I have never heard Lise de le Salle play before this. An electric performance bringing out all the nuances in the score Herr Brahms intended I'm sure. Maestro Orozco-Estrada, with his joyful command of the orchestra, delivered a fresh interpretation of this majestic concerto I shall return to often.
I don´t understand? There's a lot of critics against this FLAWLESS rendition! Maybe cause she's not as famous as Helen Grimaud or Yuja Wang, but I assure you, Lise it's on the same league, shes's a Great Perfomer on Brahms! BRAVO LISE!!! And I hope to hear soon her BRAHMS 2!!! Besides, there's an Excelent Orchestra HR-Sinfonieorchester, and an Excelent Conductor on Andrés Orozco!!!
Sie haben völlig Recht, dies ist eine wirklich großartige Interpretation dieses sensationellen Klavierkonzerts und Lise de la Salle gehört zu den "Opfern" dieser auf große Attitüden abziehlenden "Hypness". Ich halte weder Las Vegas Wang noch Kaukasus Katia und auch nicht Triffonov für großartige Pianisten, aber diese verkaufen sich einfach für die Vermarktung besser, weil sie eben diesen "Starstatus" zelebrieren und voller Attitüden sind. Die Klassikbranche ist in ihrer Vermarktung nicht anders als die Schlagerindustrie und das Publikum hat im Grunde keine Ahnung, weil Klassik auch Prestige ist. Lediglich Jan Liseicki ist der einzige unter den "gehypten" Pianisten der letzten Jahre, der wirklich das Attribut "Spitzenpianist" verdient. Das größte "Opfer" dieser fatalen Vermarktung und der Ahnungslosigkeit der Zuschauer, ist die Chopinpreisträgerin von 2010, Juliana Avdeeva. Sie ist die herausragenste Pianistin, die ich je gehört habe und sie hat keinen Plattenvertrag, was ich für den größten Skandal in der Klassik halte. Von ihr gefällt mir das Brahms Klavierkonzert am besten, aber dieses hier gehört zweifelsohne zu den aller besten.
This is up there with the greatest ever performances of Brahms 1. de la Salle absolutely nails this in every respect - technically for sure, but also in every musical aspect. Wow. This is a fully emotionally committed performance from beginning to end. And Orozco-Estrada also leads an incredibly fine orchestral component. Just wonderful.
Ich kenne dutzende Wiedergaben dieses Konzertes. Was hier die Musiker hinlegen, das haut mich einfach nur um. Dieses Einfühlungsvermögen der Pianistin, der Orchestermusiker, dies in sagenhaftem Zusammenspiel. 7 6:02 diese Sanftheit! 6:20 dies Zusammenspiel 6:42 dies Zurücknehmen der Power 7:08 dies subtile Zurücknehmen des Tempos und und und und und so weiter. Ich sage es nochmal. Ich kenne der ungezählten Wiedergaben, es ist meine Leibmusik. Riesenlob der Solistin, dem Dirigenten, den Orchestermusikern!, dem Toningenieur auch!!!!!
It is a dramatic first movement in deep grief for the sad passing away of Robert Schumann. Great performance of Lise and this fabulous HR FRANKFURT Sinfonie conducted by Maestro Orozco-Estrada.
Ah that is the moment it was written? That explains everything. I always thought certain parts are about a physical escape but it must be the wish to escape from this world.
Magnificent performance by Ms. de la Salle. Hits all the right notes, literally as well as figuratively. I'll take this concerto over the Brahms 2nd any day and Ms. de la Salle's performance is the cherry on top.
Wonderful Rendition of Lise de Lasalle! Wonderful Orchester (one of my favorites) hr-Sinfonieorchester FRS! And Wonderful Conduction by Orozco Estrada! And BRAHMS... That's it!!!
she has such a beautiful way of communicating with the orchestra. almost like another orchestra member, or a chamber music approach, highly unusual and beautiful :)
This is as perfect a performance as I have ever seen. She gets everything right and Orozco-Estrada has the orchestra in perfect cadence. What could be better?
What an impressive performance of this magnificent Brahmsconcerto!! Heavenly moments throughout the whole concert thanks to a brilliant Lise de la Salle and an incredible conductor!!
Apasionada interpretación de la joven pianista francesa Lisa de la Salle, de la que ya no se puede hablar en absoluto de promesa, junto a la solvente orquesta de Frankfurt (posiblemente una de las mejores del mundo en el momento actual) y el extraordinario director Orozco-Estrada. A destacar la seguridad técnica de la pianista, alternando los momentos de virtuosismo con la hondura que siempre nos deja (el posiblemente más innovador compositor del movimiento), maestro Brahms. Excelente
EXCELENTE interpretación del Concierto para Piano Nº 1 compuesto por el del genial Johannes Brahms por esta prestigiosa orquesta alemana dirigida por el maestro Andrés Orozco-Estrada actuando como solista la virtuosista pianista francesa Lise de la Salle. BRAVO !!!! Saludos desde España.
