The Rolling Stones - Brown Sugar - Drum Only
Вставка
- Опубліковано 10 лют 2025
- Brown Sugar - Drum Cover
• The Rolling Stones - B...
Gear
YAMAHA Beech Custom
22",16",12"
Pearl Masters Custom
14"×6.5" (4ply Maple w/Reinforcement)
Zildjian 16" Hi Hat
Top (80s Medium Thin Crash)
bottom (70s Medium Heavy Crash)
T Cymbal Swing King 22"
Cover
Drum Cover
Rolling Stones
Rolling stones Cover
The Rolling Stones
The Rolling Stones Cover
charlie watts drum cover
charlie watt cover
ザ ローリング ストーンズ
ザ ローリング ストーンズ カバー
ザ ローリング ストーンズ カバー バンド
ローリングストーンズ
ストーンズ
Sensacional a sua forma de tocar essa música!
Ficou excelente!
Parabéns.
Oooooo❤ Bless YOU..thanks
Great work. Sounds amazing
Great performance 🔥!! I liked !!
You kick the ball.
RIP Charlie
😢…
Well done.
well done
thank you！
There are songs charlie hits high hat and snare just changed his style 😅
Kuwahata's good tonite
You need a sound clicker bro, otherwise, you'll be flying I see you got what it takes and then you can do anything you have in mind it's that simple, and if you have rhythm in your inner self!! good luck with your drumming!
🙇♂️
Charlie Watts never learnt how to to hit the high-hat and the snare drum at the same time. Technically 'wrong' but absolutely part of his 'sound'. Try re-doing it and see what I mean.
Thank you for your comment.
As far as I can see in the videos and interviews, the snare drum and hi-hat are hitting at the same time until around 1975.
It was at some girls in 1978 that the playing style of tim castle's snare drum and hi-hat was not hit at the same time. (Some of the sound sources are experimentally played during Paris in 1970.)
Charlie Watts (1969-1970) at the time of this cover video is hitting at the same time.
I don’t think that’s true. In the earlier days - on the first two albums for example - he played ‘conventionally’ : Route 66, Flight 505 and most of the other tracks would have been played similarly by most of the decent drummers in the popular groups of the time. It was when the Stones developed from being R&B revivalists into a band with an unique style, that Charlie developed that unique drumming style which was right for the Stones - but probably wouldn’t have been right for anyone else. That happened quite early. For me, Paint it Black was probably the first example. How many of his contemporaries would have had the discipline to maintain that very basic rhythm throughout without resorting to at least the odd fancy fill? That set the tone for Charlie’s rock solid drumming on the likes of Gimme Shelter, Sympathy for the Devil, Tumbling Dice etc.which was every bit as distinct a feature of the Stones sound as Jagger’s singing, Richards’ and Taylor’s guitar and Bill’s brilliant but sadly relatively short lived bass.
WHY！？
Wrong
thank you！！