History of the Beatles Amplifiers
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- Опубліковано 8 лют 2020
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With thanks to: Beatles Gear | Andy Babiuks Fab Gear - www.andybabiuksfabgear.com
www.voxac100.org.uk/
Photo by Robert Freeman © Apple Corps Ltd. (www.thebeatles.com/)
Nobody goes this in depth on the analysis of the band! Thanks for the attention to detail!
Thank you
@@TheGuitarShow Rickenbacker, a pioneer in Electric guitar, and Fender guitar co. were both developing at around the same time, within 20 miles of each other in Orange County, California. Silver Beatles were aware enough to be getting some pretty advanced gear.
Thanks for the history. 😎
Brian May likes this.
Too late he died in 1967
Why because the vox amps like the ac30?
They need to mention how truly gnarly those little Selmer's sounded. Allegedly the guitar tones on Sgt Pepper intro was gotten with the 14 watt Selmers CRANKED with no extra gain added!
@@jessicarich7506 what
Wow.. this guy goes WAAAAY back. Great work brother!
My pleasure bro!
Interesting side note: when The Beatles were playing a show for Swedish radio during their 1963 tour, the Vox amps hadn't arrived so they borrowed Fender amps from the other band playing the show
the "gear" in those days was just not the top priority.....like nowadays....
My favorite was the AC100 used in 64-65 period. "I Feel Fine" "Ticket to Ride" "Day Tripper"...just great sounds.
Not my favorite tone, but a really good one, undoubtedly.
I always wondered whatever happened to the Fender Twins that George and John had while recording Let It Be. I’d kill to have one of those today.
I had one of those Fender Twin Reverbs. I also had a black-face Super Reverb before that. In my opinion the Super is a much better amp. All black-face Fenders are better than their CBS silver-face replacements. They changed something in the circuits. Of course Fender redeemed their selves, at some point (I don't know when), because I bought a Super Sonic that sounds great.
Hey wait didn't I see you playing one of those amps recently?? 🤔🤔🤔
As a former Marshall stack, I do not endorse this video
@@graemeking7336 lol I bet
I have a silverface super reverb and I use it for everything, even bass. It's a superb amplifier. I have it since the early 80s. I don't think I'll sell it. The twin is more powerful, but the super have so much presence.
Some Beatles historians have suggested why the Beatles didn't use the new Marshall sound system for their concerts in 1966. The Who were using that sound system at the time while later in the year both Cream and Jimi Hendrix were to use it well. Though probably the reason was that the Beatles were fed up with touring and the screaming girls in 1966 that improving their concert sound was a low priority by then.
My very first amp was the VOX Super Beatle V11 41 (with the distortion effect) shown at the 28 minute mark along with the chrome swivel stand. Bought it in 1976 for $300 out of the back storage room of a local guitar shop where it had been collecting dust. I hauled that thing around the country with me for 42 years until a basement flood finally delivered its final blow (sigh).
The 100W Vox head Paul used (mentioned at 21 minutes) ended up in a recording studio called Fairview in Hull, East Yorkshire. I used it on a session my band was doing there, lovely sound & tone with my '78 Precision.
Greatest band to ever walk the earth... the Beatles got me writing and loving music and Hendrix got me loving guitar and poetry.
Thank you for the most comprehensive history of the Beatles amplification that I’ve seen anywhere, with the bonus of having so many historical photos. I own the “Beatles Gear” book, but this video covers all of the amplifier material in a much more pleasant format that I can listen to driving in the car or through headphones while I’m babysitting the kids. I sincerely appreciate the amount of work that you put into the details and accuracy and I watch and listen to this over and over and always pick up new information. Thank you for the kind of content that makes UA-cam worth watching.
Pleasure 🙏🙏🙏🙏
Got the Stones gear book. Great for us nerds.
I was playing in a band in Hereford England in 1965-1966. Our lead guitar player Alan who was about 5' 6" turned up with an AC100 for a practice session. I recall that jokingly we asked him how he was going to move this monster around on his own without a hoist. It was pretty spectacular back then, not least its great sound and volume but the chrome stand was something else. I recall we played one night in London at the famed 2 eyes coffee bar and had to haul this monster down tight stairs to a basement. Great days.
