Chopin - Etude Op. 10 No. 1 in C Major. Samnon
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- Опубліковано 11 тра 2010
- Tal-Haim Samnon plays Chopin Etude No. 1 op.10 in C major. From the age of six till eighteen he took piano lessons with Mrs. Hanna Shalgi of the Givatayim Music Conservatory. Since then he studied with Prof. Arie Vardi for six years at the Buchman- Mehta school of Music in Tel Aviv University where he did his B.A. In present time he is in the Artist Diploma program with Prof. Evelyne Brancart at the Jacobs School of Music in Indiana University, Bloomington. Tal graduated from the Thelma- Yellin High School for the Performing Arts and served in the Israeli Army as "distinguished musician", enabling him to pursue his musical career uninterruptedly.
Since the age of seven he has performed at many concerts in Israel, Europe and the USA: Germany, Austria, France, Scotland, Holland, Switzerland, Portugal, Florida, Washington DC and in the Carnegie Hall in New-York . He often performs for the Israeli "voice of music" channel, both in live broadcasts and in recordings, and has recorded for the Dutch radio as well.
Tal has been awarded the America-Israel Cultural Foundation scholarships since 1998, the "Ronen foundation" scholarships and "Buchman-Heyman foundation" scholarship.
He has appeared with several orchestras as a soloist, such as the Thelma-Yellin Orchestra, the Kibbutzim Orchestra, the Jerusalem Symphony Orchestra, the Israeli Chamber Orchestra, the Rishon Lezion Orchestra and was a soloist at a festive gala concert with Israel Philharmonic Orchestra under Maestro Zubin Mehta, marking the opening of the Buchman Mehta College of Music in Tel-Aviv.
He has taken part in many master classes, including those at Tel Hai with internationally known pianists such as Alexander Korsantia, John O'Connor and Pnina Zaltzman, Victor Derevianko, Leslie Howrad, Peter Tackacs, Jacob Lateiner, Boris Berman, Murray Perahia and more.
He won the Turgeman competition, the Paul Ben Haim competition, the "Highlights", the Ariana Katz, the "Maurice M. Clairmont", the "Young artist", "Lions Israel ", the "Tel Hai International Master Classes Competition" and the Zubin Mehta Piano Competition.
![Étude Op.10 no.1 in C major "Waterfall" [Slowed + Reverb]](http://i.ytimg.com/vi/7FzgFMpunKg/mqdefault.jpg)
amazing! not only the technique is so brilliant but it has so much expression and musicality in only 2 min piece of music
Bravo!
Tal
I never noticed the melody you emphasize with your playing.... this is an inspiration for me, thank you!
brill, simply beautiful
Crazy good!
This is really fantastic! And indeed with great musicality. I like it very much!! So...bravo! The sound is clear and beautiful!!! rare on youtube!
Absolutely wonderful!
Excellent!!
@pianist626262
Thank you so much! So happy you think like that!
amazing!!!!!
Nice! I liked the relaxed tempo
whaou!!!!
nice interpretation!!
Thank you so much!!
Thank you so much, Stephen. It's so kind of you and I'm so happy you enjoyed this!
Wow, that is different. That melody you're bringing out is something I've never heard before. Great job!
Thank you!
Thank you!!!
Dear Tal, happy birthday! Thank you so much for the wonderful concerts in Berlin.
Dearest Antje, It was so wonderful to meet you and to get knowing you in Berlin. You are such a sensitive and honest person and it's worth living knowing there are people like you in our world... We will stay in touch of course... Thank you really for everything....
My gosh....such fluidity. Got me from the first octave you struck till the end. Keep playin Chopin please.... :)
Wow! You create a completely new voicing effect in the arpeggios! Never heard that before. Exciting!
@Forteklapek Thank you! Hope you enjoyed it as well :)
Have a great day!
Tal
Thank you very much! I'm so glad it gave you a new idea! :-)
sounds very unique, i like those inner voices emphasized
Thank so much 😃
Wow just saw this one. I agree with person who said you're a legend. Especially being so young.
That was AMAZING
Bryan Herber Thank you!
Great job! This is such a difficult piece.. You played extremely well.
chapeau:)!
@newFranzFerencLiszt Thank you! And thanks for asking that! I accent there usually because this is the note\beat which changes usually every bar and creates the a new harmony. For me it makes some interesting melodic line. When you have so many notes running it's nice and easier to listen to one each time. :-)
Thank you so much! Nice to know that you feel my playing in a relaxed mode :-)
@Haamidpianoman Wow.. What a beautiful thing to say... Thank you...
