A fun thing about this movie is that it kinda gets a pseudo-sequel in a Bond video game, Everything or Nothing. The villain in that game, Nikolai Diavolo (played by Willem Dafoe!) is mentioned as being one of Zorin's students. Brosnan's Bond fires off a nice quip when he learns of that connection: "Yes, we once played bridge together. He lost."
One of the things in the opening credits which I find really pleasing is that the title name is revealed in time with the lyrics. It’s a small thing and really simple but it makes me happy!
As far as General Gogol is concerned, I like to imagine that with his character, the Moore Bond movies tell a much larger narrative of progressively friendlier relations between Britain and Soviet Russia, and in that respect the inclusion of the KGB in this film makes a lot of sense to me. What started out as an "if we must" level of co-operation towards a shared goal in The Spy Who Loved Me develops further and further, with increasing familiarity, until General Gogol is ultimately arresting many of Bond's bad guys for him and handing out awards from the Soviets for his work.
It’s just too bad Walter Gottel got sick and could only have a cameo at the end of The Living Daylights. He was supposed to be the main KGB ally in that movie but John Rhys Davies ended up replacing him as General Pushkin. That movie would’ve been a great way to wrap up that character arc through the series. Even with Pushkin The Living Daylights effectively wraps up the Cold War for the Bond franchise.
@@TheWAYF For sure. John Rhys Davies is great as Pushkin but since we'd never met him before, M sending Bond to kill him just doesn't have the same impact. I'm sure Graham and Matt will discuss it when they talk about The Living Daylights.
When I was young (and my heart was an open book) I was given the video game adaptation of this film. On tape cassette. It took three lifetimes to load, and promptly farted itself to death once I got to the loading screen. Not joking; it made an excruciating BRAAAAHNNNNhjghfhffg noise and died. Ahh, memories ...
The commentary on the opening scene makes me very glad but also disappointed there was no Bond movie where people in production had the thought "you know, skateboarding is neat." Because now I'm imagining Dalton's Bond doing a skateboarding scene for some reason with a bunch of ramps and grinding in somewhere with hills, idk Lisbon? sure Lisbon is fun, and Tony Hawk is the stuntman. And it sounds terribly silly but I also kind of want it just to see how it ends up looking.
It's a small touch, but a nice bit of verisimilitude that Zorin is using ANFO for his scheme. ANFO is a mining explosive, it's used to blast open the walls of quarries. A mining concern buying ludicrous quantities of industry standard explosives would barely raise an eyebrow. Also, to judge by the way the detonator sinks into the bags of ANFO, there have to be at least several layers of the stuff, which would put my eyeballing at easily several hundred bags. Hell, given how it slopes up the sides, it may broach 1000 bags, but let's just run with 500. Assuming each bag is about 18x36x3, that would put it at about 1 million cubic inches of ANFO. At a bulk density of 840 kg/m3 (apologies for the mixed units), that's over 30,000 lbs of ANFO. The Mythbusters cement truck shenanigans were only 850 lbs of ANFO.
Not to be morbid, but how does it compare to the recent Beirut explosion? (That being the largest detonation of conventional explosives I've heard of.)
@@Voidhawk42 as near as I can tell, ANFO yields slightly less than a ton of TNT power equivalent per ton of explosive, each ton of ANFO yielding about 0.85 tons of equivalent TNT. So 30,000 lbs would be 15 tons of ANFO with a yield of 12.75 tons of TNT. The Beirut explosion, despite being a less efficient ammonium nitrate decomposition instead of an ANFO detonation, yielded about 1,120 tons to TNT due to sheer volume. Though it turns out to all be slightly moot anyway, since Zorin’s plan of flooding the mines would render his explosives useless. ANFO is almost completely soluble in water and would be readily dissolved beneath an entire mine’s worth of water.
This also begs Graham's question "Why have dynamite on the blimp"! Dynamite is unstable in comparison- you can accidentally set it off much easier than ANFO- which I guess is why it's at least show to be in a safe.
@@THESP-rz3hg it’s actually a good reason to have dynamite. ANFO is so stable that it requires a primary detonation to set it off, you can’t just use a fuse or flame. Dynamite would be a viable backup in case the main detonator explosive didn’t work. Though as to how it would get from blimp to mine is an exercise left to the reader.
As a huge Duran Duran fan, I LOVE the story about the bassist telling Albert R. Broccoli to get a real band! I thought he was just being rude, and arguably he still is, but it makes so much sense when James Bond has been nothing but ballads for the last several films.
Nah, the bond girl label is kinda reductive, or gets tied up defining what makes a bond girl, etc. I propose, for the rewatch with love awards/ranking: Best supporting characters Best opposing characters Favourite gadget/vehicles Favourite sets Funniest moment The Bond moment of all Bond moments
The phrase "from a view to a kill", as used in the song Do You Ken John Peel, means "from the moment the hunters spot the fox till the hounds run it down and rear it apart". It's the title of James Bond short story about enemy agents stalking and killing dispatch riders. The forcing of the phrase into this film is, well, forced.
@@Yora21 So much so that when they were translated to other languages a few of the titles got swapped around or replaced entirely and nobody cared. In Sweden, 'License to Kill" ran in to the trouble that that the translation of that phrase had already been used for the translation of "Doctor No", for example.
@@havcola6983 The German title for Thunderball is Fireball. Still no relation to the story, but at least its a word that makes sense. For your Eyes Only is "On a deadly Mission". View to a Kill is "In the Face of Death". The Living Daylights "The Breath of Death". License to Kill is "License to Kill", though in German "death" and "kill" come from the same root. Extremely creative there. Though I heard Danish movie releases are notorious for ridiculous titles that have nothing to do with the original title or the plot of the movie. And everything ends with "...of Evil!"
I really enjoy the positivity that Graham and Matt have with this movie. Honestly, it made me look back on it with more fondness (and also giving Grace Jones the respect she deserves). That being said, this is my least favorite Roger Moore Bond film. But I am honestly glad that people are enjoying it. Excited to see how varied everyone's listings are by the end of the run.
You guys were incredibly gentle toward this one. I recently listened to the "How Did This Get Made"/"James Bonding" joint podcast about this entry, and I thought they were incredibly harsh. I'm in the middle. I find this outlandish (even on the sliding scale that defines the Roger Moore years) but highly watchable.
Christopher Walken’s subtle facial expression when Bond says "Doctor Mortan will be proud of his creation" while they’re in city hall always makes me laugh. Bond says that to Stacy and Zorin has this look as if to say “well I wouldn’t say-yeah you’re right. Anyway, time to die.” And his laugh at the end of the movie as he’s about to fall off the Golden Gate Bridge is fucking great. 😂
Please have a look around; you're quite likely to enjoy something else they've done. Most of the fans of the loadingreadyrun channel got lured here by one thing that neatly aligned with their interests, then found something else they liked, and eventually wound up watching lots of stuff they do.
Some fun Bay Area things I noticed while watching.... 1) The Fisherman’s Warf scene was shot before they installed docks for the sea lions at pier 39. 2) The hotel in which Bond bathes with the Russian agent is in SF’s Japantown mall. And is a hotel you can stay at. 3) The Sutton house is the Dunsmuir Historic Estate in Oakland, CA. The Oakland zoo is actually on the other side of that hill (sort of, explaining geography is difficult) 4) The lefty o'doul or king street drawbridge featured in the car chase has been under renovation for the last 2 years. I doubt they’d film that scene now because all those pier buildings were torn down to build Pac Bell park now called Oracle Park home of the San Francisco Giants. (Which I assume would just the area too busy) 5) Notice, that City Hall has a “state office” or “office of the state” sign. State offices would actually be in Sacramento, California’s Capital. And Graham already mentioned San Andreas Reservoir/lake. You may unsubscribe to Bay Area facts now. Haha. 😋
Achille is the dead giveaway that we are are doing a Poirot riff. "Achille" was Hercule's canonical (fake) smarter brother. He invented him during one case when he had to be 2 places at once (Agatha Christie was obviously taking the piss out of Conan Doyle and Mycroft Holmes).