So cool
AC100 was the loudest at that time only way to get louder at the backline was by stacking , I used to have to lug my 600 and whatever it was watts up flights of steps by myself
I appreciate how he includes the valves used, speaker brand and type, as extant amps may not be so configured.
Thanks
I remember back in the 60's when the Beatles hit the USA, I was bass player in our band & I went out & bought a VOX bass amp ( I forget model), I think it had 2 10" speakers, and a Hofner bass. I liked the Hofner cause it was smaller & lighter than a Fender. Plus Paul used one....
Plus the German Hofner had such a beautiful soft punchy base sound.........
I honestly can’t stand the beatle bass….. but the ones I’ve played have never sounded the way Paul’s bass did. The hofner beatle bass’s I’ve played sound extreamly thin, weak…
That elusive sound, with a permanent sunday feeling, eternal childhood/christmas vibe, finally explained, thank you.
Pleasure
That's exactly what the mop tops music has always done for me too!
It was around 1968 I was given a blown T60 solid state head and a destroyed matching bass cabinet (black vynyl with brown torn speaker cloth) ... I sent the speakers away and had them re-coned and distinctly remember that they were a 12 inch and a 15 inch speaker ... it stuck in my mind that was an odd design for two different speakers to be working along side each other. The T60 head was a lost cause and kept failing under pressure, so I switched to a 100 watt all tube Selmer bass amp which was housed in an all steel cabinet shell.
My dad bought me a used Super Beatle in 1969. It blew up in a dramatic shower of electronic fireworks after a few hours use. I traded it for a white sparkle Kustom 100. I wish I still had both of them.
The early Vox AC30 was just 2 AC15's in the same cabinet, each feeding one of the speakers. That means it was effectively a 2x15watt stereo amp.
incorrect Ewan..first one was the ac30/4 which was not 2 ac15 going at the same time...the Beatles never used them... hank Marvin did and i think they were the best sounding ac30..another thing this guy says is George martin rigged up a teak amp with the big speaker..no such thing that was jet Harris amp setup..Paul McCartney asked for it when they got to studio 2..jet Harris told me that.and the studio engineers told him that..u can actually see jet Harris on this vid with the bass setup when hes showing the amp on the floor that's jet with his amp setup..McCartney called jet the governor
@@lapitch1 leak, not teak. probably a TL12.
@@duncan-rmi dam spell check
A very interesting and detailed account of the Beatles amps. I too had a VOX AC30 when I played lead guitar in a semi pro SE London band from 1964 to 1967. The top boost (brilliant) channel was incredible! The best sound ever.
In 1968 I joined another band but moved over to bass. The worst thing I ever did was to put my AC30 in part exchange for a Vox T60 bass amp. I agree 100% with all the comments in the video. The amp was forever blowing up the OC28 germanium power transistors. I worked as an electronics technician so I did the repairs myself, but it was almost a monthly task!
By 1972 I'd had a gut full of the T60! It had a crappy sound also, so I 'reversed engineered' our lead guitarist's 100W Marshall head and built my own version. I did it for £25 would you belief only having to buy the 4 x EL34 power valves and getting the mains and speaker transformers wound. I keep the T60 speaker cabinet, removed the 12" speaker and managed to fit another 15" speaker into it. So 2x 15" and with the home built Marshall 100W head it sounded great.
Around 1980 I thought my playing days were over and sold the amp and cab for £150. Also my Fender 1972 P bass for the same price.... Another big mistake!
Some 20 years later (in 1998) I joined another band, so had to re-equip myself! I got a secondhand (1980) Marshall SB 100 head with a Marshall 2 x12" bass reflex cabinet which I still use to this day and never had a problem with it.
Thanks for the detailed comment John
@@TheGuitarShow You´re welcome :)
Outstanding! You could have almost named this video; 'really, really rare photos of the Beatles'
Thanks!
Actually, those photos have all been around for many years, published in various books and magazines.
@@drutgat2 😴
@@drutgat2 aKsHeWaLlY
No one likes a know it all.
Amazingly informative video that must have taken hours of hard work to research and compile all the information, but I dare bet that non of The Beatles had any idea what valves or indeed anything about the amplification they used.....they just wrote and played their amazing music for us all. Congratulations on this awesome historic video.
Fascinating. I almost fell out of my chair when I heard Brian Epstein asked for 25% but Brian got stuff done and made himself worth it.
