Yes, absolutely enchanting. The music of the master is a joy to the senses. The costumes are beautiful and I wish there were more. I have loved the music of Jean-Baptiste Lully ever since I discovered him.
This gorgeous and beautiful footage is beyond description ， and full of admiration , acclaim and deep emotion I'm just intoxicated with this breathtaking footage in Japan
I ever asked myself, why two dancing kids or teens represent "les zephyrs" in this production. The role of kids at court of Louis must have been a very special one, i guess....here, the two zephyrs seem to have much authority. To me, this scene tells a little story of life at court, like many scenes in this wonderful production....
God, how beautiful those golden-haired Zephyrs are! How splendid is their dance and Lully's music! France has always been the cultural pinnacle of the world!
@@Alexander_Goosev Lully voleva soprattutto consolidare la sua posizione alla corte di Francia, così come Boccherini e Domenico Scarlatti volevano farsi largo alla corte di Spagna. Quello che conta sono la personalità e i ricordi
@@Alexander_Goosev Penso che nel XVIII secolo per i giovani che promettevano bene andare in Francia o in Spagna era come oggi andare in USA 🇺🇸. La promessa di un brillante futuro
^That’s spam, people please don’t go search for that. They go on multiple videos and write these comments with different accounts, if you check the dates of these accounts’ creation they’re all from this month.
Avons eu la chance d assister à atys opéra royal de Versailles sous la baguette de William christie c était sublime même si les mots sont galvaudé Paul agnew était au top de son talent ds le sommeil tout n était que beauté
@@ac8907 L'Italia era solita esportare talenti a quel tempo, i quali non ritornavano nella terra di origine, ma certo non cancellavano i ricordi della giovinezza. Sono certa, poiché ne ho fatto esperienza, che la malattia di cui soffrono tutti gli esuli, la NOSTALGIA, li ha accompagnati per tutta la loro vita
Tutto perfetto : ambientazione, costumi, danza e, ovviamente, la musica di Lully. Certo erano passatempi riservati a pochissimi, ma almeno essi sapevano apprezzare le cose belle se erano belle davvero
The opera in these days just makes me not to go to see it ....the scenical introduction is often "to modern " - thank you, I do not wish. I Will rather watch here The Zephyres.😊
El genio de Lully se muestra en todo su esplendor en la Entre des Zephires; a mi me parece una escena extraordinaria y Christie ha sabido encontrar el ritmo adecuado, solemne y gracioso al mismo tiempo. Y hay que destacar el formidable "pas de deux" al unisono: no recuerdo una pieza de danza de pareja com ésta. Los dos adolescentes disfrutan bailando, sonriendose entre ellos y generando una atmosfera que me parece única. Bravo por todos ellos y, a ver quien se atreve a mejorar.lo !.
. I was at the Opera Comique and I can tell you the performance of this "new" Atys was out of words. It's difficult to say if 1987 performance was better if you just watch 2011 on video only. I recorded 1987 on tape on french tv You need to watch Atys LIVE, it's all I can say. So, if one day you can see Atys live, I think you will change your mind.
I saw it on vidéo. Un chef d'œuvre 👍👍👍👍👍👍👍 Parfait en tout aussi drole que subtil avec des décors et des costumes à pleurer. Merci monsieur Christie William qui m'a fait découvrir cette pièce maîtresse du baroque français.
Cela a tout de même meilleure allure que ces mises en scène dites "revisitées" avec des costumes et des décors actuels pour des oeuvres datant du XVIIè ou XVIIIè siècle.
Absolument je trouve que les mises en scène revisitées ne vont guère avec la musique baroque voire classique. En revanche je pense que l'opéra romantique s'y prête bien mieux (et l'opéra moderne évidemment)
Pitié, taisez vous! Il y a des merveilles en représentations et décors contemporains. Votre remarque passéiste et réactionnaire salit ce magnifique spectacle, qui dépasse, et de loin, ce genre de polémique stérile.
