Sujith Sarkar is one of my favorite director I became a fan after watching October. I cried a lot after watching October which only a true cinephile will understand
Because it is a deep poetry whose every frame and every dialogue will make you think and feel the pain inside the character no one but a cinephile will understand.
Its difficult to imagine light when life is filled with darkness. Life is filled with despair and longing for something better. But life is beyond your control of what happens. I wrote a brilliant review of this film I poured all my heart out for the review but I forgot to save it and like that I lost something i put my heart out for. But this film taught me exactly that life isn't your's or I's to control. Actions happen to you and your actions lead to counter consequences and actions. Accepting the fate and the chaos around us leads to bliss and peace. Every action and movement has millions of stories waiting to be uncovered by, you could do what you needed to but it might mean nothing at the end of it. This film never gets saccharine in the disaplay of love and emotions. It's like watching real people. I believe this is the realest and most vulnerable and intimate portrayal of Mumbai and its life I have seen. It's a vulnerable poetic prose. Actions speak louder than words, images enunciate more than sound. Film is minimal in it's use of words and dialogue but every word said on the screen feels poetic and engages our thoughts in it. The intimate and vulnerable performances by Kani and Divya are worthy of tears and change of our philosophies. The way both of them contrast each other is refreshing to see, Anu is full of love, life and youth. Where's Prabha has never got to experience it or maybe she doesnt care about these things anymore, they way they are so unlike but still have alot of common ground between. The score of the film brings calm and smoothness when there is chaos, it never tries to overpower the film or the performances it's there when we need it the most. The way Ranabir Das uses every frame of the film to invoke our emotions and let's us on a deep dive in their life's without forcing anything on us, he presents everything and lets us feel how we want to about it, is beyond beautiful. Payal Kapadia is a genius but more than that she is a human who understand other beings and knows how to portray them and their lives to us in a way that we have knew them all our lives. The way Kapadia wrote this film is beyond mesmerizing and poignant. She strucked a chord in me and thousand of others. For the passion of cinema for the passion of art, stories and humanity. I was really happy that I wasn't the only one in the theatre for the film, it brought me hope that indie cinema has a place in this world, but this film has taught me that hope might not be something you could be truly sure about or can hold on to. What if we decide to live by choice? What if we just let go of our surrounding and find peace in ourselves. And had this been the past I might not know. To be not influenced by our lavish thoughts. So poetic of a film that I feel rebirted by the end of it. For more such reviews follow me on letterboxd at Avanipal
Wow! Written so beautifully I litreally felt goosebumps in my veins, the picks of words, the pace, each and everything is beyond enveloping!... Loved it! 😇
One of the major reasons behind dislike or these kinds of movies is based on the truthfulness of Simplicity of Art which theatre audiences don't want to buy
These are the last 10 films I watched: The Lunchbox Maqbool Dasvidania Phas Gaye Re Obama I, Me aur Main Mithya Taxi No. 9211 Khosla Ka Ghosla 99 Guzarish... and many more One simple answer, today's audience is badly affected by social media, and now everyone has access to the internet, they all want to be a hero, just want to become famous, and want their face value. No one is actually caring about Indian cinema. The mindset is the problem and that's not going to change.
Films like “All we imagine as light” and “I want to talk” are slow-paced films which requires focused attention over an extended period, which many viewers may not be willing to invest in today’s distraction-heavy environment. Furthermore, these films often explore niche themes or subtle emotions that might not resonate universally. If the audience cannot connect with the characters or story, they might lose interest quickly. And of course because of the viewing habits of the masses, these films are not supported by audience.
There’s something almost sacred about watching a film that feels as if it has been plucked out of the ebb and flow of life itself. It’s raw, it's intimate, and it’s unapologetically real. When a film steps away from the artifice of spectacle and into the uncharted waters of human vulnerability, it offers a truth that’s as unsettling as it is beautiful-a truth that mainstream cinema often glosses over for the sake of comfort. In the theater, I found myself surrounded by only a handful of souls, each there for their own reasons, but all pulled by an invisible thread of shared understanding. The film unfolded, not with a rush of plot, but with a patient grace, each frame a meditation on the small yet profound moments that make up a life. There was no need for loud declarations of love or dramatic reveals-there was only the quiet poetry of existence, where even the mundane shimmered with unspoken significance. Mumbai, in this film, wasn’t a city of dreams, but a living, breathing organism-vulnerable, chaotic, indifferent. It wasn’t dressed up to meet anyone’s expectations, and that’s why it felt more alive than any polished reel of Bollywood glamour. The streets weren’t backdrops; they were characters, and the people weren’t acting-they were living. The protagonists, Kani and Divya, moved through the chaos like dancers out of step with the world yet perfectly in sync with each other. Their faces carried the weight of histories left unspoken, their silences more eloquent than any dialogue could ever be. I felt them, not as characters in a film, but as old friends whose stories I hadn’t yet heard but had always known. Every scene was a canvas, painted with the shades of imperfection that make us human-the yearning, the weariness, the fleeting joys, and the quiet despairs. It was a dance of contradictions, and it reminded me that life, too, is a series of contradictions-moments of brilliance tucked into the folds of everyday struggles. The score didn’t tell me how to feel; it accompanied me, like a friend who knows when to speak and when to let silence fill the gaps. There was an authenticity that seeped through the screen and into my very being, challenging me to let go of control and embrace the messiness of life. And perhaps that’s why this film isn’t made for the masses. It doesn’t spoon-feed or entertain-it invites. It asks you to sit with your discomfort, to dwell in the pauses, and to let go of the need for resolution. There’s no promise of a happy ending because life itself offers none. There’s only the promise of truth, however hard it may be to look at, and a reminder that to live is to be vulnerable, to be uncertain, and to still find beauty amid the chaos. It’s not a story meant to comfort; it’s a story meant to awaken-a quiet call to see the world, and ourselves, as we truly are." Indie cinema has a way of finding its audience, not through loud proclamations, but through whispers that linger long after the credits roll. It’s a kind of love that doesn’t fade with the end of the film; it stays with you, asking questions you never thought to ask. It’s the kind of film that makes you grateful for the stillness of a near-empty theater, where you realize that, sometimes, the quietest voices are the ones that resonate the loudest. Maybe that’s the lesson this film leaves behind-the courage to accept that we are not in control, and in that acceptance lies a freedom we can’t find anywhere else
10:24 Kyuki inn movies ke sath vo hype nahi hoti jo normally Jawaan, Singham jaisi movies ke pass hoti hai. Aur agar vo movies jinme koi badi cast nahi thi jaise 12th fail, Lapata ladies aur vo phir bhi chali, uska bhi karan yahi hype hai kyuki unke dialogues ko social media ke through bahut views mile aur hype bni. Mostly indian audience regular movie watchers nahi hai, issliye jin filmo ke bare me jyada baat hoti hai vo bas ek baar tickets pe invest karke movie dekhne chale jate hai. Aur kayi baar log pressure me aake bhi dekhne chale jate apne group discussions me relevant rehne ke liye. Thank u Vishal for such amazing reviews!❤
I think most of people are watching films just for enjoyment or taking break from their daily life, they are not much interested in the cinematic perspectives such as cinematography or story telling forms . I think that's the reason that mass cinema is popular while such independent movies does not get such attention and screens in theaters 🤔 They do like such genuine films but they will spend their money and time for experiencing their favorite stars like SRK or Allu Arjun ✨️
Very true bro 😅😅😅I damn agree 💯 with you...They won't go to the theatres to watch such movies at all bt they'll get appreciated bt the cinephile audience
The Reason behind failure of these films are Downgrade of Feel Good Cinema.People watch only Mainstream Action films Like Fighter, Animal,Singham 3, Pathaan etc and Comedy Films Like BB3,Stree2 ,TJMM etc all are Done By Popular Actors and Hardly and Rarely These Feel Good Types of films get Support from Audience Like Lunchbox and 12th Fail and It is so sad Films Like Jhund and Zwigato doesn't gets chance from Audience so My point is these type of films should Be released on OTT directly
See india is a country of highest population and i personally feel majority of audience is that group of people who are tired from life realities and they want something fictional/over the top/full of humour to forget all that harsh things. These films are more for OTT because for that people are not making outing plans or something. Just my take! 👍
Sir Shoojit Sircar Sir Vijay Sethupathi Sir Rajnikant Sir Kamal Hassan Sir Amitabh Bacchan Sai Pallavi ji Ranbeer Shorey ji Manoj Bajpai ji Dulqeer Salman Sanjay Mishra sir And more Vishu Puran Series or Garuda Puran series
As I started working a 9-5 Job, I realized one thing, in this hustle to survive/live the little time I get with my friends, family or even for myself to watch something, I really want to be entertained or at least a little escape from reality which these cinephile movies won't provide and I think that's the issue with most of us if we are going to spend our hard earned money and the 2-3hrs of my life, I at least want to fill good or get that rush for sometime, rather than having the reality check again in theaters, same is not the case on OTT where I can watch anything and if I don't like it in first 30-40 mins skip to something else that's the case for me now, coz before getting into the work life, I also used to enjoy every type of of movie there is
ऐसी फिल्मों के न चलने के कई कारण है :- 1). तगड़ी मार्केटिंग की कमी। मैंने रिलीज से पहले i want to talk का न नाम सुना, न इसकी कोई buzz पाया। इसका ट्रेलर भी रिलीज से बस कुछ दिन पहले ही रिलीज हुआ। 2). ऐसी फिल्मों में गाने नहीं होना भी एक कारण है। गाने एक फ़िल्म की पहुंच का दायरा बढ़ाते है। 3). ऐसी फिल्मों को रिलीज पर ज्यादा स्क्रीन नहीं मिलना भी बड़ा कारण है। जो लंबी छुट्टियों वाले डेट्स है, उन्हें बड़ी फिल्में बुक कर लेते है। डेट भी गए और स्क्रीन भी। ऐसे में यह फिल्में साल के उन दिनों में रिलीज होती है जब लोग सिनेमाघर कम जाते हैं। 4). लोगों को अब बसे पर्दे पर लार्जर देन लाइफ वाली फिल्में ज्यादा पसंद आती है। छोटी मगर प्यारी फिल्में समीक्षकों को तो पसंद आती है मगर जनता इनको ott में देख लेने की सोचकर सिनेमा घर नहीं जाते। 5). सरकार भी ऐसी फिल्मों को प्रोमोट नहीं करती। ये फिल्में भी टैक्स फ्री नहीं होती है। जब तक वर्ड ऑफ माउथ फैलता है तब तक फ़िल्म छोटे और मध्यम शहरों के सिनेमाघर से उतर जाती है। कई और कारण भी है, मगर सबसे बड़ा दोष दर्शक का ही है। बहुधा उसे पता ही नहीं लगता कि किसे सपोर्ट करना चाहिए किसे नहीं? चुनाव के जैसे हालात सिनेमा के भी है।
I want to talk,a real truth of middle class indians. In our surroundings some one is suffering with cancer, and many of them loos their battle This is an inspiration for all the fighters. Must watch option of the year.