Col. Tom used to get 50% with Elvis
Thanks! I think 20% is the going rate for managers
Peter Grant and the 4 of LZ all split it evenly 5 ways, aside from writing credit royalties of course. It should be noted he was the first to get the band 90% at their venues and their unprecedented deals at Atlantic, he believed in Jimmy's plan and didn't eat then alive,, which he could have.
then he gave the beatles away when they went stateside. 25 percent and gave 75 percent to the venues, its written that the guys in the u.s. were shocked, they were expecting maybe 20 percent. epstien got it backwards
A lot of so called managers were mostly booking agents. One band I was in was paying our so called manager 25 percent commission on every job. Back then I thought it was a rip off. We were playing Fraternity house gigs back then too, and the President of the fraternity told me he had "Sent the deposit to our manager and the check he gave me was the balance". Our so called manager was a crook. We caught him and I FIRED him. I called him a Thief and told him to take a hike.
Thanks for bringing back some great memories. I worked at Brian Kelly's repair shop on Stuart Rd. Waterloo, Liverpool in the 60s. The shop was called Alpha Sound Services and we used to service all the gear from whichever bands were either local or in town for a gig. Most bands (groups) were appearing at Allinsons Theatre Club in Litherland and Brian Kelly Also ran the Litherland town hall dance club where he would book The Quarrymen, Gerry and sometimes Beryl Marsden, The Merseybeats, Billy J Cramer and ocationally an "out of town" act. Several would be on the same bill for 10 shillings entrance fee. Most amps were single end record player types (EZ Rectifier) with one ECL 84 Triode Pentode (pre-amp and main am in one envelope). Later Guitar amps used ECC 83s as Phase splitters and 2x EL84s as a push pull output stage and then remarried the top and bottom halves through the output transformers. Power output increased later on using EL34s as output with a 400v DC HT line and a negative 32v feedback circuit. I remember repairing amps with CREAM stenciled on them but I was so into The Beatles that I did not realise who's amps they were until I moved to the states and was told by my American Wife. I still have lots of great stories of those times and Marshall Ams.
Thanks for the amazing comment
Wow! A privilege to just read your story man! Loved it.
@@whydahell3816 thanks
I agree with Scuba Do, great to hear of the times and of the days. Been both Beatle and Cream fan from the 60s and now a vintage guitar enthusiast and collector. I'd love to be able to have been in the 'hood during those times. And you brought us there.
Great history!
Wow! So much more technical information than I had expected. I really appreciate that the research was done to determine exactly what kind of tubes were used in the pre and power amp stages of each amplifier. Very interesting!
Thank you!
Wow, I thought I saw all the photos of The Beatles and 90% of the photos here I've never seen! I really appreciate the time it took for this amp documentary! Bravo!
Pleasure Kevin
Yes, I agree.
Some of those pictures I had in my stack of Beatle cards.
Seeing those lovely old units reminded me I need to buy more De-Oxit. 😸
I was thinking of my Super Beatle and slave Power Amplifier. The xlr speaker jacks were all green when I pulled them out recently, I didn't bother trying to plug them in, I know it won't work without some scrubbage. These are almost as old as me, I probably ought to put in new capacitors, before I let the smoke out of something else.
Yup, formerly known as Cramolin. Can't be beat.
Thanks for taking the time to make this series, Brilliant.. !!
Excellent piece. Your hard work is much appreciated.
I've owned and played darn near every Fender amp since 1960. We all started small in the early '60s, and built up to the Showman amps. I still have (and play)my 1966 Bandmaster. I dreamed about but never acquired any Vox amp. I only wanted one because I would see a wall of Vox amps on the stage whenever any British group (Beatles, Stones, DC5, Hermans Hermits, Clapton, Yardbirds) play on stage or on TV in the USA!
I always wondered how they managed our 120 volt power outlets in the USA when all those British VOX amps required 220 volts, 50 Hz power? None of my amps had an option switch on the back!
In those days, the BAND provided all the sound for instruments, the 'house' generally provided mikes and house PA speakers for the vocals! Hence, we all learned to set up monitor speakers facing the band at our feet so we could hear what the audience was hearing as we sang!
These days... I see guitar players showing up all around Las Vegas venues with NO AMP at all! They may have a foot-pedal set-up, but expect to plug into some house provided amplification system, along with mikes for vocals.