A Blimp doesn't have to use roads btw - If that distance was as the crow flies then at 50 miles an hour that Blimp could travel the 19 miles to the Golden Gate Bridge in 23 minutes.
@jamesadamsfl Maybe, but that film really was an all-time high. The action and set pieces are so imaginative in that one. Still one I watch to this day. THIS one…no.
@@emilymcplugger To each their own. And I can't deny that the fights and stunts in Octopussy were on more often than they were not. As ridiculous as the fight with the assassins in Octopussy's room was, it was fun.
He only came back for that one because Never Say Never Again was coming out, and Cubby Broccoli was afraid that a movie starring a new Bond wouldn’t perform better than the one with a returning Sean Connery. So Roger came back as a personal favor.
Honestly, most of this film didn't do much for me. BUT! That last scene with Mayday pretty much cemented Mayday as my favorite Bond villain henchwoman of all time. Just, what a badass!
I love how they don't event try to hide the stunt-double in the roofless car. Also, after it's cut in half you can sometimes see what looks like tiny little shopping cart wheels at the back.
I never even noticed the obvious shots of Roger Moore's younger stunt doubles in this movie until Calvin Dyson brought it up. It's just really bad. You could have a drinking game of "Spot the stunt double" with A View to a Kill.
@@jonw1599 I suppose but I confess that saying such things gets on my nerves because it spreads mendacities about fracking. There is already too much misinformation out there.
Me as a kid: "Haha, no way pumping water into an oil well would cause earthquakes, this movie is unbelievable." Me today: "OMG, this movie called it on fracking!"
Before the podcast began, and taking into consideration that I had not seen the majority of the Bond films in years, my top three bond films if you had asked me were 1) Live and Let Die 2) Casino Royale (2006 version, because I didn't even know about the the 60's version) and 3) A View to a Kill. I have also been keeping a spreadsheet going for the podcast and my current top 3 are 1) OHMSS 2) Live and Let Die 2) For Your Eyes Only, but I predict that Casino Royal will make the top 3, since a lot of people consider it their favorite. I still really like A View to a Kill, but more in a fun watch sort of way. Christopher Walken is definitely a big part of it, and did a phenomenal job. One thing about Tanya Roberts' big role as Midge in That 70's Show was that in the episode where she and her husband renew their wedding vows, her three bridesmaids are all past Bond girls : Maud Adams( Octopussy and the Man with the Golden Gun) Kristina Wayborn (Octopussy) and Barbara Carrera (Never Say Never Again). I even recently went through all of That 70's show and I didn't even notice it. I'm so mad at myself, but the reference still remains my favorite from the show.
Stacy Sutton’s house looks like the same house used as the funeral home in the movie, “Phantasm.” Also, I think David Bowie was one of the people name dropped for the role of Max Zorin, which also could have been awesome since he and Grace Jones are probably the two most unusually stunning looking people IMO.
I'm always surprised when I get to the end of one of these and realize that we're only ranking the Pre-Title, the Title Song, and the Movie as a Whole, but not rating the Title Sequences themselves. Especially since Graham has such strong opinions about them.
...I thought you two did an excellent job with this critique... I strongly recommend you get ...The book...I'LL NEVER WRITE MY MEMOIRS... BY GRACE JONES...it's AMAZING.. and she EXPLAINS A lot about the movie..and her involvement... her hopes..aspirations... and fears...and motivations about her role...
1:33:37 God, I am so impressed with Matt G's editing skills and jokes and feel so bad that I listen to these at work while working on cars. Dammit, I genuinely feel so bad I've missed so much you beautiful bastard.
This movie's villain makes me hope that, eventually, there's a spin off of this series where Graham and Matt go through the Bond Video games. Christopher Walken's quirks in this movie are really close to Willem Dafoe's in Everything or Nothing.
That was intentional - Willem Defoe's character from EoN (see what they did there with the initials?) is explicitly stated to have been Zorin's protégé.
From what I've heard, John Glen said that he felt that Roger Moore could've gone on to do two more Bond films. As much as I liked Roger in A View to a Kill, I agree that he did look way to old to be in that film, so him being in Living Daylights and Licence to Kill would seem a bit too much.
I heard as much too and I can't believe that. At this point of Moore's tenure has Bond, he needed to be doubled throwing a punch. He should have called it quits after Moonraker.
This has one of the best final fights of all time, the fight on the Golden Gate Bridge is just an iconic bond sequence now. I remember when "Goldeneye: Rogue Agent" had this level on its multiplayer, I don't think it had ever been a level before.
I'm really looking forward to The Living Daylights and License to Kill. I think they're both extremely solid James Bond movies and honestly if you asked me who my favourite Bond is I'd be tossing up between Dalton and Brosnen
For anyone wondering, rock salt in shotgun shells is a hillbilly solution to non-lethal rounds for scaring off animals and such. Source: am descended from hillbillies.
I wanna see the outtakes of that iceberg submarine bumping into other icebergs. “Pardon me. Sorry. But it’s quite difficult to see where I’m... oh, sorry.”
I'm a huge fan of that movie and I always love to point out that there were actually 5 cast members in The Last Crusade that appeared in various Bond films!
"Silicon Valley" in 1985 most certainly meant San Jose, and Cupertino, where Apple, HP, and other early tech hardware companies would have been. You might be able to see the outline of San Jose's skyline, but SF and SJ are an hour's drive apart in minimal traffic. Hayward and San Andreas being "The Big Ones" in terms of Fault lines, and Griffiths, you have no idea. California is just kinda "seismic fault".maps
As a former student of geography, oh lord do I understand how complex the faultlines of the pacific rim are. "Why does anyone live there?" is the real question.
@@mattgriffiths9448 Looking at the skyline of Naples, you might think there's some optical illusion with depth perception going on. But when you look at a satellite view, the city actually wraps around an active volcano with a history of devastating eruptions.
@@Yora21 Humans are amazingly bad at judging dangers of situations they are not immediately confronted with. Volcano? Eh, probably won't erupt any time soon. Fault lines? I'm sure the next big earthquake still is many years away. CO2 levels? How bad could one or two meters of ocean level rise really be!
On a less fun note, ANFO is effectively what was being stored in Beirut. So, yeah, that’s what that would look like... But loving these videos, brightens up my Monday every week, thanks guys!
Yeah, ANFO has lots of not-fun real-world associations. Being one of the more famous, easy, and effective improvised explosives makes it the go-to choice for insurgents and terrorists and a common component of industrial/shipping accidents.
To be fair, the guy who basically was Gidea Park (Adrian Baker) was an on-again/off-again touring member of the Beach Boys (doing the falsetto parts), with stints before and after 1985.
@@OzPearsall Kind of, just barely. I'd give Greene a half point. Like Goldfinger or Elektra King, he's well-known in certain professional circles, but Bond still needs someone to explain to him who he is and what he does. So I guess that means Craig's had 0.5 Famous Rich Guy Villains over the course of 5 films, while Brosnan had 2.5 over 4. We gotta pump these numbers up.