@bb0ysmiley Thank you very much! That makes me really happy!
Best version i heard on youtube !!!!
Thank you! 🌸
This you do very well,nice played :-)
Alexandru
Good taste, some highlights note, create a so many layers, nice !
Thank you! Sorry for the late response :)
Thank you so much! :-)
@Tsamnon seriously though ur a legend i woulod put u as a very strong rising star
Another stunning performance. :)
Thank you again :)
Thank you, Alexandru :)
@spaceydayz2
Thank you so much!!
holy crap man this is really impressive. 0:55 has to be my favorite part, the chord progression is really nice.
פשוט מדהים!
אורית כהן בר-הדס
@PianistThatPractice
תודה רבה על כל דברייך,
הם מאד יפים ומאד חשובים לי.
המשך גם להאמין בעצמך!
@Haamidpianoman Ho! Thank you so much!!!
Besides playing it very well , you have huge hands!
@codrina29 Thank you so much!
@alinnman
Thank you!!
Well played!
@@johnybrug5406 Thank you!
באמת מדהים! :)))
תודה רבה :))
@Greg7341 Thanks, Amy!
מדהים טל!! אהבתי מאד :))
תודה רבה :)
Amazingly well executed performance! I'm working through this one right now.... any tips???
:)
@oritcb
Thanks!! :)
Simply Divine! Tal-Haim Samnon plays Chopin Etude No. 1 op.10 in C major ~
Thank you very much!
@talzilber
Thank you so much.. And especially from a pianist as you... :-)
Thank you very much... Well... Yes... got them from my mother ;-)
is the first mediant of each chord intentionally louder?
Haha!! Thanks so much! :-)
@ugljesa55
Thanks so much!!!
Do you take the repeated "C" after the first octave with the right hand or the left?
ביצוע מדהים!
תודה רבה!
@@Tsamnon אני חייב להגיד שזה אחד הביצועים האהובים עליי של היצירה הזו. צורת הנגינה שלך מאוד נקייה ומלודית, ואתה מדגיש את אחד מהתווים באחד מהארפג'ים הראשונים בעלייה ואחד מהאחרונים בירידה, דבר שלא שמעתי לפני. בינתיים אני מתקשה עם היצירה, אז הביצוע שלך נותן מוטיבציה להמשיך ולהשתפר:)
@@roneven3420 תודה רבה :)
כן. אני מוציא את הצלילים האלה משום שהם הקו המלודי מבחינתי. וכשיש צליל אחד חשוב והשאר נובעים מתוכו (הוא כבד והשאר קלים) אז זה קל יותר למוח להכיל את כל הכמות.
Nice playing! I only have one question. Why do you put an accent in the C at the beginning? Sorry, I'm amateur and I would like to know it. Regards from Spain.
Like how you are bringing out the Harmony. Which Hand is doing that___?
(i can't see it) Great sound recording, BTW.
+Pat Thank you so much :-) It's always the right hand.
Thank you... I assume each one of us is a legend in his own way :-) :-)
8小節目のアクセントの解釈がおもしろすぎる！！！！！
鬼才だ！！！！！
♥️🙏🏻
Wow, with authority. My favorite Chopin piece! His "etudes" were better than some composers masterpieces.
+James C :-) Thank you
I personally much prefer his etudes and preludes over some of his larger works.
Thanks so much! :-)
Well, I assume you need to try releasing your fingers and let your automatic pilot doing everything... :-)
I play the passage in the right hand... I don't take the repeated C with the left hand.. But I will try :)
Strange extra accents? Is it voluntary?
Yes. He's bringing out a melody line that runs throughout, one that was pretty near imperceptible much of the time with performances by other artists IMO.
Totally in my awareness. Those are the changing notes of the harmony. Chopin didn't write those accent indeed. But i always felt like I should do it that way... :)
It's obviously being used as a pivot point, at least that's how it comes across. Although not strictly written in the music it still sounds good.
Excellent technique, however still lots of accents get in the way, they become a noises. And need to be aware the tempo. Try to make it consistent, rather almost lose control in the middle. Overall, not bad.
+Janus Li Thank you for your comment :)
Nothing wrong with the tempo. Accents don't get in the way, you just need to open your ears. These are highlighting a melody that runs throughout, a melody scarcely heard in other performances. Don't be so quick to look for excuses to criticize next time.