@@laurentcamilleandre716 C'est ça, toujours cette méthode de traiter d'idiots ceux qui pensent autrement. Le plus drôle, et le plus révélateur, cela vient de gens qui, n'en doutons pas, se proclament les vrais démocrates à longueur de journée. Les metteurs en scène visés par le propos qui vous irrite (au point d'oublier l'éducation à laquelle vous prétendez probablement) cherchent puérilement n'importe quoi pour faire exister leur petite personne à côté de ces grands compositeurs. Récemment ils nous ont fait des Indes galantes à la mode métro parisien. Après une Carmen pute assise sur le capot d'une bagnole, pouah. Ce qu'on appelle une grande gueule dans la vie courante, c'est tout à fait ça : quand on à rien à dire, on le dit très fort. ;-)
What form of dance is this, can someone please tell me (e.g., gigue, pavane, some type of "step for", i.e. "pas de", quadrille, polonaise, etc...)?! I would be greatly indebted. I am trying to learn and thus develop a foundation of understanding around the dance forms from which the compositional forms blossomed.
I watched both productions (1987 and 2011) only in video and I still prefer the 1987´s. Cibele is, for me, the best character, and Guillemette Laurens that incarnated that mythological figure in 1987 vraiment ressemblait plus à une déesse-mère. I like Stephanie D´Oustrac but I find she is sometimes exaggerated in her manners. And concerning the zephirs dance, just compare the footwork of the dancers in both productions.
@@neilsarfati3334 Per Lully la Francia era un posto di lavoro, uguale a tanti altri. Ma certamente soffriva della malattia di cui soffrono gli esuli : la nostalgia di casa. Senza nulla togliere alla bellezza delle composizioni dei maestri francesi...
It's an odd thing, but the period costumes so there have a little too well. They're meant to elongate people and make them look taller, but on people of modern height, it makes them like Elven. Or like people out of a fever dream.
Anne-Marie Gardette and Ana Yepes were not surpassed in this production.This dance performance in 1987´s production was much better. The world changed a lot since them and the muses and the spirits of arts do not abandon us completely yet just for pity not for deserving.
Absolutely delightful and very Duc d'Orleans (look it up, brother of Louis XIV). We just also contemplate the slaves and peasants of France who paid to uphold this unworthy and untenable situation where 20,000 nobles profited from the labor of 20,000,000 peasants for two centuries. Please, viewer, spare us your unlimited admiration,. You watch slaves building and butressing Versailles. The building and maintenance of Versailles bankrupted France for 200 years. How uncomfortable because we love the gold leaf and splendor. But this is what Lous XIV built: a national catastrophe. Napoleon tried to undo it all but it was all too late and the oozing wounds could not be staunched and France bled to the marrow. We thank the French for showing us all how to go down with oboes and clarinets and viola da gambas blazing while the rest of the world and Versailles itself burn immolate in the night sky amid freakish fireworks. And this is why our world will burn now bcz you and I we are they, those same haughty courtiers watching from the backstage while the pretty boys filigree and dance like zyphers and butterfliees thinking FOREVER
It can't be more European than this! Excellent 👍👍
Untill u get written over by islam
Inoubliable et génial Lully.
Yes, absolutely enchanting. The music of the master is a joy to the senses. The costumes are beautiful and I wish there were more. I have loved the music of Jean-Baptiste Lully ever since I discovered him.
This style is so difficult to dance.Light batterie,straight backs,the arm positions,it is a revelation.
Zephyrs are fluttering! Indescribable beauty!
And just it looks so simple
Sublime Athis, le baroque dans toute sa splendeur.🌞🎺🎺🎻
Absolumment magnifique, sublime, grâcieux et charmant, j'en redemande encore.
OComic JBLully Atys 2011 Mezzo.liveHD
aujourd'hui, nous sommes incapables de produire un spectacle aussi délicieux et plein de finesse
This gorgeous and beautiful footage is beyond description ， and full of admiration , acclaim and deep emotion
I'm just intoxicated with this breathtaking footage in Japan
This is perfection, an absolute pleasure for a Sun King.
Ivan Hernandez yes!
@@ArtistsByAnyOtherName Come Ho già detto prima, erano veramente pochi quelli che potevano permettersi tutto questo e che sapevano apprezzarlo
Thats me
This opera was known as "The kings opera" Because he loved it so much that it was performed for him three times.
Soothing grace of the tune and movements!
I ever asked myself, why two dancing kids or teens represent "les zephyrs" in this production.
The role of kids at court of Louis must have been a very special one, i guess....here, the two zephyrs seem to have much authority.