If you listen to the tracks on this you can hear a very subtle influence of OHMSS which makes jt even more.awesome. i think its most apparent in hes dangerous and golden gate fight.
I just started the vodcast, but if they don't pronounce View to a Kill by Duran Duran to be the King of Slaps, then I'm going to have to send a very stern and angry email to their managers.
Matt G continuing to just dunk on our hosts. You really make these videos. I mean, obviously you *make* these videos but you're just hilarious in your savagery and I am here for it.
The ski chase from OHMSS and the ski chase in this one have VERY similar scoring...not really a surprise since they were both scored by John Barry but I have always ADORED OHMSS ski chase and the music therein so stands to reason why I love this one
Roger Moore looks "younger" here because he got plastic surgery prior to this movie... a decision that has universally been regarded as a bad one. Even Moore stated that he somewhat regretted it. I suspect that they were still working on getting Pierce Brosnan for Bond at this time, knowing they'd be replacing Moore. I'm not sure of the timeline, but I do know between this and The Living Daylights that Brosnan was pretty much on board, except that his contract for Remington Steele was renewed at the last moment, which meant they had to get Timothy Dalton. I'd say this movie has one of John Barry's best scores, and that theme that plays in Siberia and in the Golden Gate Bridge climax is somewhat transposed from the OHMSS theme - similar descending bass line, Bondian melody on top, compounded by the guitar screeches and such. Very '80s, but a perfect update of the older motifs. This movie began a trend that still continues to this day with theme songs. Prior to this, Bond themes were sung by good vocalists who weren't necessarily the biggest pop/rock stars of the day (Sheena Easton's fame came later after she hooked up with Prince). Sure, Nancy Sinatra, Shirley Bassey, and Tom Jones were known... but they weren't the biggest stars of the day. From here on... Duran Duran, a-Ha, Tina Turner (with a song written by Bono and The Edge), Sheryl Crow, Garbage, Madonna, Chris Cornell, Adele, etc. It all started 'cuz of John Taylor's quip to Cubby Broccoli. Also, this was the second movie of three-in-a-row where the plot is motivated by the death of another double-0. 009 in Octopussy, 003 in A View to a Kill, 004 in The Living Daylights... I always was bothered by the fact that Bond almost never had an interaction with another double-0 beyond having to pick up where another one failed, or to be reminded that if he fails, 008 will take over. Goldfinger - "If I don't report in, 008 replaces me." The Living Daylights - "008 can do it. He follows orders, not instincts." I liked that Goldeneye began with 007 and 006 as partners, fellow double-0s on a mission together... but my excitement for that died after a whole minute realizing that Sean Bean would likely be the bad guy (even as a 14-year-old, I recognized him from other movies, usually as a villain). T'would be nice to see Bond actually having a successful mission or even regular cooperative interaction with a fellow double-0. Alison Doody (Jenny Flex)... later to star in Taffin with future Bond Pierce Brosnan, and with past Bond Sean Connery in Indiana Jones and the Last Crusade. Maud Adams (Octopussy, "Miss Anders" in The Man with the Golden Gun) is somewhere in the background in the scene on the fisherman's wharf when Bond meets with Chuck Lee (why they didn't make him Felix Leiter, I'll never understand... but I guess knowing they were gonna kill the character, it makes sense). Manning Redwood, who plays Zorin's chief engineer and the "mine owner" was also the American general in Never Say Never Again, the one who says, "Wonderful, that means it's all over the Kremlin!" in the NATO scene when S.P.E.C.T.R.E. makes its demands. The dinner scene, I think, was supposed to be a self-aware moment that Moore was far too long-in-the-tooth by this point; 57-year-old Roger Moore (and looking very much so even with the plastic surgery) bedding a 30-year-old Tanya Roberts... well, of course, Bond has to get the girl at the end, but I suspect the producers knew they were treading very thin ice with his age by that point, so the dinner scene felt a little more friendly/paternal than romantic. That sene when Scarpine is told to get Bond and he gives Zorin the "you want me to do what?" look... same gag as Octopussy. I enjoy that. "Why does Zorin have sticks of dynamite on his blimp?" "Why not?" "Fine!" Okay... THAT pretty much explains ALL of the silliness we've seen in ANY Bond movie before or since. Q is not a field agent, and on top of that, he's proud of his surveillance device, so of course he wouldn't just walk up to the door and knock. Good series, guys. I mean, I question your tastes, LOL... but oh well. It's still fun to listen to. So, thank you.
What about Live & Let Die by Wings? Pretty much the precursor to Duran Duran’s View To A Kill in my opinion. Both are hard hitting pop rock songs by a huge at the time band. The two best Bond songs in my book.
@@mrmisterjingles Y'know, I'm so not a fan of that movie that I keep forgetting about that one. Yes, that one is an exception and was a bona fide mega-pop/rock star doing the theme for a Bond movie prior to Duran Duran. Plus the fact that George Martin (McCartney's and The Beatles' producer) did the score for that movie 'cuz John Barry was unavailable, and since McCartney/Wings did the theme, it made sense. But yes, point taken - Live and Let Die was the first major mainstream pop/rock song used for a Bond theme, but was the only one 'til Duran Duran did A View to a Kill.
Choosing between this and Moonraker is really tough for me. Everything with Jaws is so good, but MayDay is at least as much fun. Zorin is a better villian, but the blimp stuff (while cool) isn't quite as good as the SPACE STATION! The Eiffel Tower stuff is as good an action set-piece as the cable car... the horse stuff is memorable, but kind of slow. There's just a lot of back and forth for me.
I never noticed this whenever I previously watched it, but the screen-shots really drive home that Moore has had SOME kind of 'work' done on his face. I mean, his face is smoother/tighter (plus the mole is gone), but it's much more obvious how *different* he looks in the stills. Also, if you guys want a quick laugh, most of the shots used in the Connery DVDs have been ridiculously smoothed over and air-brushed, to the point that the close-ups look like they're paintings.
As someone who moved to San Francisco around 12 years after this movie came out, it's a fun revisit. Native comments: A you suspect, no, you cannot see any part of Silicon Valley from the Golden Gate Bridge. It's 45 miles away, and there are hills as the crow files in between. The shooting of the mayor feels a bit like a callback to the shooting of Mayor Moscone. While there have been oil refineries in the SF Bay area for a long time (they existed at the time of the film), I don't believe there's ever been oil drilling here. Pressurizing fault lines to cause earthquakes is plausible though probably not through existing mining caves. We were even explicitly presented this as a public works concept in science class as kids by someone who wanted to stave off catastrphic earthquakes with a megaproject like this. Sadly for Mr Zorlin, even a megaquake would probably only cause a couple of years of setback, not a total stoppage of silicon valley. That drawbridge the fire truck jumps of course is not geographically viable for that point in the chase scene but it still exists and is called the "third street bridge" in vernacular. I've seen it up once in 25 years of living here and working a few blocks away for 10 or so of those. The fault line to the east is called Hayward Fault. The western fault is San Andreas. They both exist. Of course they are both slip faults which will not affect elevations so the flooding is preposterous. It's not ENTIRELY idiotic because the whole San Francisco Bay is partly a product of these two faults which allowed the land in between to slightly fall, but even a megaquake would not cause much of a change. While the tides at the the Golden Gate itself are very pronounced due to various factors, the tides at the south end of the bay are very subdued. King Tide wouldn't matter. The bomb was apparenly near San Andreas Lake, much closer to the golden gate, but still 20 miles away. At top speed it would still take over 20 minutes to get there so... a little implausible but small potatoes for the film. --- If you managed to drive along CA 1, you would have a very long drive indeed. Interstate 280 would be more likely. I'm sure you're aware but the circular thing Bond climbs up on the Golden Gate Bridge is more cable housing than a pipe. But it sure looks like a pipe.