The main problem lies in the tone of familiarity because the main object of the film is to show the intimacy of the characters in a slow way and when the filmmakers give some mainstream treatment to the film then the magic will be 12th fail and Laapata ladies. Then the grounded movie suffers for the audiance films like jaggi.
These kinds of cinematic, slow-build films don’t usually work or appeal to audiences because of the fast-paced world we live in today. Nothing stays still, and we’ve become accustomed to this habit. People are busy chasing instant fun, laughter, sorrow, curiosity, and the unknown. However, these cinephile movies help us stay with our feelings, reflect, and understand our emotions. They need to be watched with attention to detail. Such films don’t create an overwhelming feeling of excitement but instead immerse us in a flowing river of emotions. They help us acknowledge buried pain. But today’s audience doesn’t want to do that-they just escape and run. In one word, they have no time to stop. That’s why I believe that as long as people keep chasing cheap dopamine releases, they won’t be able to appreciate such films.
All We Imagine as Light and I Want to Talk may not perform well at the box office initially, but I really want these two gain recognition through word of mouth and more people go & watch them. Now there are several factors why art house films ignore: 1. Audience demographics, these films often cater to a niche audience-cinephiles, festival-goers, and those interested in films with deep emotional or artistic explorations. The general mass audience, however, tends to gravitate towards more commercially appealing films with broad entertainment values (action, high drama, or familiar genres). These films may be perceived as "slow" or "introspective," which might not align with the preferences of a wider audience. Also age, gender, income level, education, location, interests, and cultural background affects. A film like All We Imagine as Light might appeal more to adult viewers with an interest in international cinema, social issues, or nuanced storytelling, whereas a mass-market film might target a younger audience or those interested in action-packed entertainment. 2.Often, these films do not receive the same level of marketing as big-budget releases, which can impact their box office performance. Even highly praised by critics and receiving awards the extensive promotion needed to pull in a wide audience in India. It's sad, many people didn't even know about these 2 films. Unique narrative or experimental storytelling often fails but later gains recognition as hidden gems or cult classics. Proud to be a part of a cinephile audiences, always appreciate the depth and artistry in these films, mass audiences typically favor more easily digestible entertainment. The growing shift towards streaming platforms and a greater appreciation for world cinema, however, might provide these films a second chance at success as they gain traction beyond traditional box office metrics.
People do not support these films because as you said in the video " People dislikes to leave from their illusion ". These particular films that shows human life and comment on it that how one can learn and apply values from their own life or others and become a better person or at least can understand human emotions as they pursue their life with others , people think or they like to think that they know this stuff and what they are doing is correct , hence like to stay in that illusion. There are very few people who accept themselves both in their right and wrong. So to most people these films become very real to the point that it reflects the life as it is which they hate to accept. So I would say it is the fear for which they avoid these films. That's why they pursue cinema as entertainment not as a mirror image of life. But I think these films are great because very few give them their chance and understand them. For that these films still have some meaning. It's like everybody likes novels, that's why it became an industry but very few likes poetry, that's why only poets get nobles.
The thing is People in india don't see movies as a form of art,they just see movies to timepass Many actors also don't see movies as an art form,once the Indian audience gets better and starts appreciating the artistic side of cinema the quality of the movies made in India will also get better. Satyajit Ray also said this in an early interview of his that Indian audience are exposed to only commercial movies,which is honestly very sad,many good talents have gone waste till now because they see cinema as an art form and do not get the platform they deserve. But I still have hope that the situation will get better when my generation(current 16 yr olds) will grow up because i think that many young teenagers nowadays respect the art that is CINEMA❤
The problem is about understanding. These films are very deep and people lack their understanding and they just want everything quickly. Therefore I think people don't support these films in the initial days but afterwards it becomes classic
The main reason audiences don’t support films like All We Imagine as Light or I Want to Talk is that most people seek entertainment and escapism rather than a cathartic or emotionally heavy experience in theaters. Many feel these films are better suited for OTT release where viewers have the flexibility to watch at their own pace by controlling the playback. There are many instances where Indie films gained much more appreciation upon their OTT release. Last year, a Telugu film named "Month of Madhu" which was a slice of life film did receive similar theatrical response but it was later appreciated on OTT. Additionally for the niche audience who wants watch these films in theaters accessibility is a challenge. Limited screenings and inconvenient showtimes make it difficult for them to experience such movies on the big screen.
Movies like thal often don't get widespread support for a variety of reasons: 1. Niche Audience:- They might appeal to a smaller, more specific group of people who appreciate its artistic or thematic elements. 2. Complex Themes:- Sometimes, the themes or messages might be too complex or abstract for the general audience to connect with. 3. Marketing:-It could be that the movie didn't get enough marketing or exposure to reach a wider audience. 4. Competing Releases:-Other high-profile movies released at the same time could overshadow it.
one of the best movie same as October this is not mass film so may be for some majority of people gonna called this film boring , but this film bring lots in someone's life who is facing all this things. Great to watch Abhishek Bachan acting so effortlessly . it's once a watch film .
3 tareeke ki audience hoti hai: 1- jo movies and theatre se kuch lena dena hee nhi rakhte. Unko hosh/interest hee nhi h kon si movie aarahi hai jarahi h chahe Kitne bhi famous actor ki movie lagi ho. 🫤 2- yeh wali audience majority hai; yeh family, friends, partners k saath aate hai for just/ timepass/ entertainment, simple massy movies hee jante hai yeh log or unn movie m ek big star toh hona chahiye toh hee dekhenge agar 3 se jada main actors hai toh unn ke liye vo movie hit ban jayegi. Story/dialogues/acting se kuch lena dena nhi h.(bavakoof log)😠 3- ham cinephile/ movie enthuse/ film buffs ; ham itni minority m h ki chahakar bhi inn movies ko hit nhi kar vapate or movie ko underrated ka tag mil jata hai. Thank god word of mouth se movies hit hojati h but uski har baar guarantee nhi hoti. 😢
Actually films like "All We Imagine as Light" and "I Want to Talk" often struggle with audience support due to their slow pacing, complex narratives, and lack of mainstream appeal. These films tend to focus on intimate, character-driven stories that may not resonate with a broader audience accustomed to fast-paced, action-packed cinema. Additionally, limited marketing budgets and distribution challenges can hinder their visibility. The films' themes, which often explore deep emotional and social issues, may also be less accessible to general viewers, leading to lower audience turnout. This is my opinion about the struggle of these types of movies. But definitely the audience should watch and support these movies to boost up their cinematic standards as well as their cinematic senses...
You're right; films by directors like Shoojit Sircar often have a unique touch and storytelling style that resonates with a niche audience. However, their marketing tends to be understated, relying more on word-of-mouth than aggressive promotions. If these movies had stronger marketing campaigns, they could definitely reach a wider audience. Shoojit Sircar's work is incredible-every movie you mentioned has such depth and artistry. "October" and "Sardar Udham" especially stand out for their emotional storytelling. It’s great that OTT platforms are giving these films a second life for people who may have missed them in theaters.
I watched the trailer of I WANT TO TALK and i just knew i want to watch this one in a theatre. Watched it 1st day 2nd show and watched a movie on big screen after a long time. Totally worth it. ABHISHEK with a stellar performance.♥️
The reason is : I think because they lack entertainment. In india people just want to enjoy movies, they watch movies for pretty faces, dance numbers. Not every one is a cinephile.
The problem why audience don't support both the films which you talked about in this video is because audience want spicy story with love romance and action. Almost every movie released in theatres has those elements. Real cinephiles want these movies like I Want to talk which has some in-depth story and climax. ❤
Firstly u r doing a great job...keep the good work. Me and my son both went to watch this movie....son was interested in sound takes etc etc For me I saw my journey through them. Struggle local etc etc. My son insisted we must watch this brilliantly made film. Of course loved the movie. N y will masses support these movies...which r not made for them in first place... As simple as that. Writer directiors make such movies to proof their creativity...gets awards.....than there are chances of them making movies for masses.
Films like All We Imagine as Light and I Want to Talk often struggle due to niche themes, limited marketing, and audience preference for mainstream entertainment. Their experimental storytelling can feel inaccessible, and without strong distribution or visibility, they fail to reach wider audiences. To bridge this gap, targeted marketing, early audience engagement, and collaborations with indie-focused platforms are crucial. Balancing artistic integrity with accessibility is key to gaining support.
All We Imagine as Light and I Want to Talk often struggle to gain audience support because they challenge the way we consume stories. These films are not made for mass entertainment; they are more introspective, slow-burning, and often demand emotional and intellectual engagement. For many, cinema is an escape, a means to relax and unwind, but these films confront viewers with realities or ideas they might not be ready to face. A major issue is accessibility-not just in terms of availability but also the way these films communicate. Their abstract storytelling or subtle nuances might alienate an audience unfamiliar with such styles. Additionally, limited budgets mean these films often lack the marketing clout to reach wider audiences, leaving them confined to film festivals or niche platforms. I believe the problem isn’t the audience’s lack of appreciation but the gap between what they are accustomed to and what these films offer. Filmmakers could bridge this divide by creating more dialogue around their work-explaining their ideas and making the content more approachable. At the same time, we as an audience need to evolve, to view cinema not just as entertainment but as an art form capable of sparking conversation and reflection.
