(kshIra) sagara shayana vibho prabho.... MDR's famous kriti in Bageshri ragam, originally a Hindustani classical ragam which was said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the 16 th Century ! By 20th Century Bageshri was found popularity in Carnatic Music form. Here the vocalist''s rendition with the requisite devotion is excellent in deed! But he skipped the Chittasvorams which rightly adds value to the kriti. Now a days vocalists think that they have the preemptive right to ignore Chittiasvorams!..what ever be the reasons.,say lack of time or even their appetite!... Are they not aware that the great composers have penned their keerthanas with their prerogative to praise the deities mentioned in it and those who use the same for any recitals have a moral obligation to ritually follow the composer's doctrines? For info......Let me write on use of this ragam Bageshjri by a Music Director-Ramchandra Narhar Chitalkar, known as Just C..Ramachandra initially in Hindi films......for example the popular song-'Radha na bole' - in Film-'Azad'/of 1955. In a 1978 interview at BBC studios with Mahendra Kaul (a Kashiri Pandit, famous Radio Presenter with Radio Kashmir , then with 'VoA' in U.S and later on at BBC), he ascribed the reason to Bageshri's simplicity.! Ramachandra similarly provided a memorable musical score accompanying a competition between two dancers whose roles were played by Padmini and Vyjayanthimala for the song Kannum Kannum Kalanthu lyrics penned by Kothamangalam Subbu, sung by P. Leela and Jikki in the Tamil movie 'Vanjikottai Valiban' (1958). He remade the song in Hindi as "Aaja Tu Aaja" from Raj Tilak (1958) written by P. L. Santoshi where Asha Bhosle and Sudha Malhotra rendered their voice. Wonderful rendition by Ramakrishnan Murthy ...Chittasvoroms would have added beauty to the melodious rendition....Best wishes!
Thanks for the details. This composition by MDR was an inspiration after listening to Parveen sultana at Mumbai the same ragam. That night MDR made this and presented the next day at the same venue. Vellore Ramahadran (Mridhangam) has recollected this.
What do you say if this krithy is not by MDR but he altered it and added his mudra into it !!! Is there a chance? He was famous in altering and singing many krithis !!! I am not saying anything conclusive but listen to it again and again and pls give an openion. What do you say about this ???
Come on, don’t sit and preach. If you can do a better job tham the singer, then do it and post it on UA-cam. Rest of your blah blahs are just that, blah blahs and we are not amused.
Very good rendition of bagsree raga song by ramakrishnamoorthy I am always hearing his concerts from UA-cam. Very good musicion. God bless him.
tWhat a voice. One of the best among the best fromthis young generation singers. God bless him
Wonderful. Very pleasant rendition. God bless you brother RKM. The violin was amazing too🙏
Brilliant rendition of SAGARA SAYANA VIBHO by Sri Ramakrishna Moorthy
Very nice beautiful raag Bageshri should b sung in RTP for at least 45 minutes to do justice
Beautiful rendition
Excellent.... brilliant... divine... all the best
Superb
Very good rendition of bagesri raga and song.god bless him
very melodious brother i like ur singing style
Divine!🙏
Most pleasing indeed.
brilliant brilliant
Very nice to hear such a beautiful song from a young talented Ramki
Melodious excellent
Super anna❤️. Beautiful ☺️😍😍
I am much addicted to this one kirithi of mdr.Heart melting verses too
very pleasent voice
Excellent composition & equally well rendered 👏👏
Divine ..... Excellent.....Thanking you ....
👌👌👌Well sung
Adore and admire you. A big fan of your singing style
Excellent...
Melodious
Brilliant upload NK
(kshIra) sagara shayana vibho prabho.... MDR's famous kriti in Bageshri ragam, originally a Hindustani classical ragam which was said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the 16 th Century ! By 20th Century Bageshri was found popularity in Carnatic Music form. Here the vocalist''s rendition with the requisite devotion is excellent in deed! But he skipped the Chittasvorams which rightly adds value to the kriti. Now a days vocalists think that they have the preemptive right to ignore Chittiasvorams!..what ever be the reasons.,say lack of time or even their appetite!... Are they not aware that the great composers have penned their keerthanas with their prerogative to praise the deities mentioned in it and those who use the same for any recitals have a moral obligation to ritually follow the composer's doctrines?
For info......Let me write on use of this ragam Bageshjri by a Music Director-Ramchandra Narhar Chitalkar, known as Just C..Ramachandra initially in Hindi films......for example the popular song-'Radha na bole' - in Film-'Azad'/of 1955. In a 1978 interview at BBC studios with Mahendra Kaul (a Kashiri Pandit, famous Radio Presenter with Radio Kashmir , then with 'VoA' in U.S and later on at BBC), he ascribed the reason to Bageshri's simplicity.! Ramachandra similarly provided a memorable musical score accompanying a competition between two dancers whose roles were played by Padmini and Vyjayanthimala for the song Kannum Kannum Kalanthu lyrics penned by Kothamangalam Subbu, sung by P. Leela and Jikki in the Tamil movie 'Vanjikottai Valiban' (1958). He remade the song in Hindi as "Aaja Tu Aaja" from Raj Tilak (1958) written by P. L. Santoshi where Asha Bhosle and Sudha Malhotra rendered their voice.
Wonderful rendition by Ramakrishnan Murthy ...Chittasvoroms would have added beauty to the melodious rendition....Best wishes!
Thanks for the details. This composition by MDR was an inspiration after listening to Parveen sultana at Mumbai the same ragam. That night MDR made this and presented the next day at the same venue. Vellore Ramahadran (Mridhangam) has recollected this.
What do you say if this krithy is not by MDR but he altered it and added his mudra into it !!! Is there a chance? He was famous in altering and singing many krithis !!! I am not saying anything conclusive but listen to it again and again and pls give an openion. What do you say about this ???
Come on, don’t sit and preach. If you can do a better job tham the singer, then do it and post it on UA-cam. Rest of your blah blahs are just that, blah blahs and we are not amused.
Mr.Narayan Kumar: Charanams2, 3 and 4 do not belong to this composition.
You don’t pick up your pace of pleasant singing from the start.