I Love the Living Daylights and Timothy Dalton has a Bond, he brought a much needed "tougher" view on Bond and someone who felt more like a Rebel. It will be very fun to see what happened next week.
@@Endocrom Yeah, they are very stylised posters & technically illustrations aren't entirely accurate to the movies. But they are exciting and fun to look at.
The almost-retired-Bond hooks up with children is in full effect and it is creeping me out. I didn't notice as a kid, everyone looked old to me, but watching this podcast is making me very uncomfortable over and over and over. And I was already on the Bond is a creep train. (Though, of course, with some lingering fondness for the memories, and your joy is contagious :) )
I feel kind of like Matt. I watched the movie and was kind of meh on it but when they talk about all the parts I'm like "Yeah all these things rock, why didn't I enjoy it more?"
the cinematography is sort of flat, and there are no exotic locations, is why it fails abit for me, all you get is the snow at the start, and that is ruined by the beach boys.
@@turtleflipper9935 It probably also doesn't help that I'm not a huge fan of Roger Moore Bond. I find him very one note and he never seems to take anything actually seriously, which bugs me. Everyone else who's played Bond has been able to be both a bit silly, but still be serious when things get tense.
Some of the mine stuff was filmed at Amberley Museum in the UK which is just up the road from me, I really must make a pilgrimage there. The Living Daylights next week, woo-hoo!
Why dynamite in a blimp? Dynamite is used in mining so maybe sure given where the blimp was hiding? Also it could’ve possible the “What a view” ‘To a kill!’ Is an ad-lib from Walken?
Re: James Bond maintaining a disguise : Of course not. By the later films, I think, he completely gives up. He's the most famous assassin in the world. He just goes in assuming everyone knows who he is, what he does, and that they'll try to kill him. It's routine by the modern era. At least, IMO.. Then again, I am also in the camp that each actor change is a new Bond, not the same Bond, so... eh?
that disclaimer IS in every credit of previous films, as the actual origin of that disclaimer is from a lawsuit related to Rasputin from the 1930s by one of the russian nobles who killed him, who sued MGM for portraying his wife as having slept with Rasputin, which she did not. MGM had to pay out like 30,000 dollars for it too
This movie is very much a guilty pleasure for me. It has a lot of issues (in particular that horse subplot that went nowhere and as it turns out was only put into the film because Cubby Brocoli reay loved horse racing), but over all it's still a fun watch. Thanks in large part to Roger Moore, Christopher Walken and Grace Jones. They were the highlights of this film. Also the track you were talking about in the beginning that plays throughout the film has two versions in the soundtrack. He's Dangerous, which plays during the fire truck chase. And The Golden Gate Fight, which the title pretty much sats when it was used. This and Living Daights are my all time favourite John Barry scores, with the latter being his perfect Swan Song work.
A fun thing about this movie is that it kinda gets a pseudo-sequel in a Bond video game, Everything or Nothing. The villain in that game, Nikolai Diavolo (played by Willem Dafoe!) is mentioned as being one of Zorin's students.
Brosnan's Bond fires off a nice quip when he learns of that connection: "Yes, we once played bridge together. He lost."
It cracks me up that these podcasts have started to be longer than the actual films themselves.
"Zorin has no concern for workplace safety."
Wow, the Elon Musk comparisons really are apt.
Yeah. Elon thinks wearing a mask is ludicrous. Wonder if he think the same when it comes to Grimes and their newborn son??!!? (Rhetorical)
@@Luvie1980 citation? I remember him tweeting that the panic was dumb, months ago. But more recently, he's been wearing a mask..?
I honestly wish they would make a less silly, more realistic Moonraker remake where the main villain is a thinly veiled Elon Musk expy.
@@simonbrunner3062 that's kinda the plot of the old James Bond game Nightfire.
One of the things in the opening credits which I find really pleasing is that the title name is revealed in time with the lyrics. It’s a small thing and really simple but it makes me happy!
As far as General Gogol is concerned, I like to imagine that with his character, the Moore Bond movies tell a much larger narrative of progressively friendlier relations between Britain and Soviet Russia, and in that respect the inclusion of the KGB in this film makes a lot of sense to me. What started out as an "if we must" level of co-operation towards a shared goal in The Spy Who Loved Me develops further and further, with increasing familiarity, until General Gogol is ultimately arresting many of Bond's bad guys for him and handing out awards from the Soviets for his work.
Very goo d point. Also, casting Walter Gottel was a smart move. He projects cool intelligence and a mixture of threat and warmth.
It’s just too bad Walter Gottel got sick and could only have a cameo at the end of The Living Daylights. He was supposed to be the main KGB ally in that movie but John Rhys Davies ended up replacing him as General Pushkin. That movie would’ve been a great way to wrap up that character arc through the series. Even with Pushkin The Living Daylights effectively wraps up the Cold War for the Bond franchise.
@@spencerkindra8822 Man, Gogol as an ally in that movie would have made it even better.
@@TheWAYF I agree that Gogol in front of Bond's gun would have delivered a greater dramatic impact but that would have meant no John Rhys-Davies !
@@TheWAYF For sure. John Rhys Davies is great as Pushkin but since we'd never met him before, M sending Bond to kill him just doesn't have the same impact. I'm sure Graham and Matt will discuss it when they talk about The Living Daylights.
When I first saw this in the theatre and California Girls started playing i sank into my seat in embarrassment .
Felt the same way when I saw this in the theater in 1985. The scene made me cringe
@Hey I was only giving orders this comment made me sink into my seat in embarrassment
I crack up every time Graham describes the physically intimate interludes as "do a sex."
When I was young (and my heart was an open book) I was given the video game adaptation of this film. On tape cassette. It took three lifetimes to load, and promptly farted itself to death once I got to the loading screen. Not joking; it made an excruciating BRAAAAHNNNNhjghfhffg noise and died. Ahh, memories ...
The commentary on the opening scene makes me very glad but also disappointed there was no Bond movie where people in production had the thought "you know, skateboarding is neat." Because now I'm imagining Dalton's Bond doing a skateboarding scene for some reason with a bunch of ramps and grinding in somewhere with hills, idk Lisbon? sure Lisbon is fun, and Tony Hawk is the stuntman. And it sounds terribly silly but I also kind of want it just to see how it ends up looking.
And the opening theme would be by Goldfinger, of course.
By FAR the best James Bond commentaries out there. Great work guys! Cannot wait for the Dalton, Brosnan, Craig years.
It's a small touch, but a nice bit of verisimilitude that Zorin is using ANFO for his scheme. ANFO is a mining explosive, it's used to blast open the walls of quarries. A mining concern buying ludicrous quantities of industry standard explosives would barely raise an eyebrow. Also, to judge by the way the detonator sinks into the bags of ANFO, there have to be at least several layers of the stuff, which would put my eyeballing at easily several hundred bags. Hell, given how it slopes up the sides, it may broach 1000 bags, but let's just run with 500. Assuming each bag is about 18x36x3, that would put it at about 1 million cubic inches of ANFO. At a bulk density of 840 kg/m3 (apologies for the mixed units), that's over 30,000 lbs of ANFO. The Mythbusters cement truck shenanigans were only 850 lbs of ANFO.