Ich habe Brahms noch nie gehört, bin Beethoven und Mozart Fan, Brahms gehört sicher auch zu den ganz großen, was mich besonders fasziniert, wie sich eine Pianistin das alles merken kann, und Lise de la Salle ist eine bemerkenswerte Pianistin, ein ganz großes Bravo von mir.
Quelle merveille que cette interprétation, toute pleine de feu ! Lise de la Salle nous entraîne dans sa fougue et son engagement. L'orchestre et le maestro sont excellents. La vidéo est un pure bonheur. Grande réussite. Bravo à tous et merci…
Magnificent and deeply moving. (I am not a first time listener, but perhaps my first time truly HEARING). This is heaven and hell, complete, beautiful and precise, and with great feeling.
I suppose one never stops learning! I've long, long been a "fan" of Brahms, his symphonies, his Requiem, many (but by no means all) of his choral works...but this my first time with a piano concerto of his. It helps that the personnel here is impeccable: Sr. Orozco-Estrada and Sra. de la Salle, to say nothing about the HR Orchestra. I'm listening further; do keep it up! JAT
Did you listened to his Chamber music work? I started my journey throught Classical Music many years ago with the trios from Brahms and he slowly became my favorite Classical composser until now.
En este sitio hay tres ejecuciones memorables para mí. Esta es una de ellas, la otra es de la Excelente pianista francesa HELENE GRIMAUD, dirige la orquesta Michael Gielen; la tercera es de la Gran YUJA WANG, dirige Valery Giergiev. Admiro a las tres orquestas, a los tres directores y AMO a las tres pianistas. Pero sin BRAHMS, no sería posible. BRAVO LISE DE LA SALLE!!! Espero escuchar tu interpretación de Brahms piano concerto 2!!! Te envío un afectuoso SALUDO!!!
À trente et un ans cette pianiste est déjà tout à fait accomplie dans Brahms, et son interprétation très équilibrée, nuancées, c'est du grand piano, quel tempérament ! On a l'impression que tout lui est possible...
Brahms foi uma mostra da luta de um compositor com as forças de seu tempo. Permaneceu fiel a si mesmo em meio às querelas musicais da época. Sofreu e foi vencedor. Esse concerto tem esse tema forte de entrada, tem a tempestade, o ímpeto, e a ternura de quem conhecia bem a música de Bach e de Beethoven. Mas tem e muito uma marca inovadora dentro do romantismo.
@@Desireyso58It is commonly held that Helene Grimaud is by far the best interpreter of Brahms today. This young woman is very good, but she still has a way to grow til she can match Helene’s technical perfection, emotional expression and musical sensitivity.
I listened to and watched a terrific performance. I got to be amazed and awed. And I was thankful that the musicians were intense. And then I noticed the audience. Why would you go to a concert and spend money to attend, especially on the front row and listen to this concerto with a blank, deer caught in the headlights, look and not let yourself be awed. I am not speaking about perfection. I am talking about composer and musicians coming together. This was Brahms. These musicians did an awesome job presenting the work.
This was just fabulous!! I loved the way she attacked the outer movements. I was not familiar with her, but will certainly be watching out for her in the future!
Brahms siempre será identificado a través de sus obras. Peculiares y hermosos los acordes de este gran compositor. Una bella interpretación de Lise de La Salle, tiene alma para tocar a Brahms.
Performance magnifique pour ce concerto pour piano - puissante, tendre, est douce, un réel bonheur. Merci Lise, merci au chef d'orchestre, aux musiciens. C'était sublime.💝
Ese día Lise de La Salle destapó el pomo de las esencias!!! Vaya ejecución más destacada! BRAVO LADY LISE! Saludos desde México! Gran orquesta y Andrés Orozco excelentes también!!!
Born in Medellín-Colombia, Orozco-Estrada studied music at the Instituto Musical Diego Echavarría and learned to play violin there before taking conducting classes from age 15. Before his seventeenth birthday, he moved to Bogotá to study at the Pontificia Universidad Javeriana de la Compañía de Jesús. He emigrated to Vienna, Austria, in 1997, where he has lived ever since and where, that same year, he began advanced conducting studies at the Hochschule für Musik und darstellende Kunst. His teachers included Uroš Lajovic, successor to Hans Swarowsky.
@@juanpabloosorio2458 Makes no sense your mention of the Jesuits. They are the owners, but their name is not in the name of the university. Why dont't you mention the owner of the Instituto Musical Diego Echavarria? It seems you are a fanatic catholic, ex pupil of Jesuits, member of A.S. I. A...