Movies like I Want to Talk and All We Imagine as Light often struggle in India because most audiences prefer mainstream, star-driven films with simpler stories. These films, though rich in depth and artistry, cater to a niche crowd and get little visibility due to limited marketing and fewer screens. Many also wait for such movies to release on OTT platforms, further shrinking their theater audience. It’s a mix of cultural preferences, lack of promotion, and poor accessibility that holds them back.
सगळे लोक इमॅजिन जीवन जगतात.ही त्यांची स्टोरी आहे.ते relet करतात पण fantacy story लोकांना आवडते.लोक अजून upgrade झाले नाहीत अश्या स्टोरी साठी.but I always like that movies.
Films like “All We Imagine as Light” and “I Want to Talk struggle in India” due to limited audience appeal, inadequate marketing, and a lack of institutional support. Indian audiences, shaped by mainstream cinema, often favor accessible storytelling with emotional highs, sidelining experimental, slow-paced films. These films rarely receive aggressive promotion or wide distribution, limiting their visibility. Moreover, the industry prioritizes ROI, making producers hesitant to back niche projects. Unlike Europe or South Korea, India lacks robust indie support systems, film education, or a strong arthouse culture. To bridge this gap, targeted marketing, better grants, and fostering film literacy are essential. With time, globalization and streaming platforms may help cultivate a more appreciative audience for such cinema.
"I want to talk" gave me back 'that' unique spirit of cinema which I felt has been wiped out by the industry. After watching recent bhool bhulaiyaa and singham and all I felt our Industry is just gonna follow the mainstream business to milk outbas much profit as they can. But directors and filmakers like soojit sircar, zoya and farhan akhtar, the women who made zwigato. Like these under dog films, these are actually carrying that last of the remaining drops of art in Bollywood. It felt good, thank you
In my opinion, I think it's about building a connection with movies and stories. Nowadays, people are so engrossed in reels and masala content that they are losing patience. These movies ( Like these two) require patience and imagination, allowing you to relate to them and create a world away from our hustling society, where everyone is in a hurry and no one wants to spend time on stories. If you observe, everyone wants everything so quickly, which is why reels and massy movies are trending because they provide quick results. People don't want to carry stories with them; they just want to watch and move on. I personally enjoy these types of movies because they are calm, relatable, and allow you to build a connection with the characters. They foster imagination, evoke emotions, and enable you to see these stories reflected in your daily life. I believe that there are fewer people with this thinking, which is why these movies(like these two, dhobi ghat, do paise ki dhoob barah aane ki barrish etc.) are watched by a smaller audience.
Films like All We Imagine as Light and I Want to Talk are such gems, but they often fly under the radar because they’re not built for mass appeal. They’re deep, thoughtful, and sometimes a bit unconventional, which is exactly what makes them special! Unfortunately, mainstream audiences tend to lean toward familiar, fast-paced entertainment, leaving these films in the shadows. I feel like they need more support through festivals, indie streaming platforms, and community buzz. With the right push, they could find the audiences who crave something different. These stories are worth discovering!
The problem lies in the gap between the film's intent and the audience's expectations. Many people seek entertainment or relatability in movies, but films like *All We Imagine as Light* and *I Want to Talk* often explore abstract, introspective themes. These require patience and a niche mindset to appreciate, which mainstream audiences might not have. Marketing also plays a role-without effective outreach, such films fail to reach their ideal viewers.
The reason why such movies are rarely appreciated anymore is because of the fast-paced, dopamine-driven world we've been projected into. Bollywood must keep up its appearances with the fast-paced social media world and trends, so everyone is running after the next "capture" and "capture" the attention. It has thus become very sad to see such masterpieces not being touched. If you observe, films such as these are effortless. They seem real. There is also the matter of fact that most films have such action or are so unreal that they can help people forget reality for a second. But, it is easier to forget reality than to embrace it and create something so beautiful as what these films cover. These films are about the human condition, and they deal with real-life situations that are very close to home. They are not about escapism, but about facing reality head-on.
Till now i have not watched any of the movie (I want to talk and All we imagine Is Light). But clearly after watching your review i got to know what actually these movies want to convey. I talking about myself i was also one of them who used to watch movies or series which were getting consideration or were masses, i didn't thought or try to change my categories in watching but as i grew i got know that there is much more than the films or series i have been watching. Exploring different movies and series took me to a whole different world of cinema and i really feel that past me was missing so much from this cinema we have. And that is what INDIAN audience is they don't try to change they there taste (talking about the big numbers) and so the directors and producers they don't want to take risk in today's time. Indian audience is not getting mature enough to accept such kinds of movies.
Audience don't support to these films because they don't see how the actors and the story is...in today's generation everyone loves to watch mass films...❤️
I think in India, people at the end of the day want to see or maybe enjoy something larger than life which serves as an aspiration to people even though they know that they can not achieve it. Movies or documentaries like these subjects have their niche audience, even though they are depicting the stories that we see everyday. People will rather want to get entertained by something that is just purely aspirational and not watch such movies tapping into the hard hitting topics. People in India are facing such problems everyday and need or seek some sense of escape from movies… I think this is the case with our Country 😇
For people cinema means entertainment. Only very few people go for watching real cinema that may be the reason that now people are not making art movies like Ankur, Arth, Manthan, Mandi many... But solution of real life problems were there. That is pure art. The definition of cinema is changing. Now cinema means technology more and art less.Every thing is presented in very loud manner . Emotions are always exaggerated. Tesri kasam is one of the master piece . But how many people watched that movie. Moreover these movies don't get even distributers and less money used for promotion of such movies. Perceptive of audiences is changing they go to cinema hall only for entertainment.
Aapko ek apna experience batata hu, m or mera friend The Lunchbox ko dekhne gye the theater me, jab hum bahar aaye to m us film ko dekh kr deep thought me tha, wnhi mera friend bola ki kya bakwas film thi kuch nhi tha, faltu me etani lambi lambi conversation or na hi song the or na kuch or..... Actually ye akele uski choice nhi h ye most of the person jo film dekhte hn unke sath bhi h, wo film ko entertainment ke perspective se dekhte hn kyunki unko pata h ye sb kabhi sach nhi hota jo film me dikh rha h .. Yhi bjh h ki wo un movies se kuch bhi adapt nhi krte hn Or jin se adapt krna chahiye wo unke hisab se wo bekar film hoti hn . I don't know why , but wo en movies se connect hi nhi ho pate hn ya syd connect krna nhi chahte hn kyunki ye films Reality dikhati hn , Society ko Ek Aaina (mirror) dikhati hn aisi movies. Dhanyavad 😊
Aaj kal cinephile sirf action cinema dekhnaa pasand kar raha h jiss wajah se in jaisi movies ko utnaa support nahi mil pata jitnaa y movies deserv karti h 😢
I want to talk is a good movie. I like other films of shoojit sircar more than this one like Sardar Udham, Madras cafe, October, Piku but it is also a good movie. You are saying correct that this is a film that cannot be disliked. You can like it very much or not that much but you cannot dislike this film. And there were only 7-8 people in the theatre.
Films like "All We Imagine as Light" and "I Want to Talk" often struggle to resonate with a broader audience due to unconventional storytelling, limited marketing, and niche appeal. These films may cater to specific audiences, such as film enthusiasts or academics, but fail to connect with mainstream viewers who prefer more traditional narratives. Additionally, cultural or contextual barriers, distribution limitations, and lack of online presence can further restrict their reach. Moreover, the general public's penchant for over-the-top, blockbuster-style movies often overshadows more subtle, art-house films.
I think one of the major reasons why people don't support films like these is financial. Most of the people can't afford to go to the cinema every week or even month. So they will be going to only see the movies that have their favourite star in it.
People nowadays don't support such movies like - I want to talk or All we imagine as light because life has become harder. The mass audience, the major chunk of movie views are stuck somewhere in life. Family problems education problems or business problems. Back in the day life used to be very simple and easy, less competitive and comparatively peaceful. As a result no one wants to just sit and watch something very slow paced or non entertaining. At the end of the day everyone wants something very over the top or massy. I think this can be the reason.
1. Due to lack of promotion 2. No item song so mostly people don't know about film 3. mostly people think if we are going to cinema to change or lighten up the mood so mostly people avoid serious story films 4. many film critic also tell its boring to watch in theatre rather watch on otp after some time
🛞🛞 In my opinion there are 2 reasons - 1• some people have anxieties about the moral values depicted on the big screen. 2•. Some people also may be anti intellectual and may not studied the role of mass communication.
These kind of movies are ignored because watching movies in majority of India is considered just a source of entertainment,specially when they are going to watch it on a big screen they would prefer a massy movie because it is celebrated among people whereas movies like"All we imagine as light" doesn't put its theme louder enough or in a way which our audience are use to recieve from the films they watch.Basically the definition of watching movies in big screen is different, audience seek visual experience rather than watching a serious film about life.Notably majority of the theatre audiences are from working class society where art/cinema is not taken seriously. Loads of love ❤
You have answered your own question in your video... Cinema is an illusion.... We want to watch the illusion to forget our chaotic life.... But when the cinema itself becomes closer to real life... It becomes difficult to watch. 3hrs or 1.5 hrs..... People want to forget their pain and live the illusion....they become the hero and heroine of their life... No one wants to copy a sad or real character ( other than a biography) to forget their real life...
I think the answer is simple most of people go for the hype of movie. They want to have fun but they ignore this type of movies thinking it will be of hitting topics. And middle class goes for mass , entertaining with a star to the movies. And now movies are turning to nostalgia bait for franchise movies . And those who like this cinema either watch on OTTs or after the hype build through social media or yt movies reco channels ( like chalchitra talks and other) The main reason is the distribution of movies and hype . They form loop if hype is up distribution will be high vice versa. All we can do is to spread mouth to mouth popularity. And talk about these movies.