Not to be morbid, but how does it compare to the recent Beirut explosion? (That being the largest detonation of conventional explosives I've heard of.)
@@Voidhawk42 as near as I can tell, ANFO yields slightly less than a ton of TNT power equivalent per ton of explosive, each ton of ANFO yielding about 0.85 tons of equivalent TNT. So 30,000 lbs would be 15 tons of ANFO with a yield of 12.75 tons of TNT. The Beirut explosion, despite being a less efficient ammonium nitrate decomposition instead of an ANFO detonation, yielded about 1,120 tons to TNT due to sheer volume.
Though it turns out to all be slightly moot anyway, since Zorin’s plan of flooding the mines would render his explosives useless. ANFO is almost completely soluble in water and would be readily dissolved beneath an entire mine’s worth of water.
This also begs Graham's question "Why have dynamite on the blimp"! Dynamite is unstable in comparison- you can accidentally set it off much easier than ANFO- which I guess is why it's at least show to be in a safe.
@@THESP-rz3hg it’s actually a good reason to have dynamite. ANFO is so stable that it requires a primary detonation to set it off, you can’t just use a fuse or flame. Dynamite would be a viable backup in case the main detonator explosive didn’t work. Though as to how it would get from blimp to mine is an exercise left to the reader.
@rhvette The blimp was actually a site office at the mine. Or was disguised as one. Either way, there is a reason
As a huge Duran Duran fan, I LOVE the story about the bassist telling Albert R. Broccoli to get a real band! I thought he was just being rude, and arguably he still is, but it makes so much sense when James Bond has been nothing but ballads for the last several films.
Did you hear the latest Bond song ? BLEEEEECH !!!!
Rest In Peace Tanya Roberts. You may have just been the cutest and innocent Bond girl out of all of them. RIP.
RIP Tanya
At the end of the series, I'd love to have a ranking of Henchmen and Bond Girls.
Nah, the bond girl label is kinda reductive, or gets tied up defining what makes a bond girl, etc.
I propose, for the rewatch with love awards/ranking:
Best supporting characters
Best opposing characters
Favourite gadget/vehicles
Favourite sets
Funniest moment
The Bond moment of all Bond moments
@@FFKonokoThey are called Bond girls and they defined by their sex appeal and screen presence.
@@FFKonoko do all the Felixes count as their own character? (I would suppose so)
I'd rather not see a rankling of women like that.
Plus, we all know May Day would win top Bond girl and top henchman.
The phrase "from a view to a kill", as used in the song Do You Ken John Peel, means "from the moment the hunters spot the fox till the hounds run it down and rear it apart". It's the title of James Bond short story about enemy agents stalking and killing dispatch riders. The forcing of the phrase into this film is, well, forced.
A lot of Bond movies have really incomprehensible or random names.
@@Yora21 So much so that when they were translated to other languages a few of the titles got swapped around or replaced entirely and nobody cared. In Sweden, 'License to Kill" ran in to the trouble that that the translation of that phrase had already been used for the translation of "Doctor No", for example.
@@havcola6983 The German title for Thunderball is Fireball. Still no relation to the story, but at least its a word that makes sense.
For your Eyes Only is "On a deadly Mission".
View to a Kill is "In the Face of Death".
The Living Daylights "The Breath of Death".
License to Kill is "License to Kill", though in German "death" and "kill" come from the same root.
Extremely creative there.
Though I heard Danish movie releases are notorious for ridiculous titles that have nothing to do with the original title or the plot of the movie. And everything ends with "...of Evil!"
John Peel was one of the few parts of the 80's that I really loved.
I really enjoy the positivity that Graham and Matt have with this movie. Honestly, it made me look back on it with more fondness (and also giving Grace Jones the respect she deserves).
That being said, this is my least favorite Roger Moore Bond film. But I am honestly glad that people are enjoying it. Excited to see how varied everyone's listings are by the end of the run.
"French upstart!" - an indignant woman
"Please, Madame, I beg you! BELGIAN upstart!" - Poirot
Yeees, the weekly relief from my sorrows under uncle Graham's soothing voice, I have waited impatiently for this
Me too 🤗
You guys were incredibly gentle toward this one. I recently listened to the "How Did This Get Made"/"James Bonding" joint podcast about this entry, and I thought they were incredibly harsh. I'm in the middle. I find this outlandish (even on the sliding scale that defines the Roger Moore years) but highly watchable.
Having never seen this movie, based purely off of this summary, this is my favorite Bond movie
Christopher Walken’s subtle facial expression when Bond says "Doctor Mortan will be proud of his creation" while they’re in city hall always makes me laugh. Bond says that to Stacy and Zorin has this look as if to say “well I wouldn’t say-yeah you’re right. Anyway, time to die.” And his laugh at the end of the movie as he’s about to fall off the Golden Gate Bridge is fucking great. 😂
Had no idea you guys existed. Glad I get to hear people talk about the James Bond movies for hours!! :)
Welcome!
Please have a look around; you're quite likely to enjoy something else they've done.
Most of the fans of the loadingreadyrun channel got lured here by one thing that neatly aligned with their interests, then found something else they liked, and eventually wound up watching lots of stuff they do.
Some fun Bay Area things I noticed while watching....
1) The Fisherman’s Warf scene was shot before they installed docks for the sea lions at pier 39.
2) The hotel in which Bond bathes with the Russian agent is in SF’s Japantown mall. And is a hotel you can stay at.
3) The Sutton house is the Dunsmuir Historic Estate in Oakland, CA. The Oakland zoo is actually on the other side of that hill (sort of, explaining geography is difficult)
4) The lefty o'doul or king street drawbridge featured in the car chase has been under renovation for the last 2 years. I doubt they’d film that scene now because all those pier buildings were torn down to build Pac Bell park now called Oracle Park home of the San Francisco Giants. (Which I assume would just the area too busy)
5) Notice, that City Hall has a “state office” or “office of the state” sign. State offices would actually be in Sacramento, California’s Capital.
And Graham already mentioned San Andreas Reservoir/lake. You may unsubscribe to Bay Area facts now. Haha. 😋
They obviously thought that the in-flight villain to henchman "Go out and get him!" "Do what!?" exchange from Octopussy was worth reprising.
Achille is the dead giveaway that we are are doing a Poirot riff. "Achille" was Hercule's canonical (fake) smarter brother. He invented him during one case when he had to be 2 places at once (Agatha Christie was obviously taking the piss out of Conan Doyle and Mycroft Holmes).
Another Avengers/Bond alumnus is Joanna Lumley, from the 70's re-boot, The New Avengers. She played one of Blofeld's Angels of Death in OHMSS.
A Blimp doesn't have to use roads btw - If that distance was as the crow flies then at 50 miles an hour that Blimp could travel the 19 miles to the Golden Gate Bridge in 23 minutes.
Still a long time to hold yourself up
It's not beyond reason to imagine he has some kind of super-fast Blimp.
@@DanAvenell Blimp go fast juice at work, same stuff Zorin gives the horses
My personal theory is that Moore just didn’t want Octopussy to be his last Bond movie. I would have made the same decision if I was in his shoes.
@jamesadamsfl Maybe, but that film really was an all-time high. The action and set pieces are so imaginative in that one.
Still one I watch to this day.
THIS one…no.
@@emilymcplugger To each their own. And I can't deny that the fights and stunts in Octopussy were on more often than they were not. As ridiculous as the fight with the assassins in Octopussy's room was, it was fun.