At best these days, about all you'll see on stage for live performances are some very small (i call them Practice) amps. A tiny Fender 10-15 watt amp (I have a "Frontman 15R" Fender amp) and we hope they will put a microphone in front of it and feed it to the sound man in the back of the room and he'll put it on the big house speakers with the vocals!
Its a crazy world of guitars and amps these days, especially if you are in the live show business.
I'd like to break out my old wems but their just to damn powerful
May I ask, in your opinion, when(IF?!)you think there will be live performances from unsigned bands happening in Vegas again..? 👍
This is the best in depth detailed cover of the Beatles amps ever made! Great job. Love it.
Thank you for the history! I love learning from and trying to go back to the roots!
Fantastic video!!! Great back story on the tech behind the Beatles sound. Thank you!!!
Excellent! I love it that the guys went to somewhat bigger amps to cut through the screaming. Great video.
So guitar amplification grew with "The Beatles". What else did they influence and inspirate about which we don't yet know?
What a gig, though: struggling at the beginning, having to "nick" an amplifier, struggle to afford guitars -- to biggest band in the world, and all the amplifiers and guitars one could want for FREE!
Wow... never have seen a video as in-depth as this. Excellent!!
Thank you. A tremendous amount of research went into this. I was impressed enough to subscribe.
I dug the pic of young Mal Evans and the screen time he held, it wasn't lost on me.
Oh listen to that Mal............ohhh look out!
So interesting and filled with wonderful details. Terrific!
Pleasure
That was amazing. Thorough, informative, and interesting.
Excellent video Ramon!! i can tell you put a lot of work into making these videos, which is very much appreciated. cheers
We were Canadian Beatle fans. Had a folk band, not quite up to the Beatles stature, but were trying. We though Vox was the key to our success . Our lead guitar had a Super Beatle amplifier with wawa pedal, I had a Vox Jaguar organ, and our drummer had a Ludwig kit with Weather King skins. We also had the smaller Essex Base and the Vox PA system with Ampeg Amp. We had done a good job at convincing Detroits Capital records affiliate that we had talent, but it just wasn't true. We were once told we had one song that stood out.... but it was "I am a rock", by Simon and Garfunkel. We even tried having jackets made out of Vox cloth... no success. Loved the Beatles, sad that we never made it. Met lots of bands that went on to fame, but not us. Great times, great video!
Great comment thanks
@@TheGuitarShow I had a Vox Essex bass amp combo, with 2X12 and a chrome stand; it was a Thomas Organ solid-state amp, and it was crap; when you turned it up, it crackled, and they could never figure out what caused the noise. I traded it in for a Traynor Custom Special amp with an 8X10 cabinet., which was a fair bit better; at least it was a tube amp. The amps sold in Canada were the Thomas Organ versions, which were mostly solid-state, if not all of them. I lived in Toronto, and you couldn't get a British-made Vox. Years later, I got a 65 AC-15, made in England, which I still use and is very loud. It has seven tubes and a tube rectifier. I'm negotiating with a friend at the moment for a 63 AC-15. The AC-30s are too heavy to be carrying to gigs; don't have any roadies anymore. I'll never sell the AC-15; it's a keeper and sounds great. One warning: the metal surrounds in the Old Vox amps aren't wide enough to fit the newer EL-84s, which are wider than the old ones; nobody ever mentions that. I had to get the holes drilled out wider.
I'm glad this video was made. As a Beatles aficionado and owner of some of these amps, I was impressed that the Vox Foundation was mentioned. This bass amp was used by PMC for a short time but is usually overlooked in any type of retrospective. Great job! Thank you.
Great research and brings back many teenage passions at the time great rare pics too brilliant stuff
Thank you for your unique perspective on the history of the Beatles. I thought I had seen it all but was so surprised by your early photos of the pre Beatles. I loved looking at this thru the detached lens of specs rather than the standard story we have come to know. Thanks very much.
the fotos of the very early pre beatles bands are very interesting.....you can actually sense and feel the talent and determination of John, Paul and George to play "their" music...it will be a long time yet for talents like that to be seen or heard again.....and all that with bare minimum of "equipment"......:-)
Great comment thanks
It's because they had that secret ingredient called talent, which most people now lack...
Great video. Very well researched, good details and very well sourced photos.