To me, this scene tells a little story of life at court, like many scenes in this wonderful production....
cette production est au-delà de la perfection et serait magnifiquement interprétée devant leurs plus gracieuses majestés à la cour de versaille
" Versailles " conservons lui sa majesté justement .........
God, how beautiful those golden-haired Zephyrs are! How splendid is their dance and Lully's music! France has always been the cultural pinnacle of the world!
Sì, la Francia era in grado di chiamare da tutto il mondo gli ingegni migliori e offrire loro buone opportunità di lavoro
@@ritanicosia Lully si considerava un francese. 😀
@@Alexander_Goosev Lully voleva soprattutto consolidare la sua posizione alla corte di Francia, così come Boccherini e Domenico Scarlatti volevano farsi largo alla corte di Spagna. Quello che conta sono la personalità e i ricordi
@@ritanicosia E anche l'opportunità di trasformare i sogni creativi in realtà ...😀
@@Alexander_Goosev Penso che nel XVIII secolo per i giovani che promettevano bene andare in Francia o in Spagna era come oggi andare in USA 🇺🇸. La promessa di un brillante futuro
C´est si beau, c´est à pleurer! 🥰
^That’s spam, people please don’t go search for that. They go on multiple videos and write these comments with different accounts, if you check the dates of these accounts’ creation they’re all from this month.
@@matteomagurno3068 ?
Avons eu la chance d assister à atys opéra royal de Versailles sous la baguette de William christie c était sublime même si les mots sont galvaudé Paul agnew était au top de son talent ds le sommeil tout n était que beauté
Tout en légèreté et délicatesse. C'est adorable...
This is an absolutely gorgeous production...sets, costumes, amazing wigs & makeup & brilliant staging, the music is sublime! Bravo, bravo!!!
Bellissimo ed imperioso brano. Un portento straordinario!!
Viva Lully! ❤❤❤
Wonderful music, enchanting dance, beautiful costumes. A perfect baroque performance. Merci beaucoup.
Flaxande papegojor. Fjädrar lull lull
Lully
Le plus grand de la musique baroque❤🎉😊
Fantastico 🌹🌹🌹👍
Tout est là. L'ancêtre de la danse et de la musique classique moderne.
Oh mon Dieu, i just cannot stop watching this. This is so sublime, exquisite and graceful. Fantastic performance.
Ismayil Arifoglu same here. I’ve watched it over and over again.
o ja ! geweldig ! !
@@gpeffer Le cose belle non stancano mai
Look at the "Indes galantes"
@@ac8907 I have watched only a few excerpts of Indes Galantes, I ' ve never heard the whole opera, or a whole act
I wish I could have seen the whole thing live. Beautiful!
OComic JBLully Atys 2011
Невероятная красота во всем! Люблю Лули, браво!
We are in Baroque Heaven, no doubt. Merci.
Performance magnifique , Surtout les mises baroques !
Magnifique!
Chef d'oeuvre du baroque français , merci aux arts florissants et à William Christie
And to the music of G. B. Lully. Of course
Jean-Baptiste Lully naturalisé français a appris le violon et le clavecin avec des maîtres français arrivé en France à l âge de 14 ans
@@ac8907 L'Italia era solita esportare talenti a quel tempo, i quali non ritornavano nella terra di origine, ma certo non cancellavano i ricordi della giovinezza. Sono certa, poiché ne ho fatto esperienza, che la malattia di cui soffrono tutti gli esuli, la NOSTALGIA, li ha accompagnati per tutta la loro vita
Vive notre belle Europe ! Ce continent qui nous a fourni les plus grands.
Entièrement d'accord avec vous.
Tutto perfetto : ambientazione, costumi, danza e, ovviamente, la musica di Lully. Certo erano passatempi riservati a pochissimi, ma almeno essi sapevano apprezzare le cose belle se erano belle davvero
Meraviglioso e sublime!!
Superbe cette musique de Lully.
So beautiful and authentic. Why can't we do opera like this anymore in the West?
The opera in these days just makes me not to go to see it ....the scenical introduction is often "to modern " - thank you, I do not wish. I Will rather watch here The Zephyres.😊
El genio de Lully se muestra en todo su esplendor en la Entre des Zephires; a mi me parece una escena extraordinaria y Christie ha sabido encontrar el ritmo adecuado, solemne y gracioso al mismo tiempo. Y hay que destacar el formidable "pas de deux" al unisono: no recuerdo una pieza de danza de pareja com ésta. Los dos adolescentes disfrutan bailando, sonriendose entre ellos y generando una atmosfera que me parece única. Bravo por todos ellos y, a ver quien se atreve a mejorar.lo !.