He only came back for that one because Never Say Never Again was coming out, and Cubby Broccoli was afraid that a movie starring a new Bond wouldn’t perform better than the one with a returning Sean Connery. So Roger came back as a personal favor.
@@zacharylewis2802 By all accounts, Moore was a pretty nice guy.
There's 7.5 million reasons why he did a view to a kill... and that's a 1985 pay rate
Honestly, most of this film didn't do much for me. BUT! That last scene with Mayday pretty much cemented Mayday as my favorite Bond villain henchwoman of all time. Just, what a badass!
I love how they don't event try to hide the stunt-double in the roofless car.
Also, after it's cut in half you can sometimes see what looks like tiny little shopping cart wheels at the back.
I never even noticed the obvious shots of Roger Moore's younger stunt doubles in this movie until Calvin Dyson brought it up. It's just really bad. You could have a drinking game of "Spot the stunt double" with A View to a Kill.
I love that in retrospect, most of Zorin's plan is basically fracking
Right??
Couldn't be anything further from fracking.
@@ricardocantoral7672 the end result is different, but the process of shoving water in a hole to break the rock is very similar
@@jonw1599 I suppose but I confess that saying such things gets on my nerves because it spreads mendacities about fracking. There is already too much misinformation out there.
Me as a kid: "Haha, no way pumping water into an oil well would cause earthquakes, this movie is unbelievable."
Me today: "OMG, this movie called it on fracking!"
Scarpine: "Are you enjoying yourself"
Bond: "sometimes, I come here to think..."
first off, ENGAGE.
second, Matt G is such a great third member of this podcast, in a similar role to Beej in Sidewalk Slam
Before the podcast began, and taking into consideration that I had not seen the majority of the Bond films in years, my top three bond films if you had asked me were 1) Live and Let Die 2) Casino Royale (2006 version, because I didn't even know about the the 60's version) and 3) A View to a Kill. I have also been keeping a spreadsheet going for the podcast and my current top 3 are 1) OHMSS 2) Live and Let Die 2) For Your Eyes Only, but I predict that Casino Royal will make the top 3, since a lot of people consider it their favorite. I still really like A View to a Kill, but more in a fun watch sort of way. Christopher Walken is definitely a big part of it, and did a phenomenal job.
One thing about Tanya Roberts' big role as Midge in That 70's Show was that in the episode where she and her husband renew their wedding vows, her three bridesmaids are all past Bond girls : Maud Adams( Octopussy and the Man with the Golden Gun) Kristina Wayborn (Octopussy) and Barbara Carrera (Never Say Never Again). I even recently went through all of That 70's show and I didn't even notice it. I'm so mad at myself, but the reference still remains my favorite from the show.
That’s an amazing note!
Stacy Sutton’s house looks like the same house used as the funeral home in the movie, “Phantasm.” Also, I think David Bowie was one of the people name dropped for the role of Max Zorin, which also could have been awesome since he and Grace Jones are probably the two most unusually stunning looking people IMO.
Sutton house location is the Dunsmuir house in Oakland, CA. This was also in Phantasm and Burnt Offerings.
I’m glad someone mentioned it. And lake San Andreas is on the other side of the bay where zorin’s mine is located (geographically in the movie).
I was beginning to think my Monday would never get started. Best part of the day begins now!
I will always remember Patrick Bauchau
from playing Sydney in The Pretender TV Series.
THAT'S where I remember him from!
Zorin goes the full Jack Torrance
on the Golden Gate .
Also, no one mentioned that Grace Jones just straight up bench pressed a guy.
Great review. Great to see the A View to a Kill theme song get a lot of love. That song rules.
3 pm (refresh subscription page)... 3:05 (refresh subscription page)... 3:15 (refresh subscription page)... 3:20 (refresh subscription page)... 3:25 (refresh subscription page)... 3:29 (refresh subscription page)... YES Finally!
Yeah they were a bit late with the upload. Canadian thanksgiving!
@@Luvie1980 they have spoiled us with early uploads.
The mine exit scene was filmed at Amberley, West Sussex and you can see it at the living museum they have there. Its a very good day out tbh.
I'm always surprised when I get to the end of one of these and realize that we're only ranking the Pre-Title, the Title Song, and the Movie as a Whole, but not rating the Title Sequences themselves. Especially since Graham has such strong opinions about them.
I kinda loop them into my rankings, I think. Intentionally or not 😄
...I thought you two did an excellent job with this critique... I strongly recommend you get ...The book...I'LL NEVER WRITE MY MEMOIRS... BY GRACE JONES...it's AMAZING.. and she EXPLAINS A lot about the movie..and her involvement... her hopes..aspirations... and fears...and motivations about her role...
Just wanna say I'm loving this series despite not even really a fan of James Bond, but I'd literally listen to Graham talk about dryer lint.
In the same scene that Maude Adams is in the background, Will Ferrell also makes an appearence!
Finally! Couldn’t wait any longer :)
1:33:37 God, I am so impressed with Matt G's editing skills and jokes and feel so bad that I listen to these at work while working on cars. Dammit, I genuinely feel so bad I've missed so much you beautiful bastard.
I'm glad the two of you actually liked this one, it's one of my favorite Moore films and the song *definitely* slaps.
This movie's villain makes me hope that, eventually, there's a spin off of this series where Graham and Matt go through the Bond Video games. Christopher Walken's quirks in this movie are really close to Willem Dafoe's in Everything or Nothing.
I am hoping for at least one Austin Powers special episode.
That was intentional - Willem Defoe's character from EoN (see what they did there with the initials?) is explicitly stated to have been Zorin's protégé.
Has one of the best scores in a Bond film, the track "He's Dangerous"
To clear up the “Why are Soviets in San Francisco?” question...There was actually a Soviet embassy in San Francisco in 1985.
From what I've heard, John Glen said that he felt that Roger Moore could've gone on to do two more Bond films. As much as I liked Roger in A View to a Kill, I agree that he did look way to old to be in that film, so him being in Living Daylights and Licence to Kill would seem a bit too much.
I heard as much too and I can't believe that. At this point of Moore's tenure has Bond, he needed to be doubled throwing a punch. He should have called it quits after Moonraker.
@@ricardocantoral7672 Indeed, Moonraker, then ELSEWHERE ~ ⏳
I ADORE the living daylights and I am very excited to see what you guys think of it
This has one of the best final fights of all time, the fight on the Golden Gate Bridge is just an iconic bond sequence now. I remember when "Goldeneye: Rogue Agent" had this level on its multiplayer, I don't think it had ever been a level before.
I'm really looking forward to The Living Daylights and License to Kill. I think they're both extremely solid James Bond movies and honestly if you asked me who my favourite Bond is I'd be tossing up between Dalton and Brosnen
For anyone wondering, rock salt in shotgun shells is a hillbilly solution to non-lethal rounds for scaring off animals and such. Source: am descended from hillbillies.
All I know about rock salt comes from kill bill. Suddenly it makes more sense. Thanks!
This was also my first "seen in theater" Bond film. I did see Never Say Never Again in the theater, but my first sentence stands :)
M M M M
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12:43 The inventor of Snowboarding also invented dabbing, apparently. :)
Mayday joins Jaws and Oddjob as "Henchmen more interesting than the villains so they get to be playable in Goldeneye 007"
cant wait for the next 2, timothy dalton might be my favorite bond
I wanna see the outtakes of that iceberg submarine bumping into other icebergs. “Pardon me. Sorry. But it’s quite difficult to see where I’m... oh, sorry.”
Alison Doody would go on to star in Indiana Jones and the Last Crusade, arguably her more famous role.