Many thanks indeed
I absolutely love this information. Thank you so much for your research.
You do such an excellent job of making so many repetitious numbers sound interesting! The photos are priceless. Nice to get some behind the scenes info on my Four Big Brothers I grew up with! I remember laying on the couch after school every night, listening to The White Album over and over, while memorizing the lyrics from their insert songsheet. Thank-you!
Very engaging! Amps could really define a band, as we all found out in the years that followed.
Thanks I have been waiting for this video for a long time great job
Thanks
Just amazing. Well researched.
Many thanks Ramon, great job!
Wow! That is a lot of very interesting details. Cheers from Las Vegas.
Thanks
Brings back memories of the last band I was in. Had 2 Super Beatles, a Buckingham and a Fender Bassman.
Nice!
Great setup! All you needed was a precision bass with an Acoustic amp (or similar), a B3 Hammond and a Leslie, and a good drum set The sound of the sixties!
john frye You guys had some money! That gear wasen't cheap!
Jack OBoyle Cool.
Non-musicians never had the thrill of performing and having people applaud you.
Where was Evergreen park high?
Wonderful documentary! Thank you for doing all the hard work!
Wow, amazing detail! Well done sir.
what a great video... I love that there was this "vague" era of amplification where there wasn't much difference between vocal PA and guitar amplifiers. It was simply, "how can we amplify the band?". How magical. (edit: I recently just started looking for an all tube, hi powered amp... and I was so surprised to learn that you can play guitar through pretty much any amp, even fender PA amps. An Ampeg SVT although meant for bass, plenty of guitars have gone through them. I guess that's what the early days were like... an amp is an amp is an amp).
Great comment and thanks for watching 🙏🎸
The first rule is there are no rules. It really gets crazy when you start chaining them together various ways. I play a Reissue Deluxe Reverb and would recommend to anyone. Had it 18 years going. The reverb is so lush I use it on vocals occasionally.
Terrific research and detail presentation. Thanks, Ramon!
Pleasure
very thorough job ramon....as always.....but i really enjoyed this.....thanks for all the work.... vox really knew how to keep a customer happy in those days
Terrific post. Thank you for sharing. Very informative.
Well done, Ramon, well done. Most enjoyable. Bravo.
Pleasure bro
Watched it Monday early morning made my day ! Thank you
Pleasure Franco
Nice work man, thanks ! Cheers
Amazing details. Well done!
That was really interesting - the info on the amps and the photos, most of which I have never seen, made this quite enjoyable for this Beatle fan.
Many thanks indeed Andrew
Thanks Ramon! A lot of hard work went into this!
Thanks Billy
Well done, this was really a treat!
Brilliant info for us Beatles fans...Well documented and put together vid...Thank you
So amazing how things were in the old days, great video! Really enjoyed it :-)
Many thanks Max
Thank you!!
excellent documentary! Job well done!
Nice work!!
Very interesting.
My first amp was an ELPICO which gave a very clean sound..The next was a Selmer grey amp with 2 chyannels and 4 inputs.This was also a clean sweet amp but with not much "bite"I think I had a vox transister amp next with more bite but not a sweet sound'One day in 1968 I discovered the FEnder Super Reverb,and I immediately "found my sound" A great clean amp but with bite.I had the very best complete rhythm sound via a Gibson 330 guitar.
We had two guitars and I was rhythm bass and harmony.the settings were as follows.
Rhythm channel Volume 4, treble 8, bass(very critical) around 4.Too little =no bass,too much=booming.All due to 4 10inch speakers giving a good bass bottom.treble boost switch ON .Guitar neck pickup volume 8, tone around 4 (may have been other way round?) Folk would not believe I had no bass player.We used to have 1500 ballroom dancers in great room of grosvenor house hotel Parl Lane London dancing to just my rhythm guitar,two mikes voices into Carlsbro PA 60 watt no monitors.How times have changed !
Chyannels?
Really like the series
Thanks Maurice
I am watching this again - what a labour of love this video is ! Typical of The Guitar Show !!!
Your attention to detail is astounding. Subscribed.
The last amplifiers used by The Beatles were proudly made in my hometown of Fullerton, California USA, by Fender Musical Instruments Corporation, along with the famous electric guitars Fender Telecaster and Stratocaster.
My Vox AC30 was made, as far as I can establish, in about November of 1963. Makes you wonder who first owned it.