Busca la versión de 1987, es tremenda.
Je ne me lasserai jamais de rendre hommage au génial Lully
Quel spectacle ravissant !
Oh quel spectacle... on est émerveillé
Awesome, bravissimo
Baroque as it should be
j'aime, j'aime et j'aime encore.....
What a beautiful production!
RIP William Christie, thanks for reviving French Baroque
Magnifique! hommage au genie de Moliere!
Molière ?
@@Beuvron41 Già, nemmeno io credo di aver compreso il riferimento a Moliere
Bravo les Zéphyrs ! Revenez quand vous voulez.
Humanity peaked here, aesthetically.
Emouvant quelle beauté....
Ahhh, such beautiful!! Reall Lully
Cette prestation est presque digne du Grand Siècle ! Merci
MERCI pour cette splendide mais bien trop brève apparition des Zephyrs. QUAND pourra-t-on voire ici l'oeuvre entière ?
The Zephyrs are well represented in this piece, like they're playing and go "Wiiiii! :D" with each other. Just like the breeze. >u
IT'S WONDERFULL!!! J.B.LULLY & W.CHRISTIE RULE!!!!!!!
Robert Halor g
How delightfully baroque - French baroque, of course!
Of course, I agree
. I was at the Opera Comique and I can tell you the performance of this "new" Atys was out of words. It's difficult to say if 1987 performance was better if you just watch 2011 on video only. I recorded 1987 on tape on french tv You need to watch Atys LIVE, it's all I can say. So, if one day you can see Atys live, I think you will change your mind.
I saw it on vidéo.
Un chef d'œuvre 👍👍👍👍👍👍👍
Parfait en tout aussi drole que subtil avec des décors et des costumes à pleurer.
Merci monsieur Christie William qui m'a fait découvrir cette pièce maîtresse du baroque français.
Sublime
Sublime!
Vive Lully!
👍 👍
Bravissimi!
Cela a tout de même meilleure allure que ces mises en scène dites "revisitées" avec des costumes et des décors actuels pour des oeuvres datant du XVIIè ou XVIIIè siècle.
Absolument je trouve que les mises en scène revisitées ne vont guère avec la musique baroque voire classique. En revanche je pense que l'opéra romantique s'y prête bien mieux (et l'opéra moderne évidemment)
Pitié, taisez vous! Il y a des merveilles en représentations et décors contemporains. Votre remarque passéiste et réactionnaire salit ce magnifique spectacle, qui dépasse, et de loin, ce genre de polémique stérile.
Ca c'est la revisitation du 1987 quand William Christie avait encore des cheveaux…. et les Zéphyr dansaient mieux ET DESORMAIS UN GRAND CLASSIQUE
@@laurentcamilleandre716 C'est ça, toujours cette méthode de traiter d'idiots ceux qui pensent autrement. Le plus drôle, et le plus révélateur, cela vient de gens qui, n'en doutons pas, se proclament les vrais démocrates à longueur de journée.
Les metteurs en scène visés par le propos qui vous irrite (au point d'oublier l'éducation à laquelle vous prétendez probablement) cherchent puérilement n'importe quoi pour faire exister leur petite personne à côté de ces grands compositeurs.
Récemment ils nous ont fait des Indes galantes à la mode métro parisien. Après une Carmen pute assise sur le capot d'une bagnole, pouah. Ce qu'on appelle une grande gueule dans la vie courante, c'est tout à fait ça : quand on à rien à dire, on le dit très fort. ;-)
@@AlainNaigeon Lei ha ragione, rispettare le opinioni altrui è il primo segno di educazione e di democrazia. Nessuno può saperlo più di un francese
Excellent
In Frankreich muss man wohl schon aus ästhetischen Gründen Monarchist sein. Like!
♥LULLY
Grande eres tu Luis XIV por siempre eres eterno.
💞🇻🇦✝️🇻🇦💞DIEU ACCUEILLEZ DANS VOTRE PARADIS💐🥰💐 L'ÂME IMMENSÉMENT💞😇💞 CATHOLIQUE DE MONSIEUR DE LULLY💐🌼🥰💐🇻🇦💞🌿💐😇🌿💞⛑🇻🇦💒😇🌼💐🙋♂️ !!!