I don’t think there will be any argument.
I'm a huge fan of that movie and I always love to point out that there were actually 5 cast members in The Last Crusade that appeared in various Bond films!
"Silicon Valley" in 1985 most certainly meant San Jose, and Cupertino, where Apple, HP, and other early tech hardware companies would have been. You might be able to see the outline of San Jose's skyline, but SF and SJ are an hour's drive apart in minimal traffic.
Hayward and San Andreas being "The Big Ones" in terms of Fault lines, and Griffiths, you have no idea. California is just kinda "seismic fault".maps
2:00:50 Tragically. Beruit? Levelled the Port and most of the surrounding city? the AN of ANFO.
As a former student of geography, oh lord do I understand how complex the faultlines of the pacific rim are. "Why does anyone live there?" is the real question.
@@mattgriffiths9448 Looking at the skyline of Naples, you might think there's some optical illusion with depth perception going on. But when you look at a satellite view, the city actually wraps around an active volcano with a history of devastating eruptions.
@@Yora21 Humans are amazingly bad at judging dangers of situations they are not immediately confronted with. Volcano? Eh, probably won't erupt any time soon. Fault lines? I'm sure the next big earthquake still is many years away. CO2 levels? How bad could one or two meters of ocean level rise really be!
On a less fun note, ANFO is effectively what was being stored in Beirut. So, yeah, that’s what that would look like...
But loving these videos, brightens up my Monday every week, thanks guys!
Yeah, ANFO has lots of not-fun real-world associations. Being one of the more famous, easy, and effective improvised explosives makes it the go-to choice for insurgents and terrorists and a common component of industrial/shipping accidents.
Matt's editing is amazing as always, big massive props to you. (and the rest of the podcasts pretty good too!)
To be fair, the guy who basically was Gidea Park (Adrian Baker) was an on-again/off-again touring member of the Beach Boys (doing the falsetto parts), with stints before and after 1985.
It is interesting that Tom Cruise is still filming Mission Impossible movies at the same age as Roger Moore was in this movie.
Don't smoke, kids. Roger Moore apparently loved him a cigar or two.
Also, they may just have better plastic surgery in 2020.
The Brosnan films loved the "famous rich guy villain" trope, but it fell off hard in the Craig years. They really need to revive it.
I mean they kiiiinda did it with Quantum of Solace.
@@OzPearsall Kind of, just barely. I'd give Greene a half point. Like Goldfinger or Elektra King, he's well-known in certain professional circles, but Bond still needs someone to explain to him who he is and what he does. So I guess that means Craig's had 0.5 Famous Rich Guy Villains over the course of 5 films, while Brosnan had 2.5 over 4. We gotta pump these numbers up.
If you listen to the tracks on this you can hear a very subtle influence of OHMSS which makes jt even more.awesome. i think its most apparent in hes dangerous and golden gate fight.
20 minutes to midnight still technically counts as Monday evening supposedly. Thanks UA-cam, it would have been nice to be awake on Tuesday.
Yes! Time to be engaged and time to engage in the formula!
I just started the vodcast, but if they don't pronounce View to a Kill by Duran Duran to be the King of Slaps, then I'm going to have to send a very stern and angry email to their managers.
Matt G continuing to just dunk on our hosts. You really make these videos. I mean, obviously you *make* these videos but you're just hilarious in your savagery and I am here for it.
Monday afternoon, is still Monday
The ski chase from OHMSS and the ski chase in this one have VERY similar scoring...not really a surprise since they were both scored by John Barry but I have always ADORED OHMSS ski chase and the music therein so stands to reason why I love this one
Roger Moore looks "younger" here because he got plastic surgery prior to this movie... a decision that has universally been regarded as a bad one. Even Moore stated that he somewhat regretted it.
I suspect that they were still working on getting Pierce Brosnan for Bond at this time, knowing they'd be replacing Moore. I'm not sure of the timeline, but I do know between this and The Living Daylights that Brosnan was pretty much on board, except that his contract for Remington Steele was renewed at the last moment, which meant they had to get Timothy Dalton.
I'd say this movie has one of John Barry's best scores, and that theme that plays in Siberia and in the Golden Gate Bridge climax is somewhat transposed from the OHMSS theme - similar descending bass line, Bondian melody on top, compounded by the guitar screeches and such. Very '80s, but a perfect update of the older motifs.
This movie began a trend that still continues to this day with theme songs. Prior to this, Bond themes were sung by good vocalists who weren't necessarily the biggest pop/rock stars of the day (Sheena Easton's fame came later after she hooked up with Prince). Sure, Nancy Sinatra, Shirley Bassey, and Tom Jones were known... but they weren't the biggest stars of the day. From here on... Duran Duran, a-Ha, Tina Turner (with a song written by Bono and The Edge), Sheryl Crow, Garbage, Madonna, Chris Cornell, Adele, etc. It all started 'cuz of John Taylor's quip to Cubby Broccoli.
Also, this was the second movie of three-in-a-row where the plot is motivated by the death of another double-0. 009 in Octopussy, 003 in A View to a Kill, 004 in The Living Daylights... I always was bothered by the fact that Bond almost never had an interaction with another double-0 beyond having to pick up where another one failed, or to be reminded that if he fails, 008 will take over. Goldfinger - "If I don't report in, 008 replaces me." The Living Daylights - "008 can do it. He follows orders, not instincts." I liked that Goldeneye began with 007 and 006 as partners, fellow double-0s on a mission together... but my excitement for that died after a whole minute realizing that Sean Bean would likely be the bad guy (even as a 14-year-old, I recognized him from other movies, usually as a villain). T'would be nice to see Bond actually having a successful mission or even regular cooperative interaction with a fellow double-0.
Alison Doody (Jenny Flex)... later to star in Taffin with future Bond Pierce Brosnan, and with past Bond Sean Connery in Indiana Jones and the Last Crusade.
Maud Adams (Octopussy, "Miss Anders" in The Man with the Golden Gun) is somewhere in the background in the scene on the fisherman's wharf when Bond meets with Chuck Lee (why they didn't make him Felix Leiter, I'll never understand... but I guess knowing they were gonna kill the character, it makes sense).
Manning Redwood, who plays Zorin's chief engineer and the "mine owner" was also the American general in Never Say Never Again, the one who says, "Wonderful, that means it's all over the Kremlin!" in the NATO scene when S.P.E.C.T.R.E. makes its demands.
The dinner scene, I think, was supposed to be a self-aware moment that Moore was far too long-in-the-tooth by this point; 57-year-old Roger Moore (and looking very much so even with the plastic surgery) bedding a 30-year-old Tanya Roberts... well, of course, Bond has to get the girl at the end, but I suspect the producers knew they were treading very thin ice with his age by that point, so the dinner scene felt a little more friendly/paternal than romantic.
That sene when Scarpine is told to get Bond and he gives Zorin the "you want me to do what?" look... same gag as Octopussy. I enjoy that.
"Why does Zorin have sticks of dynamite on his blimp?" "Why not?" "Fine!" Okay... THAT pretty much explains ALL of the silliness we've seen in ANY Bond movie before or since.
Q is not a field agent, and on top of that, he's proud of his surveillance device, so of course he wouldn't just walk up to the door and knock.
Good series, guys. I mean, I question your tastes, LOL... but oh well. It's still fun to listen to. So, thank you.
What about Live & Let Die by Wings? Pretty much the precursor to Duran Duran’s View To A Kill in my opinion. Both are hard hitting pop rock songs by a huge at the time band. The two best Bond songs in my book.
