@gregmonks, Thank you for your comment Greg. Well, I guess, that's what you get when a French- (and Natural-) horn player (me) starts playing a 4-valve-Flügelhorn, and after that also starts playing a Turkish ney (reed-flute) in a different tonesystem (with about 26 steps in an octave). ;-)
@@gregmonks And oh yes Greg, about the cross wood- and brass- wind-instrument; if you like, check out this amazing one: Michel Godard on the serpent: ua-cam.com/video/Turv2oAg5fo/v-deo.htmlsi=HmRscFwLb2z06kpC&t=135
Sounds like a cross between an oriental wooden flute and an Eb tenor horn. Very haunting.
@gregmonks, Thank you for your comment Greg.
Well, I guess, that's what you get when a French- (and Natural-) horn player (me) starts playing a 4-valve-Flügelhorn, and after that also starts playing a Turkish ney (reed-flute) in a different tonesystem (with about 26 steps in an octave).
;-)
@@wimkrijnen Horn player here, too, learning to play natural horn. No flutes, though.
@@gregmonks Do you know this Natural-Horn-group on Facebook? Link/url: facebook.com/groups/naturalhornembassy
@@gregmonks And oh yes Greg, about the cross wood- and brass- wind-instrument; if you like, check out this amazing one: Michel Godard on the serpent: ua-cam.com/video/Turv2oAg5fo/v-deo.htmlsi=HmRscFwLb2z06kpC&t=135