The Best Brahms piano concerto no 1 is Radu Lupu With The Finnish Radio Symphony Orchestra video UA-cam! Lupu a class of his own playing Brahms piano concerto no 1! Others The Good ones Are Maria Grinberg Witold Malcuzynski Bruno Leonardo Gelber Emil Gilels
Zimerman a dull Boring stiff machine player! Zimerman so over-rated pianist! Zimerman his Brahms piano concerto no 1 is The most dull Boring stiff machine playing ever! Zimerman with Bernstein Brahms piano concerto no 1 The first mvt coda is so mechanical Boring stiff dull machine playing ever!
Why have I just heard Lise de la Salle for the first time? She is world-class and gave me new insight into one of my favorite pieces of music. I have some minor questions about the orchestra but nothing that would mar the enjoyment of this excellent performance.
Wow! Just love this epic concerto. What an impact it must have been on a public still getting their heads around Beethoven. No chance of the orchestra drowning out the lady pianist there, she has some power..
Muy buen concierto por su coordinada ejecución dirección-solista. Orozco ha crecido a un gran nivel mundial. Lise de la Salle brilla a la altura de los múltiples premios que está obteniendo, no es de extrañar, y a las actuaciones que está desarrollando en las mejores salas del mundo musical. Su interpretación de Brahms es precisa y preciosa, a la vez que delicada y madura. Tiene una proyección enorme dada su juventud (32 años). Enhorabuena. La realización del vídeo es mejorable en algunas fases del concierto. La orquesta está francamente bien, como siempre. Felicidades.
A splendid performance by my favourite hr-S, Andrés (he's a real conductor unlike some others) and Ms de la Salle. Also nice to see Florin as Second Concertmaster. The production crew did a superb job recording this performance. They even showed a little bit of the pedal point in the double basses in the second movement during the "organ chords" before the winds come in with the climax. Some of these comments are interesting (I'm being polite). There's a group here that I call the classical music armchair critics. They seem unable to enjoy a performance because they're too busy trying to find something wrong with it and nitpicking it to death, often measure by measure. They ruin classical music for a lot of people. I enjoy watching and listening to a performance -- seeing it is very special to me -- and I don't like theatrics from the artists. Ms de la Salle uses what I call floating arms throughout. Some here have referred to it as "flying arms" but there's nothing flying. They're more like floating arms supposedly to reduce the tension in the arms. But does it really? The problem with that thinking is that it *requires tension* to hold the arms up like that. The arms are supposed to be down by one's side and very relaxed when not playing. By one's side is the most tension-free position for the arms, not being held up (by tension) high above the keyboard. To me, it's a needless form of theatrics but it's her thing. I don't recall seeing anybody else do that. She considered among the best pianists I presume otherwise she wouldn't be managed by the prestigious HarrisonParrott Limited. They only have the finest musicians in their roster. She does play superbly; I could just do without the needless theatrics. One final thing: I wonder when performances will rid themselves of the double standard in performance attire between the genders? Females (particularly soloists) can come out on stage half-naked -- I have no problem with nudity but am making a point here -- or wearing what looks like lingerie, but if a male musician did the same by wearing an elegant-looking tank top, for example, or anything that "shows skin," he'd be asked to go home and change and his attire would be considered "highly inappropriate for a performance." Why is it "highly inappropriate" for him but not for the female who can be showing deep cleavage and half of the back of her dress cut out? I have seen countless performances where the female soloists (vocal or instrumental) can be pretty much naked from the waist up. Guys? They're covered up from head to toe like a monk. Quite a double-standard that needs to be addressed. Danke. UPDATE: I just wanted to say this because I hadn't watched all of the last movement of the piece before I wrote my earlier comment. Ms de la Salle is, in my mind, the perfect artist. She's extremely humble and modest; no hint of arrogance at all, despite all of her accomplishments. She's like Andrés in that respect. He's the same way. He doesn't like attention and takes a brief bow, of course, but he always tries to give the credit for their superb performances to the orchestral musicians before him and it's obvious that he deeply admires the musicians before him. How could you not with these outstandingly superb musicians?! And I admire that in him greatly. Well, Lise did the same thing. She got up from the piano and gave a brief hug to Andrés, then she went over and shook hands with both Concertmasters (she knew that the hr-S have two Concertmasters; not everyone seems to know that or have done their research on that), and then she turned around and applauded the orchestral musicians. She looked extremely humble and modest and was even looking down at the floor rather than "Everyone look at me; I'm the star." No, there was none of that from her. She seemed to be going out of her way to give the attention not to herself but to the hr-S. I loved that about her. Other pianists would be trying to make it all about them. Not Lise or Andrés. They were well-matched and seemed to work beautifully together. I'm very pleased that hr-S decided to feature Lise as an artist. Again, danke. Oh, someone commented about "the handful of wrong notes." What were you listening to and commented on the wrong channel? I didn't hear a wrong note in the entire concerto and I know the piece well as I've heard the Brahms First too many times to count. It's one of my favourites of the repertoire. I did listen to another well-known pianist play this concerto about a week ago and he had a couple of splats/wrong notes in his in those passages where the right hand has those treacherous jumps up the keyboard where the pianist has to closely watch themselves otherwise: SPLAT!, but I just brushed it off. Why did Brahms put those in there? To make it even more difficult. But it was no big deal. Anyone who can play this piece in performance, they are allowed a couple of splats. But again, I heard no mistakes in this performance.
