятном для каждой души языке. Как такое возможно???!!! Браво!!! Нужны какие-то другие слова, но потрясена исполнением, нахожусь под впечатлением, не могу подобрать слова, чтобы более полно выразить моё восхищение.
ПОЛНОСТЬЮ СОГЛАСНА! Потрясающие образы, это целые спектакли, поставленные гениальным режиссёром, мастером звукоизвлечения.
@@ОльгаБинько-г8п , я что-то опять плачу, никто другой так...
Ясновидящий волшебник с неземным мастерством и фантазией !!
Плетнев Гений вне времени !!
Такой объемный звук только у Плетнева! Рахманинов у него звучит предельно трагично, его игра доходит до глубины души, и давно знакомые произведения трогают до слез! Спасибо гениальному музыканту за это! Живите долго- долго, Михаил Васильевич!
Славный пианист .Тонкий изящный. чувственный и много оттенков в исполнении .Спасибо за удовольствие.
Вот правда,очень тонкий,необыкновенный,не каждому технарь такой талант даруется
Fantastic bells. Phenomenal fingers and mind.
Никто так не может извлекать звук из инструмента, как Михаил Плетнев. Я так и не попала на его концерт в Тюмени. Жалею.
Столько ассоциаций ! Музыка и такое исполнение лучше всяких пророков и утешителей
С. РАХМАНИНОВ в исполнении Михаила это волшебство, сказка! Спасибо!!!
Да,и не только Рахманинов!
Bravo Pletnev -Always and forever , the Master of his craft .
Pletnev is fantastic. Things would be much more interesting if pianists exercised a bit more of freedom like he does.
Indeed. Most are either unable due to lack of tasteful musicality, or they only dare to do middle of the road interpretations. It's boring. After Pletnev not much compares.
Unfortunately his 39/7 goes in much contra the score. Some of his 'innovations' are rather interesting, but the most actually not. They just don't make sense. Especially the treatment of tempo which is oscillating half the time. I cannot follow his thought there, it isn't logical to me.
Есть ли смысл в обсуждении гениального пианиста.❤
Брависсимо!!! Здоровья Вам Маэстро и долголетия!!!!!!!!!!!!!!
Blagoslovena smo što živimo u njegovo vreme i možemo da uživamo u njegovoj muzici.Hvala Vam gospodine Pletnev.❤
I’ve heard Pletnev play this program in Amsterdam Concertgebouw. I heard much of what he played from other pianists but still: it was like hearing it for the first time. I will never forget it, it was hypnotic from minute one all the way to the end. As we say in Dutch, ‘als aan de grond genageld’. Many thanks for the upload.
Pletnev surprises me and moves me with his enormous talent and brilliant interpretation of music. He shows me how to sing with piano, I could even hear an angelic voice singing poems.
BRAVO PLETNEV💐💐💐💐💐💐
Yes, of course, the world of Pletnev, his inner universe is hopelessly tragic. But, at the same time, we feel joy, because these tragedies and hopelessness are expressed by Pletnev with divine freedom! It is his divine freedom that so much admires us and gives us a sense of touch to Eternity!
I wouldn't exaggerate saying, that by Pletnev's playing we learn Rakhmaninov from the point ,almost none of us thought before. Suddenly you start to get, that all that was written by musicologists about him ( devotion to homeland , he had to part with when Bolsheviks came , bell - ringing in his music, etc. ) doesn't really touch the main theme of his life - and that's relationship with the Death. It sounds strange at first glance , but his happy childhood , followed by world fame both as a composer and a pianist, was a big contrast to what was probably his inner world. By friends we know , Rakhmaninov was a kind of person , who was very easily depressed. Any light disease made him think he would never recover , and any slight misfortune in work made him feel he would never write anything anymore. And probably at these moments the bells of happy childhood ( the time he spent with grandma in Novgorod ) suddenly became those of Dies irae. Being very honest and morally pure man (sometimes too much ) he believed the bell would toll one day and he would get punished for all the bad things he made.
I won't exaggerate if I say that all of this we hear in playing of neither of pianists , but Pletnev.....
Dear Vova Hrenov, Rachmaninov's friend, wonderful musicologist Leonid Sabaneev writes (I translate from Russian, do not blame me for the translation):
www.e-reading.club/chapter.php/93162/22/Sabaneev_-_Vospominanie_o_Rossii.html
"Rachmaninov lived a brilliant life, substantial, long and happy.
Very few musicians can boast of such luck, accompanying Rachmaninoff from his youth to the grave. Still a young man, before he could get off the conservatory bench, he was already known, popular, and kindly treated by Tchaikovsky himself. His first works were greeted enthusiastically, and by the time he was twenty years old he had become a favorite of the public and criticism - he saw the successor of Tchaikovsky, who had just left. Soon he added to this the laurels of a first-class pianist and a remarkable conductor. By the time of his departure from Russia, he was, in fact, the most beloved and popular composer of his own, then the younger generation and the most popular pianist. And ahead of him still waited world glory, triumphs and honor. He was rich and family happy ...
