J. S. Bach - Fugue in G minor BWV 1000 - Evangelina Mascardi, baroque lute
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- Опубліковано 6 сер 2024
- J. S. Bach - Fugue in G minor BWV 1000 - Evangelina Mascardi, baroque lute
Registrato nella chiesa di San Francesco di Orte il 7 maggio 2022 da Edoardo e Alma.
Liuto costruito da Cezar Mateus 2010
Un ringraziamento speciale a Don Maurizio Medici per la disponibilità
Якби я мала хист до малювання.
Я неодмінно намалювала Вас.
Ви прекрасно передаєте атмосферу музичного твору.
Отримала неймовірне задовооення коли почула Ваше прекрасне виконання твору.
Браво.
☀️❤️🇮🇹
What a great way to take a break from work : a nice cup of coffee and listening this wonderful music by Evangelina.
Probably the best version recorded on the lute of this famous fugue, all the voices are clear and limpid, the phrasing always directed and felt, the whole of a devastating beauty. Bravo!
I also find Mario D'Agosto's version absolutely incredible! Both for this fugue and for the other works for lute by Bach.!
@@nisbiyyah
Thanks for the recommendation, I'll put that in my playlist!
Evangelina Mascardi might just be the best living lutist.
First to comment and I’m glad to witness the beauty of her playing so early!
Questa fuga è stupenda e solo un(a) liutista di tale caratura può farla risultare così maestosa!
Encore un cadeau du Coeur !
Merci❤
Evangelina è fantastica.
B R A V O ! ! !
Grazie!
Meravigliosa interpretazione. Impeccabile fluida e struggente. Grande Evangelina!
Brava bravissima! What phrasing, no notes, just music.
Any time my youtube adventures cross paths with Evangelina, I know it's time to take a break to enjoy some music and reflect on the true precious joys in life.
🙏💕
Esecuzione S P A Z I A L E !!!!!! Da ascoltare, e riascoltare, e riascoltare ancora!!!!! Grazie per condividere questi che non sono video, sono gioielli senza tempo!!!!!
grazie
Anche io penso che Evangelina sia la migliore liutista della nostra epoca
Si dice di musica tanto sublime ma complessa e difficile da eseguire che sia croce e delizia per chi la suona. Ebbene, questa esecuzione a me pare un purissimo distillato di delizia. Grazie per avercelo regalato con la ben nota generosità 🌹
Lute virtuoso
Superbe ET DIFFICILE !
Evangelina ! Bravo !
bravo!
Grazie tanto!!!
This is probably what Bach would have wanted it to sound like.
Beautiful playing, but I think the interpretation is a bit too modern for Bach’s time
The definitive version of this work. Your playing is awe inducing, technically and dynamically flawless, and emotionally stirring. Thank you again for another performance for the ages.
🙏
Obrigado pelo vídeo maestrina, belíssima interpretação técnica impecável refinada bravíssimo de Manaus Amazonas Brasil saudações.
Eine hervorragende Interpretation von Evangelina. Ihr gelingt damit die Seele von Bach und Gott anzurufen. Einfach genial
Una esecuzione impeccabile. Complimenti Evangelina Mascardi
Bravo!... mucha perfección, el laúd Barroco no tiene rivales para este período, por más Bach y Weiss
As a violinist, this is standard rep. Thank you for this masterpiece performance. I only wish I could make my violin sounds as effortless! 😊
Wonderful, as usual.
Merci évangelina, c'est superbe.
Sei sempre bravissima!
Es mi fuga favorita, que maravilla
Excellent!
thanks
✨✨✨🕊️
What a wonderful instrument and Bach is amazing. Great playing.
thanks a lot
Evangelisation is - for me - simple, one of the best lute players in the World........great. thank you so much for the Kind of music. Yourz. Tom.
🙏🙏
Sensational performance Evangelina. Thank You Thank You Thank You.
❤🌞❤
Ottimo!! 💐🍀
Ohhh bravo!!! ❤
Maravilloso
Y bueno, continúa la magia con Valentina y Bach.(No puedo dejar de escucharteeee!! )😄😄👏👏
me alegro!
Pięknie!
Bellísima
la megliore liutista della storia
🙏
Evangelina Mascardi siz harika bir kadınsınız!
Grazie
😍😍😍
...beautiful...
Gracias
Brava!
Magnifique Evangelina !!!!!!!!
I cannot get enough. You're amazing and you have a great touch.
Magnificent. Thank you.
💕💕
molto bello, complimenti!
grazie
Love it
Wow !
Wow, the most satisfying interpretation I've heard of this piece!
Muy linda, Maestra. Excelente.
Fantastic music and playing!
Thanks a lot
la musica classica è l'unico ambito dove vige ancora, nonostante tutto, la preminenza della lingua italiana: la stessa fuga (da cui "fugato") è un termine latino. Perchè, dunque, usare altre lingue?
Sheer … brilliance.
Perfection beyond words
Fabulous! So articulate!
You are genius, I’m not a huge fan of Bach on lute/guitar but have heard few who understand this music as well as you do!!
❤
👏👏👏👏👏
👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
You dream of Bach, Evangelina, and I dream of you.
💕💕💕💕💕💕
Grazie! bravissima come sempre, il tuo suono è super bello. Bach è fiero di te! che corde usi su questo liuto?
Uso nylon sulla 1 , nylgut 2 e 3 , carbonio 4 e 5, rivestite Savarez e carbonio per i bassi.
grazie mille Evangelina! e complimenti per la sua musica
Does anyone know if Evangalina has any albums out on vinyl? The only cd player I own is in my car or on my computer. I can stream her but I want to buy some of her work and put more money in her pocket.
Hello Kurt, unfortunately I don't have any album in vinyl. Thanks
Mike Schank brought me here. RIP
Bellissima versione, ma esiste una trascrizione dal liuto in notazione che preservi i bassi all'ottava reale? Grazie
That’s bwv1001, no?
Wasn't this the 1001 instead of the 1000?
BWV1001？
From Wikipedia: Bach extracted the second movement from his Sonata No. 1 in G minor for solo violin, BWV 1001, written in 1720, and rewrote it; it is not clear that it was intended for the lute.[2] No definitive manuscript version exists today, although there is a contemporary copy in tablature, possibly made by Bach's lutenist friend, Christian Weyrauch. Wikipedia also states that Bwv 1000 is two bars longer than the violin version.
@@joshuayeidel8607
Thanks so much！
No this must start on the off beat! There's a quaver rest at the beginning!!
F# minor sounds better :o
בניגון בתחתית בG Minor פרסטו.
Nice! Nontheless I would always recommend to go back to Hopkinson Smith for a much more expressive and original interpretation.
I just checked Hopkinson Smith and his timing and dynamics are all over the place? Not sure about it...