Some other piano concerts I feel separate the piano too much from the orchestra - in this one, I feel like they're much more together and the focus ebbs and flows between them so seamlessly. I like this a lot.
Good observation. This concerto originated in Brahms' struggle to write a symphony. This one attempt he abandoned, later returning to it and making the earlier effort the basis for the d minor concerto. It is to a degree a concertante work, though there is nevertheless much struggle conversation between piano and orchestra.
I agree completely, I made that observation myself. I'm generally not a great fan of piano in orchestral music for that precise reason, but I love this piece.
Lyriische Aufführung dieses perfekt konstruierten Konzerts mit anmutigem Anschlag des Soloklaviers und gut phrasierten Töne anderer Instrumente. Der geniale Maestro leitet das ausgezeichnete Orchester im gut phrasierten Tempo mit effektiver Dynamik. Das ist auch Brahms!
Phrasierte Aufführung dieses effektiv konstruierten Konzerts mit lyrischem Anschlag des Soloklaviers und gut konstruierten Töne anderer Instrumente. Der anmutige Maestro leitet das gut phrasierte Orchester im effektiven Tempo mit genialer Dynamik. Das ist auch Brahms! Das ist auch phrasiert!
Thank you Brahms and to all the great members of this symphony who brought this music to life so we could enjoy it.
I absolutely love her playing. She's dialed in to Johannes.
Bravo, Lise!!!
I have never heard Lise de le Salle play before this. An electric performance bringing out all the nuances in the score Herr Brahms intended I'm sure. Maestro Orozco-Estrada, with his joyful command of the orchestra, delivered a fresh interpretation of this majestic concerto I shall return to often.
This Colombian conductor is really tops!!! And naturally, Miss delaSalle. Excellent performance, Congratulations.
Bravo, Madame! C'est une interprétation très belle! je la trouve similaire à celle de Bruno Gelber!
I don´t understand? There's a lot of critics against this FLAWLESS rendition! Maybe cause she's not as famous as Helen Grimaud or Yuja Wang, but I assure you, Lise it's on the same league, shes's a Great Perfomer on Brahms! BRAVO LISE!!! And I hope to hear soon her BRAHMS 2!!! Besides, there's an Excelent Orchestra HR-Sinfonieorchester, and an Excelent Conductor on Andrés Orozco!!!
Sie haben völlig Recht, dies ist eine wirklich großartige Interpretation dieses sensationellen Klavierkonzerts und Lise de la Salle gehört zu den "Opfern" dieser auf große Attitüden abziehlenden "Hypness". Ich halte weder Las Vegas Wang noch Kaukasus Katia und auch nicht Triffonov für großartige Pianisten, aber diese verkaufen sich einfach für die Vermarktung besser, weil sie eben diesen "Starstatus" zelebrieren und voller Attitüden sind. Die Klassikbranche ist in ihrer Vermarktung nicht anders als die Schlagerindustrie und das Publikum hat im Grunde keine Ahnung, weil Klassik auch Prestige ist. Lediglich Jan Liseicki ist der einzige unter den "gehypten" Pianisten der letzten Jahre, der wirklich das Attribut "Spitzenpianist" verdient.
Das größte "Opfer" dieser fatalen Vermarktung und der Ahnungslosigkeit der Zuschauer, ist die Chopinpreisträgerin von 2010, Juliana Avdeeva. Sie ist die herausragenste Pianistin, die ich je gehört habe und sie hat keinen Plattenvertrag, was ich für den größten Skandal in der Klassik halte. Von ihr gefällt mir das Brahms Klavierkonzert am besten, aber dieses hier gehört zweifelsohne zu den aller besten.
This is up there with the greatest ever performances of Brahms 1. de la Salle absolutely nails this in every respect - technically for sure, but also in every musical aspect. Wow. This is a fully emotionally committed performance from beginning to end. And Orozco-Estrada also leads an incredibly fine orchestral component. Just wonderful.
Ich kenne dutzende Wiedergaben dieses Konzertes. Was hier die Musiker hinlegen, das haut mich einfach nur um. Dieses Einfühlungsvermögen der Pianistin, der Orchestermusiker, dies in sagenhaftem Zusammenspiel. 7
6:02 diese Sanftheit!