And yet, with all this, Rachmaninoff is a tragic figure. Exactly some constant gloomy shadow overshadowed this brilliant, successful life. He was in the depths of his completed type of pessimist - another trait that related him to Tchaikovsky, who in his life still had more grounds for pessimism.
Taciturn and reserved, not that secretive, but never saying what could not be said, he seemed to be possessing some sort of psychic drama. And his music is one of the most sincere music in all musical literature, the only area where he "let out" - this music is perhaps the most gloomy in the world. Above his work hung a color of some gloomy splendor, as if he constantly performs some solemn funeral rites. Let us recall a series of his main creations, the milestones of his creative path: Prelude cis-moll, Second Concerto, where funeral rhythms sound from the very beginning. Third Concerto, Tchaikovsky's Trio (there is already a funeral in the title), "The Island of the Dead", "The Bells" is his favorite work, where the funeral outcome of the world outlook is already clear. In his creations, the funeral melody "Dies irae" occurs five times - this did not happen to any composer. In his works, not a single smile, not one real moment of merriment - there is neither irony nor humor, which illuminated Mussorgsky's intrinsically gloomy work".
I believe that the current structure of Pletnev's inner universe is close to that described above ...
Прекрасный перевод и прекрасно сказано........
For me Michail Pletnev's interpretations are underdone. His music, when listening to Rachmaninov or Saint-Saens, is erratic, without any concept.
БРАВО, МИХАИЛ !!!
what a beautiful sound has this piano!!!! Pletnev...Amazing..
Сегодня 150 лет С.В.Рахманинову и спасибо Плетневу два гения это сдорово.
Браво! Михаил Плетнев большой мастер класс!
Гений нашего времени!Это как смотришь фильм 3D ,объемность,как будто находишься внутри музыки,человек-оркестр!Будто не один пианист играет,какие пласты бесконечности открываются, как в космосе побывал,во вселенной,горизонталь,и конечно-чувства!!Желаю крепкого здоровья Михаилу Плетневу!
Не знаю, прочитаете ли Вы мой ответ, но так хотелось! Вы написали "человек - оркестр". Я же хотела сказать: Плетнёв текст для фоно рассматриваете партитуру оркестра. У него нет правой - левой руки! Каждый палец, кисть , ладонь обретают свою партию. Поэтому музыкальный текст воспринимается, как полотно, а Плетнёв как дирижёр собирает каждую ноту, встраивает ее в пространство. Как он заканчивает игру!!!! Своим кулачком смахивает с клавиатуры все звуки как карты, зажимает их и поднимает вверх, ставит точку. Как я рада Вашему комментарию. Я не одна!!!! А перед Плетневым все расступаться должны. Герой!!!!
Love comments from you both ❤
Viva Russia Rachmaninov genio. Pletnev fantastico
The Elegy is haunting and beautiful!! I have never heard I before. Bravo!
my favorite too...
@@yelenaburchill6500 Rachmaninoff was a great melody writer and composer!
I've never heard it like he played it. The ending with the descending thirds is supposed to be played fortissimo, but he does mezzo-forte into fortissimo. I kind of like it! It gives the piece a sense of being incomplete. It is the first piece of a collection, so it makes sense!
Потрясающе, я восхищён, браво!
Гений! Огромное спасибо за возможность услышать прекрасное исполнение Рахманинова!!!!
Absolute Genius!!
Wait til you hear his Tschaikowsky SECOND!
OUT OF THIS WORLD! Impossible! BRAVISSIMO!
He’s got the romantic feel for sure. A revelation! He doesn’t let the bar lines get in the way of the musical idea. I wonder what Rachmaninov would say about his interpretation? I love it!!
Divino !!! Subline .. fantastico ta rachmaninoff .. meraviglioso pletnev!!!!!
Sergei Rachmaninoff (1873-1943)
00:02. Prelude in C-sharp minor op. 3 No. 2
04:32. Elegy in E flat minor op. 3 No. 1
10:54. Polichinelle in F sharp minor op. 3 No. 4
15:04. Barcarolle in G minor op. 10 No. 3
19:16. Humoresque in G major op. 10 No. 5
23:27. Prelude in B flat major op. 23 No. 2
27:25. Prelude in D major op. 23 No. 4
32:26. Prelude in G minor op. 23 No. 5
37:01. Prelude in A minor op. 32 No. 8
38:43. Prelude in G-sharp minor op. 32 No. 12
41:27. Etude-tableau in C minor op. 39 No. 7
Mikhail Pletnev, piano
Chopin and his Europe Festival
Live in Warsaw, 22 August 2017
Thank you!
Thank you Polina! (I knew what the Preludes were, but not the rest, so very useful!)
Такого я не ожидал! Нет слов.
Нисчем нисравнимое исполнение Рахманинова!!! Потрясающе!!!
пишите грамотно
Вот гений,но другому не скажешь,очень тонкий,и слышащий ,только Гилельса могу с ним в ряд поставить
op. 39 No. 7 is stark, penumbral, bitter and prophetic - especially in this extraordinary performance
That swell at 48:00 ... man I can't stop listening to it.