Honestly, films like "All We Imagine as Light" and "I Want to Talk" can be tough sells. They're often slow-paced, experimental, and tackle heavy themes that might not resonate with everyone. The problem is, these films usually appeal to a niche audience, and they don't get the same marketing push as bigger releases. Plus, people might not even know they exist! It's not that these films are bad; they're just different. And sometimes, that difference can be alienating. But hey, if you're someone who appreciates art-house cinema, you might find these films to be hidden gems. We just need to do a better job of getting the word out and educating people about the value of these films. Maybe then, they'll get the love they deserve.
Jindagi me tension bohot hai, ki is duniya me lafade bohot hai, ki chahat paane ki sitare hai, par in kaato pe chalte jaare hai, ki is duniya se dur jaana chaah rahe hai, is liye masaala picture dekhne ja rahe hai...
I think they are Indie movies so filmmaker doesn't have that kind of privilege of marketing and hype in a big scale And many of the audience doesn't know about these movies Second, The kind of movies are not in trending nowadays I wish may be in Future but I think once a large audience accept these kind of movies then they will also get work And they also got less screening.......... Less screening is also a factor
I think when we see Indian audience, most of the people see films as "just entertainment" and they don't care about a nuanced narrative like us(cinephiles). This was rightly put in Happy ending(2013) when Govinda says "Mujhe 200 Rupey mai jeena mat sikha" However, If a film has a striking balance of a strong narrative and entertainment, they do wonders like Dangal for example.
Let's understand that cinema by its design and form was meant for mass entertainment. Unlike a theatre play which at a given time can only entertain or appeal to audience in just one theatre, cinema get played in multiple theaters across cities. Hence when something is meant for mass entertainment, why should we expect the audience to time and again appreciate the "art" in it. People visit theatre to forget their pain not relive it. Yet, once in a while few films do come which end up doing both and cibe goers lap it up. Anyways, hope this answers your question as to why the audience does not highly appreciate such films, even though they are cinematically and story wise brilliant.
In my perspective movies like all we imagine light need a person with a heavy heart and a peaceful mind who is solely willing to get imbibed into the casual realities of life and imprint his life memories with the film. Such movies need acceptance mentally to any person and nowadays people are so vexed up in their monotonous routine life and crave for laughter, crime or thriller or purely entertaining genres to relieve themselves from their boredom. Slow burning movies with not so thumping bgm won't thrive in the audience minds as an option for theatre visit and make their money worth it. Nowadays people don't need an attachment to anything except their minds are investing in some dopamine.😊
The reason behind not supporting these kinds of films is. At this moment we are really adapted to accept massy movies ( which involves actions, dance, music and larger than life concepts ). Also, we are watching movies based on the cast, but we also need to watch movies based on their director and their potential work. We always think that, we will watch these movies on OTT.
I want to talk aur All We Imangine As Light movies sabhi ko sachai dikha deti hai jaha pe main character bhi dard sahta hai aur illness se ladta hai... jabki logo ko aisa hero / main character chahiye jo Kabhi bhi dukh, dard peeda jo 1 aam insan ki tarah mahsus na karta ho woh usme bhi muskurata ho... jisse audience ko maza aata hai...
This type of movies not supported by Indian kyoki un logo ko bollywood industry ne jyadatar masala, romantic and comedy movies hi dikhayi hai ,after 80s and 90s bollywood industry ko essa laga ki logo ko masala, romantic and comedy movies hi jyada pasand hai isliye wo jyadatar masala, romantic and comedy movies hi banate gaye or log dekhate gaye or fir aaj tak Indians ne masala movies, romantic and comedy ke alava jyada kuch dekha nahi, isliye esi sirious movies jyada nahi chalti☹️, aur isse logo ka movies dekhane ka taste accha nahi hua or logo ek hi type ki masala, romantic and comedy movies dekhne ki aadat ban gayi. But i love the sirious type and zindagi ko behtar banane wali movies. And i am huge fan of old boy and i want this poster.
I think the reason masses not going to the cinema for these films is- 1. people in india associate cinema with entertainment, and we have been growing up watching cinemas like of this pattern, for example there is hero meets some girl who he likes then some songs happen, hero gets into a conflict with the antagonist faces a defeat in the middle, then rises again an fight the antagonist and wins and lives happily ever after. They are more likely to watch those type of films instead of try something new. 2. For these type of films you can't be sure after watching the trailer, that it's going to be good or not. I have seen every film of shoojit sirkar but sardar udham felt a bit slow to me. Now we love cinema, we are used to try different things, but people spending 250 rupees, i know it's nothing for some people, but it's a lot for lower middle class. They go to cinema once a year, they are more likely to go for jawaan, RRR type commercial film rather than going for i want to talk fim. 3. Earlier stars were guaranty like salman's and Akshay's movies were and now multistarer are associated for delievering mass entertainer. 4. Songs also plays an important role in making buzz of the film, Abhishek can't pull people to cinemas, i think piku must have made good money because mr. Bachchan and depika both from mass movies are in it. 4. People want to watch movies with family, when i told my family how about we go for we want to talk movie, and they made disappointed face, because they don't know about this movie, they want to go for pushpa because they want to go pushpa, because it will have different flavours.
The reason why these type of films don't work: - Us , hum log hi sabse bade zimmedar hai jab aisi movies nahi chalti hai kyuki jab hall me lagti hai tab koi nahi jayega lekin jab ott release hogi to cult-cult ke naare lagenge. -Halls screens nahi dena chahte kyuki unko Darr hai ki koi dekhne nahi aayega ....to wo bhi risk nahi lena chahte . -No Dubbed version available , bhot log hai jo dekhna chahte hai diverse cinema but there is no dubbed version available & they feel inconvenient to watch it in unknown language, so they skip the film. - We also don't trust out filmmakers ... because we have already considered Hollywood as a benchmark and we direct start to compare our films with movies like Interstellar and all... - Poor marketing of makers is also an issue here ..I mean why do we have not heard of this film and media also not enthusiast to cover the news like winning the award at Cannes.
THE PROBLEM WITH THIS MOVIES ARE A LITTLE BIT CONSERNING we should celebrate this type of movies.....Was there enough positive word-of-mouth or online discussion to create a buzz around the films? and Was the target audience correctly identified, and were their needs and preferences considered?
The problem with audience is they hate silence and thought provoking concepts, people are living in instant gratification world of Reels and Shorts where the attention span of individual has reduced to less than 30 seconds. They need some kind of stimulant (Loud BGM, Hero entry, breaking 4th wall) every short period of time just to keep them hooked.
Bhai aapke reviews ka wait krta Mai. Aur jis movie me review required thi aapne Kiya hi ni usko..The Sabarmati report. Meri ek follower ke nate request hai , aap har movie ko review kiya kro,.kyuki baki kisi v reviewer pr Mai rely ni krta
I think majority of audience not all audience ,their view towards cinema is different they use cinema for entertainment they did not want to learn something from film and they did not interested in cinematic techniques I think we need movie influencers who can influence audience to watch indie films😂
Actually in today's generation everyone likes fast paced things in everything. They do not want to understand the meaning behind and just want to enjoy the moment. That's why in today's scenario this kind of film's not earning money they supposed to earn.
The audience watch films for feeling light so that they can get out of hectic life for a while ,but films like these will reflect the same thing which they came here to forgetr
The reason I feel that why these films like "I want to talk" and "all we imagine is light " don't work is because 1. Unknown actors: see in masses Abhishek doesn't carry the same aura as shah ruk or other actors even if you see Vicky after giving such great performance still hasn't achieved what may be Ranbir or maybe prabhas carries see I know my comparisons are too uneven but what I have seen in reality is this.. 2. Slow pacing and simple story: most of these stories are actually very simple and are slow paced so that you take time and move to world the movie is showcasing but unfortunately people love complex stories which are simple to understand and not simple stories which are complex basically people want to be superstar in their own life and they don't they want their heroes to be so😢. #5ocial
Sujith Sarkar is one of my favorite director I became a fan after watching October. I cried a lot after watching October which only a true cinephile will understand
I like October but Loves Masaan 💔
I also cried after watching October .
Till now I have watched October many times.....
Individual differences @@ansu.official
Because it is a deep poetry whose every frame and every dialogue will make you think and feel the pain inside the character no one but a cinephile will understand.
Ya my favourite director also
Its difficult to imagine light when life is filled with darkness. Life is filled with despair and longing for something better. But life is beyond your control of what happens. I wrote a brilliant review of this film I poured all my heart out for the review but I forgot to save it and like that I lost something i put my heart out for. But this film taught me exactly that life isn't your's or I's to control. Actions happen to you and your actions lead to counter consequences and actions. Accepting the fate and the chaos around us leads to bliss and peace. Every action and movement has millions of stories waiting to be uncovered by, you could do what you needed to but it might mean nothing at the end of it. This film never gets saccharine in the disaplay of love and emotions.
It's like watching real people.
I believe this is the realest and most vulnerable and intimate portrayal of Mumbai and its life I have seen. It's a vulnerable poetic prose. Actions speak louder than words, images enunciate more than sound. Film is minimal in it's use of words and dialogue but every word said on the screen feels poetic and engages our thoughts in it. The intimate and vulnerable performances by Kani and Divya are worthy of tears and change of our philosophies. The way both of them contrast each other is refreshing to see, Anu is full of love, life and youth. Where's Prabha has never got to experience it or maybe she doesnt care about these things anymore, they way they are so unlike but still have alot of common ground between. The score of the film brings calm and smoothness when there is chaos, it never tries to overpower the film or the performances it's there when we need it the most. The way Ranabir Das uses every frame of the film to invoke our emotions and let's us on a deep dive in their life's without forcing anything on us, he presents everything and lets us feel how we want to about it, is beyond beautiful. Payal Kapadia is a genius but more than that she is a human who understand other beings and knows how to portray them and their lives to us in a way that we have knew them all our lives. The way Kapadia wrote this film is beyond mesmerizing and poignant. She strucked a chord in me and thousand of others. For the passion of cinema for the passion of art, stories and humanity.
