Last year in a workshop, the "teacher" showed us the MaPa sound. I have the impression the airchord is actually the same sound. Is it correct? MaPa are 2 sounds that are neutral, meaning that we can inhale or exhale on it, unlike Ta or Ka, which are exhaling sounds. Right?This is extremely helpful because it gives a better understanding. Thank you, master Du!
Great lessons, thank you so much! Could I ask if you would be able to explain the AirChord further if possible? is it just a pu-pa movement with the lips (pu=out pa=in)? I'm finding it hard to get the volume and resonant tone which you get in the video...
Thanks for the tutorial! I have a question concerning breathing. I am trying to play "tawaka" with aircord. If I breath in on the "wa" after some time I am full of air and have to take a break. The other option I tried is to breath one time in and one time out. That works better. When and how would you suggest to breath? Much love ❤
That is a GREAT question! To answer it, I had to try it myself. I use the same technique like you, breathing on the wa, I only breathe out less, once in four breaths. You can choose to skip the breath as well, or just breathe very little. Other way to balance out would be to push the Ta more, but that creates a different sound.
The only thing I dont like is the tiny mouth piece I play in 33x35 mm could be posible to play air code??? Also what characteristics need on didge to play?
The size of the mouthpiece is not so important. The one in the video is around 31mm, sometimes I use 33 for very similar didge. So it is not so different from yours. If you hear the sustain, it is good.. if you don't... either you or the didge is not doing their job... ;-)
Dubravko Lapaine Didgeridoo im gonna make a C didge with high back preasure and practice a lot, im doing the drumbas a lot lately at busk and alway wile playing i think " do it like duv, do it like duv!!!"
@@JammTj664 Here you caught my attension: HOW you decide the tone of the didge???? I dont get it ! I se some didges are sold as "untuned", others in a specific tone: But how can the maker Control that ????.
This traveler in North Carolina sends positive vibrations to you.🙏 eyes opened wider.
all the masters of things make it looks so easy
Your playing is always inspiring Du. And your tone is extremely precise and clear. I love that it never becomes muddy
Thank you for this comment! It took quite a lot of conscious energy investment to clear up the sound as much as possible. Now it is just natural.
This is brilliant! I’ve been playing since 1994 but I’ve never seen anything like this!
Thank you for this guide!
Thanks! Looking forward to the next aircode video :D
Awesome.... very very very interesting and soooo groovy !!!!!
Thank you. I hope you have tried it yourself!
Thanks brother )
Thank you for sharing Du
😊😊🙏🙏
Awesome wow
Nice video my friend, big hug
a huge talent!!! man it's hard to play this
Amazing man!
A slower demo and explanation of the mouth movement to create these rhythms please
Hey there! I've watched this video about 10 times and i still cant figure out how you make the bright "ping" sound. Could you do a tutorial on it?
Last year in a workshop, the "teacher" showed us the MaPa sound. I have the impression the airchord is actually the same sound. Is it correct? MaPa are 2 sounds that are neutral, meaning that we can inhale or exhale on it, unlike Ta or Ka, which are exhaling sounds. Right?This is extremely helpful because it gives a better understanding. Thank you, master Du!
Great lessons, thank you so much! Could I ask if you would be able to explain the AirChord further if possible? is it just a pu-pa movement with the lips (pu=out pa=in)?
I'm finding it hard to get the volume and resonant tone which you get in the video...
Trippy
supernice, and maybe i missed it but i watched your other vids ass wel and how and where do you breath?
Explain the aircord..
Thanks for the tutorial!
I have a question concerning breathing. I am trying to play "tawaka" with aircord. If I breath in on the "wa" after some time I am full of air and have to take a break. The other option I tried is to breath one time in and one time out. That works better.
When and how would you suggest to breath?
Much love ❤
That is a GREAT question! To answer it, I had to try it myself. I use the same technique like you, breathing on the wa, I only breathe out less, once in four breaths. You can choose to skip the breath as well, or just breathe very little. Other way to balance out would be to push the Ta more, but that creates a different sound.
Ok that makes sense! Thank you 😊😊😊
The only thing I dont like is the tiny mouth piece I play in 33x35 mm could be posible to play air code??? Also what characteristics need on didge to play?
The size of the mouthpiece is not so important. The one in the video is around 31mm, sometimes I use 33 for very similar didge. So it is not so different from yours. If you hear the sustain, it is good.. if you don't... either you or the didge is not doing their job... ;-)
Dubravko Lapaine Didgeridoo awesome to know I have a
mobdidge with high back pressure gonna try it in this one!
My feeling is that it will not sound great for AC, but not due to mouthpiece...
Dubravko Lapaine Didgeridoo im gonna make a C didge with high back preasure and practice a lot, im doing the drumbas a lot lately at busk and alway wile playing i think " do it like duv, do it like duv!!!"
@@JammTj664 Here you caught my attension: HOW you decide the tone of the didge???? I dont get it ! I se some didges are sold as "untuned", others in a specific tone: But how can the maker Control that ????.