Глубочайшее проникновение в ткань рахманиновских глубин, и потрясающий, трагический, и, одновременно, светлый гений исполнителя. Браво, Михаил Васильевич!
Господи это Твое чудо!!!
Amazing playing and amazing sound.
Non ci sono parole...
Si ferma persino il respiro, ma il cuore batte, eccome, disperato impazzito...
Как его игра трогает душу и уносит в горнии выси! Плетнев- избранник.
Merveilleux ! Merci.
Elegie any music pieces is better if plaied by pletnev. He is an assolute genius . Tears .. .. mikail many thank i love you
Please 🙏 can I be his neighbour….? ❤️❤️❤️❤️ Incredible playing!!! Genius pianist ❤
Бравоооо👏👏👏👏👏👏👏
I am ashamed of having underrated Rachmaninoff till I listended to this. Especially the last piece is sublime.
Just because all that you listened to by now wasn't Rachmaninov. Only Pletnev and Horowitz know how to play this music.
En 0:50 et sq, on dirait qu'ils sont deux à jouer. Magnifique!
Божественно!!!
Как тонко передал все чувства тоски по Родине...
Браво, Михаил Васильевич!
Grazie Maestro Pletnev.....
Лучший
Гениально,просто невозможно слушать без слёз восторга, спасибо
Элегия самое лучшее исполнение, браво!!!
послушайте в исполнении Сергея Рахманинова
Лучшее все же, на мой взгляд, у самого Рахманинова. Но Михаил Васильевич тоже глубоко затронул. Хорошая у него "Элегия"
@@mityai1983 Абы што.
41:14
это с ума сойти ии там остаться..
Запредельно!
Mihail Pletnev, a giant of piano and of music.
Like medieval history like Vikings can appreciate boat builders and fortitude as well as Games of Thrones costume drama time travel simulation. Like Sonatas and Nocturnes Stephen Sondheim A Little Night Music. Play brilliantly beautiful melodies
Zoltan Kodaly music theory expound and Scribian composer of renown Poem of Ecstasy, Fire, and Mysterium.
Eugene Delacroix Romantic Painter of Orientalism and his women of Algiers your memorable masterful Rachmaninoff.
splendid
№1 в мире ❤
Причём с конца 80х годов 20го века.
Grigory Sokolov has More colorful beautiful piano sound than Pletnev! Grigory Sokolov is the Giant of Piano! The Titan of Piano! Pletnev is the King Haydn concerto no 11 and Prokofiev concerto 1 and Saint-Saens no 2! Sokolov is the King of Chopin concerto no 2 and Brahms no 2 and Mozart no 24! Dimitri Bashkirov her teacher Anastasia Virsaladze teach saying to Bashkirov the most important lesson is the love of beautiful colorful piano sound! This was already in 1930s! Really Shocking!
СотворЕц..
Спасибо Минаеву за открытие гения
The C sharp minor prelude is re-born.
Гений
41:13
38:44 соль диез минор
Clairvoyant and meditation visualization adherent and read Eastern philosophy thus Sergei Protopopov avant garde Piano Sonatas virtuoso composer music theorist and Michael Praetorius Organist virtuoso sacred music and composer.
when Pletnev is in the mood he is superb. I disagree with the philosophy that everything a pianist does is either superb or mediocre.
The performance is incredible. But the sound recording has a very big flaw: The loudness remains always at one level. Some very stupid algorithms increase or decrease the volume, and so is everything flat. I don´t know if the problem is the recording device or youtube. This is a crime against the instrument, the interpretation, the pianist and of course the composer
This is called Compressor. You're right, it's stupid
@@tobiaskahl6610 неправильно
@@tobiaskahl6610 -- But without it some passages are INAUDIBLE, right?
@@steveegallo3384 You may be right. So go to live concerts when you can. Use 33rpm records when that fails. Only rely on You Tube type playbacks to find out what the notes may have been.
@@christopherjohns9631 -- Your gift for sarcastic wit precedes you....Sure beats plain speaking!
C'est aussi très beau à la vitesse 1.25. Le tempo s'en trouve très légèrement modifié. Mais je préfère encore la vitesse normale de 1.00. Merci.
there is no 'brutal passion' in his playing, some parts sound unhealthy, rather small sound.
Check your speakers
Yeah, although I miss the raw emotion in some players, pletnev definitely isn't one of them, so the issue might be in the recording or as Igor suggested in your audio system
No...You're absolutely right! It's like he's playing "salon." Now, Richter, Weissenberg = Grand Sound! Although that having been said, Pletnev's Tschaikowsky SECOND is the GREATEST!
This is not a music of brutal passion , but tragedy , going throughout his (Rachmaninov's) life
Никакой " зверской страсти " тут не было никогда и быть не может. Это вам не балет "Корсар"
мдааа, не впечатляет
Чем богаты, тем и рады!
Mannered histrionic style. MP distorted Rachmaninov all the way. I want to puke
From what I've heard so far, I completely disagree. For 'distorted' read 'interpreted'.