I was really happy that I wasn't the only one in the theatre for the film, it brought me hope that indie cinema has a place in this world, but this film has taught me that hope might not be something you could be truly sure about or can hold on to.
What if we decide to live by choice? What if we just let go of our surrounding and find peace in ourselves. And had this been the past I might not know. To be not influenced by our lavish thoughts.
So poetic of a film that I feel rebirted by the end of it.
For more such reviews follow me on letterboxd at Avanipal
That’s so beautifully put. Thanks for writing. ✨ - Vishal
Wow! Written so beautifully I litreally felt goosebumps in my veins, the picks of words, the pace, each and everything is beyond enveloping!... Loved it! 😇
@@5ocialvo jo ak Aunty ki background voice sweet rehti uska face and reveal karna next ok
@@5ocial itna lamba likha hai.. reply toh banta tha... 😅
One of the major reasons behind dislike or these kinds of movies is based on the truthfulness of Simplicity of Art which theatre audiences don't want to buy
These are the last 10 films I watched:
The Lunchbox
Maqbool
Dasvidania
Phas Gaye Re Obama
I, Me aur Main
Mithya
Taxi No. 9211
Khosla Ka Ghosla
99
Guzarish... and many more
One simple answer, today's audience is badly affected by social media, and now everyone has access to the internet, they all want to be a hero, just want to become famous, and want their face value. No one is actually caring about Indian cinema. The mindset is the problem and that's not going to change.
even i recently watched the film "99" and i really liked bomani's acting
Films like “All we imagine as light” and “I want to talk” are slow-paced films which requires focused attention over an extended period, which many viewers may not be willing to invest in today’s distraction-heavy environment.
Furthermore, these films often explore niche themes or subtle emotions that might not resonate universally. If the audience cannot connect with the characters or story, they might lose interest quickly.
And of course because of the viewing habits of the masses, these films are not supported by audience.
Chat gpt on 🔥
Agree...described beautifully ❤❤
There’s something almost sacred about watching a film that feels as if it has been plucked out of the ebb and flow of life itself. It’s raw, it's intimate, and it’s unapologetically real. When a film steps away from the artifice of spectacle and into the uncharted waters of human vulnerability, it offers a truth that’s as unsettling as it is beautiful-a truth that mainstream cinema often glosses over for the sake of comfort.
In the theater, I found myself surrounded by only a handful of souls, each there for their own reasons, but all pulled by an invisible thread of shared understanding. The film unfolded, not with a rush of plot, but with a patient grace, each frame a meditation on the small yet profound moments that make up a life. There was no need for loud declarations of love or dramatic reveals-there was only the quiet poetry of existence, where even the mundane shimmered with unspoken significance.
Mumbai, in this film, wasn’t a city of dreams, but a living, breathing organism-vulnerable, chaotic, indifferent. It wasn’t dressed up to meet anyone’s expectations, and that’s why it felt more alive than any polished reel of Bollywood glamour. The streets weren’t backdrops; they were characters, and the people weren’t acting-they were living. The protagonists, Kani and Divya, moved through the chaos like dancers out of step with the world yet perfectly in sync with each other. Their faces carried the weight of histories left unspoken, their silences more eloquent than any dialogue could ever be. I felt them, not as characters in a film, but as old friends whose stories I hadn’t yet heard but had always known.
Every scene was a canvas, painted with the shades of imperfection that make us human-the yearning, the weariness, the fleeting joys, and the quiet despairs. It was a dance of contradictions, and it reminded me that life, too, is a series of contradictions-moments of brilliance tucked into the folds of everyday struggles. The score didn’t tell me how to feel; it accompanied me, like a friend who knows when to speak and when to let silence fill the gaps. There was an authenticity that seeped through the screen and into my very being, challenging me to let go of control and embrace the messiness of life.
And perhaps that’s why this film isn’t made for the masses. It doesn’t spoon-feed or entertain-it invites. It asks you to sit with your discomfort, to dwell in the pauses, and to let go of the need for resolution. There’s no promise of a happy ending because life itself offers none. There’s only the promise of truth, however hard it may be to look at, and a reminder that to live is to be vulnerable, to be uncertain, and to still find beauty amid the chaos. It’s not a story meant to comfort; it’s a story meant to awaken-a quiet call to see the world, and ourselves, as we truly are."
Indie cinema has a way of finding its audience, not through loud proclamations, but through whispers that linger long after the credits roll. It’s a kind of love that doesn’t fade with the end of the film; it stays with you, asking questions you never thought to ask. It’s the kind of film that makes you grateful for the stillness of a near-empty theater, where you realize that, sometimes, the quietest voices are the ones that resonate the loudest.
Maybe that’s the lesson this film leaves behind-the courage to accept that we are not in control, and in that acceptance lies a freedom we can’t find anywhere else
I watched "I want to talk". Amazing 🤩🤩 movie. Abhishek acted so well !!!
10:24 Kyuki inn movies ke sath vo hype nahi hoti jo normally Jawaan, Singham jaisi movies ke pass hoti hai. Aur agar vo movies jinme koi badi cast nahi thi jaise 12th fail, Lapata ladies aur vo phir bhi chali, uska bhi karan yahi hype hai kyuki unke dialogues ko social media ke through bahut views mile aur hype bni. Mostly indian audience regular movie watchers nahi hai, issliye jin filmo ke bare me jyada baat hoti hai vo bas ek baar tickets pe invest karke movie dekhne chale jate hai. Aur kayi baar log pressure me aake bhi dekhne chale jate apne group discussions me relevant rehne ke liye. Thank u Vishal for such amazing reviews!❤
I think most of people are watching films just for enjoyment or taking break from their daily life, they are not much interested in the cinematic perspectives such as cinematography or story telling forms .
I think that's the reason that mass cinema is popular while such independent movies does not get such attention and screens in theaters 🤔
They do like such genuine films but they will spend their money and time for experiencing their favorite stars like SRK or Allu Arjun ✨️
Ofc not everyone likes about movie making ,,but I'm sure they watch it for entertainment
Very true bro 😅😅😅I damn agree 💯 with you...They won't go to the theatres to watch such movies at all bt they'll get appreciated bt the cinephile audience
The Reason behind failure of these films are Downgrade of Feel Good Cinema.People watch only Mainstream Action films Like Fighter, Animal,Singham 3, Pathaan etc and Comedy Films Like BB3,Stree2 ,TJMM etc all are Done By Popular Actors and Hardly and Rarely These Feel Good Types of films get Support from Audience Like Lunchbox and 12th Fail and It is so sad Films Like Jhund and Zwigato doesn't gets chance from Audience so My point is these type of films should Be released on OTT directly
brother, its not just hindi movies, it is just violent, meaningless sh*t movies like kgf, salaar, pushpa, animal that made such violent movies a trend
There is an audience for every film
See india is a country of highest population and i personally feel majority of audience is that group of people who are tired from life realities and they want something fictional/over the top/full of humour to forget all that harsh things.
These films are more for OTT because for that people are not making outing plans or something. Just my take! 👍
Sir Shoojit Sircar
Sir Vijay Sethupathi
Sir Rajnikant
Sir Kamal Hassan
Sir Amitabh Bacchan
Sai Pallavi ji
Ranbeer Shorey ji
Manoj Bajpai ji
Dulqeer Salman
Sanjay Mishra sir
And more
Vishu Puran Series or Garuda Puran series
Abe kehna kya chaha rha hai bhai
@@Itzparo0077 Bro wants a Vishnupuran series directed by Shoojit Sircar
As I started working a 9-5 Job, I realized one thing, in this hustle to survive/live the little time I get with my friends, family or even for myself to watch something, I really want to be entertained or at least a little escape from reality which these cinephile movies won't provide and I think that's the issue with most of us
if we are going to spend our hard earned money and the 2-3hrs of my life, I at least want to fill good or get that rush for sometime, rather than having the reality check again in theaters, same is not the case on OTT where I can watch anything and if I don't like it in first 30-40 mins skip to something else
that's the case for me now, coz before getting into the work life, I also used to enjoy every type of of movie there is
ऐसी फिल्मों के न चलने के कई कारण है :-
1). तगड़ी मार्केटिंग की कमी। मैंने रिलीज से पहले i want to talk का न नाम सुना, न इसकी कोई buzz पाया। इसका ट्रेलर भी रिलीज से बस कुछ दिन पहले ही रिलीज हुआ।
2). ऐसी फिल्मों में गाने नहीं होना भी एक कारण है। गाने एक फ़िल्म की पहुंच का दायरा बढ़ाते है।
3). ऐसी फिल्मों को रिलीज पर ज्यादा स्क्रीन नहीं मिलना भी बड़ा कारण है। जो लंबी छुट्टियों वाले डेट्स है, उन्हें बड़ी फिल्में बुक कर लेते है। डेट भी गए और स्क्रीन भी। ऐसे में यह फिल्में साल के उन दिनों में रिलीज होती है जब लोग सिनेमाघर कम जाते हैं।
4). लोगों को अब बसे पर्दे पर लार्जर देन लाइफ वाली फिल्में ज्यादा पसंद आती है। छोटी मगर प्यारी फिल्में समीक्षकों को तो पसंद आती है मगर जनता इनको ott में देख लेने की सोचकर सिनेमा घर नहीं जाते।
5). सरकार भी ऐसी फिल्मों को प्रोमोट नहीं करती। ये फिल्में भी टैक्स फ्री नहीं होती है। जब तक वर्ड ऑफ माउथ फैलता है तब तक फ़िल्म छोटे और मध्यम शहरों के सिनेमाघर से उतर जाती है।
कई और कारण भी है, मगर सबसे बड़ा दोष दर्शक का ही है। बहुधा उसे पता ही नहीं लगता कि किसे सपोर्ट करना चाहिए किसे नहीं? चुनाव के जैसे हालात सिनेमा के भी है।
I want to talk,a real truth of middle class indians.