6:20 dies Zusammenspiel
6:42 dies Zurücknehmen der Power
7:08 dies subtile Zurücknehmen des Tempos
und und und und und so weiter.
Ich sage es nochmal. Ich kenne der ungezählten Wiedergaben, es ist meine Leibmusik.
Riesenlob der Solistin, dem Dirigenten, den Orchestermusikern!, dem Toningenieur auch!!!!!
It is a dramatic first movement in deep grief for the sad passing away of Robert Schumann.
Great performance of Lise and this fabulous HR FRANKFURT Sinfonie conducted by Maestro Orozco-Estrada.
Ah that is the moment it was written? That explains everything. I always thought certain parts are about a physical escape but it must be the wish to escape from this world.
Einfach nur großartig, ....Ja Dankeschön th
another superlative performance from Germany's finest orchestra.
Magnificent performance by Ms. de la Salle. Hits all the right notes, literally as well as figuratively. I'll take this concerto over the Brahms 2nd any day and Ms. de la Salle's performance is the cherry on top.
BRAVO!!! LIse De La Salle!!!! Great Great Great!!!!
Grande Lise de la Salle!! Grande Andrés Orozco! Gran Orquesta HR-Sinfonieorchester Frankfurt!!!
Meravigliosa Lise de la Salle, tecnica solida, talento interpretativo superbo.........
Wonderful Rendition of Lise de Lasalle! Wonderful Orchester (one of my favorites) hr-Sinfonieorchester FRS! And Wonderful Conduction by Orozco Estrada! And BRAHMS... That's it!!!
What a fantastic pianist !
she has such a beautiful way of communicating with the orchestra. almost like another orchestra member, or a chamber music approach, highly unusual and beautiful :)
This is as perfect a performance as I have ever seen. She gets everything right and Orozco-Estrada has the orchestra in perfect cadence. What could be better?
😂😂
And I Love Lise de la Salle! Specially on the Brahms Perform of the Piano Concerto Nº1! Hope to hear soon her rendition on Brahms 2!!!
Please we need more concert renditions of your gifted hands Lady Lise!!!
What an impressive performance of this magnificent Brahmsconcerto!! Heavenly moments throughout the whole concert thanks to a brilliant Lise de la Salle and an incredible conductor!!
Very enjoyable! This young lady has a bright future.
Apasionada interpretación de la joven pianista francesa Lisa de la Salle, de la que ya no se puede hablar en absoluto de promesa, junto a la solvente orquesta de Frankfurt (posiblemente una de las mejores del mundo en el momento actual) y el extraordinario director Orozco-Estrada.
A destacar la seguridad técnica de la pianista, alternando los momentos de virtuosismo con la hondura que siempre nos deja (el posiblemente más innovador compositor del movimiento), maestro Brahms.
Excelente
EXCELENTE interpretación del Concierto para Piano Nº 1 compuesto por el del genial Johannes Brahms por esta prestigiosa orquesta alemana dirigida por el maestro Andrés Orozco-Estrada actuando como solista la virtuosista pianista francesa Lise de la Salle. BRAVO !!!! Saludos desde España.
Maravilloso Brams en este concierto. n 1.
Ich habe Brahms noch nie gehört, bin Beethoven und Mozart Fan, Brahms gehört sicher auch zu den ganz großen, was mich besonders fasziniert, wie sich eine Pianistin das alles merken kann, und Lise de la Salle ist eine bemerkenswerte Pianistin, ein ganz großes Bravo von mir.
Majestuosa!!!
Quelle merveille que cette interprétation, toute pleine de feu ! Lise de la Salle nous entraîne dans sa fougue et son engagement. L'orchestre et le maestro sont excellents. La vidéo est un pure bonheur. Grande réussite. Bravo à tous et merci…
Beautiful,beautiful!!!!!!!! Lise, orchestra,conductor. Thank you my beloved Brahms!!! Thanks a lot!!
Masterful performance by Miss de la Salle and maestro Orozco-Estrada. Thank you for sharing.
Fantastic performance!
Magnificent and deeply moving. (I am not a first time listener, but perhaps my first time truly HEARING). This is heaven and hell, complete, beautiful and precise, and with great feeling.
I agree wholeheartedly with your comment. The piece exudes strong emotions & takes the listener to another place...marvelous!
Thank you friends, we feel free. good job.
GRANDIOSA LISE DE LA SALLE!!! NECESITAMOS MÁS CONCIERTOS TUYOS!!!
Full of passion and gusto !
What a wonderful sound. The fire is there from first bars of the piano entrance. Beautiful refinement. 🐚☘️🐚🌻🐚🌻
I wish that this theme in the piano entrance was more central in the 1st movement, wonderful. Too bad it only appears once more later.