@@mrmisterjingles They both make it in my top five Bond songs !
@@mrmisterjingles Y'know, I'm so not a fan of that movie that I keep forgetting about that one. Yes, that one is an exception and was a bona fide mega-pop/rock star doing the theme for a Bond movie prior to Duran Duran. Plus the fact that George Martin (McCartney's and The Beatles' producer) did the score for that movie 'cuz John Barry was unavailable, and since McCartney/Wings did the theme, it made sense.
But yes, point taken - Live and Let Die was the first major mainstream pop/rock song used for a Bond theme, but was the only one 'til Duran Duran did A View to a Kill.
VERY unpopular choice, though this is my favourite Roger Moore Bond film.
Choosing between this and Moonraker is really tough for me. Everything with Jaws is so good, but MayDay is at least as much fun. Zorin is a better villian, but the blimp stuff (while cool) isn't quite as good as the SPACE STATION! The Eiffel Tower stuff is as good an action set-piece as the cable car... the horse stuff is memorable, but kind of slow. There's just a lot of back and forth for me.
I never noticed this whenever I previously watched it, but the screen-shots really drive home that Moore has had SOME kind of 'work' done on his face. I mean, his face is smoother/tighter (plus the mole is gone), but it's much more obvious how *different* he looks in the stills. Also, if you guys want a quick laugh, most of the shots used in the Connery DVDs have been ridiculously smoothed over and air-brushed, to the point that the close-ups look like they're paintings.
Sad to see roger go and reminds me that he isn’t with us anymore such a great man.
Timothy Dalton is my favourite Bond. I'm looking forward to next week.
As someone who moved to San Francisco around 12 years after this movie came out, it's a fun revisit. Native comments:
A you suspect, no, you cannot see any part of Silicon Valley from the Golden Gate Bridge. It's 45 miles away, and there are hills as the crow files in between.
The shooting of the mayor feels a bit like a callback to the shooting of Mayor Moscone.
While there have been oil refineries in the SF Bay area for a long time (they existed at the time of the film), I don't believe there's ever been oil drilling here.
Pressurizing fault lines to cause earthquakes is plausible though probably not through existing mining caves. We were even explicitly presented this as a public works concept in science class as kids by someone who wanted to stave off catastrphic earthquakes with a megaproject like this. Sadly for Mr Zorlin, even a megaquake would probably only cause a couple of years of setback, not a total stoppage of silicon valley.
That drawbridge the fire truck jumps of course is not geographically viable for that point in the chase scene but it still exists and is called the "third street bridge" in vernacular. I've seen it up once in 25 years of living here and working a few blocks away for 10 or so of those.
The fault line to the east is called Hayward Fault. The western fault is San Andreas. They both exist. Of course they are both slip faults which will not affect elevations so the flooding is preposterous. It's not ENTIRELY idiotic because the whole San Francisco Bay is partly a product of these two faults which allowed the land in between to slightly fall, but even a megaquake would not cause much of a change.
While the tides at the the Golden Gate itself are very pronounced due to various factors, the tides at the south end of the bay are very subdued. King Tide wouldn't matter.
The bomb was apparenly near San Andreas Lake, much closer to the golden gate, but still 20 miles away. At top speed it would still take over 20 minutes to get there so... a little implausible but small potatoes for the film. --- If you managed to drive along CA 1, you would have a very long drive indeed. Interstate 280 would be more likely.
I'm sure you're aware but the circular thing Bond climbs up on the Golden Gate Bridge is more cable housing than a pipe. But it sure looks like a pipe.
I Love the Living Daylights and Timothy Dalton has a Bond, he brought a much needed "tougher" view on Bond and someone who felt more like a Rebel. It will be very fun to see what happened next week.
I think The Living Daylights might actually be my favorite Bond movie. This whole era of movies is what is for me "Classic Bond".
The Living Daylights is For Your Eyes Only on steroids.
I agree that Timothy Dalton was great. I wish he could have done a couple more movies between License to Kill and Goldeneye.
love these !!! keep em coming
The living daylights is my favourite bond film
Patience is a virtue. Thanks for this; I expect to enjoy it immensely (like all the rest)!
Guys it would a neat if you rated the movie posters too. Arguably the Moore era posters are the best imo.
That stylized Grace Jones is way up there for me.
@@Endocrom Yeah, they are very stylised posters & technically illustrations aren't entirely accurate to the movies. But they are exciting and fun to look at.
The almost-retired-Bond hooks up with children is in full effect and it is creeping me out. I didn't notice as a kid, everyone looked old to me, but watching this podcast is making me very uncomfortable over and over and over. And I was already on the Bond is a creep train. (Though, of course, with some lingering fondness for the memories, and your joy is contagious :) )
I honestly found Bond pretty un-rapey in this one. Un-rapey obviously being the standard we all strive for.
I feel kind of like Matt. I watched the movie and was kind of meh on it but when they talk about all the parts I'm like "Yeah all these things rock, why didn't I enjoy it more?"
the cinematography is sort of flat, and there are no exotic locations, is why it fails abit for me, all you get is the snow at the start, and that is ruined by the beach boys.
@@turtleflipper9935 It probably also doesn't help that I'm not a huge fan of Roger Moore Bond. I find him very one note and he never seems to take anything actually seriously, which bugs me. Everyone else who's played Bond has been able to be both a bit silly, but still be serious when things get tense.
Heh, they Moore'd the blimp to the bridge.
I noticed that too when I watched the film for the first time yesterday
I don't know if it was intentional, but it did make me chuckle
What, no reference to the Special Horse Meth?
Some of the mine stuff was filmed at Amberley Museum in the UK which is just up the road from me, I really must make a pilgrimage there. The Living Daylights next week, woo-hoo!
I always remember this film as "The one where the Christopher Walken tries to sink Silicon Valley by destroying Amberley"
@@gonvillebromhead2865 my man!
Why dynamite in a blimp? Dynamite is used in mining so maybe sure given where the blimp was hiding? Also it could’ve possible the “What a view” ‘To a kill!’ Is an ad-lib from Walken?
Re: James Bond maintaining a disguise : Of course not. By the later films, I think, he completely gives up. He's the most famous assassin in the world. He just goes in assuming everyone knows who he is, what he does, and that they'll try to kill him. It's routine by the modern era. At least, IMO..
Then again, I am also in the camp that each actor change is a new Bond, not the same Bond, so... eh?
that disclaimer IS in every credit of previous films, as the actual origin of that disclaimer is from a lawsuit related to Rasputin from the 1930s by one of the russian nobles who killed him, who sued MGM for portraying his wife as having slept with Rasputin, which she did not. MGM had to pay out like 30,000 dollars for it too
This movie is very much a guilty pleasure for me. It has a lot of issues (in particular that horse subplot that went nowhere and as it turns out was only put into the film because Cubby Brocoli reay loved horse racing), but over all it's still a fun watch.
Thanks in large part to Roger Moore, Christopher Walken and Grace Jones. They were the highlights of this film.
Also the track you were talking about in the beginning that plays throughout the film has two versions in the soundtrack. He's Dangerous, which plays during the fire truck chase. And The Golden Gate Fight, which the title pretty much sats when it was used. This and Living Daights are my all time favourite John Barry scores, with the latter being his perfect Swan Song work.
Really glad to have this today.
"the boomers are restless" should've been the title to the video
Binge watching all of these and its bean a good time and I'll do it a gain.
I see what you did there lol
After the series is complete, I want a supercut of Matt saying they said the name of the movie