In our surroundings some one is suffering with cancer, and many of them loos their battle
This is an inspiration for all the fighters.
Must watch option of the year.
The main problem lies in the tone of familiarity because the main object of the film is to show the intimacy of the characters in a slow way and when the filmmakers give some mainstream treatment to the film then the magic will be 12th fail and Laapata ladies. Then the grounded movie suffers for the audiance films like jaggi.
These kinds of cinematic, slow-build films don’t usually work or appeal to audiences because of the fast-paced world we live in today. Nothing stays still, and we’ve become accustomed to this habit. People are busy chasing instant fun, laughter, sorrow, curiosity, and the unknown.
However, these cinephile movies help us stay with our feelings, reflect, and understand our emotions. They need to be watched with attention to detail. Such films don’t create an overwhelming feeling of excitement but instead immerse us in a flowing river of emotions. They help us acknowledge buried pain.
But today’s audience doesn’t want to do that-they just escape and run. In one word, they have no time to stop.
That’s why I believe that as long as people keep chasing cheap dopamine releases, they won’t be able to appreciate such films.
All We Imagine as Light and I Want to Talk may not perform well at the box office initially, but I really want these two gain recognition through word of mouth and more people go & watch them. Now there are several factors why art house films ignore:
1. Audience demographics, these films often cater to a niche audience-cinephiles, festival-goers, and those interested in films with deep emotional or artistic explorations. The general mass audience, however, tends to gravitate towards more commercially appealing films with broad entertainment values (action, high drama, or familiar genres). These films may be perceived as "slow" or "introspective," which might not align with the preferences of a wider audience. Also age, gender, income level, education, location, interests, and cultural background affects. A film like All We Imagine as Light might appeal more to adult viewers with an interest in international cinema, social issues, or nuanced storytelling, whereas a mass-market film might target a younger audience or those interested in action-packed entertainment.
2.Often, these films do not receive the same level of marketing as big-budget releases, which can impact their box office performance. Even highly praised by critics and receiving awards the extensive promotion needed to pull in a wide audience in India.
It's sad, many people didn't even know about these 2 films. Unique narrative or experimental storytelling often fails but later gains recognition as hidden gems or cult classics.
Proud to be a part of a cinephile audiences, always appreciate the depth and artistry in these films, mass audiences typically favor more easily digestible entertainment. The growing shift towards streaming platforms and a greater appreciation for world cinema, however, might provide these films a second chance at success as they gain traction beyond traditional box office metrics.
People do not support these films because as you said in the video " People dislikes to leave from their illusion ". These particular films that shows human life and comment on it that how one can learn and apply values from their own life or others and become a better person or at least can understand human emotions as they pursue their life with others , people think or they like to think that they know this stuff and what they are doing is correct , hence like to stay in that illusion. There are very few people who accept themselves both in their right and wrong. So to most people these films become very real to the point that it reflects the life as it is which they hate to accept. So I would say it is the fear for which they avoid these films. That's why they pursue cinema as entertainment not as a mirror image of life.
But I think these films are great because very few give them their chance and understand them. For that these films still have some meaning. It's like everybody likes novels, that's why it became an industry but very few likes poetry, that's why only poets get nobles.
The thing is
People in india don't see movies as a form of art,they just see movies to timepass
Many actors also don't see movies as an art form,once the Indian audience gets better and starts appreciating the artistic side of cinema the quality of the movies made in India will also get better.
Satyajit Ray also said this in an early interview of his that Indian audience are exposed to only commercial movies,which is honestly very sad,many good talents have gone waste till now because they see cinema as an art form and do not get the platform they deserve.
But I still have hope that the situation will get better when my generation(current 16 yr olds) will grow up because i think that many young teenagers nowadays respect the art that is CINEMA❤
October was something else...😊❤
The problem is about understanding. These films are very deep and people lack their understanding and they just want everything quickly. Therefore I think people don't support these films in the initial days but afterwards it becomes classic
The main reason audiences don’t support films like All We Imagine as Light or I Want to Talk is that most people seek entertainment and escapism rather than a cathartic or emotionally heavy experience in theaters. Many feel these films are better suited for OTT release where viewers have the flexibility to watch at their own pace by controlling the playback. There are many instances where Indie films gained much more appreciation upon their OTT release. Last year, a Telugu film named "Month of Madhu" which was a slice of life film did receive similar theatrical response but it was later appreciated on OTT.
Additionally for the niche audience who wants watch these films in theaters accessibility is a challenge. Limited screenings and inconvenient showtimes make it difficult for them to experience such movies on the big screen.
Yeah
Movies like thal often don't get widespread support for a variety of reasons:
1. Niche Audience:- They might appeal to a smaller, more specific group of people who appreciate its artistic or thematic elements.
2. Complex Themes:- Sometimes, the themes or messages might be too complex or abstract for the general audience to connect with.
3. Marketing:-It could be that the movie didn't get enough marketing or exposure to reach a wider audience.
4. Competing Releases:-Other high-profile movies released at the same time could overshadow it.
one of the best movie same as October this is not mass film so may be for some majority of people gonna called this film boring , but this film bring lots in someone's life who is facing all this things.
Great to watch Abhishek Bachan acting so effortlessly . it's once a watch film .
3 tareeke ki audience hoti hai:
1- jo movies and theatre se kuch lena dena hee nhi rakhte. Unko hosh/interest hee nhi h kon si movie aarahi hai jarahi h chahe Kitne bhi famous actor ki movie lagi ho. 🫤
2- yeh wali audience majority hai; yeh family, friends, partners k saath aate hai for just/ timepass/ entertainment, simple massy movies hee jante hai yeh log or unn movie m ek big star toh hona chahiye toh hee dekhenge agar 3 se jada main actors hai toh unn ke liye vo movie hit ban jayegi. Story/dialogues/acting se kuch lena dena nhi h.(bavakoof log)😠
3- ham cinephile/ movie enthuse/ film buffs ; ham itni minority m h ki chahakar bhi inn movies ko hit nhi kar vapate or movie ko underrated ka tag mil jata hai. Thank god word of mouth se movies hit hojati h but uski har baar guarantee nhi hoti. 😢
Actually films like "All We Imagine as Light" and "I Want to Talk" often struggle with audience support due to their slow pacing, complex narratives, and lack of mainstream appeal. These films tend to focus on intimate, character-driven stories that may not resonate with a broader audience accustomed to fast-paced, action-packed cinema. Additionally, limited marketing budgets and distribution challenges can hinder their visibility. The films' themes, which often explore deep emotional and social issues, may also be less accessible to general viewers, leading to lower audience turnout. This is my opinion about the struggle of these types of movies. But definitely the audience should watch and support these movies to boost up their cinematic standards as well as their cinematic senses...
You're right; films by directors like Shoojit Sircar often have a unique touch and storytelling style that resonates with a niche audience. However, their marketing tends to be understated, relying more on word-of-mouth than aggressive promotions. If these movies had stronger marketing campaigns, they could definitely reach a wider audience.
Shoojit Sircar's work is incredible-every movie you mentioned has such depth and artistry. "October" and "Sardar Udham" especially stand out for their emotional storytelling. It’s great that OTT platforms are giving these films a second life for people who may have missed them in theaters.
I watched the trailer of I WANT TO TALK and i just knew i want to watch this one in a theatre. Watched it 1st day 2nd show and watched a movie on big screen after a long time. Totally worth it. ABHISHEK with a stellar performance.♥️
Kanika Kasturi deserves an international award but not filmfare award.
*Kani kusruthi...
Abhishek bachhan is a great actor with high potential but people always compare with his father so he remains always underated
The reason is : I think because they lack entertainment. In india people just want to enjoy movies, they watch movies for pretty faces, dance numbers. Not every one is a cinephile.
The problem why audience don't support both the films which you talked about in this video is because audience want spicy story with love romance and action. Almost every movie released in theatres has those elements. Real cinephiles want these movies like I Want to talk which has some in-depth story and climax. ❤
Commening you at the start of the video... you have an amazing voice... Initially I used to thught it's a AI modulated one.... Good job...
I saw the movie on theater yesterday i want to talk beech beech main mujhe rona aa raha tha... this is the good movie😊 i had ever seen ...
Firstly u r doing a great job...keep the good work.
Me and my son both went to watch this movie....son was interested in sound takes etc etc
For me I saw my journey through them.
Struggle local etc etc.
My son insisted we must watch this brilliantly made film.
Of course loved the movie.
N y will masses support these movies...which r not made for them in first place...
As simple as that.
Writer directiors make such movies to proof their creativity...gets awards.....than there are chances of them making movies for masses.
Films like All We Imagine as Light and I Want to Talk often struggle due to niche themes, limited marketing, and audience preference for mainstream entertainment. Their experimental storytelling can feel inaccessible, and without strong distribution or visibility, they fail to reach wider audiences. To bridge this gap, targeted marketing, early audience engagement, and collaborations with indie-focused platforms are crucial. Balancing artistic integrity with accessibility is key to gaining support.
All We Imagine as Light and I Want to Talk often struggle to gain audience support because they challenge the way we consume stories. These films are not made for mass entertainment; they are more introspective, slow-burning, and often demand emotional and intellectual engagement. For many, cinema is an escape, a means to relax and unwind, but these films confront viewers with realities or ideas they might not be ready to face.
A major issue is accessibility-not just in terms of availability but also the way these films communicate. Their abstract storytelling or subtle nuances might alienate an audience unfamiliar with such styles. Additionally, limited budgets mean these films often lack the marketing clout to reach wider audiences, leaving them confined to film festivals or niche platforms.
I believe the problem isn’t the audience’s lack of appreciation but the gap between what they are accustomed to and what these films offer. Filmmakers could bridge this divide by creating more dialogue around their work-explaining their ideas and making the content more approachable. At the same time, we as an audience need to evolve, to view cinema not just as entertainment but as an art form capable of sparking conversation and reflection.