Yes indeed you never know!
Lee harvey Oswald
It was Gary Glitter
@@billystinker Ahahaha hahahahah
This gives me chills. ❤️
Man!! Super precise and informative I didn't realize honestly what most of the VOX amps even were until I watched , they basically create the half stack for the Beatles that's nuts , but I can see why they would go with the twins in the end, it's insane to me that the rooftop was the last time they ever played live like ever ... Love the Beatles
@The Guitar Show , excellent technical research work on your part. I'm sure McCartney and Starr, still today, would commend your great historical documentation here. It would be interesting and entertaining to hear them interviewed today, as inspired by this excellent video that you have produced. Thanks so much for this.
Very in depth history here. Thanks.
Was told a few years ago the outro to Birthday was Paul switching the top boost circuit off and on while the note decayed. Great tone on that track, what ever was used.
That's right I read that also, theres a similar story of the engineers doing the same to create the flanging effect on while my guitar gently weeps on the EMI mixing board.. He said it was a boring job as he had to twiddle the knob all day long until they finished the mix.
I think it was sweeping between the settings of the MRB (mid range boost) circuit.
@@TheGuitarShow The flanging was done by sending the signal to a second tape machine and varying the speed via a separate knob. This set-up was originally designed by Abbey Road engineer Ken Townsend to create ADT (automatic double tracking) so John wouldn't have to spend ages doubling his vocals. They used ADT for a few vocal tracks and occasionally on guitar.
Well done, thanks for all the investigative work and detailed reporting.
Thanks Clarence
It's history and yet still refreshing to watch and learn something from it. Great job!
Thanks so much 🙏
This appeared on my feed so I watched and enjoyed... but then found that this channel has other fascinating videos. Peter green, Danny Kirwan... darn! Now I have lot’s of catching up to do! (Love what I’ve seen so far).
Many thanks indeed Roger
incredibly accurate, detailed, historic accounting of the world’s Greatest band, The Beatles’ equipment.
Many thanks
Wrong...The Rolling Stones own that title.
Just wanted to say Thanks. Very nice work. Subscribed, looking forward to more of your videos.
Well done on this vlog! I salute your attention to detail and content!
Thank you 🙏
Many of the stills in this video are quite interesting.
I wonder whatever happened to all these amps and also with all the complicated deals that occurred during the early days who actually really owned them. The guitars crop up at auctions or family members find one so would it be a similar outcome with the amps. Excellent and informative thank you for the time and energy spent on this I’ve subscribed.
Ramon, always great & informative. Thanks
Thank you
thank you very much !!!! such an in-depth review I must say
Thank you for a very comprehensive study. One claim gives me pause. In reference to the AC100s used at the BBC on July 28 1964, are you quite sure that EL84s were installed? For 100W output, would these not have been EL34s? In the photo the power tubes do not look like EL84s.
Brilliant research! Thanks from California US of A. The AC30 is a beast of power. I can't imagine the Beatles live in the Cavern. It must have been very loud! I own an AC15C1 and it sounds terrific. Beatles and Fender! OMG! Its a creamier sound overall, no mids.
Yes the cavern gigs must have been amazing. Thanks for watching
Terrific documentary! Very well done!!
The amp I always loved best was the Vibrolux with the twin 10 speakers. Cranked up, the tone was awesome but I little under powered for live work. I traded this up in 1971 for the twin reverb. I still have it but by the time I was 27, I was told by the quacks I had hearing loss and gave music away. Not long ago, my son started playing, so we resurrected the old amp after it blew up turning it on, putting in matching valves, a transformer an several new capacitors. Even with Standard Fender speakers, it still has an amazing tone.
Great compilation. Some of those amps (e.g. Sgt. Pepper era) must have sounded dreadful in isolation but all play a crucial part in the Beatles story.
Brilliant unfussy delivery of material assembled with real scholarly finesse. The slow montage of stills illustrating the gear would be interesting in itself but you’ve added so many valuable insights and much obscure historical information. It would be good to know what Harrison, McCartney and Lennon thought of their solid state alternatives to valves. These videos are a genuine contribution to knowledge and took great skill and hard work to put together. Thank you. It’s all the better to praise them knowing you are a superb guitar player.
Incredible research! Thanks, really interesting!
Made my day ❤