Hermosa producción!
Ici c est plusqu un opéra c est une tentative de faire renaître l esprit de Versailles ...
Brilliant
What form of dance is this, can someone please tell me (e.g., gigue, pavane, some type of "step for", i.e. "pas de", quadrille, polonaise, etc...)?! I would be greatly indebted. I am trying to learn and thus develop a foundation of understanding around the dance forms from which the compositional forms blossomed.
amazing
Exquisite
1:16
Tout cela est si actuel. : )
Delightful!
Lully would be pleased !
c'est a la blache ou a la noir ou a la ronde?
Mise en scène de Jean-Marie Villegier. Direction W.Christie.
Ausgezeichnet!
great Lulli!
👌👌👌👌👌
Wow! Endlich wird auch der originale Tanz in die historische Praxis der Barockoper eingebaut.
Oddly satisfying
I watched both productions (1987 and 2011) only in video and I still prefer the 1987´s. Cibele is, for me, the best character, and Guillemette Laurens that incarnated that mythological figure in 1987 vraiment ressemblait plus à une déesse-mère. I like Stephanie D´Oustrac but I find she is sometimes exaggerated in her manners. And concerning the zephirs dance, just compare the footwork of the dancers in both productions.
italia,patria della musica...
Sergio Necciari Lully se sentait plus français qu’italien...
Naturalisé à l'âge de 14 ans, arrivant en France sans rien connaître de la musique, formé par des maîtres français
Ça ne change rien à mon amour indéfectible pour la musique italienne mais la France a aussi généré quelques génies, Sergio... 🙂
@@neilsarfati3334 Et pas que la France, l'Allemagne et la GB, la Russie !
@@neilsarfati3334 Per Lully la Francia era un posto di lavoro, uguale a tanti altri. Ma certamente soffriva della malattia di cui soffrono gli esuli : la nostalgia di casa. Senza nulla togliere alla bellezza delle composizioni dei maestri francesi...
Pourquoi se priver de ses racines culturelles l histoire est toujours utile pour comprendre le monde dans lequel nous vivons
joelle patinet chanson napolitaine
Il mondo di oggi mi pare abbia dimenticato tutto questo, purtroppo
*Probably it's harder than it looks!*
It's an odd thing, but the period costumes so there have a little too well. They're meant to elongate people and make them look taller, but on people of modern height, it makes them like Elven. Or like people out of a fever dream.
Yup. Coupled with the drab colors of the costumes, the women in the back especially remind me of the ghostly castle ladies in Bloodborne.
They do seem like giants :DD
Fico pensando...outro mundo.... me parece um tempo de gente ociosa.
Anne-Marie Gardette and Ana Yepes were not surpassed in this production.This dance performance in 1987´s production was much better.
The world changed a lot since them and the muses and the spirits of arts do not abandon us completely yet just for pity not for deserving.
Im One of the zéphyrs
French baroque
Musique éternelle a
I'll never understand why dance, of all things, is ever filmed in "potatovision..."
What is potatovision?
Absolutely delightful and very Duc d'Orleans (look it up, brother of Louis XIV). We just also contemplate the slaves and peasants of France who paid to uphold this unworthy and untenable situation where 20,000 nobles profited from the labor of 20,000,000 peasants for two centuries. Please, viewer, spare us your unlimited admiration,. You watch slaves building and butressing Versailles. The building and maintenance of Versailles bankrupted France for 200 years. How uncomfortable because we love the gold leaf and splendor. But this is what Lous XIV built: a national catastrophe. Napoleon tried to undo it all but it was all too late and the oozing wounds could not be staunched and France bled to the marrow. We thank the French for showing us all how to go down with oboes and clarinets and viola da gambas blazing while the rest of the world and Versailles itself burn immolate in the night sky amid freakish fireworks. And this is why our world will burn now bcz you and I we are they, those same haughty courtiers watching from the backstage while the pretty boys filigree and dance like zyphers and butterfliees thinking FOREVER
White Steven Lewis Mary Gonzalez Steven
Wsh la 4°1
Yo la 4e1
"
@adamfaramir these words are forbidden and condamned in France!!!
very french!
Tall guy at the back,looks very scary.
aka invasion of the Greek army