Movies like I Want to Talk and All We Imagine as Light often struggle in India because most audiences prefer mainstream, star-driven films with simpler stories. These films, though rich in depth and artistry, cater to a niche crowd and get little visibility due to limited marketing and fewer screens. Many also wait for such movies to release on OTT platforms, further shrinking their theater audience. It’s a mix of cultural preferences, lack of promotion, and poor accessibility that holds them back.
Bhai aisi filmo ko support isliye nahi milta kyu ki 80 % people apni family k sath movie dekhne jate hai or unko kuch fun dekhna hota hai
सगळे लोक इमॅजिन जीवन जगतात.ही त्यांची स्टोरी आहे.ते relet करतात पण fantacy story लोकांना आवडते.लोक अजून upgrade झाले नाहीत अश्या स्टोरी साठी.but I always like that movies.
Films like “All We Imagine as Light” and “I Want to Talk struggle in India” due to limited audience appeal, inadequate marketing, and a lack of institutional support. Indian audiences, shaped by mainstream cinema, often favor accessible storytelling with emotional highs, sidelining experimental, slow-paced films. These films rarely receive aggressive promotion or wide distribution, limiting their visibility. Moreover, the industry prioritizes ROI, making producers hesitant to back niche projects. Unlike Europe or South Korea, India lacks robust indie support systems, film education, or a strong arthouse culture. To bridge this gap, targeted marketing, better grants, and fostering film literacy are essential. With time, globalization and streaming platforms may help cultivate a more appreciative audience for such cinema.
"I want to talk" gave me back 'that' unique spirit of cinema which I felt has been wiped out by the industry. After watching recent bhool bhulaiyaa and singham and all I felt our Industry is just gonna follow the mainstream business to milk outbas much profit as they can.
But directors and filmakers like soojit sircar, zoya and farhan akhtar, the women who made zwigato. Like these under dog films, these are actually carrying that last of the remaining drops of art in Bollywood.
It felt good, thank you
I am a great fan of Sujit Sarkar and watched all his movies so I am sure that it will be one of the masterpieces.
In my opinion, I think it's about building a connection with movies and stories. Nowadays, people are so engrossed in reels and masala content that they are losing patience. These movies ( Like these two) require patience and imagination, allowing you to relate to them and create a world away from our hustling society, where everyone is in a hurry and no one wants to spend time on stories.
If you observe, everyone wants everything so quickly, which is why reels and massy movies are trending because they provide quick results. People don't want to carry stories with them; they just want to watch and move on.
I personally enjoy these types of movies because they are calm, relatable, and allow you to build a connection with the characters. They foster imagination, evoke emotions, and enable you to see these stories reflected in your daily life.
I believe that there are fewer people with this thinking, which is why these movies(like these two, dhobi ghat, do paise ki dhoob barah aane ki barrish etc.) are watched by a smaller audience.
Films like All We Imagine as Light and I Want to Talk are such gems, but they often fly under the radar because they’re not built for mass appeal. They’re deep, thoughtful, and sometimes a bit unconventional, which is exactly what makes them special! Unfortunately, mainstream audiences tend to lean toward familiar, fast-paced entertainment, leaving these films in the shadows.
I feel like they need more support through festivals, indie streaming platforms, and community buzz. With the right push, they could find the audiences who crave something different. These stories are worth discovering!
Vote for social face reveal😊❤
Chup hoja hawsi aadmi
Its time
you mean whole crew? 🤔
I think it's pretty obvious that the rest are AI generated
@@aamirkhan943 & by rest you mean?
The problem lies in the gap between the film's intent and the audience's expectations. Many people seek entertainment or relatability in movies, but films like *All We Imagine as Light* and *I Want to Talk* often explore abstract, introspective themes. These require patience and a niche mindset to appreciate, which mainstream audiences might not have. Marketing also plays a role-without effective outreach, such films fail to reach their ideal viewers.
The reason why such movies are rarely appreciated anymore is because of the fast-paced, dopamine-driven world we've been projected into. Bollywood must keep up its appearances with the fast-paced social media world and trends, so everyone is running after the next "capture" and "capture" the attention.
It has thus become very sad to see such masterpieces not being touched. If you observe, films such as these are effortless. They seem real.
There is also the matter of fact that most films have such action or are so unreal that they can help people forget reality for a second. But, it is easier to forget reality than to embrace it and create something so beautiful as what these films cover. These films are about the human condition, and they deal with real-life situations that are very close to home. They are not about escapism, but about facing reality head-on.
Till now i have not watched any of the movie (I want to talk and All we imagine Is Light). But clearly after watching your review i got to know what actually these movies want to convey. I talking about myself i was also one of them who used to watch movies or series which were getting consideration or were masses, i didn't thought or try to change my categories in watching but as i grew i got know that there is much more than the films or series i have been watching. Exploring different movies and series took me to a whole different world of cinema and i really feel that past me was missing so much from this cinema we have. And that is what INDIAN audience is they don't try to change they there taste (talking about the big numbers) and so the directors and producers they don't want to take risk in today's time. Indian audience is not getting mature enough to accept such kinds of movies.
Audience don't support to these films because they don't see how the actors and the story is...in today's generation everyone loves to watch mass films...❤️
I think in India, people at the end of the day want to see or maybe enjoy something larger than life which serves as an aspiration to people even though they know that they can not achieve it. Movies or documentaries like these subjects have their niche audience, even though they are depicting the stories that we see everyday. People will rather want to get entertained by something that is just purely aspirational and not watch such movies tapping into the hard hitting topics. People in India are facing such problems everyday and need or seek some sense of escape from movies… I think this is the case with our Country 😇
October is very heart touching movie pta nhi kyun flop ho gai ..fir kehte hain varun judwa2 type ki cringe movie kyun krta h.
Bhai tu ye dono movie pakka nhi dekha hoga yaha commentary kuch nhi hoga pehale ja kar dekho
@@BIHARWALA.DELHIPOLICE😂 kadwa sach
For people cinema means entertainment. Only very few people go for watching real cinema that may be the reason that now people are not making art movies like Ankur, Arth, Manthan, Mandi many...
But solution of real life problems were there. That is pure art. The definition of cinema is changing. Now cinema means technology more and art less.Every thing is presented in very loud manner . Emotions are always exaggerated.
Tesri kasam is one of the master piece . But how many people watched that movie. Moreover these movies don't get even distributers and less money used for promotion of such movies. Perceptive of audiences is changing they go to cinema hall only for entertainment.
Aapko ek apna experience batata hu, m or mera friend The Lunchbox ko dekhne gye the theater me, jab hum bahar aaye to m us film ko dekh kr deep thought me tha, wnhi mera friend bola ki kya bakwas film thi kuch nhi tha, faltu me etani lambi lambi conversation or na hi song the or na kuch or.....
Actually ye akele uski choice nhi h ye most of the person jo film dekhte hn unke sath bhi h, wo film ko entertainment ke perspective se dekhte hn kyunki unko pata h ye sb kabhi sach nhi hota jo film me dikh rha h ..
Yhi bjh h ki wo un movies se kuch bhi adapt nhi krte hn
Or jin se adapt krna chahiye wo unke hisab se wo bekar film hoti hn .
I don't know why , but wo en movies se connect hi nhi ho pate hn ya syd connect krna nhi chahte hn kyunki ye films Reality dikhati hn , Society ko Ek Aaina (mirror) dikhati hn aisi movies.
Dhanyavad 😊
Aaj kal cinephile sirf action cinema dekhnaa pasand kar raha h jiss wajah se in jaisi movies ko utnaa support nahi mil pata jitnaa y movies deserv karti h 😢
All we imagine as light____Aisa kyu hai ki har feminist film ki happy ending kisi na kisi paraaye mard ke bistar par hi hota hai.
Thanks dear for recommendations....... I defiantly watch both the movies....... since I guess our taste for the films are same.
I want to talk is a good movie. I like other films of shoojit sircar more than this one like Sardar Udham, Madras cafe, October, Piku but it is also a good movie. You are saying correct that this is a film that cannot be disliked. You can like it very much or not that much but you cannot dislike this film. And there were only 7-8 people in the theatre.
Films like "All We Imagine as Light" and "I Want to Talk" often struggle to resonate with a broader audience due to unconventional storytelling, limited marketing, and niche appeal. These films may cater to specific audiences, such as film enthusiasts or academics, but fail to connect with mainstream viewers who prefer more traditional narratives. Additionally, cultural or contextual barriers, distribution limitations, and lack of online presence can further restrict their reach. Moreover, the general public's penchant for over-the-top, blockbuster-style movies often overshadows more subtle, art-house films.
Audience don't support this type of movie because they don't want to see the reality of society. They just want larger than life characters.
Thanks for your reviews. Would love to find out how to see these films either on screen or any other platforms.
I think one of the major reasons why people don't support films like these is financial. Most of the people can't afford to go to the cinema every week or even month. So they will be going to only see the movies that have their favourite star in it.
People nowadays don't support such movies like - I want to talk or All we imagine as light because life has become harder. The mass audience, the major chunk of movie views are stuck somewhere in life. Family problems education problems or business problems. Back in the day life used to be very simple and easy, less competitive and comparatively peaceful. As a result no one wants to just sit and watch something very slow paced or non entertaining. At the end of the day everyone wants something very over the top or massy. I think this can be the reason.
1. Due to lack of promotion
2. No item song so mostly people don't know about film
3. mostly people think if we are going to cinema to change or lighten up the mood so mostly people avoid serious story films
4. many film critic also tell its boring to watch in theatre rather watch on otp after some time
🛞🛞 In my opinion there are 2 reasons -
1• some people have anxieties about the moral values depicted on the big screen.
2•. Some people also may be anti intellectual and may not studied the role of mass communication.
All we imagine as light movie and performance actress definitely get national awards 🥇 🥇👍🏼
Excellent.... like your view
Ghummar , Dasvi aur ab I want to talk ... Bhai shahab Abhishek Bachchan ab next level ki acting kar rahe hai..