Excelente interpretación. Gracias sinfonieorchester, gracias youtube y eternas gracias J.S. Brahms!!!!
I love this consert! Just now it's Big Slap i Malmö and this it perfect for my ears. I play it loud on sorround! Erica
Beautiful, full of emotion.
What an awesome Concerto! Brilliant performance!
I suppose one never stops learning! I've long, long been a "fan" of Brahms, his symphonies, his Requiem, many (but by no means all) of his choral works...but this my first time with a piano concerto of his. It helps that the personnel here is impeccable: Sr. Orozco-Estrada and Sra. de la Salle, to say nothing about the HR Orchestra. I'm listening further; do keep it up! JAT
Please, listen Khatia Buniatishvili rendition Brahms 2nd piano concerto.
Did you listened to his Chamber music work? I started my journey throught Classical Music many years ago with the trios from Brahms and he slowly became my favorite Classical composser until now.
En este sitio hay tres ejecuciones memorables para mí. Esta es una de ellas, la otra es de la Excelente pianista francesa HELENE GRIMAUD, dirige la orquesta Michael Gielen; la tercera es de la Gran YUJA WANG, dirige Valery Giergiev. Admiro a las tres orquestas, a los tres directores y AMO a las tres pianistas. Pero sin BRAHMS, no sería posible. BRAVO LISE DE LA SALLE!!! Espero escuchar tu interpretación de Brahms piano concerto 2!!! Te envío un afectuoso SALUDO!!!
À trente et un ans cette pianiste est déjà tout à fait accomplie dans Brahms, et son interprétation très équilibrée, nuancées, c'est du grand piano, quel tempérament ! On a l'impression que tout lui est possible...
Beautiful and So Talented Lady! BRAVO!
Brahms foi uma mostra da luta de um compositor com as forças de seu tempo. Permaneceu fiel a si mesmo em meio às querelas musicais da época. Sofreu e foi vencedor. Esse concerto tem esse tema forte de entrada, tem a tempestade, o ímpeto, e a ternura de quem conhecia bem a música de Bach e de Beethoven. Mas tem e muito uma marca inovadora dentro do romantismo.
Excelente descripción.
Muchas Gracias.
Beautifully played by the soloist. Orchestra and conductor behind most of the time.
Perfection. Never heard a better performance of this concerto than this. Lise de la Salle & Andres Orozco-Estrada in perfect unison.
I THINK JUST ABOUT THE SAME! But I like too Helene Grimaud and Yuja Wang om Brahms 1!
@@Desireyso58It is commonly held that Helene Grimaud is by far the best interpreter of Brahms today. This young woman is very good, but she still has a way to grow til she can match Helene’s technical perfection, emotional expression and musical sensitivity.
@@barbaraglynn1531 I Almost Agree with You, but I think Yuja Wang it's at same level than Helene on Brahms 1 and Brahms 2!
I listened to and watched a terrific performance. I got to be amazed and awed. And I was thankful that the musicians were intense. And then I noticed the audience. Why would you go to a concert and spend money to attend, especially on the front row and listen to this concerto with a blank, deer caught in the headlights, look and not let yourself be awed. I am not speaking about perfection. I am talking about composer and musicians coming together. This was Brahms. These musicians did an awesome job presenting the work.
Love this work by Brahms , also loved the performance too. Awesome!
This was just fabulous!! I loved the way she attacked the outer movements. I was not familiar with her, but will certainly be watching out for her in the future!
Esta obra es gloriosa, y magnificamente ejecutada ❤
Brahms siempre será identificado a través de sus obras. Peculiares y hermosos los acordes de este gran compositor. Una bella interpretación de Lise de La Salle, tiene alma para tocar a Brahms.
Wundervolle Darbietung der hervorragenden Pianistin Lise de La Salle!!!
Performance magnifique pour ce concerto pour piano - puissante, tendre, est douce, un réel bonheur. Merci Lise, merci au chef d'orchestre, aux musiciens. C'était sublime.💝
Orchestra is superb as usual
Für mich bleibt die Musik Brahms -und genau dieses Stück ins besondere-eine Riesenwelle die man einfach akzeptieren soll.
¡ Que monumental obra nos dejó el genial Hamburgués !!
Ese día Lise de La Salle destapó el pomo de las esencias!!! Vaya ejecución más destacada! BRAVO LADY LISE! Saludos desde México! Gran orquesta y Andrés Orozco excelentes también!!!
Born in Medellín-Colombia, Orozco-Estrada studied music at the Instituto Musical Diego Echavarría and learned to play violin there before taking conducting classes from age 15. Before his seventeenth birthday, he moved to Bogotá to study at the Pontificia Universidad Javeriana de la Compañía de Jesús.