We want to watch this movie eagerly.Than you Abishek Bachhan Sir
These kind of movies are ignored because watching movies in majority of India is considered just a source of entertainment,specially when they are going to watch it on a big screen they would prefer a massy movie because it is celebrated among people whereas movies like"All we imagine as light" doesn't put its theme louder enough or in a way which our audience are use to recieve from the films they watch.Basically the definition of watching movies in big screen is different, audience seek visual experience rather than watching a serious film about life.Notably majority of the theatre audiences are from working class society where art/cinema is not taken seriously.
Loads of love ❤
I agree with you about the movie - I WANT TO TALK.. Yesterday I saw, this movie after office..... Each n every line who said I agree
You have answered your own question in your video... Cinema is an illusion.... We want to watch the illusion to forget our chaotic life.... But when the cinema itself becomes closer to real life... It becomes difficult to watch. 3hrs or 1.5 hrs..... People want to forget their pain and live the illusion....they become the hero and heroine of their life... No one wants to copy a sad or real character ( other than a biography) to forget their real life...
I think the answer is simple most of people go for the hype of movie. They want to have fun but they ignore this type of movies thinking it will be of hitting topics.
And middle class goes for mass , entertaining with a star to the movies. And now movies are turning to nostalgia bait for franchise movies . And those who like this cinema either watch on OTTs or after the hype build through social media or yt movies reco channels ( like chalchitra talks and other)
The main reason is the distribution of movies and hype . They form loop if hype is up distribution will be high vice versa. All we can do is to spread mouth to mouth popularity. And talk about these movies.
Honestly, films like "All We Imagine as Light" and "I Want to Talk" can be tough sells. They're often slow-paced, experimental, and tackle heavy themes that might not resonate with everyone.
The problem is, these films usually appeal to a niche audience, and they don't get the same marketing push as bigger releases. Plus, people might not even know they exist!
It's not that these films are bad; they're just different. And sometimes, that difference can be alienating. But hey, if you're someone who appreciates art-house cinema, you might find these films to be hidden gems.
We just need to do a better job of getting the word out and educating people about the value of these films. Maybe then, they'll get the love they deserve.
Jindagi me tension bohot hai, ki is duniya me lafade bohot hai, ki chahat paane ki sitare hai, par in kaato pe chalte jaare hai, ki is duniya se dur jaana chaah rahe hai, is liye masaala picture dekhne ja rahe hai...
Kaal tak hai theatre mai, i ll go and watch.
There is no problem in these movies nor in the audience.... it's the history of bollywood due to which we watch movies as entertainment not as an art.
I think they are Indie movies so filmmaker doesn't have that kind of privilege of marketing and hype in a big scale
And many of the audience doesn't know about these movies
Second, The kind of movies are not in trending nowadays I wish may be in Future but I think once a large audience accept these kind of movies then they will also get work
And they also got less screening..........
Less screening is also a factor
Saw I want to Talk, will go for Payal's movie tomorrow
Oh it is released in Cinemas
The reason is very simple. People of India wants escapists fare in films and they want to get away from problems of day to life.
Honestly I don't know.
I just regularly watched ur videos, and yeah i like u video.
Btw I'm commenting just for that Poster.
🙂
I think when we see Indian audience, most of the people see films as "just entertainment" and they don't care about a nuanced narrative like us(cinephiles). This was rightly put in Happy ending(2013) when Govinda says "Mujhe 200 Rupey mai jeena mat sikha"
However, If a film has a striking balance of a strong narrative and entertainment, they do wonders like Dangal for example.
Let's understand that cinema by its design and form was meant for mass entertainment. Unlike a theatre play which at a given time can only entertain or appeal to audience in just one theatre, cinema get played in multiple theaters across cities. Hence when something is meant for mass entertainment, why should we expect the audience to time and again appreciate the "art" in it. People visit theatre to forget their pain not relive it. Yet, once in a while few films do come which end up doing both and cibe goers lap it up.
Anyways, hope this answers your question as to why the audience does not highly appreciate such films, even though they are cinematically and story wise brilliant.
In my perspective movies like all we imagine light need a person with a heavy heart and a peaceful mind who is solely willing to get imbibed into the casual realities of life and imprint his life memories with the film. Such movies need acceptance mentally to any person and nowadays people are so vexed up in their monotonous routine life and crave for laughter, crime or thriller or purely entertaining genres to relieve themselves from their boredom. Slow burning movies with not so thumping bgm won't thrive in the audience minds as an option for theatre visit and make their money worth it. Nowadays people don't need an attachment to anything except their minds are investing in some dopamine.😊
The reason behind not supporting these kinds of films is. At this moment we are really adapted to accept massy movies ( which involves actions, dance, music and larger than life concepts ). Also, we are watching movies based on the cast, but we also need to watch movies based on their director and their potential work. We always think that, we will watch these movies on OTT.
I want to talk aur All We Imangine As Light movies sabhi ko sachai dikha deti hai jaha pe main character bhi dard sahta hai aur illness se ladta hai... jabki logo ko aisa hero / main character chahiye jo Kabhi bhi dukh, dard peeda jo 1 aam insan ki tarah mahsus na karta ho woh usme bhi muskurata ho... jisse audience ko maza aata hai...
Please review Kishkindha Kaandam, masterpiece of 2024 🙏🏻
This type of movies not supported by Indian kyoki un logo ko bollywood industry ne jyadatar masala, romantic and comedy movies hi dikhayi hai ,after 80s and 90s bollywood industry ko essa laga ki logo ko masala, romantic and comedy movies hi jyada pasand hai isliye wo jyadatar masala, romantic and comedy movies hi banate gaye or log dekhate gaye or fir aaj tak Indians ne masala movies, romantic and comedy ke alava jyada kuch dekha nahi, isliye esi sirious movies jyada nahi chalti☹️, aur isse logo ka movies dekhane ka taste accha nahi hua or logo ek hi type ki masala, romantic and comedy movies dekhne ki aadat ban gayi. But i love the sirious type and zindagi ko behtar banane wali movies.
And i am huge fan of old boy and i want this poster.
Okay
Now study
It won't help u
I think the reason masses not going to the cinema for these films is-
1. people in india associate cinema with entertainment, and we have been growing up watching cinemas like of this pattern, for example there is hero meets some girl who he likes then some songs happen, hero gets into a conflict with the antagonist faces a defeat in the middle, then rises again an fight the antagonist and wins and lives happily ever after. They are more likely to watch those type of films instead of try something new.
2. For these type of films you can't be sure after watching the trailer, that it's going to be good or not. I have seen every film of shoojit sirkar but sardar udham felt a bit slow to me. Now we love cinema, we are used to try different things, but people spending 250 rupees, i know it's nothing for some people, but it's a lot for lower middle class. They go to cinema once a year, they are more likely to go for jawaan, RRR type commercial film rather than going for i want to talk fim.
3. Earlier stars were guaranty like salman's and Akshay's movies were and now multistarer are associated for delievering mass entertainer.
4. Songs also plays an important role in making buzz of the film, Abhishek can't pull people to cinemas, i think piku must have made good money because mr. Bachchan and depika both from mass movies are in it.
4. People want to watch movies with family, when i told my family how about we go for we want to talk movie, and they made disappointed face, because they don't know about this movie, they want to go for pushpa because they want to go pushpa, because it will have different flavours.
The reason why these type of films don't work:
- Us , hum log hi sabse bade zimmedar hai jab aisi movies nahi chalti hai kyuki jab hall me lagti hai tab koi nahi jayega lekin jab ott release hogi to cult-cult ke naare lagenge.
-Halls screens nahi dena chahte kyuki unko Darr hai ki koi dekhne nahi aayega ....to wo bhi risk nahi lena chahte .
-No Dubbed version available , bhot log hai jo dekhna chahte hai diverse cinema but there is no dubbed version available & they feel inconvenient to watch it in unknown language, so they skip the film.
- We also don't trust out filmmakers ... because we have already considered Hollywood as a benchmark and we direct start to compare our films with movies like Interstellar and all...
- Poor marketing of makers is also an issue here ..I mean why do we have not heard of this film and media also not enthusiast to cover the news like winning the award at Cannes.
THE PROBLEM WITH THIS MOVIES ARE A LITTLE BIT CONSERNING
we should celebrate this type of movies.....Was there enough positive word-of-mouth or online discussion to create a buzz around the films?
and Was the target audience correctly identified, and were their needs and preferences considered?
Wishing success to both the movies........❤
The problem with audience is they hate silence and thought provoking concepts, people are living in instant gratification world of Reels and Shorts where the attention span of individual has reduced to less than 30 seconds. They need some kind of stimulant (Loud BGM, Hero entry, breaking 4th wall) every short period of time just to keep them hooked.
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I think majority of audience not all audience ,their view towards cinema is different they use cinema for entertainment they did not want to learn something from film and they did not interested in cinematic techniques
I think we need movie influencers who can influence audience to watch indie films😂
Actually in today's generation everyone likes fast paced things in everything.
They do not want to understand the meaning behind and just want to enjoy the moment.
That's why in today's scenario this kind of film's not earning money they supposed to earn.
Shoojit Sircar is GOAT.
PERIOD.
The audience watch films for feeling light so that they can get out of hectic life for a while ,but films like these will reflect the same thing which they came here to forgetr
The reason I feel that why these films like "I want to talk" and "all we imagine is light " don't work is because
1. Unknown actors: see in masses Abhishek doesn't carry the same aura as shah ruk or other actors even if you see Vicky after giving such great performance still hasn't achieved what may be Ranbir or maybe prabhas carries see I know my comparisons are too uneven but what I have seen in reality is this..
2. Slow pacing and simple story: most of these stories are actually very simple and are slow paced so that you take time and move to world the movie is showcasing but unfortunately people love complex stories which are simple to understand and not simple stories which are complex basically people want to be superstar in their own life and they don't they want their heroes to be so😢.
#5ocial