He emigrated to Vienna, Austria, in 1997, where he has lived ever since and where, that same year, he began advanced conducting studies at the Hochschule für Musik und darstellende Kunst. His teachers included Uroš Lajovic, successor to Hans Swarowsky.
Which is the purpose of referring to the Jesuits in your note? As for music, it is irrelevant.
@@arteguey it´s just the music institute name where the director studied in Bogotá
Thanks for the biographic note on Estrada. I do put him in the top echelon of all conductors.
@@juanpabloosorio2458 Makes no sense your mention of the Jesuits. They are the owners, but their name is not in the name of the university. Why dont't you mention the owner of the Instituto Musical Diego Echavarria? It seems you are a fanatic catholic, ex pupil of Jesuits, member of A.S. I. A...
Thank you for the information. Please don't mind the the people with pineapple in their ass who make an issue of everything.
20:20-22:40 Maravilloso final del maestoso, grande Andrés y grandísima Lise
wonderful version. one of the best if not the best. personally the most convincing along with Zimmerman and Schiff.
The Best Brahms piano concerto no 1 is Radu Lupu With The Finnish Radio Symphony Orchestra video UA-cam! Lupu a class of his own playing Brahms piano concerto no 1! Others The Good ones Are Maria Grinberg Witold Malcuzynski Bruno Leonardo Gelber Emil Gilels
Zimerman a dull Boring stiff machine player! Zimerman so over-rated pianist! Zimerman his Brahms piano concerto no 1 is The most dull Boring stiff machine playing ever! Zimerman with Bernstein Brahms piano concerto no 1 The first mvt coda is so mechanical Boring stiff dull machine playing ever!
Movements:
I - Maestoso = 0:40;
II - Adagio = 23:17;
III - Rondo: Allegro non Troppo = 36:32.
Tolle Solistin, ich bewundere das Auswendigspiel !♥
Great Performance..With heart
Indeed, great heart and spirit.
Fabulous performance
Superb! A masterly performance - as good as I have ever heard this particular piece of music. Thank you for posting.
Why have I just heard Lise de la Salle for the first time? She is world-class and gave me new insight into one of my favorite pieces of music. I have some minor questions about the orchestra but nothing that would mar the enjoyment of this excellent performance.
Большое спасибо Франкфуртскому оркестру за чудесный концерт!
Truly one of the most EPIC piano concertos that exist. Every time I listen to it I appreciate it more and more.
Uno de los mejores conciertos para piano,sino el mejor
Great playing
Magnifique concerto ! Superbe interprétation !
Wunderschön 😮
Wow! Just love this epic concerto. What an impact it must have been on a public still getting their heads around Beethoven. No chance of the orchestra drowning out the lady pianist there, she has some power..
Muy buen concierto por su coordinada ejecución dirección-solista. Orozco ha crecido a un gran nivel mundial. Lise de la Salle brilla a la altura de los múltiples premios que está obteniendo, no es de extrañar, y a las actuaciones que está desarrollando en las mejores salas del mundo musical. Su interpretación de Brahms es precisa y preciosa, a la vez que delicada y madura. Tiene una proyección enorme dada su juventud (32 años). Enhorabuena. La realización del vídeo es mejorable en algunas fases del concierto. La orquesta está francamente bien, como siempre. Felicidades.
Obrigado amigos e amigas musicistas!
너무나 아름답습니다 👏👏👏
감동적입니다 🎶
En ualmindelig smuk, følsom og kraftfuld koncert.Flot spillet.....
A splendid performance by my favourite hr-S, Andrés (he's a real conductor unlike some others) and Ms de la Salle. Also nice to see Florin as Second Concertmaster. The production crew did a superb job recording this performance. They even showed a little bit of the pedal point in the double basses in the second movement during the "organ chords" before the winds come in with the climax. Some of these comments are interesting (I'm being polite). There's a group here that I call the classical music armchair critics. They seem unable to enjoy a performance because they're too busy trying to find something wrong with it and nitpicking it to death, often measure by measure. They ruin classical music for a lot of people. I enjoy watching and listening to a performance -- seeing it is very special to me -- and I don't like theatrics from the artists. Ms de la Salle uses what I call floating arms throughout. Some here have referred to it as "flying arms" but there's nothing flying. They're more like floating arms supposedly to reduce the tension in the arms. But does it really? The problem with that thinking is that it *requires tension* to hold the arms up like that. The arms are supposed to be down by one's side and very relaxed when not playing. By one's side is the most tension-free position for the arms, not being held up (by tension) high above the keyboard. To me, it's a needless form of theatrics but it's her thing. I don't recall seeing anybody else do that. She considered among the best pianists I presume otherwise she wouldn't be managed by the prestigious HarrisonParrott Limited. They only have the finest musicians in their roster. She does play superbly; I could just do without the needless theatrics. One final thing: I wonder when performances will rid themselves of the double standard in performance attire between the genders? Females (particularly soloists) can come out on stage half-naked -- I have no problem with nudity but am making a point here -- or wearing what looks like lingerie, but if a male musician did the same by wearing an elegant-looking tank top, for example, or anything that "shows skin," he'd be asked to go home and change and his attire would be considered "highly inappropriate for a performance." Why is it "highly inappropriate" for him but not for the female who can be showing deep cleavage and half of the back of her dress cut out? I have seen countless performances where the female soloists (vocal or instrumental) can be pretty much naked from the waist up. Guys? They're covered up from head to toe like a monk. Quite a double-standard that needs to be addressed. Danke. UPDATE: I just wanted to say this because I hadn't watched all of the last movement of the piece before I wrote my earlier comment. Ms de la Salle is, in my mind, the perfect artist. She's extremely humble and modest; no hint of arrogance at all, despite all of her accomplishments. She's like Andrés in that respect. He's the same way. He doesn't like attention and takes a brief bow, of course, but he always tries to give the credit for their superb performances to the orchestral musicians before him and it's obvious that he deeply admires the musicians before him. How could you not with these outstandingly superb musicians?! And I admire that in him greatly. Well, Lise did the same thing. She got up from the piano and gave a brief hug to Andrés, then she went over and shook hands with both Concertmasters (she knew that the hr-S have two Concertmasters; not everyone seems to know that or have done their research on that), and then she turned around and applauded the orchestral musicians. She looked extremely humble and modest and was even looking down at the floor rather than "Everyone look at me; I'm the star." No, there was none of that from her. She seemed to be going out of her way to give the attention not to herself but to the hr-S. I loved that about her. Other pianists would be trying to make it all about them. Not Lise or Andrés. They were well-matched and seemed to work beautifully together. I'm very pleased that hr-S decided to feature Lise as an artist. Again, danke. Oh, someone commented about "the handful of wrong notes." What were you listening to and commented on the wrong channel? I didn't hear a wrong note in the entire concerto and I know the piece well as I've heard the Brahms First too many times to count. It's one of my favourites of the repertoire. I did listen to another well-known pianist play this concerto about a week ago and he had a couple of splats/wrong notes in his in those passages where the right hand has those treacherous jumps up the keyboard where the pianist has to closely watch themselves otherwise: SPLAT!, but I just brushed it off. Why did Brahms put those in there? To make it even more difficult. But it was no big deal. Anyone who can play this piece in performance, they are allowed a couple of splats. But again, I heard no mistakes in this performance.
I applaud your observations and your much overdue correctives.
Beautiful concert
Some other piano concerts I feel separate the piano too much from the orchestra - in this one, I feel like they're much more together and the focus ebbs and flows between them so seamlessly. I like this a lot.
Good observation. This concerto originated in Brahms' struggle to write a symphony. This one attempt he abandoned, later returning to it and making the earlier effort the basis for the d minor concerto. It is to a degree a concertante work, though there is nevertheless much struggle conversation between piano and orchestra.
I agree completely, I made that observation myself. I'm generally not a great fan of piano in orchestral music for that precise reason, but I love this piece.
11:22 Wow! I was just speechless!
Amazing,thanks!
One of my favourite concertos its mammoth with sweeping waves of emotion a terrific performance both by orchestra and soloist
Thank jou, ....
Ill listen to her in Mozarts 20th concerto with my grand daughters tomorrow. Whith the Stockholm philharmonic orchestra. Am I Lucky...
Full of emotion and enthusiasm, a very touching performance despite the handful of wrong notes
Lyriische Aufführung dieses perfekt konstruierten Konzerts mit anmutigem Anschlag des Soloklaviers und gut phrasierten Töne anderer Instrumente. Der geniale Maestro leitet das ausgezeichnete Orchester im gut phrasierten Tempo mit effektiver Dynamik. Das ist auch Brahms!
Phrasierte Aufführung dieses effektiv konstruierten Konzerts mit lyrischem Anschlag des Soloklaviers und gut konstruierten Töne anderer Instrumente. Der anmutige Maestro leitet das gut phrasierte Orchester im effektiven Tempo mit genialer Dynamik. Das ist auch Brahms! Das ist auch phrasiert!
Powerful, passionate, just wonderful rendition!
Magical.
I've always been a fan of the finally movement, beautifully played.
Finally, the size of the fight is there. The letting go of emotions at any cost to attack the wall inside even at a level hysterically.
Nice rendition. When listening to this I feel that she really knows what she's playing.
Why only 303 likes? It should be 303 million likes, at least!
It is so beautiful. Deeply moving.
Stunning.
Il mio preferito!!! ❤
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